John Larch Movies

The Dukes find out that their personable new neighbors, Adam and Esther Venable (John Larch, Cynthia Leake) are actually in the Federal Witness Protection Program. Complicating matters are a band of vicious bounty hunters who are pursuing the Venables in hopes of tracking down $2,000,000 in stolen ransom money. Somehow or other, all this is tied in Boss Hogg's (Sorrell Booke) uranium-hunting expedition. This week's victim of Boss' "celebrity speed trap" is Hoyt Axton, who performs "Out-of-State Cars". ~ Hal Erickson, Rovi

"For God's sake, GET OUT!" was the ad campaign for the 1979 shocker The Amityville Horror. The film was based on the allegedly true story of the luckless Lutz family, who move lock, stock, and barrel into a new home, only to find that it is possessed by the demonic spirits of its previous owners. Variations of the Seven Deadly Plagues emanate from virtually every household fixture, while other forms of otherworldly mischief are suffered by the Lutz children. Enter kindly Father Delaney (Rod Steiger), who does his utmost to exorcise the house. The Amityville Horror was frequently greeted with laughs from its first-run audiences, especially after it was discovered that the "actual" events depicted in the film (based on a book by Jay Anson) were complete fabrications. ~ Hal Erickson, Rovi

The story begins as an astronomer notices that a blazing comet is headed straight for Phoenix Arizona. Unfortunately, no one believes him. They will eventually, but only after most of Phoenix has been reduced to cinders. Emmies went to the special effects (among the best ever seen on TV in those days before computer-generated special fx) and sound recording. The all-star cast includes Richard Crenna, Elizabeth Ashley, David Dukes, Joanna Miles, Lloyd Bochner, Merlin Olsen and Andrew Duggan, all of them superbly cast and none merely doing the usual celebrity walk-through. Originally telecast in a three-hour slot, Fire in the Sky debuted November 26, 1978. This film should not be confused with the 1993 alien-abduction film of the same name. ~ Hal Erickson, Rovi

Both Future Cop and Cops and Robin were feature-length pilots for TV series. Both starred Ernest Borgnine, Michael Shannon and John Amos. Both were tongue-in-cheek science-fiction efforts about a hard-nosed cop (Borgnine) who is teamed with an android (Shannon). And both died aborning before a series could get under way. For the record, Future Cop premiered May 1, 1976. ~ Hal Erickson, Rovi

Tony Musante has the unenviable task of portraying the least appealing paraplegic hero in TV-movie history in Desperate Miles. Musante plays Joe Larkin, a disabled Vietnam vet who wants to prove to the world that neither he nor his incapacitated brethren are helpless. To do this, he takes to the highway in his wheelchair, bound and determined to complete a 130-mile journey. His progress is threatened by a mean-tempered truck driver (John Chandler), who tailgates Larkin's chair, honks his horn, and screams things like "You think you're someone special?" Unfortunately, Larkin is such a strident and obnoxious character that the audience may be inclined to sympathize with the driver. This is not a hindsight observation: many critics turned thumbs down on the well-intentioned Desperate Miles when it was first broadcast on March 5, 1975. ~ Hal Erickson, Rovi

Director Phil Karlson harks back to the no-nonsense, no-thrills directness of his 1950s "B" pictures in Framed. Joe Don Baker, Karlson's star in Walking Tall, plays Ron, a high-rolling gambler with a streak of integrity. Framed by the film's villains--including a cartel of corrupt cops--Ron is carted off to prison. Upon his release, he embarks upon a carefully calculated campaign of revenge. The film's stylistic ties to the enormously successful Walking Tall include the screenwriting contributions of Mort Briskin. ~ Hal Erickson, Rovi

San Francisco is held in thrall by a professional arsonist who burns down businesses for insurance purposes. Detectives Stone (Karl Malden) and Keller (Michael Douglas) enter the story when one of the arsonist's assignments results in the deaths of two firefighters. A number of Streets of San Francisco "repeat offenders" make guest appearances in this episode, including Barry Sullivan and Kaz Garas. ~ Hal Erickson, Rovi

"Bad" Ronald (Scott Jacoby) has been in hiding in a secret room ever since going off the deep end and killing a teenaged girl who'd made fun of him. Ronald's mother (Kim Hunter) helps her son to remain hidden, even when the house in which he is sequestered is rented by a family. As luck would have it, three of the family members are nubile young girls--perfect targets for the lonely, and looney, Ronald. In the original John Holbrook Vance novel on which this TV-movie is based, Ronald abducts, repeatedly rapes and ultimately kills two women. The video version of Bad Ronald is heavily laundered, but no less terrifying. ~ Hal Erickson, Rovi

A valued member of a powerful crime ring, John Prentiss (Michael Callan) decides to go into business for himself when he falls in love with Ellen Conway (Katherine Justice). Prentiss' former associates aren't keen on this, so they take out a contract on his life. It is up to Inspector Erskine to keep Prentiss alive long enough to be placed behind bars--and what about Ellen? ~ Hal Erickson, Rovi

The made-for-TV Women in Chains is strictly for those who enjoy knowing what's coming next. Lois Nettelton stars as a probation officer investigating prison conditions. To better facilitate her studies, she adopts an assumed name and has herself thrown into jail as a convict. Ida Lupino (but of course) is the sadistic head of the prison. The only outside person who knows of Lois' subterfuge dies, leaving the hapless heroine at the mercy of Lupino and the vicious female cons. Typical of the "realism" inherent in Women in Chains is the casting of ebullient young actress Judy Strangis as a strung-out junkie. ~ Hal Erickson, Rovi

"You've got to ask yourself a question: 'do I feel lucky?' Well, do ya, punk?" Dirty Harry provoked a critical uproar in 1971 for its "fascist" message about the power of one, as it also elevated Clint Eastwood to superstar status through his most enduring screen persona. Harry Callahan (Eastwood, in a role meant for Frank Sinatra) is a sardonic, hard-working San Francisco cop who can't finish his lunch without having to foil a bank robbery with his 44 Magnum, "the most powerful handgun in the world." When hippie-esque psycho Scorpio (Andy Robinson) goes on a killing spree, Harry and new partner Chico (Reni Santoni) are assigned to hunt him down, but not before the Mayor (John Vernon) and Lt. Bressler (Harry Guardino) admonish Callahan about his heavy-handed tactics. Racing against a deadline to save a kidnap victim from suffocating to death and unbothered by the niceties of Miranda rights and search warrants, Callahan brings in Scorpio, only to see him released on technicalities. "The law's crazy," opines Harry in disgust, before taking it upon himself to ensure that Scorpio doesn't kill again. Directed in violent and efficient fashion by Don Siegel, with a propulsive score by Lalo Schifrin, Dirty Harry was the fourth Siegel-Eastwood collaboration after Coogan's Bluff (1968), Two Mules for Sister Sara (1970), and The Beguiled (1970). Critics at the time strongly objected to the heroic image of a cop's violations of a suspect's Miranda rights, forcing Siegel and Eastwood to deny that they were right-wing reactionaries. All the same, Dirty Harry proved to be highly popular and spawned four sequels: Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983), and The Dead Pool (1988). ~ Lucia Bozzola, Rovi

When a gangster takes control of the city, a U.S. Treasury agent works to stop the illegal activities. ~ Rovi