Patricia Lawrence Movies
This television mini-series sequel to A Woman of Substance finds aging businesswoman Emma Harte (Deborah Kerr) preparing to hand over her empire to granddaughter Paula Fairley (Jenny Seagrave), much to the dismay of the rest of the family. ~ Jason Ankeny, All Movie Guide
- 1985
This Australian TV movie is a sequel to the internationally distributed miniseries Tenko. In the year 1950, several former female inmates of Tenko, a Japanese POW camp, stage a reunion in Singapore. Each of the women discusses how their years under the thumb of the Japanese have altered their lives. Suddenly, the group is taken captive by Communist bandits-and it's 1942 all over again. Several of the stars of Tenko (Stephanie Cole, Patricia Lawrence, Emily Bolton, Elizabeth Chambers et. al.) made encore appearances in Tenko Reunion. For the record, the original Tenko has been shown in the US on the A&E and History Channel Cable Services. ~ Hal Erickson, All Movie Guide
- 1976
One of the most controversial works by author Dennis Potter, best known for Pennies from Heaven and The Singing Detective, the searing drama Brimstone and Treacle centers around the heavily troubled Bates family. The marriage between Mr. and Mrs. Bates is rocky, and both are suffering under the strain of caring for their mute, handicapped daughter Pattie. When a mysterious stranger arrives, they welcome him as a surrogate member of the family, especially pleased by his eagerness to help care for Pattie. Martin, however, is not all he appears to be -- indeed, the film ultimately suggests that he may be the devil himself. Potter uses the archetypal scenario of the supernatural visitor to explore the ambiguities of good and evil, as some of Martin's demonic acts have unexpectedly positive effects. Though originally made in 1976 by director Barry Davis, Brimstone and Treacle was subject to a last-minute ban by the BBC, which termed the film "diabolical." As a result, the film was not broadcast until 1987 -- 10 years after the script had been performed as a stage play and five years after the theatrical release of a lesser remake featuring Sting as the enigmatic stranger. ~ Judd Blaise, All Movie Guide
One man's dreams of success take him on a Byzantine journey through the various stations of the British class system in this politically charged black comedy from director Lindsay Anderson. Mick Travis (Malcolm McDowell) is an ambitious young man who is looking to get his foot on the first rung of the ladder of success by landing a job as a salesman. After the death of Imperial Coffee's leading drummer in the North, Travis' charm and enthusiasm so impresses manager Mr. Duff (Arthur Lowe) that he's given the job, and after some coaching from Gloria Rowe (Rachel Roberts), Travis sets out to find his fortune in the coffee trade. Travis' desire for success quickly sets him on a curious odyssey in which he happens upon a secret sex club for businessmen, finds himself the subject of random seductions by lonely women, is captured and tortured by military intelligence agents, submits to medical experiments at a bizarre private clinic, hitches a ride with a traveling rock band led by former Animals keyboardist Alan Price, falls in love with a beautiful young bohemian named Patricia (Helen Mirren), goes to work for her father (Ralph Richardson), who happens to be a singularly corrupt political figure, and eventually lands in prison after he's implicated in a deal to sell chemical weapons to the Third World. As Mick's strange tale progresses, we periodically visit Price and his band in the recording studio or rehearsal hall, as they work on songs which serve as both mirror and counterpoint for Travis' progress. O Lucky Man! was the second film in which Malcolm McDowell would portray Mick Travis for director Lindsay Anderson, following If..., and preceding Britannia Hospital; the film's surreal undercurrent was reinforced by the casting, in which nearly all of the principal actors play two or three roles. ~ Mark Deming, All Movie Guide
- Starring:
- Malcolm McDowell, Ralph Richardson, (more)
- 1973
Based on the novel by L. P. Hartley, The Hireling is a dissection of antiquated but hardly dormant British class distinctions. Chauffeur Robert Shaw is in the employ of aristocratic widow Sarah Miles. When she suffers a nervous breakdown, Shaw helps her through her recovery. They grow to love each other during the convalescence; but when she is cured, Ms. Miles refuses to regard Shaw as an equal, and the original status quo is reinstated. The Hireling provides an interesting contrast to the similarly structured American film of 1991, Driving Miss Daisy. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Shaw, Sarah Miles, (more)
- 1964
This rock'n roll drama featuring British pop band Gerry and the Pacemakers, is a quick knock-off of The Beatles' A Hard Day's Night. The film features a situation in which the band loses their instruments. It also chronicles the history of the band via flashback. The band members are seen meeting each other in art school and forming a band. They barely manage to eke out a living playing at The Cavern. There they meet a useful young woman who helps them find a manager. After the band wins the European Beat competition, their rise is assured. Also appearing on the film are a couple of other Liverpool bands. Songs include: "Ferry Across the Mersey" and "It's Gonna Be All Right." ~ Sandra Brennan, All Movie Guide
- Starring:
- Gerry Marsden
- 1956
Writer/artist Roland Searle's diabolical "belles" of St. Trinian's Girls School return in this raucous British comedy. Because the girls cannot behave themselves, their headmistress (Alastair Sim in drag!) has been thrown in jail, and the school is surrounded by police and army troops. The students escape their durance vile by winning an all-expense-paid trip to Europe (by cheating, of course). While laying waste to the Continent (with Terry-Thomas driving the bus), the girls are enmeshed in a diamond theft instigated by the father (George Cole) of one of the students. The film ends with an elongated water polo game, played with the ladies' usual sense of sportsmanship and fair play. In the 1950s and 1960s, the "St. Trinians" series was as popular a British movie attraction as the "Carry On" films--but unlike "Carry On", they don't play quite as well with American audiences. ~ Hal Erickson, All Movie Guide
- Starring:
- Terry-Thomas, George Cole, (more)
One of the best Ismail Merchant/James Ivory films, this adaptation of E. M. Forster's classic 1910 novel shows in careful detail the injuriously rigid British class consciousness of the early 20th century. The film's catalyst is "poor relation" Margaret Schlegel (Emma Thompson), who inherits part of the estate of Ruth Wilcox (Vanessa Redgrave), an upper-class woman whom she had befriended. The film's principal characters are divided by caste: aristocratic industrial Henry Wilcox (Anthony Hopkins); middle-echelon Margaret and her sister Helen (Helena Bonham Carter); and working-class clerk Leonard Bast (Sam West) and his wife (Nicola Duffett). The personal and social conflicts among these characters ultimately result in tragedy for Bast and disgrace for Wilcox, but the film's wider theme remains the need, in the words of the novel's famous epigram, to "only connect" with other people, despite boundaries of gender, class, or petty grievance. Filmed on a proudly modest budget, Howards End offers sets, spectacles, and costumes as lavish as in any historical epic. Nominated for 9 Oscars, including Best Picture and Best Director, the film took home awards for Thompson as Best Actress, Ruth Prawer Jhabvala's adapted screenplay, and Luciana Arrighi's art direction. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Hopkins, Emma Thompson, (more)
Adapted by Ruth Prawer Jhabvala from the novel by E.M. Forster, A Room with a View is a shining example of Merchant-Ivory's ability to achieve maximum quality and opulence at minimum cost. Set during the Edwardian Era, the film stars Helena Bonham Carter as Lucy Honeychurch, who like all proper young British ladies is compelled to tour Europe in the company of an older chaperone -- in this instance, her spinster cousin Charlotte Bartlett (Maggie Smith). While in Italy, the ladies make the acquaintance of a wide variety of personalities; the most fascinating of their fellow tourists -- at least in Lucy's eyes -- is free-spirited George Emerson (Julian Sands). Aware that her cousin is becoming too familiar with Emerson, Charlotte demands that Lucy return to England posthaste. Lucy complacently settles for the tiresomely traditional courtship of nerdish Cecil Vyse (Daniel Day-Lewis) -- and then Mr. Emerson moves into the neighborhood. Lucy now finds herself on the horns of a dilemma: Should she opt for a safe, proper marriage to Cecil, or the bohemian unpredictability of the charismatic Emerson? A winner of three Academy Awards, A Room with a View is not what one could call fast-moving, but fans of the Merchant-Ivory team will enjoy luxuriating in the film's leisurely pace and stimulating cast of characters. ~ Hal Erickson, All Movie Guide
- Starring:
- Maggie Smith, Helena Bonham Carter, (more)
