Sidney Lassick Movies

Dorothy Provine gives her all to the title role in The Bonnie Parker Story. Billed in the picture's ad campaign as "the cigar-smoking she-devil of the thirties", the tommy-gun wielding Bonnie cuts quite a swath across the South after her husband (Richard Bakalyan) is sent to jail for life . Teaming up with a young bucko named Guy--not Clyde!--Barrow (Jack Hogan), Bonnie robs banks, kills people, and broods about the pointlessness of her existence. Put as charitably as possible, this isn't Bonnie and Clyde, not by a long shot. The Bonnie Parker Story was originally released on a double bill with Machine Gun Kelly. ~ Hal Erickson, All Movie Guide

Instead of losing her slipper, Sinderella (Suzanne Sybele) loses her bra in this updated fantasy. Prince David (Bill Gaskin) travels throughout his kingdom to find the woman who will fit the golden brassiere. The stepmother (Patricia Mayfield) naturally hopes her own daughters Flossy (June Faith) and Fanny (Joan Lemo) can fill the frill, while the drunken fairy godfather (Sidney Lassick, from One Flew Over the Cuckoo's Nest) sings, dances and appears dressed as a woman. ~ Dan Pavlides, All Movie Guide

This classic horror movie based on Stephen King's first novel stars Sissy Spacek as Carrie White, a shy, diffident teenager who is the butt of practical jokes at her small-town high school. Her blind panic at her first menstruation, a result of ignorance and religious guilt drummed into her by her fanatical mother, Margaret (Piper Laurie), only causes her classmates' vicious cruelty to escalate, despite the attentions of her overly solicitous gym teacher (Betty Buckley). Finally, when the venomous Chris Hargenson (Nancy Allen) engineers a reprehensible prank at the school prom, Carrie lashes out in a horrifying display of her heretofore minor telekinetic powers. Many films had featured school bullies, but Carrie was one of the first to focus on the special brand of cruelty unique to teenage girls. Carrie's world is presented as a snake pit, where the well-to-do female students all have fangs -- even the reticent Sue Snell (Amy Irving) -- and all the males are blind pawns, sexually twisted around the fingers of Chris and her evil cronies. The talented supporting cast includes John Travolta, P.J. Soles, and William Katt. One of the genre's true classics, the film was followed by a sequel in 1999, as well as by a famously unsuccessful Broadway musical adaptation that starred Betty Buckley, the movie's gym teacher, as Margaret White. ~ Robert Firsching, All Movie Guide

China 9, Liberty 37 falls halfway between the Hollywood backlot-western school and the Italian "spaghetti" western genre, borrowing the best elements from both. Fabio Testi plays a gunfighter who is saved at the last moment from a hangman's noose. His liberators are a cartel of railroad men who want Testi to kill farmer (and former hired gun) Warren Oates, who has refused all entreaties to sell his land. As part of the scheme, Testi befriends Oates; on his own volition, he sleeps with Oates' wife Jenny Agutter. When the railroad barons insist that Testi go through with his mission, he refuses, and helps the farmer fight off the train moguls' hired thugs. Also known as Gunfire, China 9 Liberty 37 features a cameo by director Monte Hellman's role model, Sam Peckinpah, who plays a bombastic Ned Buntline-style novelist. And the significance of the title? It's the location of Warren Oates' spread: Nine miles from the town of China, 37 miles from the town of Liberty. ~ Hal Erickson, All Movie Guide

Based on the best-selling novel by Joyce Rebeta-Burditt, the made-for-TV Cracker Factory originally aired on March 16, 1979. Natalie Wood stars as alcoholic Cleveland housewife Cassie Barrett, who after attempting suicide is shipped off by her family to a psychiatric ward. It's not the first time Cassie has been in "the cracker factory", but the doctors continue to hope that she'll eventually learn to grasp reality and stop hiding behind her boozing and blustering facade. As before Cassie resists the trappings of normality; this time, however, she may end up in the "factory" to stay if she doesn't at least try to help herself. Alternating sombre tragedy with moments of raucous comedy, Cracker Factory is an outstanding tour de force for Natalie Wood. ~ Hal Erickson, All Movie Guide

In this comedy a trio of undercover government cops in Miami decide that it would be a good idea to open a bogus fencing operation so they can trap criminals. When the crooks find out, trouble ensues and the fun begins. ~ Sandra Brennan, All Movie Guide

In this taut horror outing, three female journalists head out for isolated Soveg, California to cover a popular Danish festival. Unfortunately, they can't find a motel and end up staying at a strange old mansion owned by a mysterious fellow who is far worse than he seems. He has not only committed patricide, he is also incestuously involved with his own sister who gave birth to their deformed son, whom he has chained in their basement. The three spend a terrifying night, and in the morning only one has survived. ~ Sandra Brennan, All Movie Guide

Mel Brooks produced, directed, wrote, and starred in this episodic comedy in the spirit of Monty Python and the 1957 studio travesty The Story of Mankind. The film is divided into five sequences that play like blue-toned Eddie Cantor vaudeville sketches -- "The Dawn of Man," "The Stone Age," The Spanish Inquisition," "The Bible," and "The Future." Also included is a Brooksian depiction of The Last Supper and a long-winded sequence about the French Revolution. The film starts with a 2001: A Space Odyssey parody, narrated by Orson Welles, in which a collection of ape-men learn to stand erect (in more ways than one). The Stone Age reveals the origins of both the first homo sapien and homosexual marriages. Brooks then appears in an Old Testament sequence as Moses, descending from Mount Sinai with three heavy stone tablets bearing the 15 Commandments; after he drops one of these tablets, the laws of God become 10 Commandments. The Roman period picks up with Brooks as Comicus, attempting to get a gig as a "stand-up philosopher" at Caesar's Palace. The Spanish Inquisition is a musical production number with monks torturing Jews to lively Broadway musical strains. The final French revolution section is a broad parody of The Man in the Iron Mask story. The film closes with coming attractions of "History of the World, Part II" that features a rousing Star Wars parody (anticipating Space Balls) called "Jews in Space" that includes a jaunty theme song. ~ Paul Brenner, All Movie Guide

James Woods plays "Fast-Walking" Miniver, a strikingly amoral prison guard, in this dark, hard-hitting comedy/drama. When not smoking dope or scaring up customers for Evie (Susan Tyrrell), the proprietor of the local house of prostitution, Fast-Walking tries to keep order in an Oregon prison. Fast-Walking is looking for a big payday so he can quit his job and get into something less stressful, and he thinks he may have found it when William Galliot (Robert Hooks), a black political activist who has just landed behind bars, offers him $50,000 to help him escape. Fast-Walking thinks this sounds fine with him, until he finds out that his cousin Wasco (Tim McIntire) is part of a plot to kill Galliot and wants his help. Fast-Walking's dilemma is intensified by his affair with Wasco's girlfriend, Moke (Kay Lenz). Fast-Walking was written, produced, and directed by James B. Harris, who as a producer helped bring several early Stanley Kubrick films to the screen. ~ Mark Deming, All Movie Guide

In the last of three feature-length pilot films for the unsold TV series Joe Dancer, Robert Blake again stars as hard-boiled private eye Dancer, this time at large in Hollywood. While investigating an old scandal that could potentially destroy the career of a big star and topple a major studio, Joe Dancer is himself framed for murder. Directing this energetic if derivative whodunnit was Reza S. Badiyi, who had previously helmed several episodes of Blake's earlier cop series Baretta (and surprisingly remained on good terms with the mercurial star). Originally telecast by NBC on June 5, 1983, Murder One, Dancer 0 (working titles: Joe Dancer III, Lights, Camera. . .Murder) is probably due for a revival thanks to the more recent real-life legal travails of the redoubtable Robert Blake. ~ Hal Erickson, All Movie Guide

Essentially a knock-off of the "Police Academy" series, this slapstick comedy tells the idiotic tale that contains humor to offend just about everyone as it tells the story of a milque-toast cop who moonlights at night as a paper-bag wearing stand-up comic who unfortunately gets mistaken for a paper-bag wearing bank robber. ~ Sandra Brennan, All Movie Guide

Goofy medical students have all kinds of rip roaring fun pulling crazy pranks such as scaring first year students by pretending to be cadavers. When the hijinks accelerate, the dean of the school tries to stop them. Filled with vulgarity, sexist and bathroom humor, the film's director Rod Holcomb, not wanting to take responsibility for the film, billed himself as "Allen Smithee," the official pseudonym of the Directors Guild. ~ Sandra Brennan, All Movie Guide