Perc Launders Movies

Next to Ann Miller, few Columbia contractees made more B musicals than Jinx Falkenberg. In Sing for Your Supper, Falkenberg is cast as Evelyn Palmer, the gorgeous proprietor of a dime-a-dance emporium. Bandleader Larry Hays (Charles "Buddy" Rogers) is the official owner of the joint, but when he finds himself in financial hot water, Evelyn, a wealthy socialite, secretly buys up the lease and takes a job as one of the dancers to keep tabs on her money-and the handsome Mr. Hays. Much of the film's running time is given over to comedian Bert Gordon, better known as radio's "Mad Russian" ("How do you doooooo?") Eve Arden is rather wasted as a wisecracking taxi dancer, but better things were to come her way within a few short years. ~ Hal Erickson, All Movie Guide

In this drama, a dedicated forest ranger begins suspecting that a recent series of fires has been caused by arson. He investigates in a neighboring town. There he meets a beautiful rich girl, and they fall in love and get married. Unfortunately, the other rangers do not react well to the female's intrusion into their domain. Meanwhile, the daughter of a lumber baron, who has always secretly loved the ranger, is deeply disturbed by the nuptials. When the fires begin running wild, the two women rally together and help. Unfortunately, they are trapped by a wildfire and the ranger must save them by parachuting into their locale. While en route, he discovers that it is the pilot of the airplane who has been setting the fires. The two get into a fight, the arsonist torches the plane and jumps, and the ranger lies unconscious on the airplane floor as it spirals into a fatal nose dive. Fortunately, he wakes up just in time to jump out. He lands near the women, and together they put out the blaze. Later they learn that the arsonist died when his chute drifted into one of the blazes he himself had set. ~ Sandra Brennan, All Movie Guide

When an instructor dies mysteriously at an exclusive girl's school, Tom Lawrence (Tom Conway), a devil-may-care sleuth known as "The Falcon," reluctantly agrees to investigate. The death appears to have been induced by a heart attack, but the instructor's roommate (Rita Corday) had predicted that the victim would be murdered. The school's dean (Barbara Brown) dies shortly afterward, and suspicion falls upon the fencing instructor (Jean Brooks), who'd been in line to inherit the school. Other suspects include a foreign psychology professor (George Givot), who'd once courted the fencing teacher, and a meek music teacher (Isabel Jewell), to whom the foreign prof is secretly married. The murderer is revealed in a heart-stopping climactic scene played out on a perilous cliff overlooking the ocean. The Falcon and the Co-Eds is the sixth film in RKO Radio's "Falcon" series. ~ Hal Erickson, All Movie Guide

The murder of a wealthy, much-married rancher (Lyle Talbot) in a posh Manhattan nightclub is the catalyst for The Falcon Out West. Amateur sleuth Tom Lawrence (Tom Conway), aka The Falcon, deduces that the victim was killed with rattlesnake venom. He follows the trail of evidence to a dude ranch in a frontier town. The suspects include pretty Marion (Barbara Hale) and Vanessa (Carol Gallegher) and not-so-pretty Bates (Minor Watson) and Hayde (Don Douglas). Though Tom Conway seems bored and distracted throughout The Falcon Out West, the film itself is an above-average "Falcon" series entry. ~ Hal Erickson, All Movie Guide

An unofficial remake of the 1935 Alice Faye-George Raft vehicle Every Night at Eight, And the Angels Sing stars Dorothy Lamour as Nancy Angel, unofficial leader of a struggling, Andrews-like singing sister act. Nancy is in love with saxophone player Happy Morgan (Fred MacMurray), self-appointed "protector" of the Angel Sisters. Unfortunately -- and as it turns out, unharmoniously -- Nancy's sister Bobby (Betty Hutton is also ga-ga over Happy, but he barely acknowledges her existence. Meanwhile, the third Angel sister, Josie (Diana Lynn), stands on the sidelines and cracks wise. Before a happy ending can be realized, virtually every person in the cast goes through an extended period of poverty, which at one juncture forces Happy to form a singing-waiter act with his longtime crony Fuzzy Johnson (Eddie Foy Jr.. Although the film's title song is (surprisingly) never performed, And the Angels Sing is otherwise a smorgasbord of typical 1940s tunes, with Betty Hutton taking front and center with her inimitable "scat" renditions. ~ Hal Erickson, All Movie Guide

When director Julien Duvivier's episodic, all-star drama Flesh and Fantasy proved a bit too long in previews, Universal decided to remove the film's opening segment, which dealt with the foredoomed romance between an escaped criminal and a blind girl. Because this segment was too good to waste, the studio hired screenwriter Roy Chanslor to come up with additional material and Reginald LeBorg to direct a few new scenes, so that the episode could be released as a separate feature film. The result was the 65-minute Destiny, a curious melange of the sublime and the banal. The Duvivier-directed footage stars Alan Curtis as fugitive-from-justice Cliff Banks, who hides from the authorities in the farmhouse owned by kindly Clem Broderick (Frank Craven). Clem's daughter Jane (Gloria Jean), blind from birth, "sees" only the good in the outwardly unsavory Cliff, so it isn't surprising that the two fall in love. This tender little episode was supposed to have ended tragically, but Universal insisted upon a few "framing" scenes, directed by LeBorg, wherein Cliff is shown to be innocent of the crimes for which he has been imprisoned, and which allowed Cliff and Jane a happy denouement The stylistic schism between the "old" and "new" scenes is glaringly obvious; still, what's left of the original Duvivier footage is terrific, with Alan Curtis and Gloria Jean offering the finest performances of their screen careers. ~ Hal Erickson, All Movie Guide

The Technicolor musical Masquerade in Mexico is Mitchell Leisen's remake of his own Midnight. Stranded in Mexico City without a dime, glamorous Angel O'Reilly (Dorothy Lamour) is rescued by wealthy Thomas Grant (Patric Knowles). But Grant's motivations are anything but altrustic. In order to get his wife Helen's (Ann Dvorak) mind off handsome bullfighter Manolo Segovia (Arturo de Cordova), Grant passes Angel off as a Contessa at a weekend party, reasoning that Segovia will switch his attentions to our heroine. Screenwriter Karl Tunberg has added a jewel-theft angle to the original Edwin Justis Mayer/Franz Spencer story, which improves things not at all. Masquerade in Mexico is admittedly a handsomer production than Midnight, but the remake lacks the sparkle of the original film's stars Claudette Colbert, Don Ameche, John Barrymore, Francis Lederer, Mary Astor et. al. ~ Hal Erickson, All Movie Guide

Officially based on a novel by Margaret Carpenter, Experiment Perilous would seem to be more inspired by MGM's psychological thriller Gaslight. Set at the turn of the century, the film stars Hedy Lamarr as Allida, the beautiful young wife of an elderly "gentleman" named Nick (Paul Lukas). Treating his wife like a possession, Nick keeps her a virtual prisoner in their London town house, cutting off all contact with the outside world. The situation is exacting a terrible emotional toll on Allida and her stepson Alec (George N. Neise). Enter kindly psychiatrist Huntington Bailey (George Brent), who takes it upon himself to free Allida and Alec from the despotic control of the insanely jealous Nick. The film's "money scene" is a frenzied gun battle in an aquarium, replete with shattered glass, gushing water and floundering fish; this sequence would be imitated ad nauseum in such future films as Lethal Weapon (1988) and Mission: Impossible (1996). ~ Hal Erickson, All Movie Guide

No relation to the later Shelley Fabares song hit of the same name, RKO Radio's Johnny Angel was adapted by Steve Fisher and Frank Gruber from a short story by Charles Gordon Booth. In one of his better performances, George Raft plays sea captain Johnny Angel, who doggedly pursues the no-good rats who murdered his father and swiped a shipment of gold bullion. Along the way, Johnny crosses paths (and words) with Lilah (Claire Trevor), the faithless wife of his boss, and French stowaway Paulette (Signe Hasso), apparently the only witness to the murder-hijacking. Aiding and abetting Johnny is philosophical cab driver Celestial O'Brien, engagingly played by songwriter Hoagy Carmichael. Considered a second-echelon effort by RKO, Johnny Angel proved to be a surprise hit, toting up a box-office take of $1,192,000. ~ Hal Erickson, All Movie Guide

Filling in for RKO's Western ace Tim Holt, who was fighting the war in Europe, a young Robert Mitchum starred in this fine version of Zane Grey's 1937 story of a wild and woolly West. Ordered by his doctor to get some exercise, Chicago meatpacking king Col. Lamberth (Thurston Hall) reluctantly travels west to his Texas hacienda accompanied by his headstrong daughter Rill (Barbara Hale) and her Parisian maid Suzanne (Rita Corday). En route, they witness the killing of a stagecoach driver (Bill Williams), a crime blamed on Pecos Smith (Robert Mitchum), but actually committed by a gang headed by Brad Sawtelle (Harry Woods). Rill, who decides to masquerade as a boy after being accosted by a couple of ruffians, convinces her father to hire Pecos and his Irish-Mexican sidekick Chito Rafferty (Richard Martin). Naturally, Pecos discovers Rill's true gender after a few dicey moments and they fall in love. But the threat from Sawtelle and his gang is ever present and soon the Lamberth hacienda is engaged in an all-out war. ~ Hans J. Wollstein, All Movie Guide

Morgan Conway made his final screen appearance as Chester Gould's granite-jawed detective Dick Tracy in this RKO Radio programmer. This time around, Tracy's nemesis is baldheaded jewel thief Cueball, played with blunt menace by Dick Wessel. Double-crossed by his gang, Cueball methodically bumps them off. This would normally delight the cops, who'd been wanting to get rid of the gang anyway, but unfortunately Cueball has vowed to eliminate Tracy as well. The villain's ultimate demise is as good as anything cooked up by Chester Gould for the comic strips. Directed and written in the same larger-than-life style of the Gould original, Dick Tracy vs. Cueball features such colorful characters as Tracy's main squeeze Tess Trueheart (Anne Jeffreys), pill-popping ham actor Vitamin Flintheart (Ian Keith), waterfront hag Filthy Flora (Esther Howard) and jewelry shop proprietor Jules Priceless (Douglas Walton). For reasons that defy explanation, this delightfully daffy concoction was spotlighted in the notorious volume The Fifty Worst Films of All Time. ~ Hal Erickson, All Movie Guide

The Killers uses Ernest Hemingway's short story as a springboard for a complex film noir. Two mysterious men (William Conrad and Charles McGraw) muscle their way into a small town and kill an aging boxer (Burt Lancaster, making his screen debut), who offers no resistance and seems to be welcoming his death. An insurance investigator (Edmond O'Brien) is hired to locate the beneficiary to Lancaster's policy, and in the course of his investigation reopens a long-dormant robbery case. In a series of flashbacks, O'Brien makes the connection between Lancaster and the robbery and tracks down the "brains" behind the operation. He also comes in contact with Lancaster's former girlfriend (Ava Gardner), whose duplicity played a big part in Lancaster's demise -- and his indifferent reaction to it. Siodmak's hard-edged, moody direction of the Oscar-nominated screenplay by Anthony Veiller, makes The Killers one of the definitive films noirs, including what is considered to be one of the greatest opening sequences in movie history. ~ Hal Erickson, All Movie Guide

Based in part on a true story, Kiss of Death is given a veneer of reality by being filmed on location in New York, with a bare minimum of studio work. In one of his best performances, Victor Mature plays a cheap crook who is sent up the river for 20 years for robbery. District attorney Brian Donlevy, out of sympathy for Mature's two young daughters, gives him a chance to go free--if Mature will blow the whistle on his accomplices. Stubbornly adhering to the "code" of thieves, Mature refuses to do so, until his wife kills herself and his kids are placed in an orphanage. Once paroled, Mature is prevailed upon to extract additional information from sadistic mob torpedo Richard Widmark (in his chilling screen debut). Living with his children under an assumed name, Mature gradually divests himself of all criminal tendencies, and falls in love with sympathetic Coleen Gray. But Mature feels that it's only a matter of time before Widmark will come gunning for him, so he goes back to Donlevy, offering to turn over evidence that will send Widmark up for life. Thanks to a clever mob attorney, Widmark beats the rap, and Mature knows he is doomed. On his own, he schemes to arrange his impending demise so that the cops will have an air-tight case against Widmark. The last five minutes--one of the most tense 300 seconds on film--is devoted to the cat-and-mouse showdown and ultimate shootout between Mature and Widmark. Though much of Kiss of Death is a "conformist gangster film" (to quote critic Andrew Sarris), the presence of Richard Widmark makes up for any of the script's banalities. This is the film in which Widmark gigglingly pushes a wheelchair-bound old lady down a flight of stairs. Reviewer James Agee said it best: "You feel that murder is the kindest thing he is capable of". The film made Widmark a star--and also convinced him to start lobbying immediately for good-guy roles so that he wouldn't be typecast as maniacal killers for life. Kiss of Death was remade as the 1958 western The Fiend Who Walked the West, then re-remade under its original title in 1994, with David Caruso in the Mature role and Nicolas Cage in the Widmark part. ~ Hal Erickson, All Movie Guide