T.J. Bews Movies

Canadian filmmaker Atom Egoyan explores his Armenian heritage, and how the country's tragic history has touched several generations of the nation's expatriates, in this ambitious drama. Edward Saroyan (Charles Aznavour), a veteran filmmaker of Armenian descent, is in Toronto shooting a film about the Siege of Van, in which invading Ottoman armies forced the evacuation of Armenian communities in 1915, leading to the genocide of over a million Armenian people at the hands of Turkish troops. Twenty-one-year-old Raffi (David Alpay) has been sent to Turkey to shoot background footage for the film; Raffi's mother Ani (Arsinee Khanjian), an author and historian, is also involved in the project as a consultant. Lately Raffi and Ani have been at odds; Raffi has been dating Celia (Marie-Josee Croze), Ani's stepdaughter, who is convinced that Ani is somehow responsible for the death of her father. Ani's first husband, who was Raffi's father, is also dead, after taking part in an assassination attempt on a Turkish political leader. As Raffi attempts to re-enter Canada with cans of exposed film, he's detained by David (Christopher Plummer), a suspicious customs official who has his own tenuous link to Saroyan's film -- David is struggling to come to terms with the gay lifestyle of his son Philip (Brent Carver), whose lover Ali (Elias Koteas) is playing the villain in the picture. Ararat also features Eric Bogosian and Bruce Greenwood. ~ Mark Deming, All Movie Guide

Charlize Theron, Woody Harrelson, Dennis Hopper, Nick Stahl, AnnaSophia Robb, and Deborra-Lee Furness star in a family drama detailing the efforts made by an 12-year-old girl to come to terms with her mother's abandonment. Tara's (Robb) mother, Joleen (Theron), just can't seem to get her life together. Her boyfriend has recently been arrested for growing marijuana, and rather than attempting to create a stable living environment for her daughter, Joleen instead places Tara in foster care before vanishing without a trace. Joleen's brother, James (Stahl), isn't exactly the picture of equilibrium, yet he does feel sympathetic toward his niece and obligated to help her though such difficult times. After breaking Tara out of foster care, James and his newly freed niece set out on the open road together. Destination: nowhere. But every road has an end, and before long James and Tara find themselves at James and Joleen's father's farm. James has always avoided thinking about his violent childhood, though he realizes that in order to break the vicious cycle of dysfunction that the family has fallen into he must finally confront the demons of his past. Now, as Tara begins to understand why her missing mother has lived such a tumultuous life, James prepares for the confrontation that could bring his family closer together than ever before, if it doesn't destroy them first. William Maher, who served as visual effects supervisor for the 2005 Sundance film The Chumscrubber, makes his feature directorial debut with a film based on an original screenplay by that film's scribe, Zac Stanford. ~ Jason Buchanan, All Movie Guide