Harold Lang Movies

Though scripted by Psycho author Robert Bloch, this is neither a sequel nor a variant on the Alfred Hitchcock classic. Instead, we are presented with a more subdued British version of an Italian "giallo" thriller, as interpreted by acclaimed director Freddie Francis. The plot involves a pattern of grisly murders whose perpetrator leaves a small doll by the body of each victim. The plot thickens as police eventually link each of the victims to the lost fortune of a German tycoon, whose dirty business dealings were uncovered shortly after World War II; what seems at first to be the work of a single revenge-minded maniac hints at a wider-reaching and more devious plot. Bloch's script, though lean and filled with surprises, is a bit too overloaded with manipulative twists, red herrings, and futile attempts to outdo Psycho's manic intensity, but Francis still builds sufficient momentum to keep viewers on the edge of their seats. ~ Cavett Binion, All Movie Guide

A woman must contend with her family's madness as she finds her own sanity in doubt in this thriller from British horror masters Hammer Films. After the death of her parents, Eleanor Ashby (Janette Scott) would seem a safe bet to inherit their estate, but at the funeral, she's convinced that she has seen Tony (Alexander Davion), her brother who killed himself seven years ago. Eleanor's other sibling Simon (Oliver Reed), who is inarguably alive, uses this as an excuse to contest the will, arguing that Eleanor is mentally unstable and an unfit heir. Simon's claims cause Eleanor to wonder about her sanity, and in a moment of weakness she attempts suicide. Tony rescues her and tells her that he never died but simply went into hiding. He returns to the family's mansion, but soon he and Eleanor become the subject of a number of violent attacks by a masked lunatic before Eleanor learns a surprising secret about Tony. Paranoiac marked the directorial debut of ace cinematographer Freddie Francis. ~ Mark Deming, All Movie Guide

The true story of Violette Szabo, a heroine of the Second World War for her espionage activities on behalf of the British government. Born Violette Bushell (Virginia McKenna) to a French mother and an English father, she chances to meet Etienne Szabo (Alain Saury), a French officer, whom she later marries. They have a child, Tania, but Etienne is fatally wounded in the Battle of El Alamein. Violette is already contributing to the war effort at home, but soon discovers that her bi-lingual skills make her a potentially valuable member of England's Special Operations Executive, the country's wartime overseas espionage unit. She agrees to join and, after extensive training, is sent into France in the spring of 1944, on a mission to salvage a resistance unit in Rouen area. Szabo completes that mission successfully and returns home, intending to resume her life as a mother raising her daughter -- but she is offered a second mission in France, immediately after the Normandy landings, and accepts, with tragic consequences. ~ Bruce Eder, All Movie Guide

An insurance investigator looks into the suspicious fire that destroyed a prominent nightclub and ends up destroying a crime ring in this mystery. ~ Sandra Brennan, All Movie Guide

A little white lie sets off a harrowing series of increasingly catastrophic events in this thriller. The trouble begins when a bank clerk tells a fib to avoid paying his bus fare. The lie quickly becomes the basis for extortion and finally murder. The story is based on a radio play written by British actor Leo McKern. ~ Sandra Brennan, All Movie Guide

This low-budget swashbuckling film is not in the same league with the Douglas Fairbanks and Errol Flynn portrayals, but still fun if the viewer doesn't do comparisons. Standard Robin Hood plot. ~ Tana Hobart, All Movie Guide

A rocket crash-lands in England after a flight of more than 57 hours into deep space. The design of Professor Bernard Quatermass (Brian Donlevy), a forceful, misanthropic American scientist, the Q-1 had three astronauts aboard when it left Earth, but only one of them, engineer Victor Caroon (Richard Wordsworth), is on board upon landing, and he is in a near-comatose state. Even more baffling, the spacesuits of the other two men are still aboard the wrecked ship and are still interlocked, as though they were in them when whatever transpired. Quatermass's investigation is complicated by the presence of Inspector Lomax (Jack Warner) of Scotland Yard, who is treating the disappearance of the two men as a potential murder case, and by Caroon's wife Judith (Margia Dean), who blames the scientist for what has happened to her husband. An on-board camera, although damaged, shows an encounter with some form of energy that invaded the ship and attacked the crew, seemingly killing the other two astronauts and rendering Caroon unconscious. Caroon's condition keeps worsening -- Quatermass's medical expert, Dr. Gordon Briscoe (David King-Wood), is alarmed by the man's impossible heart- and pulse-rate, his degenerating skin and apparent changes in his bone and facial structure. Judith Caroon tries to spirit her husband out of the hospital where he's being cared for, not knowing that something horrific is happening to him. Quatermass and Briscoe soon realize that Caroon is little more than the shell of a man, masking an invading alien life form that can literally draw the life out of any living thing that it touches. The manhunt turns into a fight for survival as the creature continues to kill and mutate, threatening to release spores into the air and spread itself by the millions throughout the Earth. ~ Bruce Eder, All Movie Guide

The British Passing Stranger stars Hollywood actor Lee Patterson as a deserting American GI. He drifts about until he falls in with a gang of gunrunners. He wants to quit, but can't until he makes enough money to support himself and his love Diane Cilento. Just before this is possible, Cilento's ex-boyfriend blows the whistle on the crooks. Just long enough not to wear out its welcome, The Passing Stranger is a passing good little film noir. ~ Hal Erickson, All Movie Guide

Comparatively little known today, Republic's Laughing Anne was a Late Late Show perennial in the early 1960s. One of several Republic features lensed in England in collaboration with producer Herbert Wilcox, the film stars Margaret Lockwood in the title role. A well-known Parisian cabaret singer, Laughing Anne travels to the South Seas with her ex-prizefighter boyfriend Jem Farrell (Forrest Tucker). Here she falls in love with schooner captain Davidson (Wendell Corey), but she eventually breaks off the relationship, fearing reprisals from the brutish Jem. Years later, fate brings Davidson, Anne and Jem back together, and the results are disastrous for at least two of the three. Laughing Anne was loosely based on a story by Joseph Conrad. ~ Hal Erickson, All Movie Guide

Steve Fisher, best known for I Wake Up Screaming, wrote the story and screenplay for the British melodrama Terror Street. Dan Duryea plays Bill Rogers, an American jet pilot, who comes to England to find out why he hasn't heard from his wife lately. Upon his arrival, he learns that his wife has been murdered, and that he's the prime suspect. With only 36 hours at his disposal, Rogers takes it upon himself to track down the actual killer. Such familiar British-movie faces as Erich Pohlmann and Kenneth Griffith share screen time with relative newcomers like Elsy Albin and Ann Gudrun. Running 83 minutes, Terror Street was originally released in England in an 80-minute version titled 36 Hours. ~ Hal Erickson, All Movie Guide

Though filmed ten years after The Saint Meets the Tiger, the British The Saint's Girl Friday is generally regarded as the final entry in RKO's "Saint" series of 1938-43. Louis Hayward, who first played Leslie Charteris' soldier-of-fortune Simon Templar in the 1938 film The Saint in New York, returns to the role after a 16-year absence. This time, Templar comes to London at the invitation of an old female acquaintance. When he arrives, he discovers that the woman is dead, the possible victim of a vicious gambling syndicate. Together with chronic gambler Carol Denby (Naomi Chance), who is being blackmailed into acting as a come-on for the crooks, Templar takes on chief heavy Max Lennar (Sidney Taffler), all the while keeping one step ahead of Scotland Yard inspector Teal (Charles Victor). ~ Hal Erickson, All Movie Guide

This low-key Launder-Gilliat production was inspired by a play by James Bridie. Alastair Sim carries the ball as Captain Paris, an army chaplain who endeavors to organize a camp show for the troops. Practically everyone with whom the Captain comes in contact is an "expert" on the sort of entertainment that the soldiers will like. Ultimately, things degenerate into a battle of egos between an effete artist and his professorial wife. The film's best scenes are those in which Captain Paris tries out his own offbeat notions of entertaining the boys in khaki. Incidentally, the title of the original Bridie play was It Depends What You Mean. ~ Hal Erickson, All Movie Guide