Nathan Lane Movies

New York architect Amy Benic (Mira Sorvino) meets blind masseur Virgil Adamson (Val Kilmer) and falls in love. As she learns his lifelong blindness may be curable through experimental surgery, she convinces him to undergo the operation. Virgil then learns vision may not quite be what he expected. At First Sight is directed by Irwin Winkler and also stars Bruce Davison, Nathan Lane, and Kelly McGillis. At First Sight is a romance adapted by writer Steve Levitt based upon the story To See and Not See from noted writer Dr. Oliver Sacks' collection, An Anthropologist on Mars. Dr. Sacks' work is also the basis for the Penny Marshall film Awakenings, starring Robert De Niro and Robin Williams and the opera The Man Who Mistook His Wife For a Hat by Michael Morris with music by Michael Nyman. In his original story, Dr. Sacks tells of receiving a call in October 1991 from a retired minister in the Midwest. His daughter was about to marry a fifty-year old man, Virgil, who had been blind since early childhood. He had thick cataracts and been diagnosed with retinitis pigmentosa, a disease which slowly eats away the retinas. As he could still make the distinction between light and dark, it was found he was misdiagnosed and simple cataract extraction could possibly restore his sight. While surgery was a success, Virgil, like his cinematic counterpart, found he would have to learn to use his vision much like an infant would, even though he was adept at relating to the world through touch. In his A New Theory of Vision, written in 1709, George Berkeley concluded there was no necessary connection between a tactile world and a sight world; a connection between them could be established only on the basis of experience. This same story was also adapted into the play Molly Sweeney by Brian Friel. ~ Ron Wells, Rovi

Darrell Rooney directed this direct-to-video sequel to Disney's 1994 The Lion King, which climaxed with Simba (voice of Matthew Broderick) enthroned as the ruling king of beasts following the death of the evil Scar. With the spirited tune He Lives in You, Simba and his mate Nala (Moira Kelly) issue a triumphant announcement of the birth of Lion Princess Kiara (Neve Campbell)! Given to misadventures and mischief, Kiara wanders into the forbidden Outlands, the haunt of Scar's exiled minions, and there she encounters another mischievous cub, Kovu (Jason Marsden), son of lioness Zira (Suzanne Pleshette), once a close friend of the late Scar and now the leader of the exiles. Zira plots against Kiara, drawing her son into her scheme. Kovu has divided loyalties as his love for Kiara deepens. Several original characters (and original voices) from the 1994 film return. ~ Bhob Stewart, Rovi

Nathan Lane received an Emmy nomination for his portrayal of a visiting college film professor. Upon learning that this was the prof to whom his wife, Jamie (Helen Hunt), surrendered her virginity many years ago, Paul (Paul Reiser) reacts in an unpredictable fashion. Meanwhile, Ira (John Pankow) once again dates a woman with ulterior motives -- or should we say "grave motives." ~ Rovi

Gore Verbinski, the TV-commercials director responsible for the Budweiser frogs, directed this Adam Rifkin screenplay about two brothers (Nathan Lane and Lee Evans) who inherit a string factory and a decaying country home after the death of their father (the late William Hickey, in his last role). After moving in, they learn that the house has historical architectural importance and is valued in the millions. However, they are constantly tormented by a mouse within the walls. They engage in cartoon-like combat against the rodent, but it manages to outwit the brothers in successive situations. Both live and animatronic mice portray the title role, and some scenes assume the mouse's point of view. The film is dedicated to William Hickey. ~ Bhob Stewart, Rovi

Director Mike Nichols teams up with his former partner/screenwriter Elaine May for the first time in many years and for the first time together in films to create this sophisticated, remake of the phenomenally popular French musical farce La Cage aux Folles that stars Robin Williams, Nathan Lane, Gene Hackman and Diane Wiest as two dramatically disparate couples who manage to reconcile their vast differences for the sake of their children who are getting married. Williams plays Armand Goldman, the owner of a popular South Beach drag club known for putting on elaborate showcases starring his long-time lover/wife Albert (Lane) who appears as "Starina." Lately poor flamboyant, flighty Albert has been in crisis over the inexorable onset of middle age. He has been moody, paranoid and unbearably. When he gets too inconsolably distraught, handsome but clumsy houseboy Agador quietly slips Albert "Pirin" tablets (which he explains to Armand are simply Aspirin tablets with the "as" scraped off). Still though Albert can be a royal pain, Armand dearly loves him and the two live happily in their splendiferous apartment above the club. One day Armand's son Val (the result of Armand's single foray into straight sex) comes visiting with joyous news: he has found his dreamgirl and is getting married. The only trouble is, Barbara Keeley's father is the blustery ultra-religious right-wing Senator Keeley (Hackman), the founder of the Coalition for Moral Order. Senator Keeley and his colleagues are not as upright as they seem and when his closest associate is found dead beside a black, underage prostitute, Keeley finds his house surrounded by ravenous newshounds, hungry for dirt. Knowing that they are poised to ruin him, Keeley and his proper but slightly addled-wife (Wiest) decide that a big, elaborate, church wedding will be just the ticket to save his reputation. Barbara has neglected to tell them that Val's parents are gay, preferring to claim that they are members of the South Beach social elite. In a panic, she panics and calls Val who breaks the bad news to Armand and begs him to make the apartment less flamboyant and worst of all to hide Albert (who functioned as Val's mother while the youth grew up) during the visit. Armand is angry, but loving his son, finally, reluctantly agrees, knowing that he will deeply wound his companion. Unfortunately, Albert finds out and as a compromise tries to learn how to be macho so he can pretend to be Val's uncle, he is too much the Great Dame to ever pass as one of the guys and so is banned from the party. Armand then locates Catherine and asks her to masquerade as his wife. She agrees to show up later that evening. Meanwhile their friends busily redecorate the apartment until it looks as if it were done in "Early Inquisition." During the fateful dinner party, Catherine is late and Albert gets uproarious revenge. Achingly comic chaos ensues as Armand tries to hold the increasingly tenuous evening together while outside the newshounds bay and threaten to make even more trouble for Senator Keely. ~ Sandra Brennan, Rovi

Nathan Lane guest stars as a man who steals Frasier's briefcase. The theft has Frasier (Kelsey Grammer) shaken to his foundations, not only because of the material loss, but because it has damaged his faith in mankind. But that's not the half of it: The thief is now going all over Seattle posing as Dr. Frasier Crane. And here's a puzzler for Frasier fans: Guess the identity of that uncredited celebrity who provides the call-in voice of Denise. ~ Hal Erickson, Rovi

The ghoulish cartoon family created by Charles Addams returns for a second big-screen outing darker and nastier than the first. When Morticia Addams (Anjelica Huston) gives birth to new baby boy Pubert, the other Addams children, Pugsley (Jimmy Workman) and Wednesday (Christina Ricci), devise any number of ways to kill off their new sibling. This leads Morticia and her husband, Gomez Raul Julia, to hire a nanny (Joan Cusack) to oversee all three children. But the nanny has an agenda of her own, packing the Addams children off to a horrid parody of summer camp and setting out to seduce Uncle Fester (Christopher Lloyd), all with the goal of getting her hands on the Addams family fortune. Of course, the Addams eventually triumph, with this blacker-than-most satire extolling the virtues of eccentricity and non-conformity above all. It was followed by 1999's direct-to-video Addams Family Reunion, with Darryl Hannah and Tim Curry replacing Huston and the late Julia. ~ Don Kaye, Rovi

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, Rovi

Diane Keaton, Carol Kane and Kathryn Grody are the title "siblings," three unrelated women who perform as a lounge trio and struggle to come up with the money to buy their own club. ~ Jason Ankeny, Rovi

Based on the William Kennedy novel of the same name Ironweed is set in the waning years of the Depression. Jack Nicholson plays Francis Phelan, a washed-up ballplayer (a onetime infielder for the Washington Senators) who deserted his family back in the 1910s when he accidentally killed his infant son by dropping him. Since that time, Phelan has been a shabby barfly, living from drink to drink; he spends his days palling around with Rudy (Tom Waits), with whom he works a motley series of jobs in exchange for a place to lay his head and an occasional jug of wine. Wandering into his hometown of Albany, New York, Phelan blearily seeks out his girlfriend and erstwhile drinking companion of nine years, Helen Archer (Meryl Streep), who has begun prostituting herself for drink and lodging. The two derelicts touch base in a mission managed by minister James Gammon, and later in Fred Gwynne's squalid gin mill. Over the next few days, Phelan takes a few minor jobs to support his habit, while his mind wavers between past and present. Eventually, a chance for a reconciliation with his wife (Carroll Baker) emerges. Directed by Hector Babenco following his enormous success with Kiss of the Spider Woman , Ironweed netted Oscar nominations for Nicholson and Streep. ~ Hal Erickson, Rovi