Mitchell Laurence Movies
- 1993
The Portrait, based upon the off-Broadway play by Tina Howe, is a made-for-cable film in which Gregory Peck and Lauren Bacall play Gardner and Fanny Church, aging parents of artist Mags (Cecelia Peck). As the film opens, Mags unexpectedly drops in on her parents, hoping that she can complete a portrait she has been working on for her one-woman show. As Gardner and Fanny are the subjects of the portrait, their cooperation is essential, but they pointedly refuse to help their daughter out. Even more surprisingly, it turns out that Mags has arrived as they are in the midst of moving out -- not only out of the family home in which Mags grew up, but out of the entire collegiate community where Gardner has for years been a respected figure. Her parents largely push aside Mags' attempts to find out why they are taking this drastic action, but it soon becomes clear that it involves Gardner, who seems to be entering the first stages of senility. Along the way, Mags discovers a great deal about her parents -- and herself. ~ Craig Butler, Rovi
- 1992
- R
- Add The Hand That Rocks the Cradle to QueueAdd The Hand That Rocks the Cradle to top of Queue
The Hand That Rocks the Cradle is director Curtis Hanson's suburban horror story of a demented nanny bent on revenge for past wrongs. Peyton (Rebecca De Mornay) was once a happily married woman, but when her doctor husband is accused of assaulting a patient and he commits suicide, her world falls apart and she plots revenge. Claire (Annabella Sciorra), the woman who made the accusation, hires Peyton as a nanny, not knowing of their past involvement. Peyton then proceeds to terrorize the family, attempts to seduce the husband and generally destroy Claire as she feels she has been destroyed. The film, while somewhat implausible, is saved by the strong performances of Sciorra and De Mornay. Rebecca De Mornay has not given such a good performance since Risky Business, and she manages to make Peyton both believable, frightening and sympathetic. De Mornay has many great moments, but the scene, where she slowly destroys a bathroom in her impotent rage is unbelievably powerful. Hanson, a superb director of thrillers, manages to bring all the elements together to make The Hand that Rocks the Cradle a frightening psychological thriller and an interesting look at a woman's obsessive hatred and envy. ~ Linda Rasmussen, Rovi
- Starring:
- Annabella Sciorra, Rebecca De Mornay, (more)
- 1991
In 1988, Nancy Klein, the pregnant wife of Long Island accountant Marty Klein, was involved in a car accident that left her comatose. Convinced that Nancy would never recover if she went to full term with the baby, Marty asked the doctors to perform an abortion. Almost immediately, Nancy Klein became a cause celebre for pro-life and pro-choice activists alike. Made for television, Absolute Strangers recreates this traumatic event and the drawn-out courtroom litigation that followed. Henry Winkler, who produced the film, returned to acting after a long absence to play Klein; others in the cast include Jennifer Hetrick as Nancy, Richard Kiley as Dr. R. J. Cannon, Karl Malden and Audra Lindley as Nancy's parents, and Patty Duke as a lower-court judge. Though it is clear that the filmmaker's sympathies are clearly on Marty Klein's side, the script remains even-handed throughout, observing that the pro-choicers can be just as narrow-minded and contentious as the "absolute strangers" who wish to usurp Marty Klein's rights concerning his wife's wellbeing. Written by playwright Robert Anderson (Tea and Sympathy, I Never Sang For My Father), Absolute Strangers premiered April 14, 1991. ~ Hal Erickson, Rovi
- Starring:
- Henry Winkler, Richard Kiley, (more)
- 1987
Home Fires was first presented in two parts over the Showtime pay-cable service in August of 1987. The film purported to trace four days in the life of an "average" family. Right. The father is an attorney, facing a hostile judge in a case wherein poisoned workers are suing a craven plastics company. The lawyer's ex-wife is a hospitalized schizophrenic who makes unlimited phone calls to her children. His present wife is a painter who has had an affair with a fellow art student. The highlight of Part One of Home Fires is a masturbation scene involving the family's youngest son; just wait til we get to Part Two (see entry 126257 for details). ~ Hal Erickson, Rovi
- 1987
Part two of the four-hour Showtime Cable Network film Home Fires (see entry 126256 for details on Part One) traces the further adventures of a "typical" American family. Embroiled in a case involving corporate negligence, the family's attorney father admits to bribing a witness. When that matter is settled, he punches out the art student who's had an affair with his second wife. Meanwhile, wife number one, a hospitalized schizo, rambles incoherently on the telephone at all hours of the day. Yet despite all that's going on, Home Fires leaves the viewing feeling empty and uninvolved at fadeout time. The film was originally telecast over Showtime in August of 1987. ~ Hal Erickson, Rovi
- 1987
There were two rival TV dramatizations of the sensational murder case involving "monster Mom" Frances Schreuder. Stephanie Powers was the star of the two-part 1987 TV movie At Mother's Request. Part One details the events leading to the murder of Frances' multimillionaire father Franklin Bradshaw (E.G. Marshall). Though Frances' complicity was well known at the time of Part One's first telecast on January 4, 1987 (in fact, she was already serving a life sentence in the Utah State Prison), the case is treated like a whodunit.
Part Two demonstrates how Frances' teen-age son Marc (Doug McKeon) was coerced into committing the deed by his manipulative Mom. Though lacking depth, At Mother's Request is still a powerful re-enactment of what was once considered "The Crime of the Century" (O.J. hadn't happened yet). The second half of this two-part TV-movie debuted on January 6, 1987. For the record, Lee Remick starred in a like-vintage TV adaptation of the same story, Nutcracker. ~ Hal Erickson, Rovi
Part Two demonstrates how Frances' teen-age son Marc (Doug McKeon) was coerced into committing the deed by his manipulative Mom. Though lacking depth, At Mother's Request is still a powerful re-enactment of what was once considered "The Crime of the Century" (O.J. hadn't happened yet). The second half of this two-part TV-movie debuted on January 6, 1987. For the record, Lee Remick starred in a like-vintage TV adaptation of the same story, Nutcracker. ~ Hal Erickson, Rovi
- 1987
In this made-for-television movie, the stability of an extended family is threatened by divorce. ~ John Bush, Rovi
- 1986
In a 72-minute amateur drama that could profitably be cut by an hour, a band goes on a road tour that seems to lop off musicians with each new gig. Lightened by genuine humor on a few occasions, the story is definitely brought down a notch by the script, the dialogue, and the green line that runs down the middle of each scene for the entire running time. A student project out of Los Angeles City College. ~ Eleanor Mannikka, Rovi
