Sidney Lassick Movies

The popular animated duo of cat and mouse team up again to appear this time on the big screen. Homeless, the 'toons end up helping out a young girl who stays with a nasty auntie while she is separated from her father. Will the young Robyn be reunited with her loving father? Will the odd pair make it on the streets? Will they find a home? Those are some of the burning questions that may plague the minds of young viewers of this fun adventure. ~ Kristie Hassen, All Movie Guide

French actress Sophie Marceau made her American film debut in this story in which she plays Bernadette, a woman from Paris who comes to the U.S. after being promised a job. However, upon her arrival, Bernadette learns that she's fallen victim to a hoax; stuck in America, she looks for work while staying with her close friend Shirley (Anne Curry), who is looking for her break as an actress. Their friendship faces a considerable challenge when Bernadette finds herself falling for Shirley's boyfriend. Pacific Pallisades also features Toni Basil, the actress, dancer, and choreographer best known for the hit song "Mickey". ~ Mark Deming, All Movie Guide

This in-name-only sequel to the mediocre H.P. Lovecraft adaptation The Curse is a slight improvement on its predecessor, eschewing any trace of Lovecraft in favor of a standard nuclear-mutant-beast plot but imbuing this theme with a menagerie of brain-damaged setpieces. When the protagonist and his girlfriend stumble across an abandoned atomic test site, he's bitten on the arm by an irradiated snake-monster; in a creative but excessively grotesque twist, only the venom-infected arm begins to undergo the inevitable transformation into a fanged beast (sort of a reptilian variant on Bruce Campbell's rebellious demonic hand in Evil Dead 2), which leads to some unpleasant quirks in the young couple's relationship. Before long, the poor guy becomes a veritable snake-factory, churning out baby serpents at an incredible clip. The performances are quite good and the makeup effects (by Screaming Mad George) deserve credit for their disgusting audacity. Very weird but more fun than its predecessor, this is probably the film that Sssss! wished it could have been. ~ Cavett Binion, All Movie Guide

In this undistinguished, derivative slasher movie, a homicidal maniac is accidentally released from a hospital because of a computer error and heads to the site (a sorority) of his past murders to continue his penchant for mayhem. The good but obviously witless Dr. Joan Gilmore takes off after him while the villainous hospital administrators cover up the mistake and send some staff thugs out to get both the doctor and the escaped lunatic. Gilmore poses as a sorority woman and soon finds herself menaced on all sides as the gruesome, graphic murders begin to mount. ~ Eleanor Mannikka, All Movie Guide

Filmed in California, copyrighted in Turkey and enacted in Armenian, Forty Days of Musa Dagh is set in the decades following the Russo-Turkish war of 1878. Persecuted by their conquerors, a group of Armenian nationals form a resistance movement. The conquering Ottomans retaliate by committing some of the most egregious forms of genocide ever perpetrated. The bulk of the storyline takes place in 1915, when Armenian Gabriel Bagradian (Kabir Bedi), an officer in the Turkish military, relinquishes his commission and joins the resistance. The film culminates in the courageous defense against the Turks at Fort Musa Dagh. ~ Hal Erickson, All Movie Guide

This romantic comedy features the exciting relationship between an American and a mysterious Frenchwoman in their adventures. ~ All Movie Guide

Lewis Teague directed this sly horror-comedy from a script by John Sayles, which plays off the old urban legend about the dangers of flushing one's pet alligator down the toilet. One such unlucky reptile is "Ramon," who survives in the subterranean cesspool by feeding on the steroid-saturated carcasses of dogs dumped there by chemical company researchers and eventually bulks up to the size of a Winnebago. When assorted sewage workers start disappearing into Ramon's massive maw, hard-boiled cop David Madison (Robert Forster), who has a history of unlucky partners, reveals a strong personal interest in the case. Deemed a jinx and a nutcase by his superiors, he's kicked off the force and must go underground (literally) to destroy the beast with the help of young reptile-expert Marion (Robin Riker). The witty screenplay is filled with clever references, eccentric characters and in-jokes aplenty (a style reflective of Joe Dante's Piranha and The Howling, both of which Sayles also scripted), which combines with decent effects and a good amount of suspense (particularly in the sewer scenes) to make this an entertaining romp overall. Highlights include Henry Silva's over-the-top performance as a misplaced big-game hunter who recruits urban "native guides" in his back-alley search for the elusive Ramon. ~ Cavett Binion, All Movie Guide

Based on the best-selling novel by Joyce Rebeta-Burditt, the made-for-TV Cracker Factory originally aired on March 16, 1979. Natalie Wood stars as alcoholic Cleveland housewife Cassie Barrett, who after attempting suicide is shipped off by her family to a psychiatric ward. It's not the first time Cassie has been in "the cracker factory", but the doctors continue to hope that she'll eventually learn to grasp reality and stop hiding behind her boozing and blustering facade. As before Cassie resists the trappings of normality; this time, however, she may end up in the "factory" to stay if she doesn't at least try to help herself. Alternating sombre tragedy with moments of raucous comedy, Cracker Factory is an outstanding tour de force for Natalie Wood. ~ Hal Erickson, All Movie Guide

This police drama is the pilot episode of the Serpico television series and follows the straight arrow New York undercover cop Frank Serpico as he investigates racketeers and drug smugglers. ~ Sandra Brennan, All Movie Guide

This routine wartime drama of bravery and misunderstanding stars (Richard Bakalyan) as Charlie, a soldier who suffers the scorn of his paratroop unit because he accidentally kills one of their own men. The setting is World War II in North Africa, Sicily, and Italy. There seems to be no clear way to square himself with his own conscience, or to right the fatal mistake he made, and so Charlie has to somehow live with the retribution and the tensions his act causes among the other paratroopers. But since everyone is in the same combat situation, he might one day get a chance to redeem himself. Director William Witney made his reputation in action films like this one. ~ Eleanor Mannikka, All Movie Guide

In this postmodern exploitation flick loosely based on "Little Red Riding Hood," the uneducated daughter of a drug-addicted prostitute flees the foster-care system in search of her long-lost grandmother but meets up instead with a serial killer. Vanessa (Reese Witherspoon), a nearly illiterate firebug and serial shoplifter, desperately clings to normalcy even though her mother turns tricks, does drugs, and manages to ignore the fact that the girl's stepfather Michael T. Weiss has been abusing her for years. When both of her parents get arrested, Vanessa steals the car of her family-services caseworker (Conchata Ferrell) and heads up Interstate 5 in search of her paternal grandmother, who's never met her. Car problems force her to accept a ride from Bob Wolverton (Kiefer Sutherland), a youth counselor who uses charm and sympathy to get the girl to open up. Confessing the sordid details of her childhood to Bob, Vanessa is shocked when he suddenly declares that she's one of the "garbage people" and that he plans to murder her and have sex with her corpse. Bob, it turns out, is the "I-5 Murderer," who's been slaughtering young prostitutes in the Los Angeles area. Thanks to a gun borrowed from her fiancé, Vanessa manages to turn the tables on Bob, shooting him repeatedly and leaving him for dead. He survives, Vanessa is arrested, and the two meet up again in court -- with her unrepentant, even though the police disbelieve her story, him flanked by his prim wife (Brooke Shields) and the righteous indignation of the American legal system. Locked up in the juvie for psychological evaluation, Vanessa gets in touch with her wild side and eventually escapes, heading off to her fateful meeting with grandma. Although Freeway was originally filmed for HBO, vigorously positive critical response eventually earned it a theatrical release. Alanna Ubach, who portrays Vanessa's nemesis/accomplice Mesquita, would go on to appear with Witherspoon in Legally Blonde. Freeway also features two Clueless alumni: Dan Hedaya, as a police detective, and Brittany Murphy, as the disfigured lesbian who befriends Vanessa in lock-up. Michael T. Weiss, who previously appeared in gay indie Jeffrey, appears in both Freeway and its sequel, Freeway 2: Confessions of a Trickbaby. ~ Brian J. Dillard, All Movie Guide

Laurence Fishburne plays no-nonsense LAPD narc Russell Stevens, Jr., who has worked all his life to expunge the memory of his dope-addict father, whom he saw die in a liquor-store robbery. DEA agent Jerry Carver (Charles Martin Smith) orders Stevens to work as an undercover operative on a major case. The cop is to pose as a dealer in order to get the goods on South American drug lord. Stevens is so convincing as a dealer, that he fast works his way up through the ranks and gains the trust of lawyer and narcotics dealer David Jason (Jeff Goldblum) and his sinister associates, all lackeys to the kingpin who is the target of Stevens' assignment. Through a series of fantastic but credible circumstances, Stevens eliminates the lower echelon, getting closer to his quarry, but in the process he finds himself so deep into the sinister and seductive world of the drug trade that he may never get out. In a surprise move, and just when he is about to bring the ringleader down, the DEA pulls the plug on his assignment, because the top dealer, an influential Latin American politician, may someday be useful to the State Department. ~ Hal Erickson, All Movie Guide

Accidentally committing herself to a mental institution instead of applying for a job, a nurse (Jennifer O'Neill) must face hellish treatment from workers and unstable patients to remain sane. ~ John Bush, All Movie Guide