Allan Lane Movies

Regular "Red Ryder" series villain Roy Barcroft took a well-earned breather in Homesteaders of Paradise Canyon. The equally disagreeable Gene Stutenroth (aka Gene Roth proved a fair enough substitute, however, as Bill Hume, a homesteader so disgusted over the fact that the government land he was promised for free instead goes for two dollars per acre that he hooks up with villainous newspaper publisher A.C. Blaine (Milt Kibbee). Having guided the homesteaders to Paradise Valley in the first place, Red Ryder (Allan Lane) manages to persuade his charges to remain despite the exorbitant price of land, much to the chagrin of Blaine and his cohort Langley (Emmett Vogan), who do their level best trying to scare the settlers away from the potentially lucrative valley. When Red goes undercover as a driver for Blaine's stagecoach line, young settler Steve Dill (John James) accuses him of treason and incites the settlers against him. It all comes to a showdown at the Hume ranch, where Bill's brother Rufe Mauritz Hugo) is shot before he can confess to his brother's treachery. Bill manages to get away, but Red mounts Thunder and tracks him down. Implicating his bosses Blaine and Langley, Bill is carted off to jail. ~ Hans J. Wollstein, All Movie Guide

Rustlers of Devil's Canyon was one of seven "Red Ryder" westerns with Allan Lane in the lead. Returning from the Spanish-American war, Red Ryder (Lane) discovers that his home turf has been overtaken by rustlers. To make matters worse, a range war erupts between homesteaders and ranchers. It turns out that the head of the rustlers, outwardly a pillar of the community, is responsible for fomenting the hostilities. Red Ryder sets things right within the allotted 6 reels, aided by his youthful pal Little Beaver (Bobby Blake), who says "You betchum!" at the drop of a feather. ~ Hal Erickson, All Movie Guide

Cowboy star Allan "Rocky" Lane teams with a sagebrush favorite of yore, Jack Holt, in Republic's The Wild Frontier. In an unusual move, Holt is cast as the villain, the man responsible for the murder of Lane's sheriff father. Taking over from his day, Lane vows to locate the killer-who, unbeknownst to him of course, is above-suspicion solid citizen Holt. Having recently completed his duties in Republic's Red Ryder series, Allan Lane used Wild Frontier as a springboard for a series in which he appeared under his own name. Though popular with the public, the egotistical star did nothing to ingratiate himself to his coworkers, thus the "Rocky Lane" series was relatively short-lived. ~ Hal Erickson, All Movie Guide

In this comedy, a Hollywood talent scout talks a moody hockey player into becoming an actor. ~ Sandra Brennan, All Movie Guide

Country-western star Roy Acuff heads the cast of the modest Republic musical Night Train to Memphis. Taking time off from his musical duties, Acuff tries to patch up a feud between a family of hillbillies and a railroad company. Complicating matters is the fact that Roy's brother Don (Allan Lane) has sided with the family against the railroad, all the while romancing Constance (Adele Mara), daughter of train executive Stevenson (Joseph Crehan). For those not interested in bucolic backwoods comedy, the film offers several "funny" African American stereotypes, including Nicodemus Stewart (who later played "Lightnin" on TV's Amos N Andy) and Nina Mae McKinney (who once played the leading role in King Vidor's Hallelujah). Night Train to Memphis was produced by Dorrell and Stuart McGowan, of Death Valley Days fame. ~ Hal Erickson, All Movie Guide

An exemplary "Red Ryder" Western, Stagecoach to Denver features Red (Allan Lane), his aunt, the Duchess (Martha Wentworth), and Little Beaver (Bobby Blake) caring for Dickie Ray (Bobby Hyatt), a young child who has broken his back in a stagecoach collision that also took the life of Land Commissioner Felton (Edward Cassidy). Unbeknownst to the people of Elkhorn, stage owner Big Bill Lambert (Roy Barcroft) had arranged the "accident" in order to get rid of the pesky land commissioner who threatened to ruin his plans for controlling all communication between Elkhorn and Denver. Little Dickie requires an operation but Doc Kimball (Tom Chatterton) needs the consent from his nearest relative, Denver resident May Barnes (Marin Sais), whom the boy has never met. Since she is scheduled to arrive on the same stage as the new land commissioner, Taylor (Tom Chatterton), Aunt May poses a problem for Big Bill, who has them both kidnapped and replaced with his own people, Wally (Stanley Price) and Beautiful (Peggy Stewart). The latter feels sorry for little Dickie and is ready to bail but Big Bill forces her to go through with the deception. The boy survives his operation, of course, and Big Bill's treachery is eventually revealed. But Beautiful pays a rather heavy price for her part of the deception when she takes a bullet meant for Bobby. ~ Hans J. Wollstein, All Movie Guide

This fast-paced western, geared entirely to the small-fry, was the first in Republic Pictures' long-running "Red Ryder" series to star Allan Lane. Lane had taken over from William Elliot, who had been promised A-westerns only by company president Herbert I. Yates. Ryder and his young Indian pal Little Beaver (Robert Blake) come to the aid of Ryder's stout aunt, "The Duchess" (Martha Wentworth), whose crusading efforts to open up a privately owned toll-road for all travellers has put the elderly rancher in danger from a powerful if corrupt civic leader, newspaper publisher Crawford (Barton MacLane). The second in the Lane "Red Ryder" series to be filmed, Santa Fe Uprising was substituted for a weaker entry in order to give the new Ryder the best possible chances for success. Wentworth, whose character name as depicted by series creator Fred Harman was, interestingly enough, "Martha 'The Duchess' Wentworth," replaced Alice Fleming in the role as Ryder's indomitable aunt. Lane, Blake, and Wentworth went on to star in six more "Red Ryder" westerns before the series moved over to Eagle-Lion (the former PRC) where the roles would be played by Jim Bannon, Don Kay Reynolds, and veteran B-western actress Marin Sais. ~ Hans J. Wollstein, All Movie Guide

The first of Republic Pictures' Allan Lane Westerns, Silver City Kid was assembled for Don "Red" Barry, whom the studio had decided to groom for "A" pictures. Unfortunately, Lane did not only inherit Barry's plot but also his sidekicks Wally Vernon and Twinkle Watts, the latter Republic's rather belated answer to Shirley Temple. Jack Adams (Lane) and his friend Wildcat Higgins (Vernon) come to the aid of a buddy, whose land is about to be usurped by unscrupulous banker William Stoner (Frank Jaquet) and corrupt attorney Sam Ballard (Harry Woods). Unfortunately, the beleaguered rancher, Steve Clayton (Lane Chandler), is murdered by one of Ballard's henchmen (Glenn Strange), leaving behind a sister, Ruth (Peggy Stewart), and a young daughter, Twinkle (Watts). According to Ruth, Stoner and Ballard are after a rare vein of molypdenum running through the Clayton property and will stop at nothing to get their greedy hands on the land. But they have counted without Jack, whose six-guns settle the matter once and for all. Although saddled with the presence of Vernon, whose Brooklyn accent hardly suggested the wild and woolly West, not to mention the insufferable Miss Watts, Silver City Kid proved Lane to be a handsome and stalwart cowboy hero of the old style. Also of benefit to the film was the presence of Peggy Stewart, perhaps the era's most competent Western heroine. Although Miss Stewart disliked working with the egotistical Lane, she would be forced to appear opposite him in four additional Westerns. ~ Hans J. Wollstein, All Movie Guide

The standard Roy Rogers musical western Bells of Rosarita is enlivened by a cute last-reel gimmick. Rogers is appropriately cast as a cowboy star who invariably rescues the heroine from the villain in his movie vehicles. But when Sue Farnum (Dale Evans) is cheated out of her inheritance by the duplicitous business partner (Grant Withers) of her deceased father, Roy finds out with startling suddeness that Real Life isn't like the movies. In order to rescue this genuine damsel in distress, Rogers enlists the aid of his fellow Republic sagebrush stars Wild Bill Elliot, Allan Lane, Don "Red" Barry, Robert Livingston, and Sunset Carson-each astride his own "celebrity" horse. So well-received was the climactic "hero rally" in Bells of Rosarita that the device was repeated again and again by Republic, most memorably in the 1950 Rogers starrer Trail of Robin Hood. ~ Hal Erickson, All Movie Guide

Kit Carson appears in Trail of Kit Carson in the form of Allan "Rocky" Lane. The tall, dark and taciturn western hero spends most of his time searching for the murderer of the trailblazer partner. According to the official reports, Lane's pal died in an accident, but neither he nor we believe that. Director Leslie Selander proves anew that he was no mere hack; his handling of the familiar material goes beyond masterful. Trail of Kit Carson was intended as Allan Lane's final series western before his promotion to "civilian" pictures, but by 1946 he was back in the saddle again. ~ Hal Erickson, All Movie Guide

At 50 minutes, Call of the South Seas must qualify as the shortest of Republic's non-western B films. Janet Martin plays Tahia, princess of a faraway tropical island. Tahia's people are being victimized by extradition-free crooks led by an unsavory type named Landrau (Roy Barcroft). Disguised as a scruffy beahcomber, FBI agent Kendall Gaige (Allan Lane) infiltrates Landrau's gang, and along the way finds time for romance with Tahia. A climactic motorboat chase during a volcanic eruption, staged by the legendary Lydecker brothers, provided stock footage aplenty for future Republic programmers. ~ Hal Erickson, All Movie Guide

The most obvious discrepancies concerning this otherwise well-remembered cliffhanger from genre specialist Republic Pictures are the quite demure-looking leopard outfit worn by the serial's heroine, Linda Stirling, and that Darkest Africa looks suspiciously like the hills of suburban Chatsworth. Apparently, producer William J. O'Connell acquired the leopard costume on the cheap but too late for the title to be changed, and the location never really mattered to Republic's mostly juvenile target audience. Making her serial debut, Stirling's innate athleticism came in handy playing Kay Arnold, an heiress turned Jungle Goddess who helps oil company representative Allan Lane fight off a villainous competitor headed by unscrupulous attorney Fletcher Walton (LeRoy Mason) and his henchman, general store proprietor Tom Daggett (Crane Whitley). The remaining 11 chapters had either Stirling rescuing Lane from one peril after another, or vice versa. Although not quite as independently heroic as serial queens such as Pearl White and Ruth Roland, Linda Stirling came as close as anybody, which of course was Republic's goal all along. Her sex appeal, despite the demure costume, was obvious and although this was not why she had chosen the acting profession, Linda tore into her serial assignments with legendary gusto. Ironically, the native of Long Beach, CA, had begun her career studying with Ben Bard, the widower of Ruth Roland. The serial was re-edited and released in a feature version re-titled Jungle Gold. In 1951, Republic resurrected the entire chapterplay under the title Perils of the Darkest Jungle. ~ Hans J. Wollstein, All Movie Guide