Joi Lansing Movies
Buxom, peroxide-blonded Joi Lansing began her screen career as a bit actress in 1948; among the many films graced by her fleeting presence was 1952's Singin' in the Rain. She gained prominence on TV in the 1950s as Shirley Swanson, one of the many models squired by Robert Cummings in Love That Bob, and in guest-star appearances on dozens of other programs (in a 1957 Superman episode, she played the new bride of the Man of Steel). In films, Lansing was invariably cast as an "arm ornament" or good-time girl, exhibiting a sharp sense of comic timing in such films as A Hole in the Head (1959) and Who Was That Lady (1960). During the 1960s, Lansing was co-starred on the TV adventure series Klondike, and played the recurring role of showbiz aspirant Mrs. Flatt (!) on The Beverly Hillbillies. Joi Lansing died of cancer at the age of 44, not long after appearing in yet another of the schlocky horror films that had become her lot in her last decade. ~ Hal Erickson, All Movie Guide- 1955
Dale Robertson stars as the Son of Sinbad in this tongue-in-cheek Arabian Nights romp. Hoping to rescue Bagdad from the forces of the dreaded Tamerlaine, Sinbad Jr. enlists the aid of the Khalif (Leon Askin) by promising to deliver the secret of "Greek Fire". To expedite this, he enlists the aid of the lovely Kristina (Mari Blanchard), who has memorized said secret. When the bad guys threaten the safety of hero and heroine, slave girl Ameer (Sally Forrest), who heads the all-female descendants of the original Forty Thieves, come galloping to the rescue. Personally produced by Howard Hughes, Son of Sinbad seems to be a clearing house for all of Hughes' voyeuristic fetishes; at one point, stripteaser Lili St. Cyr performs an exotic (and erotic) dance wearing the equivalent of a postage stamp, earning a Condemned rating from the Catholic Legion of Decency. The overabundance of feminie pulchritude gets a little wearing after a while, and it is up to Vincent Price to steal the show as Omar the Tentmaker, improvising passages of his unpublished "Rubiyat" (with a few anachronistic Shakespearean quotes thrown in) as he tries to keep apace with the hero. Also on hand is an uncredited (and fully clothed) Kim Novak as a handmaiden. More silly than sexy when seen today, Son of Sinbad is acceptable nonthink entertainment. ~ Hal Erickson, All Movie Guide
- Starring:
- Dale Robertson, Sally Forrest, (more)
- 1954
Like so many other films that were once considered "lewd" and "scandalous", The French Line seems as harmless as Pollyanna when seen today. Essentially a remake of The Richest Girl in the World, the film stars Jane Russell as Mary Carson, an incredibly wealthy Texas oil heiress. Lucky in investments but unlucky in love, poor Mary can never keep a fiance: either they're fortune-hunters or they don't want to marry anyone so rich and powerful. Thus, while on an ocean voyage to France, Mary poses as the model of dress designer Annie Farrell (Mary McCarthy), hoping to attract a man who is interested in her for herself, and not her millions. That man turns out to be dashing stage star Pierre (Gilbert Roland), but there's many comic complications and misunderstandings before the happy ending. What shocked the censors in 1954 was Jane Russell's sizzling musical number "Lookin' for Trouble", in which she performed an uninhibited bump-and-grind while wearing nothing more than a seven-ounce glorified bikini. While Ms. Russell herself was offended by her skimpy costume, she saw nothing wrong with the dance itself, pointing out that she intended it as a parody of a "burleycue" number. The professional blue-noses disagreed, however: the film was condemned by the Catholic Legion of Decency and denied a Production Code Seal. Eventually, producer Howard Hughes got the Seal--along with a million dollars' worth of free publicity, which is what he intended all along. Filmed in 3D, The French Line is the film that was ballyhooed with the classically tasteless ad campaign "J.R. in 3D--It'll knock both your eyes out!" ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Russell, Gilbert Roland, (more)
- 1952
Based on an operetta by Franz Lehar, this remake of the 1934 original finds a wealthy widow (Lana Turner) returning to her husband's native land to dedicate a memorial to him. The king (Thomas Gomez) of the country, deep in debt, tries to convince her to stay by offering a young count (Fernando Lamas) for her to marry. The film earned Oscar nominations for Best Art Direction/Set Decoration and Best Costumes. ~ John Bush, All Movie Guide
- Starring:
- Lana Turner, Fernando Lamas, (more)
Hollywood, 1927: the silent-film romantic team of Don Lockwood (Gene Kelly) and Lina Lamont (Jean Hagen) is the toast of Tinseltown. While Lockwood and Lamont personify smoldering passions onscreen, in real life the down-to-earth Lockwood can't stand the egotistical, brainless Lina. He prefers the company of aspiring actress Kathy Selden (Debbie Reynolds), whom he met while escaping his screaming fans. Watching these intrigues from the sidelines is Cosmo Brown (Donald O'Connor), Don's best pal and on-set pianist. Cosmo is promoted to musical director of Monumental Pictures by studio head R.F. Simpson (Millard Mitchell) when the talking-picture revolution commences. That's all right for Cosmo, but how will talkies affect the upcoming Lockwood-Lamont vehicle "The Dueling Cavalier"? Don, an accomplished song-and-dance man, should have no trouble adapting to the microphone. Lina, however, is another matter; put as charitably as possible, she has a voice that sounds like fingernails on a blackboard. The disastrous preview of the team's first talkie has the audience howling with derisive laughter. On the strength of the plot alone, concocted by the matchless writing team of Betty Comden and Adolph Green, Singin' in the Rain is a delight. But with the addition of MGM's catalog of Arthur Freed-Nacio Herb Brown songs -- "You Were Meant for Me," "You Are My Lucky Star," "The Broadway Melody," and of course the title song -- the film becomes one of the greatest Hollywood musicals ever made. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Donald O'Connor, (more)
- 1952
If anyone can be labelled a television auteur, that man was the inimitable Ozzie Nelson. Not only did Ozzie produce, direct, star and occasionally write the long-running (1952-66) TV sitcom The Adventures of Ozzie and Harriet, but he also supplied the cast from his own home! You remember the dramatis personae: ex-bandleader Ozzie Nelson, the bemused, stammering paterfamilias whose source of income was always a matter of conjecture; Harriet Nelson, nee band singer/actress Harriet Hilliard, eternally the voice of calm and reason; David Nelson, the goody two-shoes older son; and Ricky Nelson, the mildly rebellious younger son and teen singing idol. The "Adventures" were among the least adventurous in television history, ranging from Ozzie's search for a gallon of tutti-frutti ice cream to Ricky's efforts to steal a moose head from a rival fraternity house. ~ Hal Erickson, All Movie Guide
- 1951
Personally supervised by Howard R. Hughes, the RKO Technicolor musical Two Tickets to Broadway stars Janet Leigh as a small-town girl who hopes to make it big in the Big Apple. Moving into a Manhattan boarding house populated by such showbiz hopefuls as Ann Miller, Tony Martin, Gloria De Haven and Barbara Lawrence, Leigh aspires to appear on the popular TV variety program hosted by bandleader Bob Crosby. Two-bit agent Eddie Bracken promises to make her dreams come true, even though he doesn't know Crosby from Adam. Along the way, Leigh falls for Martin, though the course of true love seldom runs smooth--in fact, at one point it threatens to run all the way back to Leigh's home town. Injecting their time-honored routines into the proceedings are veteran vaudevillians Joe Smith and Charlie Dale, playing a couple of stagestruck deli owners (their roles were originally slated for Stan Laurel and Oliver Hardy, but Laurel's illness precluded any film work). Despite the creative input of choreographer Busby Berkeley, the film's best number is the simplest: Let's Make Comparisons, wherein Bob Crosby explains why he's not his brother Bing. Seemingly a surefire box-office hit, Two Tickets to Broadway inexplicably posted a loss of $1,150,000. ~ Hal Erickson, All Movie Guide
- Starring:
- Tony Martin, Janet Leigh, (more)
- 1951
Pier 23 was one of three hour-long mysteries produced by Lippert Productions for both TV and theatrical release. Each of the three films was evenly divided into two half-hour "episodes," and each starred Hugh Beaumont as San Francisco-based amateur sleuth Dennis O'Brien. In Pier 23, O'Brien first tackles the case of a wrestler who has died of a suspicious heart attack after refusing to lose a match. He then agrees to help a priest talk an escaped criminal into returning to prison. The film's two-part structure leads to repetition and predictability, but it's fun to watch TV's "Ward Cleaver" making like Philip Marlowe. ~ Hal Erickson, All Movie Guide
- Starring:
- Hugh Beaumont, Ann Savage, (more)
On the Riviera is a remake of 1941's Weekend in Havana, which in turn was a remake of 1934's Folies Bergere. The plot remains the same in all three incarnations: for business purposes, a nightclub entertainer is coerced into posing as his look-alike, a powerful financier/aviator. This time it's Danny Kaye who essays the dual role of American cabaret comedian Jack Martin and French financial wizard Henri Duran. While impersonating Duran, Martin is forced to make amorous advances towards Duran's neglected wife (Gene Tierney), proving himself the better lover in the process. Meanwhile, Martin must mollify his genuine sweetheart (and nightclub partner) Collette (Corinne Calvet) without revealing his ruse. A little too top-heavy in the plot department, On the Riviera must be regarded as a second-echelon Danny Kaye vehicle, though Sylvia Fine's specialty numbers -- especially the eerily autobiographical "Popo the Puppet" -- are well up to standard. One of the uncredited specialty dancers is future Broadway star Gwen Verdon. ~ Hal Erickson, All Movie Guide
- Starring:
- Danny Kaye, Gene Tierney, (more)
- 1949
Esther Williams and Red Skelton share equal screen time for once in the MGM Technicolor musical Neptune's Daughter. The title character is, of course, Williams, here cast as Eve Barrett, a bathing-suit manufacturer (and sometimes model). Skelton plays Jack Spratt, the masseur at a fancy polo club, who falls for Eve's sister (Betty Garrett). To prove worthy of her love, Jack poses as dashing Latin polo star Jose O'Rourke (Ricardo Montalban), resulting in a wealth of comic complications. The slapstick setpieces include a hilarious horse-mounting routine and a climactic set-to between Skelton and petty crook Mike Mazurki; there's also a few inspired moments from Mel Blanc, cast as a slow-talking Mexican. While Xavier Cugat is on hand as "himself," the film's musical high point is the Oscar-winning Baby It's Cold Outside, performed first by Williams and Montalban and then by Skelton and Garrett. ~ Hal Erickson, All Movie Guide
- Starring:
- Esther Williams, Red Skelton, (more)
- 1949
Ronald Reagan plays a George Petty-type magazine illustrator who creates a "perfect girl" from a composite of the features of several models. While relaxing at the beach, Reagan meets a lovely young schoolteacher (Virginia Mayo) who is the living image of his imaginary girl. Sensing a terrific promotional angle, Reagan ingratiates himself with the girl and attempts to secure her services for a series of cheesecake poses. The film leads to a courtroom conclusion wherein Mayo must strut around in a bathing suit to win her case. Girl from Jones Beach is worth the admission price alone just to hear Ronald Reagan pose as a Czechoslovakian immigrant--complete with accent. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Reagan, Virginia Mayo, (more)
So baseball pictures never make money, eh? Try telling that to MGM, which raked in a box office gross of $4 million on their 1949 baseball musical Take Me Out to the Ball Game. Set in 1906, the film concerns the adventures and misadventures of The Wolves, a champion ball club. The team's success is contingent upon the double-play combination of "O'Brien to Ryan to Goldberg." But while Goldberg (Jules Munshin) lives to play baseball, O'Brien (Gene Kelly) and Ryan (Frank Sinatra) would rather pursue their off-season vaudeville career. Both erstwhile song-and-dance men decide to stick around on the baseball diamond when they mutually fall in love with the Wolves' new owner, the lovely K.C. Higgins (Esther Williams). Though O'Brien wins K.C. for himself, Ryan is compensated with the aggressively affectionate Shirley Delwyn (Betty Garrett). Gambler Joe Lorgan (Edward Arnold), who has bet heavily against the Wolves in an upcoming Big Game, woos O'Brien away from the team with promises of a big role in an upcoming musical comedy. Having let down K.C. and the rest of the team, O'Brien vows to redeem himself by playing in the crucial game. Lorgan gets wind of this, and orders his henchmen to do away with O'Brien. Hoping to shield his buddy from harm, Ryan beans O'Brien with a pitched ball, thereby incapacitating the prodigal player. The crooks are vanquished, and K.C. forgives O'Brien. But upon learning that Ryan had knocked him out, O'Brien charges onto the diamond, thirsting for revenge. Believe it or not, this action results in no fewer than two winning home runs! We offer you this detailed synopsis because it's likely that you'll be too entertained by the film's musical numbers to pay any attention to the story. Outside of the title number and Gene Kelly's solo "The Hat My Father Wore on St. Patrick's Day," the picture's best songs are contributed by Betty Comden, Adolf Green and Roger Edens. Take Me Out to the Ball Game is so delightful as it stands that one can only wonder what the film would have looked like had MGM's first choice Kathryn Grayson--or the studio's second choice, Judy Garland--played the Esther Williams role (In a similar vein, the Frank Sinatra character was originally to have been played by real-life Brooklyn Dodgers manager Leo Durocher!) ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Esther Williams, (more)
Fred Astaire had announced his retirement before the cameras began to roll on Easter Parade, but he decided to accept the film's leading role when its original star Gene Kelly became incapacitated. The thinnish plot, which finds Astaire trying to turn chorus girl Judy Garland into a star in order to show up his former partner Ann Miller, is hardly what keeps the audience's eyes riveted to the screen. All that truly matters are the 17 musical numbers, all written by Irving Berlin (ten were standards, while seven were new to this film). Among the many highlights are Astaire's slow-motion version of "Steppin' Out," the Astaire/Garland duet "We're a Couple of Swells," the opening rendition of "Happy Easter," and the closing performance of the title number. So successful was Easter Parade that plans were immediately drawn to reteam Fred Astaire and Judy Garland in The Barkeleys of Broadway; this time, however, it was Garland who withdrew, to be replaced by Astaire's most famous vis-à-vis, Ginger Rogers. ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Garland, Fred Astaire, (more)
- 1948
After suffering nobly in several heavyweight MGM dramas, Greer Garson and Walter Pidgeon begged the studio to cast them together in a comedy. Though not an all-out laff riot, Julia Misbehaves strives hard to please. Garson plays an ever-in-debt British music-hall performer who relies on the largess of her friends to keep the wolf from the door. Pidgeon portrays Garson's ex-husband, who for the past 20 years has lived in Paris with their daughter Elizabeth Taylor. When Taylor becomes engaged, she sends Garson a wedding invitation. Broke again, Garson hastily joins an acrobatic act to earn steerage money, and charms British nobleman Nigel Bruce into giving her enough cash for a wedding present. Once she arrives in Paris, Garson sticks her nose into everyone's affairs, much to the dismay of the uptight Pidgeon. Garson even advises daughter Taylor to marry someone other than her betrothed. Despite her screwball behavior, Pidgeon can't help falling in love with Garson all over again--but it takes a zany sequence in and around a mountain chalet to knot together the many loose plotlines. Julia Misbehaves was adapted from The Nutmeg Tree, a novel by Margery Sharp. ~ Hal Erickson, All Movie Guide
- Starring:
- Greer Garson, Walter Pidgeon, (more)
- 1948
With Maurice Conn as producer and Peter Stewart (aka Sam Newfield) as director, one suspects that 20th Century-Fox's The Counterfeiters was actually produced by one of the minor companies like Film Classics or PRC. Scotland Yard investigator Jeff McAllister (John Sutton) teams with the FBI to track down a gang of clever counterfeiters, headed by Philip Drake (Hugh Beaumont). The plot becomes as thick as London pea soup when McAllister falls in love with Drake's daughter Margo (Doris Merrick). After attempting to protect her father from prosecution, Margo realizes that she's on the wrong side and throws in with McAllister. Lon Chaney Jr. does another variation of "Lennie" from Of Mice and Men as Drake's moronic henchman. ~ Hal Erickson, All Movie Guide
- Starring:
- John Sutton, Doris Merrick, (more)
