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Howard Lang Movies

1983  
 
In the third episode of the seven-part, eighteen-hour miniseries The Winds of War, President Roosevelt has dispatched Naval Commander "Pug" Henry (Robert Mitchum) to Germany, there to try to reason with the power-mad Adolf Hitler (Gunter Meisner), whose army has just invaded Poland. Henry also confers with Hitler's ally Benito Mussolini (Enzo Castellari), who proves to be as stubborn as Hitler is obsessed. Also figuring in Henry's foredoomed negotiations is anti-semitic German banker Wolf Stoller (Barry Morse), the proverbial "smiler with the knife", at whose sumptuous dinner party Henry's wife Rhoda (Polly Bergen) almost forsakes her common sense. The Winds of War was adapted by Herman Wouk from his own novel. ~ Hal Erickson, Rovi

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1983  
 
Set in 1940, the fourth episode of the seven-part, eighteen-hour miniseries The Winds of War finds American troubleshooter Cmdr. "Pug" Henry (Robert Mitchum) heading to England on a secret mission for President Roosevelt. Here he is reunited with his secret love, Pamela Tudsbury (Victoria Tennant) and later has a tense showdown with Winston Churchill (Howard Lang) over policy matters. Barely escaping the Nazi bombs during the first London blitz (a spectacular sequence), Henry survives to fly in a retaliatory raid over Germany--while both the women in his life (the other being his long-suffering wife Rhoda [Polly Bergen]) wait and worry. The Winds of War was adapted by Herman Wouk from his own novel. ~ Hal Erickson, Rovi

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1983  
 
In the fifth episode of the seven-part, eighteen-hour miniseries The Winds of War, US Naval Commander "Pug" Henry (Robert Mitchum) continues acting as President Roosevelt's emissary of peace in war-torn Europe, even as Hitler (Gunter Meisner) secretly prepares to double-cross Stalin (Anatoly Chaguinian) by invading the Soviet Union. Meanwhile, Henry's neglected wife Rhoda (Polly Bergen) has a fling with handsome Palmer Kirby (Peter Graves). And in neutral Portugal, Pug's son Byron (Jan-Michael Vincent) proposes marriage to the much-older Natalie Jastrow (Ali McGraw), whose Jewish faith may well be an obstacle to the couple's safety in future episodes. The Winds of War was adapted by Herman Wouk from his own novel. ~ Hal Erickson, Rovi

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1971  
 
10 Rillington Place is the true story of British mass murderer John Reginald Christie, played with chilling "normality" by Richard Attenborough. Throughout the late '40s, Christie lures middle-aged women to his London flat promising to cure their ailments with nitrous oxide, then kills them, assaults their dead bodies, and buries them. One of his victims is Beryl Evans (Judy Geeson), who misguidedly comes to Christie seeking an abortion -- and in the process, not only loses her own life, but sets in motion a horrid sequence of events that threatens to endanger her husband as well. ~ Hal Erickson, Rovi

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Starring:
Richard AttenboroughJudy Geeson, (more)
 
1971  
R  
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Perhaps William Shakespeare meant to have Lady Macbeth perform her sleepwalking scene in the nude -- it was this X-rated scene and the film's much-publicized spurts of violence, rather than the brilliant performances of Jon Finch as Macbeth and Francesca Annis as his Lady, that lured crowds to Roman Polanski's 1972 adaptation of Macbeth. Only a few critics glommed onto the most impressive aspect of Polanski's version: as Macbeth and his wife sink deeper and deeper into the morass of their murderous ambitions, they age and wither before our eyes (Shakespeare's play does cover several years, but this is usually forgotten or ignored by many actors and directors). Macbeth was financed and released by Playboy, which naturally necessitated a fold-out spread on "the witches of Cawdor." The original Shakespearean text was adapted for the screen by Polanski and Kenneth Tynan. Despite an excellent first week, Macbeth ended up in the red, compelling Hugh Hefner to think twice about future motion-picture projects. ~ Hal Erickson, Rovi

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Starring:
Jon FinchFrancesca Annis, (more)
 
1970  
R  
A trio of aspiring crooks plan to steal a million dollars in this crime comedy. Lord Nicholas (David Warner) and his Swiss wife Britt (Ursula Andress) are the jet-set couple who have spent all their money and seek a loan from the bank. She asks Graham (Stanley Baker) for a loan, but the mid-level manager has plans of his own to pad his retirement account by means of larceny. Graham approaches both Nicholas and Britt to help him in his plan. Britt sleeps with both men, willing to take off to Rio with the first one who gets his hands on the money. Nicholas and Graham both are under the assumption they are the masterminds of the plot that is highlighted by amusing twists. ~ Dan Pavlides, Rovi

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Starring:
Ursula AndressDavid Warner, (more)
 
1966  
 
Tom Bell stars in this tight little British thriller as a mercurial cat burglar. So long as things are going his way, Bell is calm and collected. Let anything upset his equilibrium, and he's an accident waiting to happen. Bell's one chance at redemption is his romance with pretty social-worker Judi Dench. When she rejects him, Bell returns to his crime spree, telling Dench to get lost when she offers to give him a second chance. ~ Hal Erickson, Rovi

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Starring:
Tom BellJudi Dench, (more)
 
1964  
 
In the tradition of Kind Hearts and Coronets (49), Nothing But the Best is a sparkling British "comedy of murders." Alan Bates stars as a lowly real estate clerk who wants to crash the British upper class. To that end, Bates hires down-and-out gentleman Denholm Elliott to "train" him for the noblesse. The clerk is a fast learner, and is soon wooing the daughter (Millicent Martin) of his blueblood boss. Just as he's on the brink of becoming one of the "better people," his mentor Elliot disdainfully threatens to reveal the truth about Bates. With nary a moment's hesitation, Bates strangles Elliot with his own school tie, and hides the body in Elliot's own school trunk. From this point forward, Bates moves onward and upward, and since the high-class folks in this film are shown to be shallow phonies, the audience is half rooting for Bates to get away with his little murder. The film ends just as Bates' old lodgings are about to be demolished--leaving Our Hero waiting in wry, bemused anticipation for that incriminating trunk to be uncovered. Frederick Raphael based his screenplay for Nothing But the Best on Stanley Elkins' black-humor masterpiece The Best of Everything. ~ Hal Erickson, Rovi

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Starring:
Alan BatesDenholm Elliott, (more)
 
1964  
 
In this espionage film, set just before the Germans invaded France, a chemist in Paris moonlights as a Soviet spy. To escape the Nazi invaders, the chemist and his wife steal government money and try to escape to South America. En route, their ship stops in Trinidad where they two cannot pass unless they fork over all of the money. Suddenly 24 years have passed and the man who obstructed them is still working as a British agent. He is investigating a formula that has leaked through to the enemy. This brings him in contact with the chemist again. This time, the agent helps the chemist escape the Soviet agents who pursue him. ~ Sandra Brennan, Rovi

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1963  
 
In the conclusion of the four-part story arc "An Unearthly Child," Doctor Who (William Hartnell) and his companions, Ian and Barbara (William Russell, Jacqueline Hill), are still stranded in the era of the Great Cold some 100,000 years ago. Having managed to escape both the Cave of Skulls and the Forest of Fear, the Doctor and his companions are unable to elude their pursuers, a hostile cave-dwelling tribe. The only hope for salvation lies in the Doctor's ability to create fire and to show the tribesmen how to do the same -- but how to accomplish this, with next to no materials at hand? Originally telecast on December 14, 1963, "The Firemaker" was written by Anthony Coburn. Subsequently, the entire "An Unearthly Child" saga (also known as "The Tribe of Gum" and "100,000 BC") was novelized by Terrance Dicks. ~ Hal Erickson, Rovi

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Starring:
William HartnellWilliam Russell, (more)
 
1963  
 
In the third episode of the four-part story arc "An Unearthly Child," Doctor Who (William Hartnell) and his companions, Ian and Barbara (William Russell, Jacqueline Hill), have managed to escape the Cave of Skulls. But they have not yet managed to escape the prehistoric-earth surroundings -- and the TARDIS is far from ready to return the travelers to their own time. With an angry cave-dwelling tribe hot on their heels, the little party must make their way through a blazing forest inferno. Written by Anthony Coburn, "The Forest of Fear" originally aired on December 7, 1963. ~ Hal Erickson, Rovi

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Starring:
William HartnellWilliam Russell, (more)
 
1963  
 
In this second episode of the four-part story arc "An Unearthly Child," Doctor Who (William Hartnell) and schoolteachers Ian and Barbara (William Russell, Jacqueline Hill) have journeyed some 100,000 years back time. Captured by a pre-civilized race, the Doctor and his companions are thrown into the Cave of Skulls. There they must figure out a method of summoning up that remarkable new invention called "fire" -- or else face a horrible death at the hands of their captors. Written by Anthony Coburn, "The Cave of Skulls" first aired on November 30, 1963. ~ Hal Erickson, Rovi

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Starring:
William HartnellWilliam Russell, (more)
 
1963  
G  
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One of the most highly regarded haunted house films ever produced, Robert Wise's The Haunting (based on Shirley Jackson's novel The Haunting of Hill House) weaves the dark tale of a questionably sane young woman and a sinister house which holds a terrifying past. Invited to join anthropologist Dr. Markway (Richard Johnson), ESP expert Theodora (Claire Bloom), and probable heir to the estate Luke Sanderson (Russ Tamblyn) in order to dispel the near mythical tales that surround the house, unstable Eleanor Vance (Julie Harris) agrees to spend a few nights in the house following the death of her mother. As they slowly begin to discover, the horrific and seemingly unbelievable tales may hold more truth than the skeptical guests might have previously expected. With a seemingly unstoppable supernatural force lurking in every shadow, the probability of anyone escaping the evil clutch of the cursed mansion seems increasingly remote. ~ Jason Buchanan, Rovi

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Starring:
Julie HarrisClaire Bloom, (more)
 
1962  
 
A British officer must save the Barbary apes on Gibralter at all costs in this WW II farce. He does this, because it is believed that if the apes leave the rock, Britain will fall. The trouble begins when the only male ape dies. To save the rest, the officer and his side-kick sneak in to Zurich and steal an ape from a German circus. This results in a promotion for the officer, and now he and his partner are assigned to protect the ravens in the Tower of London. ~ Sandra Brennan, Rovi

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1961  
 
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Gorgo is an attempt to make a Japanese-style "giant reptile" flick in an English setting. The story begins when underwater volcanic activity in the Irish Sea brings forth a 65-foot monster called Gorgo. Enterprising Joe (Bill Travers) and Sam (William Sylvester) capture the beast and transport it to London, where Gorgo is put on display as a seaside carnival attraction. This proves to be a major mistake when Gorgo's even larger mother lumbers to the surface in search of her cute li'l baby. In short order, London is trampled and trashed. ~ Hal Erickson, Rovi

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Starring:
Bill TraversWilliam Sylvester, (more)
 
1960  
 
In this crime thriller, a convicted embezzler kidnaps his son after his release from prison, not knowing that the boy is diabetic and will die without insulin injections. The police launch a massive manhunt. ~ Steve Huey, Rovi

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1960  
 
Peter Finch portrays the titular flamboyant Irish poet/playwright in The Trials of Oscar Wilde. The storyline, lifted to a great extent from actual court records, recounts Wilde's late 19th century libel action against the Marquis of Queensbury. The author loses, whereupon he himself is tried for sodomy due to his homosexual affair with the Marquis' son, Lord Douglas. Wilde is sentenced to prison; the public humiliation leads to the once-proud writer's immortal poem The Ballad of Reading Gaol--and to his premature death in 1900. The film had to tiptoe around certain touchy legalities, in that sodomy was still a punishable offence in British courts in 1960. The US title for this film was The Trial of Oscar Wilde, effectively killing the ironic double meaning of the plural British title. In certain regions, the film was shown as The Man with the Green Carnation. ~ Hal Erickson, Rovi

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Starring:
Peter FinchYvonne Mitchell, (more)
 
1960  
 
In this drama, an American journalist goes to England and winds up assisting a prominent lawyer's nephew after he is falsely accused of murdering a girl. ~ Sandra Brennan, Rovi

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1959  
 
In this crime drama, a young man must prove himself innocent of murder to clear his name and marry the daughter of a baronet. ~ Sandra Brennan, Rovi

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1959  
 
A troubled teen discovers that reform isn't always easy in this drama. The lad is on probation for robbery when he falls in love with a wealthy young girl. Wanting to help him out, she gets him a job in her father's textile mill. Things are swell there until her father is unable to find his wallet. Due to the boy's dubious recent past, he is naturally the first suspect. Afraid that no one will believe him innocent, the boy takes off. In desperate need of quick cash, he robs a store. Eventually the police catch up to him, but by this time the wallet has been found and the boy's gal convinces him to go face his crime and go straight for good. ~ Sandra Brennan, Rovi

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1959  
 
This enjoyably twisted British thriller was shot back-to-back with the equally warped Haunted Strangler and is one of the first films of any genre to address the subject of drug addiction. It stars Boris Karloff as Dr. Thomas Bolton, a London surgeon who believes he has developed a safe and effective anesthetic serum which he hopes will revolutionize the world of medicine. Unfortunately, a demonstration of the drug before a panel of his peers ends in a horrific mishap -- with his patient awakening under the knife -- and he is forced to leave his position in disgrace. To complicate matters, Bolton has become addicted to his own concoctions and is forced to enter an illicit arrangement, forging death certificates for a pair of grave-robbers (including Christopher Lee) in exchange for a regular fix and the means to continue his experiments. As one would imagine, this shady partnership leads him further down the road to ruin, culminating in his unwitting participation in murder -- for which he becomes the victim of a blackmail scheme. Karloff's multi-layered performance is one of his finest, bringing a great deal of pathos to his tragic character. This film was also something of a turning point for Lee, who had already risen to international fame in many Hammer productions by the time this film was acquired by MGM for American distribution. ~ Cavett Binion, Rovi

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Starring:
Boris KarloffChristopher Lee, (more)
 
1959  
G  
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This 1959 version of Lew Wallace's best-selling novel, which had already seen screen versions in 1907 and 1926, went on to win 11 Academy Awards. Adapted by Karl Tunberg and a raft of uncredited writers including Gore Vidal and Maxwell Anderson, the film once more recounts the tale of Jewish prince Judah Ben-Hur (Charlton Heston), who lives in Judea with his family during the time that Jesus Christ was becoming known for his "radical" teachings. Ben-Hur's childhood friend Messala (Stephen Boyd) is now an ambitious Roman tribune; when Ben-Hur refuses to help Messala round up local dissidents on behalf of the emperor, Messala pounces on the first opportunity to exact revenge on his onetime friend. Tried on a trumped-up charge of attempting to kill the provincial governor (whose head was accidentally hit by a falling tile), Ben-Hur is condemned to the Roman galleys, while his mother (Martha Scott) and sister (Cathy O'Donnell) are imprisoned. But during a sea battle, Ben-Hur saves the life of commander Quintus Arrius (Jack Hawkins), who, in gratitude, adopts Ben-Hur as his son and gives him full control over his stable of racing horses. Ben-Hur never gives up trying to find his family or exact revenge on Messala. At crucial junctures in his life, he also crosses the path of Jesus, and each time he benefits from it. The highlight of the film's 212 minutes is its now-legendary chariot race, staged largely by stunt expert Yakima Canutt. Ben-Hur's Oscar haul included Best Picture, Best Director for the legendary William Wyler, Best Actor for Heston, and Best Supporting Actor for Welsh actor Hugh Griffith as an Arab sheik. ~ Hal Erickson, Rovi

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Starring:
Charlton HestonStephen Boyd, (more)
 
1959  
 
In this crime drama, an amiable widow must use her savings to raise her son. One day she happens upon some stolen money which she takes and squirrels away for her boy's education. Unfortunately, the thieves return to find it. Fortunately, a friend is there to defend her from them, and later she turns the money into the police. ~ Sandra Brennan, Rovi

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1957  
 
In this British detective yarn, a Yankee sleuth teams up with Scotland Yard to catch the culprits behind a successful counterfeiting ring. ~ Sandra Brennan, Rovi

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1956  
 
Van Johnson portrays a blind American writer living in London. Blessed with an acute hearing sense, Johnson overhears a kidnapping plot but neither his friends nor the authorities believe him, chalking up his story as the product of a writer's imagination. Disgruntled, Johnson vows to scuttle the kidnapping himself -- with the assistant of his fiancée Vera Miles. Despite his handicap, Johnson puts the pieces together using sounds as evidence and guidance. Ultimately Johnson finds his life in danger when he corners the criminal in a dark alley. 23 Paces to Baker Street was one of several ''50s 20th Century-Fox films shot on location in London to take advantage of Fox's "frozen funds" -- money earned by the studio in England which by law could only be spent in that country. ~ Hal Erickson, Rovi

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Starring:
Van JohnsonVera Miles, (more)