John Laurie Movies

The "underground" of the title refers not to crime but to the half-hidden world of two-bit hustlers, "artistic" poseurs, aberrant lifestyles and shattered dreams. Small-time Manhattan opportunist Eric Mitchell latches onto Patti Astor, a once-popular movie star fallen into penury. He briefly lifts her spirits, but in the final analysis betrays her. Astor sorrowfully decides that she'd rather not live any longer. Lensed in 16 millimeter by producer/ director/ star Eric Mitchell, Underground USA is occasionally effective, though for much of the proceedings it suffers from trying too hard to be the Big Apple counterpart to Godard's Breathless. ~ Hal Erickson, All Movie Guide

Forty years after shooting his breakthrough film The Edge of the World on the remote island of Foula in the Shetlands, director Michael Powell decided to make a pilgrimage back to the island. Bringing along two of the original film's cast members, John Laurie (who played Peter Manson, the father of the twins Robbie and Ruth) and Grant Sutherland (who played the Catechist), Powell visits many of the film's locations, little changed after 40 years. One major alteration: Powell and his colleagues are able to fly to the island, which had no landing strip in the 1930s, when transport was by ferry or fishing boat. He also locates several islanders who played extras in the original film. Return to the Edge of the World was made for British television. The running time listed reflects its being divided into two parts, as a prologue and epilogue wrapped around the 1940 version of the original film, which ran 62 minutes. A restored version of The Edge of the World is available on VHS; the tape includes Return to the Edge of World (shown separately), plus Powell's 1941 wartime short, An Airman's Letter to His Mother. ~ Tom Wiener, All Movie Guide

For fans of the British television series Dad's Army, this film is a bonanza. Including the entire cast from the television series, it is a comedy about the Walmington-on-Sea contingent of the Home Guard, set in 1940. These men are part-time soldiers, and their civilian situations often impinge on their defense duties, much to the exasperation of the (retired) regular military men in their group. Their mettle is tested when they must capture three German aviators who have parachuted into their midst. The Home Guard, or Local Defense Volunteers, consisted of people who, for a variety of reasons (usually age) were unable to serve in the regular military, and wanted to help with the war effort. At the time the Home Guard was formed, a German invasion was expected to occur almost any day. ~ Clarke Fountain, All Movie Guide

While visiting an antique shop, Tara is waylaid and chloroformed. Upon awakening, she finds that she has gone back in time to 1915, and that her name is Pandora (hence the episode's title). It is all part of a scheme hatched by a pair of avaricious nephews to discover the hidden location of their rich uncle's vast fortune. In the course of events, John Steed harks back to previous adventures with his former partners Cathy Gale and Emma Peel. Written by Robert Fuest, "Pandora" first aired in America on March 10, 1969, and in England the following April 30th. ~ Hal Erickson, All Movie Guide

This chilling monster film metaphorically examines the horrors brought home by British colonialism. Harry and Valerie (Ray Barrett, Jennifer Daniel) inherit the Cornwall home of Harry's brother, who died under mysterious circumstances. The local villagers are tight-lipped and afraid, and the couple's neighbor, the hostile Dr. Franklin (Noel Willman), hides in a large mansion with his frightened daughter Anna (Jacqueline Pearce) and a strange foreign man (Marne Maitland). The truth is that Franklin had been investigating a secret tribe of snake-people on his last trip to Borneo, and they had reacted to his intrusion by making Anna one of them. As a result, the girl turns into a hideous cobra-woman every winter, with bulging eyes, a scaly face, and large, venomous fangs. Other than the unusual monster, The Reptile may as well be a direct remake of Hammer's The Mummy, a film which this one apes in many of its contrivances. Director John Gilling does manage some effective setpieces, such as the sulfur-spring below the mansion, which keeps Anna warm as she writhes beneath a blanket to shed her skin. Underrated character-actor Michael Ripper appears in one of his more substantial roles as Tom, the local pub-owner, who goes from avoidance to digging up graves and risking his life to save the couple. There are some inconsistencies in Anthony Hinds' script, but the film is handsomely mounted and delivers its share of shocks. ~ Robert Firsching, All Movie Guide

A British charwoman and her colleagues strike it rich on the stock market when she discovers a wastebasket filled with market tips in this drama. Later they decide to use their money for good after they overhear a wicked financier planning to destroy the cleaning woman's neighborhood. Together they manage to save the neighborhood. ~ Sandra Brennan, All Movie Guide

In this epic medieval adventure, King Arthur is in his second decade of ruling Camelot when he becomes gravely ill and must journey to the castle of a good Saxon friend to recuperate. The ailing king does not know that the treacherous Saxons there are planning to kill him and commandeer the throne. At first the traitors' plans are foiled by a dashing outlaw who saves the king. Unfortunately, the Saxon dogs eventually succeed. Their leader tries to insure that he gets the crown by marrying Arthur's daughter. But instead, she goes off with another, causing the usurper to proclaim that she has died and that he is now the rightful king. Fortunately, she is not dead but off in the country seeking Merlin. She and her lover succeed and with the mighty magician manage to return to Camelot just as the new king is to be crowned. At this point the crusty Merlin demands that the Saxon prove his fitness to reign by removing Arthur's beloved Excalibur from its scabbard. Of course he fails. And of course the good princess succeeds. Immediately, the usurper and his band flee the country, but not before they are vanquished by the newly united British army. ~ Sandra Brennan, All Movie Guide

In this British bedroom farce, Bill Ferguson (Richard Todd), a Scottish travel agent, has a major row with his fiancée Stella (June Thorburn) shortly before leaving for a jaunt through Europe. Considering himself free to do as he pleases, Bill gives keys to his Edinburgh apartment to a number of beautiful women, inviting them to drop by if they happen to be in the neighborhood. When he comes home, Bill and Stella patch things up, which leaves him with a lot of explaining to do when a bevy of curvaceous females from across the continent begin appearing at their doorstep, including Ingrid (Elke Sommer) and Lucille (Nicole Maurey). Richard Todd served as producer as well as star; Frederic Raphael contributed to the screenplay. ~ Mark Deming, All Movie Guide

Flood Tide can be described as The Children's Hour gone ballistic. Michel Ray is David Gordon a sweet-faced little boy who dotes on his widowed mother Anne (Cornell Borchers) - but has a nasty, pathological penchant for lying. When a body washes up on the beach and a man is arrested, David tells a few "convenient" lies that get the fellow arrested. The owner of the adjacent beach house, Steve Martin (George Nader) returns from a trip, learns of the situation, and discusses in detail why he thinks the boy is being deceptive; he then spends the rest of the movie romantically pursuing Anne while attempting to earn David's trust and extract a confession from him that will free the unjustly convicted fellow. Flood Tide was directed by Abner Biberman, who as a former movie villain had a good grasp of what makes a sociopath tick--even a ten-year-old one. ~ Hal Erickson, All Movie Guide

The small but resourceful Scots island of Todday, introduced in the 1949 Ealing comedy Whisky Galore!, made a return visit to movie screens in 1958's Rockets Galore--released in the U.S. as Mad Little Island. In the first film, the good people of Todday faced up to the appalling dilemma of a whisky shortage. Now we're in the space age, and Todday has been targeted as the location for a rocket-launching site. Banding together as before, the islanders do their best to sabotage the project under the unsuspecting noses of the blinkered British military. Mad Little Island was better received in America than it was in England, where it was perceived as an uninspired rewarming of yesterday's haggis. ~ Hal Erickson, All Movie Guide

Laurence Olivier was the director, co-screenwriter (with Alan Dent), and star of this robust adaptation of Shakespeare's drama, which, as Bruce Eder has written, "was the final, crowning glory of the British studio system and the end of the great cycle of British films aimed at international audiences." Olivier begins his Richard III with Edward IV (Cedric Hardwicke) being crowned king. In the background of the celebration, Richard (Laurence Olivier) jealously views the proceedings and begins to pick off those obstructing his pathway to the throne. Eventually, Richard becomes king and, after proceeding with a succession of intrigues and duplicities, he finds his kingdom in dire peril, set upon by Henry Tudor (Stanley Baker) and mustering a final defense for his realm at the Battle of Bosworth. ~ Paul Brenner, All Movie Guide

Alan Ladd once more journeyed to England to make a film for Columbia's British counterpart (Warwick Studios), and the result was the lively swashbuckler The Black Knight. Ladd plays John, a young swordmaker who aspires to join the Knights of the Round Table. Unfortunately, he is falsely accused of cowardice and banished from his community. Thanks to the secret tutelage of one of Arthur's knights, John is able to train himself in the art of combat, and soon reemerges as the vengeance-seeking Black Knight. In this guise, he is able to bring a group of traitors to justice, rout a band of invading Saracens, and rescue his lady love Linet (Patricia Medina) from certain doom. Anthony Bushell, who was soon to completely forsake acting in favor of producing and directing, costars as King Arthur, while the villains of the piece are essayed by Peter Cushing and future Dr. Who Patrick Troughton. ~ Hal Erickson, All Movie Guide