Lola Lane Movies

This Pine-Thomas Production was scripted by Geoffrey Homes (aka Daniel Mainwaring), best known as the author of the novel upon which the "film noir" classic Out of the Past was based. Robert Lowery plays victim-of-circumstance Tom Durling, in the wrong place at the wrong time when a bank robbery occurs. As the only witness to the crime, Durling is sought after by June Reynolds (Barbara Britton), who wants to prove that her brother, killed in the holdup, was innocent of complicity. Trouble is, the police have fingered Durling as their primary suspect, so he naturally wants to remain scarce. By film's end, however, Durling and June have taken it upon themselves to track down the villains. Unusual for its time was the film's depiction of its policeman characters, who are shown to be reasonable and intelligent rather than conclusion-jumping and dull-witted. ~ Hal Erickson, All Movie Guide

In this crime drama a young woman leaves her unhappy life at home to become a sophisticated night club singer. Her first job is nearly fatal when she entangles herself with the mobsters who own the joint and learns too much about their operation. Her boss decides to kill her and make it look like suicide. An intrepid reporter disbelieves the report and exposes the truth to the public. ~ Sandra Brennan, All Movie Guide

Originally slated for Paramount release, Buckskin Frontier was ultimately distributed by United Artists. Richard Dix stars as railroad troubleshooter Stephen Bent, assigned to supervise the building of 120 miles of track through the treacherous Santa Fe cutoff. He is opposed in this mission by land baron and freight service owner Jeptha Marr (Lee J. Cobb), who backs up his opposition with hired guns. Marr, in turn, is defied by his daughter Vinnie (Jane Wyatt), who is not only a visionary, but has also fallen in love with Bent. Amusingly, though Lee J. Cobb and Jane Wyatt play father and daughter in Buckskin Frontier, both actors were 31 years old at the time! The film was produced by Harry "Pop" Sherman, of "Hopalong Cassidy" fame. ~ Hal Erickson, All Movie Guide

Miss V From Moscow was singled out by B-film historian Don Miller as "one of the worst movies ever made by any standards, certainly the worst movie of its year." Seen today, the film seems to be simply another mediocre wartime meller from the cramped studios of PRC. Lola Lane plays Soviet secret agent Vera Marova, who bears a striking resemblance to a Nazi spy. Taking advantage of this, she confounds the German high command in occupied Paris, and also comes to the rescue of downed American flyer Steve Worth (Howard Banks). Much of the dialogue is hilariously inept (perhaps intentionally so), with some of the biggest yocks provided by Noel Madison as a would-be Goebbels. ~ Hal Erickson, All Movie Guide

Four Mothers was the last of three films inspired by Fannie Hurst's sentimental novel Sister Act. As in the earlier Four Daughters and Four Wives, the quartet of heroines-Ann, Kay, Thea and Emma Lemp-are enacted by real-life siblings Priscilla, Rosemary and Lola Lane, and by Gale Page as the fourth sister. As the film opens, all four daughters are happily married, and three are mothers. The girls return to the home of their musician-father Adam Lemp (Claude Rains) for a family reunion, whereupon Thea's husband Ben Crowley (Frank McHugh) inveigles the family and the rest of the community into investing in a "land boom." A disastrous hurricane wipes out everyone's hopes-and their bank accounts-but things begin to look up a bit in the final reel. As a bonus, the previously barren fourth daughter Emma announces that she has finally become pregnant (thereby justifying the title). Like its predecessors, Four Mothers is expertly produced, directed and acting, but the franchise was beginning to wear out its welcome. ~ Hal Erickson, All Movie Guide

Lola Lane and James Craig play explorers working on behalf of the British government. Lane and Craig have been assigned to venture deep into the wilds of Africa to retrieve the sacred skull of a long-deceased Sultan. Whoever possesses the skull will have total control over the native population--which is why several sinister gentlemen with Teutonic accents (America wasn't in the war yet, so no nationalities, please) also covet the skull. A reactivated volcano provides a rip-roaring climax for this Universal second feature. Zanzibar was based on a pair of short stories written by Maurice Tombragel and Maurice Wright, who collaborated on the screenplay. ~ Hal Erickson, All Movie Guide

The lives of female hoboes in the Great Depression are chronicled in this interesting drama. In order to fully understand the travails of their existence, the governor's daughter dresses down and joins them. There in the hobo camps she experiences their aimless unlucky lives as they hitchhike across the country, and live out of doors. The women are hindered by a pesky sheriff who constantly harasses them. ~ Sandra Brennan, All Movie Guide

Fannie Hurst's Sister Act was the source for this money-making Warners weeper. The four daughters of the title are played by the Lane Sisters--Priscilla, Rosemary and Lola--and by Gale Page. All are musical prodigies, and all are daughters of master-musician Claude Rains. To help make ends meet, Rains rents several rooms of his home to boarders--most of whom, thanks to the dictates of the plot, seem to be marriageable men. We're supposed to care the most about the mutual attraction the daughters feel towards handsome Jeffrey Lynn, but the film really belongs to John Garfield, making his movie debut (no, he wasn't in 1933's Footlight Parade) as an embittered piano genius. Garfield has us in the palm of his scruffy hand the moment he begins philosophizing about "the fates:" "So they flipped a coin...heads he's poor, tails he's rich....they flipped a coin--with two heads." Aware that he can bring only unhappiness to Priscilla Lane, the daughter who cares most for him, Garfield obligingly drives into a heavy snowstorm and is killed in an auto accident (but it's not staged as a suicide, lest the Hays Office spank). John Garfield made so powerful an impression in Four Daughters that Warners was compelled to write him into the sequel Four Wives, first as a flashback and then as (implicitly) a ghost. Another film, Daughters Courageous, was hastily constructed using the same cast, but with different character names so as to accommodate a happier denouement for Garfield and Lane. Four Daughters was remade in 1954 as Young at Heart, with Frank Sinatra and Doris Day in the John Garfield and Priscilla Lane roles. ~ Hal Erickson, All Movie Guide

In this lighthearted drama, a lazy trumpeter has developed a sure-fire system for making big bucks in the stock market. His system is appropriated by two bank officers, but for them, it doesn't work and they end up in jail. Fortunately, the trumpet player saves the day. ~ Sandra Brennan, All Movie Guide

In this lighthearted musical comedy from legendary director Busby Berkeley, Henry Bowers (Dick Powell) is a saxophonist in a jazz band who wins a talent contest. His prize is a ten-week contract with a movie studio, Miracle Pictures (whose slogan is "If it's a good picture, it's a Miracle"). One of his first "assignments" is to escort lovely starlet Virginia Stanton (Rosemary Lane) to a movie premiere, but while Henry is looking forward to his date with a movie star, he's disappointed to discover that Virginia has opted not to go at the last minute, instead sending her lookalike stand-in, Mona Marshall (Lola Lane). Henry is more than a bit miffed at this, but when he appears on Louella Parsons' radio show, he's a big hit and rockets to stardom. Ronald Reagan has a bit part as a radio announcer (which he did full time before acting and politics began paying the rent for him), and keep an eye peeled for Susan Hayward and Carole Landis in minor roles. By the way, Rosemary Lane and Lola Lane look a great deal alike for a good reason -- they're sisters. ~ Mark Deming, All Movie Guide

In this romantic adventure, a wealthy Arab sheik has a reputation for breeding some of the fastest horses in the world. Meanwhile, the spoiled daughter of a corkscrew magnate bets her British betrothed that she can find a horse that can beat any nag in his stable. She and her father then set out for Arabia to find the famous sheik. They are accompanied by her eccentric aunt and ill-mannered cousin. The Americans are classically ugly in their attitudes and when they meet the traditionally garbed sheik, they mistake him for a mere porter and desert guide. To get his revenge and teach the brutish Americans something about cultural sensitivity, he kidnaps the girl and then leaves her alone in the desert. To add insult to injury, he later grabs her off the alter during her wedding and marries her himself. ~ Sandra Brennan, All Movie Guide