Joanna Barnes Movies

Auntie Mame began as a novel by Patrick Dennis (aka Ed Fitzgerald), then was adapted into a long-running Broadway play by Jerome Lawrence and Robert E. Lee. This 1958 film version permits Rosalind Russell to recreate her stage role as Mame Dennis, the flamboyant, devil-may-care aunt of young, impressionable Patrick Dennis. Left in Mame's care when his millionaire father drops dead, young Patrick (Jan Handzlik) is quickly indoctrinated into his aunt's philosophy that "Life is a banquet--and some poor suckers are starving to death." Social-climbing executor Dwight Babcock (Fred Clark) does his best to raise Patrick as a stuffy American aristocrat, but Mame battles Babcock to allow the boy to be as free-spirited as she is. In 1974, Auntie Mame was remade as the filmmusical Mame with Lucille Ball. ~ Hal Erickson, All Movie Guide

Wearing a curiously (and perhaps deliberately) unattractive blonde wig, Jean Simmons stars in the tense psychological drama Home Before Dark. Having just recovered from a nervous breakdown, Charlotte Bronn (Simmons) returns from a mental institution to the home she shares with her academician husband Arnold (Dan O'Herlihy). Though he tries his best to help Charlotte re-adapt, his efforts are undermined by the insensitive meddling of her stepmother Inez (Mabel Albertson) and stepsister Joan (Rhonda Fleming) who may or may not have been carrying on a romance with Arnold in Charlotte's absence. The untenable situation at home leads Charlotte into a romance with college professor Jake Diamond (Efrem Zimbalist Jr.), who as an ongoing target of anti-semitism has plenty of his own emotional baggage to deal with. What is remarkable about Home Before Dark is that it is a film without a villain: even the most unpleasant characters are drawn as three-dimensional human beings, who behave badly because they really don't know any better. The film was adapted by Robert and Eileen Bassing from Eileen's same-named novel. ~ Hal Erickson, All Movie Guide

Bart (Jack Kelly) is one of several stagecoach passengers who are attacked by the Apaches. With their coach destroyed, the hapless passengers are left stranding in the desert, under a blazing sun. The others insists that Bart strike out on his own and seek out help--an assignment that borders on the suicidal. The supporting cast includes Whitney Blake, the mother of actress Meredith Baxter and later the cocreator (with husband Alan Manings) of the popular CBS sitcom One Day at a Time. ~ Hal Erickson, All Movie Guide

While escorting four prisoners through the desert, Capt. Jim Pattisall (Alan Hale Jr.) is wounded in an Apache attack. Bart Maverick (Jack Kelly) takes over from Pattisall, making certain that the foursome is safely delivered to prison--a task that proves problematic when the prettiest of the prisoners, Daphne Tolliver (Joanna Barnes) tries to charm her way to freedom. Adding to Bart's burden are a pair of pursuing bank robbers, to say nothing of scalp-happy Apache brave Red Feather (Gary Murray). Featured as the Indian chief is silent-film veteran Charles Stevens, the grandson of legendary Apache warrior Geronimo. ~ Hal Erickson, All Movie Guide

Spartacus (Kirk Douglas) is a rebellious slave purchased by Lentulus Batiatus (Peter Ustinov), owner of a school for gladiators. For the entertainment of corrupt Roman senator Marcus Licinius Crassus (Laurence Olivier), Batiatus' gladiators are to stage a fight to the death. On the night before the event, the enslaved trainees are "rewarded" with female companionship. Spartacus' companion for the evening is Varinia (Jean Simmons), a slave from Brittania. When Spartacus later learns that Varinia has been sold to Crassus, he leads 78 fellow gladiators in revolt. Word of the rebellion spreads like wildfire, and soon Spartacus' army numbers in the hundreds. Escaping to join his cause is Varinia, who has fallen in love with Spartacus, and another of Crassus' house slaves, the sensitive Antoninus (Tony Curtis). The revolt becomes the principal cog in the wheel of a political struggle between Crassus and a more temperate senator named Gracchus (Charles Laughton). Anthony Mann was the original director of Spartacus, eventually replaced by Stanley Kubrick, who'd previously guided Douglas through Paths of Glory. The film received 4 Academy Awards, including Best Supporting Actor for Ustinov. A crucial scene between Olivier and Curtis, removed from the 1967 reissue because of its subtle homosexual implications, was restored in 1991, with a newly recorded soundtrack featuring Curtis as his younger self and Anthony Hopkins standing in for the deceased Olivier. ~ Hal Erickson, All Movie Guide

We get a double dose of Hayley Mills in this Disney vehicle: she plays 13-year-old identical twins Susan and Sharon, who meet for the very first time in summer camp. They soon learn that they were separated at a very early age when their parents Mitch and Maggie (Brian Keith and Maureen O'Hara) divorced. On a lark, the girls switch places: the one living with Mitch goes back home with Maggie, and vice versa. Mitch is planning to remarry the "wrong woman," vituperative Vicky (Joanna Barnes). The twins conspire to reunite their parents, but the road to reconciliation is rough indeed. It takes a slapsticky camping trip to get rid of the troublesome Vicky and to prompt Mitch and Maggie to renew their vows. The film introduced a hit song, "Let's Get Together," which represented the high point of Hayley Mills' very short-lived recording career. The Parent Trap was based on Das Doppelte Lottchen, a novel by Erich Kastner, which had previously been filmed in German and British versions (real twins were cast in both); over thirty years after Parent Trap was theatrically released, a short series of sequels were made for the Disney Channel cable service, with a grown-up Mills back in her original role(s), and two sets of second-generation twins. Baby Boom collaborators Nancy Meyers and Charles Shyer would remake the film with a new cast in 1998. ~ Hal Erickson, All Movie Guide

The first half of this 1961 Walt Disney Presents episode shows the work that went behind the delightful animated opening titles of the upcoming Disney theatrical feature The Parent Trap. Famed studio artists Bill Justice, X. Attencio, and T. Hee are seen bringing the titles to life, from storyboard to final print; as a bonus, excerpts from The Parent Trap are previewed, and Tommy Sands and Annette Funicello are shown recording the film's hit title song The rest of the episode consists of Disney's Oscar-winning "True-Life Adventure" short subject Nature's Half Acre, originally released theatrically in 1952. Narrated by Winston Hibler, the film follows the four seasons of nature, from the viewpoint of several species of birds, insects, and plants. "Title Makers and Disney's Half Acre was Walt Disney's final TV-anthology episode for the ABC network, and the last one telecast in black-and-white. Beginning in the fall of 1961, the producer's series would air on NBC under the title Walt Disney's Wonderful World of Color. ~ Hal Erickson, All Movie Guide

In this sequel to "Elly Starts to School," wealthy Cynthia Fenwick (Joanna Barnes) and her mother (Doris Packer) have adopted the Clampett look, following the example of Cynthia's classmate, Elly May. Dressed in checkered shirts and old blue jeans, the Fenwicks are convinced that the Clampetts are the arbiter of a new avant-garde social movement. But when they meet Cynthia and her mother, the Clampetts believe that the ill-garbed ladies have fallen upon hard times. "The Clampett Look" first aired on October 23, 1963. ~ Hal Erickson, All Movie Guide

George Axelrod's Goodbye Charlie flopped on Broadway with Lauren Bacall in the lead, but fared a little better as a film vehicle for Debbie Reynolds. Charlie (Harry Madden) is an inveterate philanderer who is shot dead by jealous husband Walter Matthau. Through a celestial fluke, Charlie's soul enters the well-rounded body of Debbie Reynolds. In this form, Charlie/Debbie seeks to settle old scores with her murderer as well as several other enemies. As if these aren't complications enough, Charlie's best friend Tony Curtis falls in love with Debbie, knowing full well that Debbie isn't really Debbie. If you liked Goodbye Charlie once, you'll love it twice: Blake Edwards retooled the whole megillah for Ellen Barkin, added a trendy feminist underlining, and came up with Switch (1991). ~ Hal Erickson, All Movie Guide

John Wayne and Kirk Douglas spend half of The War Wagon trying to knock one another off and the other half working shoulder to shoulder. Settling an old score with avaricious mine owner Bruce Cabot, Wayne plans to steal a $500,000 gold shipment from his enemy. Douglas, at first hired by Cabot to kill Wayne, goes along with the robbery scheme. Also in on the plan is Howard Keel, superbly cast as a world-weary, wisecracking Native American (it's the sort of part that nowadays would go to Graham Greene). The titular war wagon is the armor-plated, Gatling-gun fortified stagecoach wherein Cabot's gold is transported. Thus the stage is set for a slam-bang finale, and director Burt Kennedy isn't about to disappoint the viewers. Best bit: after Kirk and The Duke gun down Cabot's henchmen Bruce Dern and Chuck Roberson, Douglas quips "Mine hit the ground first"--whereupon Wayne replies "Mine was taller." ~ Hal Erickson, All Movie Guide

B. S., I Love You is appropriately titled, as the story concerns a young adman (Peter Kastner), who not only loves his job, but enjoys success in his job due to his success in lovemaking. Especially helpful is his liaison with his boss (Joanna Barnes), but he also manages to further his career with the romantic assistance of the boss's daughter (Joanna Cameron). With enviable energy, he somehow keeps his career going, along with relationships with the boss-ladies and his regular girlfriend (Louise Sorel), while traveling between New York, Los Angeles and San Francisco. ~ Clarke Fountain, All Movie Guide

The police are baffled by an ongoing homicide case involving attractive model Janet Warren (Ronne Troup), who, during the past year, has lost three boyfriends to a mysterious sniper. In order to flush out the killer, SWAT leader Hondo (Steve Forrest) poses as Janet's newest beau. The plan succeeds too well, placing both Hondo and Janet in deadly jeopardy. ~ Hal Erickson, All Movie Guide