Ellen Hamilton Latzen Movies

The second outing in the Boys Life series collects another set of gay-themed shorts. Must Be the Music follows a group of Los Angeles teens, three gay and one straight, through a night of romantic misadventures at a hip dance club. In Nunzio's Second Cousin, police Sgt. Tony Randozzy (Vincent D'Onofrio) turns the tables on a group of homophobes (one of them played by Seth Green) and forces one of them, Jimmy (Miles Perlich), to have dinner with him and his mother (Eileen Brennan). Alkali, Iowa uses the backdrop of a Midwestern agricultural community to tell the story of Jack (J.D. Cerna), a gay teen who discovers tantalizing glimpses of his dead father's life buried on the family farm; Mary Beth Hurt plays the boy's distant, defeated mother. The Academy award-winning Trevor relates the tale of a chunky, effete youngster (Brett Barsky) whose love of Diana Ross is matched only by his obsession with Pinky (Jonah Rooney), a handsome classmate. For Boys Life 2's video and DVD release, The DadShuttle replaced Trevor, which had received a video release of its own. An almost plotless tale that takes place during a single car ride to the airport, The DadShuttle focuses on the emotional distance and between a city-dwelling gay man and his suburban father. Alkali, Iowa director Mark Christopher would go on to direct the Hollywood feature 54, while Nickolas Perry, director of Must Be the Music, would go on to helm the Gus Van Sant-produced Speedway Junky. Before directing Trevor, Peggy Rajski was known primarily as a producer; her credits include the Jodie Foster directorial efforts Little Man Tate and Home for the Holidays. ~ Brian J. Dillard, Rovi

Chevy Chase, star of National Lampoon's Vacation and its sequel, is back as the paterfamilias of the Griswold family (including Beverly D'Angelo as his missus) to skewer the Yuletide season. Chevy mugs, trips, falls, mashes his fingers and stubs his toes as he prepares to invite numerous dysfunctional relatives to his household to celebrate Christmas. Amidst the more outrageous sight gags (including the electrocution of a cat as the Christmas tree is lit) the film betrays a sentimental streak, with old wounds healing and long-estranged relatives reuniting in the Griswold living room. National Lampoon's Christmas Vacation was still capable of attracting an audience five years after its release -- it was one of the top-rated seasonal TV specials of 1994, outrating even the first network telecast of It's a Wonderful Life. ~ Hal Erickson, Rovi

"Fatal attraction" has become a household term for love turned to murderous obsession, thanks to the success of Adrian Lyne's 1987 movie. Dan (Michael Douglas) is a family man whose one-night affair with Alex (Glenn Close) turns into a nightmare when she insists on continuing the relationship, claiming to be carrying his baby. Alex systematically terrorizes Dan, even temporarily kidnapping his daughter, in her attempts to win back his affection. Douglas' besieged family man guiltily tries to preserve his marriage and family from the consequences of his own indiscretion. Close's performance as the love-struck psycho-siren remains her signature role: She conveys the buried feminist message of the film in her challenge to Dan to take responsibility for his sexual behavior. Though many critics acknowlegded the film's striking similarities to Clint Eastwood's 1971 film Play Misty for Me, Fatal Attraction spawned numerous other movies about middle-class families besieged by a lone psychotic intent on infiltrating and destroying the fabric of the family unit, including The Stepfather (1987), Pacific Heights (1990), The Hand That Rocks the Cradle (1992), and Fear (1996). ~ Laura Abraham, Rovi