John Larch Movies

Friday (Jack Webb) and Smith (Ben Alexander) investigate when Rose Baker, a no-good, slovenly "party girl", disappears. The last person to see Rose was her sister Bernice (Irene Tedrow), who has been taking care of Rose's four children. Several other people come forth with contradictory stories, indicating that Rose was either going to return to her kids, move to another apartment, or leave the city on vacation. There is no question, however, of how Rose Baker ends up--and that's dead. This episode is based on the Dragnet radio broadcast of March 27, 1952. ~ Hal Erickson, All Movie Guide

Arriving at a medical building, Friday (Jack Webb) and Smith (Ben Alexander) investigate the disappearance of society matron Louise Marston. Filing the missing-persons report is Louise's husband, dentist Robert Marston (Whit Connor), who explains that he waited two weeks to notify the police of his wife's absence because he has been receiving letters from her, postmarked New York City. Meanwhile, Louise's stepfather (Willis Bouchey) suspects Marston of killing his wife so that he could collect an inheritance and set up his own dental building. The two detectives finally learn the truth just before construction of Dr. Marston's "dream office" gets under way. This episode is adapted from the Dragnet radio broadcast of June 14, 1951. ~ Hal Erickson, All Movie Guide

Single mother Betty Dixon has been savagely stabbed to death with a bollo knife. A lack of additional evidence makes it extremely difficult for Friday (Jack Webb) and Smith (Ben Alexander) to locate the perpetrator; all that is certain is that the killer is a madman. Ultimately, the detectives track down a recently discharged mental patient--who insists the victim "dared" him to murder her! This episode was adepted from the Dragnet radio broadcast of August 3, 1950. ~ Hal Erickson, All Movie Guide

Based on actual events, The Phenix City Story tells the tale of a wide-open "Sin City" in Alabama (across a bridge from Columbus, GA, and just a stone's throw from the Ft. Benning Army base) where gambling, prostitution, and any number of other vices were tolerated openly by the law, most of it centered on the main downtown drag, 14th Street, thanks to the 50-year influence of organized crime on the local government. Reform groups, mostly in the form of vigilantes, had tried to clean up "the wickedest city in the United States" before, even taking the law into their own hands and wrecking some of the establishments, only to be stymied by the courts (which were otherwise indifferent to activities on 14th Street). At the outset of the movie, set in 1954 -- when the actual events took place -- a new reform group is trying to organize and attempting to get the city's most prominent attorney, Albert Patterson (John McIntire) on their side; so are the club owners on 14th Street, led by Rhett Tanner (Edward Andrews), a cheerful, affable sort with a mean streak not far from the surface. But Patterson wants no part of either side's activities -- he's been a reformer, even a successful candidate, only to see his efforts come to little, and has also successfully defended Tanner and the others on 14th Street in an investigation of a murder of which they weren't guilty. Now he's old, and he wants to sit back with his wife and enjoy the return of his army office/lawyer son, John (Richard Kiley), and his family from Germany. But when the 14th Street boys, led by Clem Wilson (John Larch), go too far beating up Patterson's friends, and involve his son John, and then turn to murder and intimidation, it forces the elder Patterson and his son to join the reformers.

The Phenix City Story runs 87 minutes, but most prints also include a 13-minute preface, compiled from newsreel footage and interviews with the original participants, that provides background on the events that inspired the film (and also spoils a few plot points). Ironically, given the negative image that it portrays of Alabama, the movie was surprisingly well-received in the state at the time; residents were simply fascinated by and taken with the notion of a feature film set in their home state and even including a couple of actual local residents in its cast. Director Phil Karlson was to enjoy even greater success 18 years later with a similar story about one man fighting a city turned bad, Walking Tall, which included many similarly staged action scenes amid its somewhat wider plot-canvas. ~ Bruce Eder, All Movie Guide

Behind the High Wall is a remake of the 1937 Jackie Cooper-Victor McLaglen film The Big Guy. Tom Tully plays prison warden Frank Carmichael, who is kidnapped during a jail break in which a policeman is killed. In an ensuing car crash, all the escapees are killed except young Johnny Hutchins (John Gavin). Though he knows that Hutchins had nothing to do with the cop's murder, Carmichael refuses to intervene when Johnny is condemned to death. It seems that the escaping convicts had been carrying $100,000 in stolen money with them, which Carmichael has hidden away for his own use. By eliminating Hutchins, the warden is also getting rid of the only potential witness to his own perfidy. Sylvia Sidney is pure venom as Carmichael's crippled, greedy wife, while Betty Lynn (who later played Thelma Lou on The Andy Griffith Show) also registers well as Johnny's agonizing fiancee. ~ Hal Erickson, All Movie Guide

In this thriller, "Foggy" (Wendell Corey) is a bank teller who got his nickname for the thick spectacles he must wear. Foggy is also an inside man for a gang of thieves planning to rob his bank. Unfortunately, their plan goes awry and he is arrested. During the ensuing scuffle, his wife is accidentally killed and the crook blames the arresting officer (Joseph Cotten). While he stands trial, Foggy lets on that he plans on getting revenge by killing the officer's wife. Later he is transferred to a prison farm. The fearsome former clerk busts out of prison and kills a few people on his way to the policeman's home. The panicked policeman attempts to secure protection for his wife, but the cops decide to use the woman as a decoy to draw the criminal to them. ~ Sandra Brennan, All Movie Guide

The dramatic weight of Man From Del Rio rests securely on the broad shoulders of star Anthony Quinn. Cast as an indigent Mexican gunslinger, Quinn is asked by an old pal to clean up an outlaw-ridden western town. Knowing that his reputation is exaggerated, Quinn relies on braggadocio and bluff to keep the villains at bay. But when he is appointed town sheriff, it is "put up or shut up" time. Katy Jurado, who'd become "typed" as a western actress since High Noon, costars as Quinn's would-be lover. Man From Del Rio offers little that hasn't been seen before, but Anthony Quinn keeps things moving at a fast and exciting clip. ~ Hal Erickson, All Movie Guide

Man in the Shadow is a better-than-usual Albert Zugsmith production starring Jeff Chandler as the newly appointed lawman in a corrupt southwestern town. A Mexican laborer has been murdered, a crime which powerful land baron Orson Welles wants the sheriff to ignore. Chandler bucks Welles' wishes and investigates the killing, with the trail of evidence leading inexorably to Welles...but what's the motive? Man in the Shadow is unimportant enough on its own, but the fact that it was produced at all would have a far-reaching effect on cinematic history. It was during shooting of this western that producer Albert Zugsmith and actor Orson Welles agreed to collaborate on the Welles-directed masterpiece Touch of Evil (58). ~ Hal Erickson, All Movie Guide

Fred MacMurray plays the head of an outlaw band trying to escape across the Mexican border. The gang is able to elude the law and to navigate the rough terrain, but the flight comes to a halt in an all-but-deserted desert town. Here MacMurray and company are forced to stave off an Indian attack, during which several of the bandits prove to be less venal than they seem. The buildup to the attack seems to take forever, indicating that the producers may have had High Noon and Gunfight at the OK Corrall. It's likely that Fred MacMurray would have ground out budget westerns for the remainder of his career had not Walt Disney and My Three Sons come along. ~ Hal Erickson, All Movie Guide

Roy Carter (Scott Marlowe) will hang for murder unless Paladin (Richard Boone) can reach the prison in time with news that another man has confessed. Even so, the prison's vengeful warden refuses to enact a stay of execution. It takes the combined efforts of Paladin and prison chaplain Robert April (John Larch) to see that justice is done. Without giving away the ending, it can be noted that the character of Roy Carter would reappear in a later episode, enacted on that occasion by Clu Gulager. ~ Hal Erickson, All Movie Guide

A spare, almost austere western, From Hell to Texas stars Don Murray as a carefree cowpoke. Accidentally killing the son of a powerful land baron (R. G. Armstrong), Murray runs for his life, pursued by the dead man's vengeful brothers. The fugitive is sheltered by Chill Wills, upon whose ranch Murray spends the bulk of his screen time. In love with Wills' daughter (Diane Varsi), Murray is concerned that he'll eventually have to leave when his pursuers catch up with him, but the boy is exonerated when he saves the life of the land baron's youngest son (Dennis Hopper). A superb piece of filmmaking, From Hell to Texas is barely worth watching unless seen in its original CinemaScope. ~ Hal Erickson, All Movie Guide

In the fifth episode of Walt Disney's 17-part miniseries Tales of Texas John Slaughter, Slaughter (Tom Tryon) has retired from the Texas Rangers and has set up his own cattle ranch together with his new bride Adeline (Norma Moore). Alas, Slaughter's career as a cattleman may be over before it begins, thanks to the obstreperous behavior of neighboring rancher Sam Underwood (Sidney Blackmer). After engaging in a bitter battle over local water right, Slaughter and Underwood are forced to form a united front against a common enemy, outlaw boss Bill Gallagher (Stephen McNally). Originally telecast as part of the Walt Disney Presents anthology, "The Man From Bitter Creek" and the subsequent episode "The Slaughter Trail" were edited together in 1962 and released overseas as the "feature film" Stampede at Bitter Creek. ~ Hal Erickson, All Movie Guide

Inger Stevens guest-stars as Emily Pennington, the frail and sickly fiancée of itinerant miner Black McCall. Arriving on the Ponderosa, McCall asks that Emily be allowed to stay until her health improves. Hoss grows fond of the girl, but can't shake his fundamental mistrust of McCall's motives. Featured in the cast is Bob Knapp as Emily's brother John. Written by Thomas Thompson,"The Newcomers" originally aired on September 26, 1959. ~ Hal Erickson, All Movie Guide