Harry Lauter Movies

Granny is flattered when a cab driver named Richard Burten (the inimitable Mel Blanc) offers to give her a ride to the Clampett mansion. She is outraged, however, when Burten demands payment for his "favor." As a result, Granny decides to learn to drive -- which is how this episode earned its spell-it-out title. One of the funnier episodes of The Beverly Hillbillies' second season, "Granny Learns to Drive" originally aired on May 20, 1964. ~ Hal Erickson, Rovi

With this all-star Cinerama epic, producer/director Stanley Kramer vowed to make "the comedy that would end all comedies." The story begins during a massive traffic jam, caused by reckless driver Smiler Grogan (Jimmy Durante), who, before (literally) kicking the bucket, cryptically tells the assembled drivers that he's buried a fortune in stolen loot, "under the Big W." The various motorists setting out on a mad scramble include a dentist (Sid Caesar) and his wife (Edie Adams); a henpecked husband (Milton Berle) accompanied by his mother-in-law (Ethel Merman) and his beatnik brother-in-law (Dick Shawn); a pair of comedy writers (Buddy Hackett and Mickey Rooney); and a variety of assorted nuts including a slow-wit (Jonathan Winters), a wheeler-dealer (Phil Silvers), and a pair of covetous cabdrivers (Peter Falk and Eddie "Rochester" Anderson). Monitoring every move that the fortune hunters make is a scrupulously honest police detective (Spencer Tracy). Virtually every lead, supporting, and bit part in the picture is filled by a well-known comic actor: the laughspinning lineup also includes Carl Reiner, Terry-Thomas, Arnold Stang, Buster Keaton, Jack Benny, Jerry Lewis, and The Three Stooges, who get one of the picture's biggest laughs by standing stock still and uttering not a word. Two prominent comedians are conspicuous by their absence: Groucho Marx refused to appear when Kramer couldn't meet his price, while Stan Laurel declined because he felt he was too old-looking to be funny. Available for years in its 154-minute general release version, the film was restored to its roadshow length of 175 minutes on home video; the search goes on for a missing Buster Keaton routine, reportedly excised on the eve of the picture's premiere. ~ Hal Erickson, Rovi

In this routine western set in 1864 in Montana, U.S. Marshal Jim McDowell (James Philbrook) is trying to safely get a treasure-trove of gold bullion out East, where it will help the Union cause in the Civil War. Standing in his way are first a band of Native Americans and then some crafty outlaws headed by double-dealing sheriff Henry Plummer (Marshal Reed). Since the sheriff has insider information, he and his band of bad guys have a special hot line to what happens next. Meanwhile, Marshal McDowell is aided and abetted by his wife Rose (Nancy Kovack), a woman who married him for her own particular reasons. ~ Eleanor Mannikka, Rovi

Sue Ling (Lisa Lu), a Chinese slave girl purchased by the infamous General Tsung (Richard Loo), is kidnapped and held for ransom by low-lifes Gordon (Mort Mills) and Barrett (Harry Lauter). But when Joe Cartwright plays poker with the two kidnappers, he unwittingly ends up with Sue Ling as his "winnings." Meanwhile, General Tsung and his minions cut a murderous swath through the region in search of the missing girl. Philip Ahn also appears in this episode as Kam Lee. Written by John T. Dugan, "Day of the Dragon" was originally telecast on December 3, 1961, directly opposite the controversial Bus Stop episode "A Lion Is in the Streets" (which got all the publicity but none of the ratings). ~ Hal Erickson, Rovi

This episode draws upon the considerable talents of several TV-western stalwarts, including George Kennedy, Harry Carey Jr., Roy Barcroft and Harry Lauter. It all begins when Paladin (Richard Boone), on assignment, captures a fugitive outlaw with the help of a posse. But the case is hardly closed: with his dying breath, the fugitive bequeaths his fortune to any member of the posse who is willing to kill Paladin! ~ Hal Erickson, Rovi

This is a well-wrought action-thriller with enough menacing violence to keep a shock value high, but not enough to overcome the characters or the script. Fred Morrow (Jeffrey Hunter), a real-estate agent who stops by a bar to make a phone call, is a chance witness to a knifing by an L.A. street gang. Upset and conscientious, he picks up the phone and calls the police. Once the men in blue arrive, Fred is the only one willing to testify against the gang members -- as usual, no one else has seen anything. From that moment onward, Fred and his family are harassed as the drugged-out gang turns to any means to shut him up or to permanently silence him. Dennis Hopper is a standout as the gang's ruling villain -- the type of character he would become noted for playing -- and the rest of the gang, including singer Johnny Nash as the only Afro-American (and ultimately decent) member, are convincingly portrayed. ~ Eleanor Mannikka, Rovi

With Gene Barry already riding the video range as legendary gunfighter-turned-lawman Bat Masterson, independent producer Walter Mirisch hired old-timer Joel McCrea to play a rather less-dandified version in this routine Western released in Cinemascope. When his brother Ed (Harry Lauter) is cowardly shot in the back and killed, Bat accepts to run for county sheriff against the corrupt Jim Regan (Don Haggerty), only to learn that the real killer is someone entirely different. Not wanting the job of sheriff in the first place but only accepting to please a lady friend, the pious Pauline Howard (Julie Adams), Bat willingly breaks the law to aid an old friend (Walter Coy), almost losing both his position and his life in the ensuing shootout. ~ Hans J. Wollstein, Rovi

The Toughest Gun in Tombstone, at least according to this film, as Arizona ranger Matt Sloane (George Montgomery). Working undercover, Sloane infiltrates an all-star outlaw gang consisting of Johnny Ringo (Jim Davis), Ike Clanton (Gerald Milton), Curly Bill Broces (Lane Bradford) and several other sagebrush celebrities. His purpose: to put an end to the smuggling of silver bullion across the Mexican border. Complicating matters is Sloane's concern over his young son Terry (Scott Morrow), who is being pursued across the territory by the man who murdered Sloane's wife. Not exactly an "A" picture, Toughest Gun in Tombstone is too well-mounted to be dismissed as a "B." ~ Hal Erickson, Rovi

Spencer Tracy stars in John Ford's sentimental adaptation of Edwin O'Connor's novel about the final campaign of a big city mayor, loosely based upon the life of Boston politician James Curley. Tracy is Frank Skeffington, the political boss of an Eastern city dominated by Irish-Americans. Skeffington tries to assist the people of the city and avoids cutting political deals with the power elite. But despite his concern for the people, Skeffington has no friends, just flunkies. The Mayor is greatly admired by his idealistic nephew Adam Caulfield (Jeffrey Hunter), who writes for an opposition newspaper run by Amos Force (John Carradine). When Skeffington needs money for a loan, he asks the powerful banker Norman Cass (Basil Rathbone), but Cass steadfastly refuses. In retaliation, Skeffington appoints Cass's retarded son as an interim fire commissioner. To prevent his son from disgracing the family, Cass agrees to the bank loan. But Cass uses his deep pockets to finance the opposition's candidate for mayor. ~ Paul Brenner, Rovi

The Springdale, NE, bank is held up and robbed by a well organized gang. One of the members is Eddie Campbell (Robert Vaughn), a onetime resident of the town and orphan who was brought up in part by Ben Cutler (Fred MacMurray), an ex-lawman-turned-rancher. While pursuing the robbers, the town marshal, Hiram Cain (Emile G. Meyer), is shot dead by Campbell, who in turn is wounded and captured by Cutler. The town council appoints Cutler as temporary marshal, and the prosecution seems like an open-and-shut case -- he begins to see signs of trouble when his own daughter Laurie (Joan Blackman), who was raised with Campbell and was once his sweetheart, refuses to believe that he's guilty of the crime. Ben's fiancée, Ruth (Maggie Hayes), also feels the boy deserves leniency, but the real trouble starts when Campbell's attorney, William Selby (Edmon Ryan), shows up; he first tries to compromise the jury pool by ingratiating himself with the asking the townspeople what we would now call "push" questions, about Campbell's being an orphan and a hard-luck case all of his life, under the guise of building his case. He's also just clever enough at the trial to shake the testimony of the five other witnesses to the shooting, but Cutler's testimony is enough to put the jury into the guilty column. Then Campbell starts working on the sympathy of Laurie and the townspeople who've been persuaded by his lawyer -- it's also been a long time since there's been a capital case like this in the state, and Cutler discovers that the townspeople and even the law may not be as ready to execute a killer as common sense says they should be. Cutler's and Ruth's romance is jeopardized, and he is pushed to the point of resigning when matters come to an explosive head. ~ Bruce Eder, Rovi

In this western, the Indians claim that their government rations are being stolen and they threaten to fight back. A pair of agents look into it and bring the culprits to justice. ~ Sandra Brennan, Rovi

Pill poppin' truckers provide the focus of this anti-drug drama. Much of the story centers upon an investigator for the US Food and Drug Department who has been assigned to stop all truckers from taking amphetamines while they drive. The drivers take the pills to help them stay awake on long-hauls. Unfortunately, the "speed" is also causing major accidents. The investigator goes undercover as a driver to help find the main drug pushers. En route he falls for a beautiful woman. Unfortunately, he finds that she is one of the biggest pushers in the country. Though the film's original intent was very serious, it has become popular with fans of campy or cult films. ~ Sandra Brennan, Rovi

Marshal Brennan (Douglas Fowley) lies dying at the outset of this compact western. Fleeing from a posse, an unnamed gunslinger (Jim Davis) stumbles across Brennan's body. Lifting the marshal's badge, he poses as Brennan in a small cattle town. Before long, the impostor is taking his job seriously, standing up to crooked cattle baron Colonel Donaphan (Louis Jean-Heydt) and the Colonel's psychotic son Shad (Lee Van Cleef). His redemption is complete when the false Brennan finds romantic happiness in the form of a female restaurant owner known as Murdock (Arleen Whelan). ~ Hal Erickson, Rovi