Mary Lawrence Movies

This third film version of the lachrymose Fannie Hurst novel Back Street stars Susan Hayward as Rae Smith the role previously essayed by Irene Dunne (in 1932) and Margaret Sullavan (in 1941). In both earlier films, Rae Smith sacrifices 28 years of her life to her married lover, who can never get a divorce and who compels Rae to squirrel herself away in a shabby back-street apartment. In contrast, Susan Hayward's Rae Smith is a fiercely independent fashion designer, whose fidelity to the very married John Gavin doesn't retard her livelihood in the least. Vera Miles makes a meal of her supporting role as Gavin's shrewish, alcoholic wife. Though cinematographer Stanley Cortez does his utmost, he can't completely hide the fact that Hayward is at least ten years older than her costars, making her seem more of a doting aunt than the "other woman" (the film might have been more effective had Hayward and Miles switched roles). Its plot inconsistencies and logic lapses notwithstanding, Back Street proved to be another hit for producer Ross Hunter. ~ Hal Erickson, All Movie Guide

David Manning (John Collier), an old friend of Beaver's who now lives several miles away, invites Beaver (Jerry Mathers) to his birthday party one week in advance. Alas, by the time seven days have passed, Beaver has forgotten all about the party and has gone of on a photo-taking excursion with Larry (Rusty Stevens). Frantically, Ward (Hugh Beaumont), June (Barbara Billingsley), and Wally (Tony Dow) scour the town in search of the absent Beaver, who will ultimately be forced to make a difficult decision to avoid hurting David's feelings. ~ Hal Erickson, All Movie Guide

Happy-go-lucky photographer Bob Collins (Bob Cummings) continues to ardently pursue his lovely models -- and for that matter, any other lovely lady who tickles his fancy -- as Love That Bob (originally The Bob Cummings Show) enters its third season. Also still on hand are future Brady Bunch co-star Ann B. Davis as Bob's "gal Friday" Schultzy, who secretly pines for her boss; Rosemary de Camp as Bob's widowed sister Margaret, still hoping that her randy brother will stop playing the field and settle down to marriage; and Dwayne Hickman as Margaret's son and Bob's nephew, Chuck, now an 18-year-old who is even more determined to follow in his Uncle's footsteps as God's Gift to Women (late 1956 model). New to the series is Mary Lawrence as Ruth Helm, the wife of Bob's Air Force Reserve buddy Harvey Helm. Fully aware of Bob's reputation with the opposite sex, jealous Ruth keeps Harvey on a short leash, but she can't censor the gleam in her otherwise 100 percent faithful husband's eye whenever he gets a gander at Bob's harem of lady friends. Also conspicuous by her frequent appearances this season is Nancy Kulp as gangly bird-watcher Pamela Livingston, who'd like to feather Bob's nest someday (this character is virtually a "dress rehearsal" for Kulp's more famous role as Jane Hathaway on The Beverly Hillbillies, which like Love That Bob, was executive-produced by Paul Henning).
And finally, there are several more appearances this season by Bob's aged but spry grandfather Josh Collins, who is even more of a wolf than his grandson. (Both Bob and Josh are, of course, played by Bob Cummings.) Ol' Josh is in fact the focal point of the season opener, "Grandpa Meets Zsa Zsa" -- and it is surely unnecessary for us to mention who "portrays" Zsa Zsa! Of Season three's 35 episodes, several stand out. "Bob Clashes With His Landlady" is a film buff's dream, offering a romantic pairing of Amazonian character actress Hope Emerson and dialect comedian El Brendel. "Bob Meets Miss Sweden" introduces a new recurring player, real-life Miss Sweden Ingrid Goude." Former child actress Bonita Granville, on the verge of becoming co-producer of the TV series Lassiewith husband Jack Wrather, plays the cousin in "Bob Meets Schultzy's Cousin." And "Chuck at College" was originally intended as the pilot episode for a spin-off series starring Dwayne Hickman; though no such series materialized at the time, Hickman would eventually headline his own sitcom, Dobie Gillis. ~ Hal Erickson, All Movie Guide

Natalie Wood plays what was touted as her first "grown up" role in the tense melodrama A Cry in the Night. Based loosely on the Caryl Chessman case, the film showcases Raymond Burr as a psycho who stalks and attacks young couples on Lover's Lane. Overpowering Wood's boyfriend, Burr kidnaps the girl and locks her up in a seedy one-room apartment. Though he barely lays a hand on her, Wood has every reason to be terrified of her captor, who has a disturbing habit of brutally killing small animals. Meanwhile, Wood's police-captain father Edmond O'Brien brusquely ignores all manner of civil liberties as he and fellow officer Brian Donlevy turn the town inside out in search of the girl and her abductor. Carol Veazie appears as Burr's blowsy, dominating mother, while Mary Lawrence offers an interesting characterization as Wood's plain-Jane sister, who is jealous of all the attention showered on her missing sibling. Cry in the Night is a surprisingly lively offering from the normally uninspired director Frank Tuttle. ~ Hal Erickson, All Movie Guide

The lady of the title is author Dorinda Hatch (Joan Caulfield), who writes a scathing best-seller in which she trashes all men. Photographer Bill Shelby (David Niven) vows to make Dorinda eat her words, thereby proving the superiority of the male of the species. Suffice to say that he doesn't succeed--at least until the very, very end. The middle portion of The Lady Says No consists of a surrealistic dream sequence in which Dorinda realizes that she loves Bill despite his rampant chauvinism. This film is not a likely candidate for screening at the next N.O.W. meeting. Lady Says No was produced and directed by Frank Ross, who at the time was married to star Joan Caulfield. ~ Hal Erickson, All Movie Guide

The Sound of Fury is better known by its general release title, Try and Get Me. Based on Jo Pagano's novel The Condemned, the film recreates a dismal chapter in American history. In 1933, the otherwise peace-loving citizens of San Jose, CA, were stirred up by blind hatred into forming a mob and lynching two accused kidnappers (this same incident was fictionalized in the 1935 Fritz Lang film Fury). Frank Lovejoy and Lloyd Bridges play a couple of down-and-outers who kidnap a wealthy youngster in hopes of getting a huge ransom. Things go terribly wrong, and the boy is killed. When the two kidnappers are arrested, a local journalist (Richard Carlson) inflames the populace with a series of hate-filled articles about the two prisoners. The journalist then stands by in mute horror as he watches the terrible results of his irresponsible print campaign. ~ Hal Erickson, All Movie Guide

Both Van Johnson and Gregory Peck were considered for the role of baseball star Monty Stratton in the 1949 biopic The Stratton Story before settling upon the real Stratton's own first choice, James Stewart. The film covers several years in the 1930s, as Texas farm boy Stratton rises from the minors to the Chicago White Sox. Along the way, Monty marries an Omaha gal named Ethel (June Allyson), who gives him a son. In November 1938, Monty accidentally shoots himself in the leg while on a hunting excursion. When the leg has to be amputated, it looks as though Stratton's pitching career is over. He broods over his bad luck for months before snapping out of his self-pity and learning to walk with his new prosthesis. To prove to himself that he's overcome his handicap, Monty takes a job pitching with the Southern All-Stars. His return to baseball is rough sledding (the other team persistently bunts balls out of his reach), but Monty Stratton is finally able to make a successful comeback. Only occasionally playing fast and loose with the facts (the time-frame of Stratton's real-life return to baseball is telescoped by several years), The Stratton Story was one of the best and most profitable baseball pictures ever turned out by Hollywood. Fans of the game will get an extra kick from the presence in the cast of big-leaguers Bill Dickey and Jimmy Dykes. ~ Hal Erickson, All Movie Guide

The studio concocted the film as a showcase for its 9-year-old discovery Joan Carroll, here cast as precocious Bridget Potter. Little Bridget has been willingly "kidnapped" by secretary Linda Norton (Ruth Warrick), who hopes that the girl's disappearance will precipitate a reunion between Bridget's divorcing parents (John Miljan, Marjorie Gateson). Instead, Linda's well-intentioned crime results in a film-length slapstick chase, largely involving two rival newspaper reporters (Eve Arden and Edmond O'Brien). Obliging Young Lady was directed by Richard Wallace, who as a former employee of Hal Roach Studios was well-grounded in this sort of frenetic farce. ~ Hal Erickson, All Movie Guide