Wallace Langham Movies

HBO enthusiasts will invariably remember character actor Wallace Langham for his winning multi-season portrayal of Phil, the conceited head writer of Larry Sanders' late-night talk show, on the Garry Shandling-headlined sitcom The Larry Sanders Show. Langham (who first received billing in projects as Wally Ward) grew up in Los Angeles; his parents divorced at an early age and his mother, Sunni, designed costumes for the musical variety series Donny and Marie. Langham was, by all accounts, drawn magnetically to showbusiness; he enrolled in acting classes, signed with an agent, and landed a string of television commercials beginning at age 16 (in 1981). After high school, Langham enrolled briefly in Cal State Northridge, but dropped out after snagging a bit part in John Hughes' teenage sci-fi comedy Weird Science (1985).

Scattered appearances on such series as Murder, She Wrote and Star Trek: Voyager followed -- as well as the recurring role of Josh, smart-alecky assistant to lingerie proprietor Veronica on the Kirstie Alley sitcom Veronica's Closet. It was the Shandling turn, however, that put Langham on top of his game. He made occasional feature appearances in such pictures as the Nora Ephron comedy-fantasy Michael (1996) opposite John Travolta, the Eddie Murphy vehicle Daddy Day Care (2003), and the ensemble comedy drama Little Miss Sunshine (2006), but -- outside of Larry Sanders -- he is probably best known for his fine work on the series drama CSI: Crime Scene Investigation. On that program, Langham sustained a multi-season portrayal as lab technician David Hodges. ~ Nathan Southern, All Movie Guide
1996  
 
In the opening episode of ER's third season, Benton (Eriq La Salle) and Jeanie (Gloria Reuben) get the results of their HIV tests, forcing Jeanie to make a difficult decision. Carter's inaugural assignment as a first-year intern is to temporarily replace Benton as ER surgical consultant; Carter (Noah Wyle) also finds time to befriend another first-year man, Dr. Dennis Gant (Omar Epps). Having been promoted to full-time attending physician (and, incidentally, full-time ER regular), Weaver (Laura Innes) is more insufferable than ever. And in two separate Fourth of July festivities, a couple of the other main characters experience uncomfortable reunions. ~ Hal Erickson, All Movie Guide

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1996  
 
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An unhinged city dweller becomes a vigilante as he tries to protect a troubled teenager. The fellow is Ernest, who came to LA in search of his fortune and who ends up addicted to coke and managing a pornographic video store. When he makes an awkward play for the boss's daughter, he loses his job. Unable to deal with it, he becomes really unstable. He murders his drug dealer and then becomes friends with the teen Christiane who is trying to cope with a stepfather who molests her and a mother who doesn't care. Ernest takes Christiane away from home and then helps her try to find her long-lost sister. Along the way he makes sure that anyone who ever harmed her is made to pay. ~ Sandra Brennan, All Movie Guide

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1996  
PG  
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There are angels among us, and they like lots of sugar in their coffee, in writer-director Nora Ephron's comic fantasy Michael. Vartan Malt (Bob Hoskins) is the editor of a tabloid called the National Mirror that specializes in unlikely stories about celebrities and frankly unbelievable tales about ordinary folks. When Malt gets word that a woman is supposedly harboring an angel in a small town in Iowa, he figures that this might be right up the Mirror's alley, so he sends out three people to get the story -- Frank Quinlan (William Hurt), a reporter whose career has hit the skids; Huey Discoll (Robert Pastorelli), a photographer on the verge of losing his job (even though he owns the Mirror's mascot, Sparky The Wonder Dog); and Dorothy Winters (Andie MacDowell), a self-styled "angel expert." They arrive at the rooming house of Patsy Millband (Jean Stapleton), who informs them that she does indeed have an angel for a tenant, and introduces them to Michael (John Travolta). Michael has wings like an angel, but the resemblance ends there; Michael loves cigarettes, has an uncontrollable sweet tooth (and a pot belly to match), tends to use a large number of non-angelic phrases, is not much on personal hygiene, and likes to hang out with the ladies. Michael informs his visitors that in Heaven, an angel is allowed a certain number of "vacations" on Earth, and he's in the midst of one now; trouble is, this is the last one he's entitled to, and he wants to make the most of it. Frank and Huey then stumble on a great story idea -- if Michael wants to have some fun, why not take him to Chicago, where he can really kick up his heels? Michael was written in part by Jim Quinlan, himself a one-time reporter, though with a much more respectable tabloid than the Mirror -- he wrote for the Chicago Sun-Times. ~ Mark Deming, All Movie Guide

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Starring:
John TravoltaAndie MacDowell, (more)
1995  
 
Perhaps in response to the sometimes dark turns taken in season three of The Larry Sanders Show, season four makes things a bit more upbeat by focusing on the foibles of show business rather than the strife of the characters. Despite characters blowing off steam in such episodes as "Arthur After Hours" and a brush with mortality in "I Was a Teenage Lesbian," conflict generally resulted in more humorous outcomes as viewers began to learn more about such peripheral players as Beverly (Penny Johnson) ("Beverly and the Prop Job") and Paula (Janeane Garofalo) (the aforementioned "I Was a Teenage Lesbian"). ~ Jason Buchanan, All Movie Guide

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Starring:
Garry ShandlingRip Torn, (more)
1994  
 
Taking a dark turn in may respects, season three of The Larry Sanders Show found familiar faces struggling with inner demons and the sometimes draining demands of a career in late-night television. Starting with the eponymous host living as a recluse and ending with him struggling to overcome an addiction to pain killers, the third season would lighten up somewhat in the middle with such humorous episodes as "Hank's Night in the Sun" and "People's Choice," though both Hank (Jeffrey Tambor) and Artie (Rip Torn) would face dark times in "Hank's Divorce" and "Arthur's Crisis." Despite the fact that the series contained some more downbeat themes, the writing on The Larry Sanders Show continued to be a strong as ever, and fans would certainly be pleased to find the show as fresh and pointed as the day it premiered. ~ Jason Buchanan, All Movie Guide

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Starring:
Garry ShandlingRip Torn, (more)
1993  
 
Relationships, contract negotiations, and the familiar Larry Sanders Show theme of paranoia-fueled hyper-competitiveness drive the second season of HBO's popular satire of late-night talk shows. While season one introduced viewers to the sometimes grating character quirks that would become the show's trademark, season two played those quirks to the hilt for maximum comic effect. Starting off with a somewhat introspective two-part cliffhanger in which Larry (Garry Shandling) begins to question his abilities as his ratings begin to slip, the second season also began to reveal the more emotional side of the characters, endearing them to the audience as they became more accessible while simultaneously becoming even more outlandish in many respects. While episodes such as "The Breakdown" and "Artie's Gone" displayed the genuine care that the characters began to develop for one another, episodes such as "Hankerciser 2000" and "Larry's Birthday" provided perfect contrast with their sharp and cynical wit. ~ Jason Buchanan, All Movie Guide

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Starring:
Garry ShandlingRip Torn, (more)
1993  
 
Molly Hagan is cast as Dana Ballard, a former research assistant of Jessica Fletcher (Angela Lansbury)--and a pathological liar. When Dana's current employer is killed and she is accused of the crime, she begs Jessica to clear her name. But Jessica can't help wondering if Dana is merely weaving another web of lies...and that, in direct opposition to the standard Murder, She Wrote formula, she is guilty after all. ~ Hal Erickson, All Movie Guide

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1992  
 
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In season one of HBO's Emmy award-winning series The Larry Sanders Show, audiences experienced the bizarre and often hilarious backstage antics of a late-night television talk show as rarely glimpsed by the outside world. From the stress of floundering ratings to the foibles of being a celebrity and the outlandish quirks that define the entertainment industry, The Larry Sanders Show introduced a series of sometimes grating characters that audiences would come to simultaneously love and endure in the coming seasons. In addition to host Larry (Garry Shandling), sidekick Hank (Jeffrey Tambor), and strong-arm producer Artie (Rip Torn), the first season of The Larry Sanders Show introduced audiences to such recurring celebrity characters as Mimi Rogers and Dana Carvey. ~ Jason Buchanan, All Movie Guide

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Starring:
Garry ShandlingRip Torn, (more)
1990  
R  
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Marisa Silver helmed this tightly directed hospital drama reminiscent of David Swift's 1962 The Interns. Jimmy Smits plays Dr. David Redding, who guides seven student doctors through their third year of residency at Los Angeles Central's medical school. The cast includes Laura San Giacomo as Lauren Rose, a hard-working waitress putting her uncaring husband Kenny (Jack Gwaltney) through medical school; Kenny eventually breaks down the resistance of cool fellow student Gena Wyler (Diane Lane). Kenny is also competing with doctor's son Michael Chatham (Adrian Pasdar), who wants to become the best surgeon at L.A. Central; Michael, however, has to reconsider his goals when he realizes that he also needs Gena's love. Bobby Hayes (Tim Ransom) and Suzanne Maloney (Jane Adams) are also struggling with medical school, but they are a support team who study, work, and even sleep together. Through all the competitions and love affairs it eventually takes the wisdom of a dying cancer patient (Norma Aleandro) to make the medical students realize the important things in life. ~ Paul Brenner, All Movie Guide

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Starring:
Adrian PasdarDiane Lane, (more)
1990  
 
Contrary to expectations, the journalism school mentioned in the title of this episode is NOT the creation of our gal Murphy Brown (Candice Bergen). Instead, she has given permission for her name to be used for a school created by her journalistic mentor, retired high school teacher Ken Hamilton (William Schallert). At first flattered by the honor, Murphy changes her mind when the "Murphy Brown School of Broadcasting" morphs into the office joke, and she herself is nominated for (to quote TV Guide) "Most Likely to Be Embarrassed." ~ Hal Erickson, All Movie Guide

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