Tom Laughlin Movies

1956's Tea and Sympathy is a diluted filmization of Robert Anderson's Broadway play. The original production was considered quite daring in its attitudes towards homosexuality (both actual and alleged) and marital infidelity; the film softpedals these elements, as much by adding to the text as by subtracting from it. John Kerr plays a sensitive college student who prefers the arts to sports; as such, he is ridiculed as a "sissy" by his classmates and hounded mercilessly by his macho-obsessed father Edward Andrews. Only student Darryl Hickman treats Kerr with any decency, perceiving that being different is not the same as being effeminate. Deborah Kerr, the wife of testosterone-driven housemaster Leif Erickson, likewise does her best to understand rather than condemn John for his "strangeness." Desperate to prove his manhood, John is about to visit town trollop Norma Crane. Though nothing really happens, the girl cries "rape!" Both John's father and Deborah's husband adopt a thick-eared "Boys will be boys" attitude, which only exacerbates John's insecurities. Feeling pity for John and at the same time resenting her own husband's boorishness, Deborah offers her own body to the mixed-up boy. "When you speak of this in future years...and you will...be kind." With this classic closing line, the original stage production of Tea and Sympathy came to an end. Fearing censorship interference, MGM insisted upon a stupid epilogue, indicating that Deborah Kerr deeply regretted her "wrong" behavior. ~ Hal Erickson, All Movie Guide

Filmed on location in Kansas City, The Delinquents was the first big-screen directorial effort by Robert Altman, who also wrote and produced the film. Altman's participation is far more impressive than the film itself, which is pretty bad. Future Billy Jack star Tom Laughlin plays Scotty, a nice teenager who goes bad in a hurry. Told to get lost by the father of his girl friend Janice (Rosemary Howard), Scott gets mixed up with a street gang, headed by the ineluctable Richard Bakalyan. The film's highlight is a rumble at a drive-in movie, which is so much better than the rest of The Delinquents that it stands out like an unsore thumb. For music fans, Julia Lee and the Bill Nolan Quintet Minus Two offer a rendition of the deathless "Dirty Rock Boogie." ~ Hal Erickson, All Movie Guide

Producer/director Joshua Logan's long-awaited filmization of Rodgers & Hammerstein's Pulitzer Prize winning musical South Pacific was not the classic that everyone hoped it would be, principally because of some curious creative choices made by the production personnel. Adapted from James A. Michener's best-selling novel Tales of the South Pacific, the film stars Mitzi Gaynor as WAVE officer Nellie Forbush, who while stationed overseas during World War II falls in love with wealthy French planter Emile De Becque (Rosanno Brazzi). The Navy would like DeBecque to help them in a reconnaissance mission against the Japanese, but he refuses; having run away from the outside world after killing a man in his home town, De Becque sees no reason to become involved in a war which he did not start and in which he has no interest. But when Nellie, her inbred bigotry aroused when she discovers that Emile has two mixed-race children, refuses his proposal of marriage, DeBecque, having nothing to lose, agrees to go on the mission. His partner in this venture is Lt. Joseph Cable (John Kerr), who like Nellie is a victim of prejudicial feelings; Cable has previously thrown away a chance at lasting happiness by refusing to marry Liat (France Nuyen), the dark-skinned daughter of Tokinese trader Bloody Mary (Juanita Hall). When Cable is killed and DeBecque is seemingly lost in battle, Nellie, realizing the stupidity of her racism, prays for Emile's safe return. The dramatic elements of South Pacific are offset by the low-comedy antics of "Big Dealer" seabee Luther Billis (Ray Walston). Outside of Walston and Hall, both repeating their stage characterizations, South Pacific suffers from a largely noncharismatic cast. Mitzi Gaynor never rises above cuteness in the difficult role of Nellie Forbush, while Rosanno Brazzi (whose singing is dubbed by Giorgio Tozzi) seems to be striking poses rather than acting as Emile DeBecque. These casting deficiencies might have been ignored had not South Pacific been laboring under an additional handicap: director Joshua Logan's decision to use colored filters in several key scenes, representing the emotions experienced by the actors. The constant color shift is more unsettling than attractive, drawing attention to Logan's technique and thereby taking the audience "out" of the picture. With all this going against it, however, South Pacific has much to be treasured. For one thing, all of Rodgers & Hammerstein's immortal songs--"Some Enchanted Evening," "Bali H'ai," "There is Nothing Like a Dame," "I'm in Love With a Wonderful Guy," "Younger Than Springtime" etc.--are retained, and, as a bonus, a song cut from the original stage production, "My Girl Back Home," is revived herein. In addition, the film is a bonanza for movie buffs who enjoy playing "spot the bit player:" among the supporting-cast ranks are Tom McLaughlin, Ron Ely, Doug McClure, John Gabriel and James Stacy (rumors persist that Joan Fontaine shows up unbilled as a nurse, but we've yet to spot her). Though artistically disappointing, South Pacific ended up one of the biggest box-office gold mines of the 1950s. ~ Hal Erickson, All Movie Guide

A young college student has a stuttering problem around everyone but girls. He goes of to UCLA and is rejected by a fraternity, but meets a young blonde. The blonde has a sexy brunette roommate, and soon the brunette and the young man sleep together. Their thoughts turn to marriage, and the boy attends a speech clinic. He is halfhearted in his attempt to overcome his speech impediment and leaves the clinic. Finding out his "fiancee" is not faithful, he breaks up with her in a dramatically powerful scene. He isn't lonely too long as the blonde catches him on the rebound. He returns to the clinic in an earnest effort to improve his speech. Tom Laughlin is the writer, director and star of the film. ~ Dan Pavlides, All Movie Guide

Teenager Francie Lawrence (Sandra Dee) is known to her surfing friends as "Gidget" or a "girl midget" (she is kinda on the short side). Unable to compete with the curvaceous bikinied lasses at the local beach, Gidget is assured by her understanding parents (Arthur O'Connell, Mary LaRoche) that boys will eventually pay attention to her. Turns out that Mom's right on the money, as surfers Moondoggie (James Darren) and Kahoona (Cliff Robertson) vie for Gidge's attention during the summer of her 16th birthday. Based on the novel by Frederick Kohner (who based the title character on his own daughter), Gidget was one of the surprise hits of 1959. The film spawned a host of theatrical and TV-movie sequels, not to mention the 1966 TV series starring Sally Field -- and the 1987 sitcom starring Caryn Richman. In addition, Gidget boosted the careers of several stars-to-be, including Yvonne Craig, Doug McClure and Tom Laughlin. ~ Hal Erickson, All Movie Guide

Tom Gregory (Robert Hutton), a Los Angeles-based sports reporter, is flying into L.A. and lands his private plane after a rough descent through some kind of opaque midair disturbance, only to find the airport deserted. He meets Professor Galvin (Robert Burton) and his two daughters, Bonnie (Judee Morton) and Lisa (Susan Hart), who tell him that the city has been overrun by huge, hulking slime-covered subterraneans called Slime People, who appeared out of the sewers and other underground water concentrations. Appearing out of a strange thick fog apparently generated by a device of their own, they've killed hundreds, possibly thousands, panicked the population, fought the army to a standstill, and have now cut off the city with a wall of solidified fog. Gregory doesn't believe them completely, despite the presence of slaughtered corpses on the highways and back roads, until he gets to the television station where he works and screens the news footage. The quartet also makes contact with a young marine, Calvin Johnson (William Boyce), who was cut off from his unit and left for dead by the creatures. They manage to elude the Slime People and try to work out a plan for survival, making contact along the way with Norman Talliver (Les Tremayne), an eccentric writer, who is soon dispatched by the creatures. They discover the Slime People are impervious to harm by bullets or other convention weapons, their skin sealing up any wound instantly, but they can be killed by their own hollow-pointed spears, which don't allow wounds to close. That helps in fighting them off one-on-one, and the professor's reasoning that salt would be effective against slug-like creatures gives them a second weapon against the Slime People. But clearing them all out and freeing the city requires an assault against the creatures' own stronghold, which becomes even more essential when Bonnie is taken prisoner. Gregory and Cal manage to keep the Slime People busy long enough for the professor to destroy their fog-generating device. Overwhelmed by fresh air and sunlight, the Slime People start to collapse dead in their tracks, and the army is soon back in charge, doing what amounts to a literal mopping up operation. ~ Bruce Eder, All Movie Guide

Not to be confused with the 1987 movie of the same name, this is one of the early films that Tom Laughlin directed before he became famous from his series on Billy Jack, an anti-hero of his time. Laughlin also stars in this uneven teen drama as its only developed character, Christopher Wotan, a high-school athlete who starts out as essentially a normal young man faced with the tyranny of a brutal coach, and the vagaries of romantic and sexual challenges. Because Christopher's father has been trampled by failure and alcohol abuse, questions arise about the son's fate as he takes on life's obstacles. ~ Eleanor Mannikka, All Movie Guide

Babysitter is an ultra-cheap exploitation feature aimed at the drive-in circuit. Patricia Wymer, who is cast in this film for two important reasons, plays a seductive baby-sitter who takes a job at the home of a powerful district attorney. She goes to work on the D.A., then holds him up for blackmail money. This is the sort of film where the principal source of entertainment lies in the number of times the actors flub their lines, and the frequency with which one can spot the microphone boom. Of negligible entertainment value, The Babysitter made a great deal of money, thanks to an aggressive TV ad campaign. ~ Hal Erickson, All Movie Guide

Actor/auteur Tom Laughlin created the character of Billy Jack in the motorcycle flick The Born Losers. Wandering Christlike through the Southwest, Native American Vietnam veteran Billy Jack -- soft-spoken, but well-versed in martial arts -- champions the cause of a progressive school run by Jean Roberts (Delores Taylor, Laughlin's real-life wife). The bigoted white townsfolk don't cotton to Jean's minority-group students, so they do everything they can to humiliate and physically abuse the kids. When one of her charges is cruelly coated with white flour, Billy Jack goes berserk. Thus begins an orgy of self-righteous violence, culminating with our hero being hunted down on a murder charge. ~ Hal Erickson, All Movie Guide

A sensitive old British spy/assassin is accused of getting emotionally involved with his victims and gets a demotion in this drama that is titled The Neutralizer on video. ~ Sandra Brennan, All Movie Guide

After the success of his three Billy Jack films, actor, director, and screenwriter Tom Laughlin decided to expand his range a bit with this Western, which was adapted from Goyokin, a popular Japanese samurai film. However, since Finley (Laughlin's character here) is trained in martial arts and often defends himself (and others) by violence, while frequently espousing a nonviolent philosophy, it could be said that this wasn't much of a stretch for the once and future Billy Jack. Don Santiago (Richard Angarola) is a vicious man who helps provoke an Indian massacre that will allow him to steal the Indians' land and claim it as his own. However, his son-in-law, Finley (Tom Laughlin), is an expert hand with both guns and swords and will not allow him to push around the peace-loving Indians or fellow settlers of the West. The supporting cast features Ron O'Neal and Barbara Carrera, who received a Golden Globe nomination for her work in this film. As with his first two films, Tom Laughlin directed The Master Gunfighter but didn't take screen credit, in this case listing the director as Frank Laughlin, who happened to be Tom's son. ~ Mark Deming, All Movie Guide

Often described as "Ship of Fools with a conscience," Voyage of the Damned is based on a true story. In 1939, the Nazis ostentatiously loaded a luxury liner with hundred of Jewish refugees from all walks of life. The ship then tried to drop anchor in Havana, Cuba-only to have its passengers refused entry by the Cuban government, in keeping with its super-stringent immigration policies. This was exactly what the Nazis expected to happen, and indeed wanted to happen. By having the refugees turned away from Havana, the German government could "prove" that the Jews were indeed the most unwanted race on earth, thereby justifying Hitler's extermination policy. The crosssection of humanity on board the ship includes the requisite big-time stars: Faye Dunaway as a monocle-sporting countess and Oscar Werner as Dunaway's society-doctor husband; professor Luther Adler and his wife Wendy Hiller; poverty-stricken Nehemiah Persoff and Maria Schell, who hope to be reunited with their "fallen" daughter Katherine Ross; disbarred attorney Sam Wanamaker and his family (wife Lee Grant, daughter Lynne Frederick); anti-Nazi captain Max Von Sydow; and so on. Representing the Cuban government are president Fernando Rey and bureaucrat Jose Ferrer; other Havana denizens include businessman Orson Welles and minister James Mason. Despite its morbid overtones, Voyage of the Damned ends on a faintly positive note. ~ Hal Erickson, All Movie Guide

Robert Mitchum reprises his role as Raymond Chandler's Philip Marlowe from Farewell, My Lovely, in this misconceived remake of Howard Hawks's classic 1946 film -- transferring the setting from 1940s California to 1970s London. Marlowe is hired by a rich and dying General Sternwood (James Stewart) to find out who is blackmailing him. Marlowe then meets Sterwood's daughters -- the crazy and degenerate Camilla (Candy Clark) and the more even-tempered Charlotte (Sarah Miles). Opening up a can of worms, Marlowe unveils a collection of unsavory characters -- Eddie Mars (Oliver Reed), an inveterate gambler having an affair with Charlotte; Joe Brody (Edward Fox), Camilla's ex-lover; and Agnes (Joan Collins), a sexy bookstore clerk. The plot becomes even more chaotic when it is found that Camilla has been posing in the nude for pornographer Arthur Geiger (John Justin). When Geiger turns up dead, Camilla becomes implicated in Geiger's murder. ~ Paul Brenner, All Movie Guide