Binnie Barnes Movies
Actress Binnie Barnes enjoyed a 30-year career on both sides of the Atlantic, and despite appearances in several notable films in her native England, she found her most lasting success in Hollywood, where she was best remembered for her tart-tongued portrayals. She was born Gittel Enoyce Barnes in London to a British father who was Jewish and an Italian mother. She was raised Jewish, although she converted to Catholicism upon her second marriage; later in life, she also took the formal name Gertrude Maude Barnes. It took until her teens before she actually entered performing, as a trick-rope artist in vaudeville (billed as "Texas Binnie Barnes"). Around that career start at 15, she also worked as a nurse, chorus girl, dance hostess, and milkmaid over the next few years. Barnes didn't start formal acting until age 26, working with Charles Laughton on stage. And apart from one appearance in a 1923 silent, she made her proper screen debut in 1931 in a series of short films, cast opposite comedian Stanley Lupino. Barnes was later signed to Alexander Korda's fledgling London Films, through which she was cast in movies such as Counsel's Opinion (1932) and other minor productions, earning the princely sum of 35 pounds (roughly $180) a week, which was actually very good money by ordinary standards, but hardly as star's compensation. She had something of a breakthrough in Korda's 1933 film The Private Life of Henry VIII portraying Catherine Howard, which gave her valuable exposure in England and America (where the movie was extraordinarily popular). Barnes was in the stage version of Cavalcade which, in turn, led to Hollywood to do the movie version and marked the beginning of her American career. Although she was initially uncomfortable in Hollywood, it was there that she spent most of the rest of her screen career. It helped that during the next few years she suppressed her English accent and developed a new, sassier persona as a wise-cracking female character lead, with her tall, imposing beauty and good looks, she was still attractive, but was usually cast as the heroine's best friend or older sister, and frequently with the best lines in those roles. At her best in those years, Barnes was a sort of trans-Atlantic rival to Eve Arden, cast in the same kind of sarcastic, knowing, yet attractive female roles. She still occasionally worked in films in England, including Korda's The Private Life of Don Juan and The Divorce of Lady X (a remake of Counsel's Opinion, in which Merle Oberon played her former role, while Barnes played the wife in the comedy of mistaken identity).Barnes had a sense of humor about herself that allowed her to work comfortably opposite performers such as the Ritz Brothers (The Three Musketeers), in which she was turned upside down and shaken by the comic trio; Bud Abbott and Lou Costello in The Time of Their Lives, in which she had one of the funniest "in" joke lines in the history of Hollywood (when meeting the intense, taciturn housekeeper played by Gale Sondergaard, Barnes' character remarks, "Didn't I see you in 'Rebecca'?"). She also got to portray a lusty side to her screen persona as the lady pirate Anne Bonney in The Spanish Main (a role originally slated for June Duprez), which afforded her a great death scene as well as some fierce and entertaining interactions with Maureen O'Hara, as the two contended for the affections of Paul Henried.
In 1940, she married her second husband, actor/announcer-turned-film executive Mike Frankovich, and the two eventually moved to Italy following the end of the Second World War. There she produced movies, as well as acting in them, including Decameron Nights (1953) (in which -- shades of Alec Guinness -- she played eight different roles). Barnes retired in 1955 to devote herself to her home life, but in the mid-'60s, at her husband's insistence, she started to work again, on television and in feature films. She resumed acting on The Donna Reed Show, in two episodes three seasons apart, and played Sister Celestine in The Trouble With Angels (1967) and its sequel, Where Angels Go, Trouble Follows (1968). Barnes' last screen appearance was in 40 Carats (1973), and during that same year she was a guest on The Tonight Show. She enjoyed a long and happy retirement, and passed away in 1998 at the age of 95, six years after her husband passed away. ~ Bruce Eder, All Movie Guide
- 1941
Also released as The Great Awakening, New Wine purports to recreate an incident in the life of Austrian composer Franz Schubert. Though the real-life Schubert was chubby and homely, he is played on screen by the slim-and-handsome Alan Curtis. Unable to convince the world of his talent, Schubert is on the verge of starvation when he is rescued by a gorgeous patron: Countess Anna, portrayed by Curtis' then-wife Ilona Massey. In the film's most memorable scene, Ludwig Van Beethoven (Albert Basserman) advises Schubert to finish that Unfinished Symphony. It's that kind of picture. At least New Wine is full of glorious music, written by Schubert and his contemporaries and only slightly Hollywoodized in the arrangements. ~ Hal Erickson, All Movie Guide
- Starring:
- Ilona Massey, Alan Curtis, (more)
- 1941
Faith, Hope and Charity motivate the wacky storyline of Columbia's Three Girls About Town--or to be more exact, gorgeous sisters Faith, Hope and Charity Banner, played respectively by Binnie Barnes, Joan Blondell and Janet Blair. Faith and Hope are gainfully employed as New York hotel hostesses, whose job it is to entertain wealthy out-of-town conventioneers (but no hanky panky, if you please!) They've remained in this profession in order to afford the expensive private-school education of their sister Charity, who shows up in the Big Apple in pursuit of her own career, or a wealthy husband, or both. Charity's arrival coincides with several big-time conventions, one of which is being covered by Faith's newspaper-reporter boyfriend Tommy Hopkins (John Howard). Things get dicey when the three girls discover a corpse in one of the hotel rooms. Certain that they'll be blamed for the death (or at the very least fired from their jobs!), the sisters conspire with Tommy to hide the body from the cops. Trouble is, the body just won't stay hidden, not even when our heroines try to dispose of the awkward stiff in one of the coffins brought into the hotel for an undertaker's convention. Blessed with a generous supply of belly-laughs and an unending stream of familiar character actors, Three Girls About Town sustains a proper level of zaniness right up to the cop-out finale. ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Blondell, Binnie Barnes, (more)
- 1941
This comedy-drama is adapted from a story by Damon Runyon and centers on a mobster with unusually large feet. The trouble begins when the big-footed crook buys a too-tight pair of shoes from a salesman and decides to use the store as a front for an illegal gambling operation. After buying the business, the crook tosses the salesman out. Angered at losing his livelihood, the salesman listens to his girl friend and a good-hearted city editor and begins looking to expose the crook. He succeeds and the crook's angry bosses then take away his standing. Meanwhile, the salesman suddenly finds himself hailed a hero; his ego begins to swell and trouble ensues until his girl helps him put it all in perspective. He marries her in the end. ~ Sandra Brennan, All Movie Guide
- Starring:
- John Howard, Binnie Barnes, (more)
- 1941
Claudette Colbert and Ray Milland, stars of the 1940 hit Arise, My Love, were immediately reteamed for Skylark. Adapted from the play by Samson Rafaelson, the film stars Colbert as the wife of a neglectful businessman Milland (her role had been played on Broadway by Gertrude Lawrence). Brian Aherne is a handsome bachelor who hopes to win Colbert away from her husband. At first enjoying her vacation from marriage, Colbert finds she can't keep up with Aherne's peripatetic lifestyle, and returns to Milland. Skylark's comic highlight is a slapstick sequence in which Colbert tries to prepare lunch in a yacht during a storm. The scene was shot in a single take, an accomplishment in which the actress took justifiable pride. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Ray Milland, (more)
- 1940
This Thing Called Love extracts its laughs from the prehistoric concept of sexual frustration. Business partners Rosalind Russell and Melvyn Douglas marry, but only on a trial basis. Russell wants to prove that a married couple can function merely as friends, and to that end she denies her husband access to the conjugal bed for three months. By the time she's ready, he isn't, having contacted a vicious case of poison oak. All experimentation dissolves by the fade-out, when Russell and Douglas surrender to the passions that have been smouldering from the outset. This Thing Called Love is a remake of the 1929 film of the same name, which starred Constance Bennett and Edmund Lowe. ~ Hal Erickson, All Movie Guide
- Starring:
- Rosalind Russell, Melvyn Douglas, (more)
- 1940
'Til We Meet Again is an inflated remake of 1932's One Way Passage. As in the original, the hero is a convicted murderer en route to the death house by way of a merchant ship; the heroine is suffering from a terminal illness. Once more, hero and heroine fall in love, each keeping the facts of his or her imminent doom from the other. The principal difference this time is that instead of William Powell and Kay Francis, the stars are George Brent and Merle Oberon. This cast change does no damage to the basic storyline, but the decision in 'Til We Meet Again to expand upon the secondary romance between the arresting detective (Pat O'Brien) and an accomplice of the condemned man (Geraldine Fitzgerald) throws the focus of the film completely out of kilter. One decided benefit to both One Way Passage and 'Til We Meet Again is the comic presence of Frank McHugh, who plays the same role--a tipsy pickpocket--in both pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, George Brent, (more)
- 1939
Allan Dwan's comedic musical adaptation of the classic Dumas story sticks close to the original tale, yet it augments it with healthy doses of humor and songs. Don Ameche stars as D'Artagnan and the Ritz Brothers play his two other musketeers. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Don Ameche, The Ritz Brothers [Al, Jimmy, Harry], (more)
- 1939
20th Century-Fox evidently adored "triangle" comedies like Wife, Husband and Friend; apparently so did Loretta Young, who appeared in most of these films. Young plays the wife of businessman Warner Baxter, while "friend" Cesar Romero is an amorous singing teacher who convinces Young that she has a future in opera. To show up his wife, Baxter takes lessons from diva Binnie Barnes--and as it turns out, he's the one with the ideal operatic voice. The romantic quadrangle is resolved when Baxter makes a disastrous stage debut, whereupon Romero and Barnes exit and Baxter and Young realize the error of their ways. Wife, Husband and Friend was remade in 1949 as Everybody Does It, with Paul Douglas (of all people) as the would-be Caruso. ~ Hal Erickson, All Movie Guide
- Starring:
- Loretta Young, Warner Baxter, (more)
- 1939
Jack Benny goes to London in this frothy musical. He plays a Broadway producer and while in London begins pining for the love of glamorous singer Dorothy Lamour. Unfortunately, she finds him unattractive. Wanting to make her jealous, Benny pursues a pair of women who are trying to make their neglectful husbands jealous by pursuing Benny. Their ploy works and creates all kinds of comical mayhem until Benny's butler steps into to save his boss from the husbands' wrath. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jack Benny, Dorothy Lamour, (more)
- 1939
Originally designed for exhibition at the 1939 World's Fair, Land of Liberty is a 137-minute compendium of filmclips from past American historical epics. The project was sponsored by the Motion Picture Producers & Distributors of America, Inc. and supervised by Cecil B. DeMille, who also edited the film with the assistance of his crack Paramount production staff. The narration was written by old DeMille hands Jeannie MacPherson and Jesse Lasky Jr. and spoken by a talented team of uncredited announcers (one of whom sounded suspiciously like old C. B. himself). Clips from such Hollywood productions as America (1924), Abraham Lincoln (1930), Alexander Hamilton (1931), Show Boat (1936), Man of Conquest (1939) and DeMille's own The Plainsman (1936), The Buccaneer (1938) and Union Pacific (1939) are woven together into a chronological continuity, tracing American history from the Revolutionary War to the "present," which is largely represented by newsreel footage of President Roosevelt, the TVA project, and other current personalities and events. In later years, Land of Liberty was redistributed on the classroom circuit, with new footage added from historical dramas of the 1940s and 1950s. ~ Hal Erickson, All Movie Guide
- 1939
The extramarital shenanigans of a young married couple provide the basis of this surprisingly racy (for 1939 Hollywood) comedy. The trouble begins on the couple's second anniversary when he calls to say that he will be held up at the office. Later the wife finds lipstick on his collar and becomes very suspicious so she goes to her more worldly best friend who advises the distraught wife to go out and get a job so she can turn the tables on her husband. She ends up working for a lusty architect and sure enough he makes it very clear that he likes the way she is built. The two go out for dinner one night and who should they run into but her husband and his secretary out for a little tete-a-tete. The foursome end up in the architect's penthouse and everyone has a wonderful time until the architect's wife shows up. ~ Sandra Brennan, All Movie Guide
- Starring:
- Tyrone Power, Linda Darnell, (more)
- 1939
The second of three films based on the Wyatt Earp biography by Stuart N. Lake, Frontier Marshal stars Randolph Scott as Marshal Earp of Tombstone. Earp and his brothers enforce the law as much by reputation as by gunplay. Occasionally the marshal's efforts are complicated by his "friendly enemy" Doc Halliday (based on Doc Holliday and played by Cesar Romero), a consumptive gunslinger who runs the gambling activities in town. When a murderous outlaw (Joe Sawyer) invades Tombstone and kills Halliday, Earp is moved to action -- and the result is the gunfight at the O.K. Corral. A remake of the 1934 film of the same name, Frontier Marshal was itself remade by John Ford as My Darling Clementine (1946), with Henry Fonda as Earp and Victor Mature as Doc Holliday. ~ Hal Erickson, All Movie Guide
- Starring:
- Randolph Scott, Nancy Kelly, (more)
- 1938
Thanks for Everything is an unjustly forgotten lampoon of media promotional stunts. Jack Haley wins a contest sponsored by an ad agency, which is looking for the perfect "average American." The contest's avaricious promoters (Adolphe Menjou and Jack Oakie) use poor Haley as a merchandising tool by having him endorse all sorts of products. When Haley's girl friend (Arleen Whelan) realizes that the hapless fellow is being exploited as a means of controlling the advertising industry, Haley insists that the promoters cease and desist or he'll blow the whistle. The promoters respond by discrediting Haley as a crackpot, but justice triumphs in the end. Thanks for Everything is capped by a bizarre sequence in which Menjou and Oakie convince Haley that World War II has broken out--a sequence filmed one year before this actually occurred! ~ Hal Erickson, All Movie Guide
- Starring:
- Adolphe Menjou, Jack Oakie, (more)
- 1938
Filmed in lavish Technicolor and given Tiffany production values by producer Alexander Korda, the British comedy Divorce of Lady X is at base a trivial little farce, buoyed by the sprightly performances of star Merle Oberon and Laurence Olivier. Ms. Oberon plays a costume-party guest who is forced to stay in a hotel overnight due to inclement weather. There are no rooms available, so the management prevails upon handsome but stuffy lawyer Olivier to give up half of his suite to the lovely Oberon. After a chaste evening together, Olivier becomes obsessed with Oberon, deducing that her elusiveness is due to the "fact" that she is married. Actually, she is nothing of the kind, but when an old school chum (Ralph Richardson) comes to Olivier's office to arrange for a divorce, Olivier jumps to the conclusion that Oberon is his old friend's soon-to-be "ex". Based on Gilbert Wakefield's play Counsel's Opinion, Divorce of Lady X has become a familiar presence on cable TV because of its public domain status; less familiar is an earlier movie version of the Wakefield play, filmed in 1932 by director Allan Dwan. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Laurence Olivier, (more)
Both film versions of Phillip Barry's stage comedy Holiday have their merits, but the 1938 version has the added advantage of supercharged star power. Katharine Hepburn and Doris Nolan play Linda and Julia Seton, two daughters of a very well-to-do family. Linda feels a bit lost in the shuffle as sister Julia prepares to marry self-made financier Cary Grant. Hepburn has always rebelled against her privileged trappings, and finds a kindred spirit in the unorthodox, iconoclastic Grant. On the verge of compromising his down-to-earth values with his marriage to the wealth-obsessed Nolan, Grant chooses instead to plight his troth with soul-mate Hepburn, celebrating his "liberation" by doing several cartwheels. Donald Ogden Stewart is careful to bring the pre-Depression frivolities of the Barry play up-to-date, first by changing the character of Grant's best friend (played in both films by Edward Everett Horton) from a lazy socialite to a dedicated professor, and by including several lines indicating how out of touch the privileged classes are--and choose to remain--with 1930s realities. The only element in which the remake does not improve on the original is in the casting of Hepburn's alcoholic younger brother; charming though Lew Ayres is in the 1938 film, he is still outclassed by Monroe Owsley in Holiday (1930). Katharine Hepburn managed to temporarily defray her "box office poison" onus when Holiday proved to be a success; alas, her next film, Bringing Up Baby (which reteamed her with Grant), was a financial bust, compelling her to return to Broadway--where she made a spectacular comeback in another Philip Barry play, The Philadelphia Story. ~ Hal Erickson, All Movie Guide
- Starring:
- Katharine Hepburn, Cary Grant, (more)
- 1938
Former doctor Jim Howard (Herbert Marshall) helps desperate Margot Weston (Barbara Stanwyck), pregnant and unmarried; when her son is born, Jim helps her place the baby with Phil Marshall (Ian Hunter) and his wife, on the condition that neither the Marshalls nor the child ever know Margot is his mother. Five years later, Margot is now a well-paid buyer for the store owned by Harriet Martin (Binnie Barnes); she meets Jim again, and a romance begins to blossom, but she's off to Paris on Harriet's behalf. There, Margot is wooed by the charming but carefree Count Giovanni Corini (Cesar Romero) and she happens to meet her son Roddy (Johnnie Russell), traveling with his aunt, as Mrs. Marshall has died. On the trip back to America, Margot and Roddy become very close, while Corini, on the same ship, continues to pursue Margot. At home, she becomes convinced that Jessica (Lynn Bari), Phil's new fiancee, doesn't love him, and will be a bad mother to Roddy, so she decides to break up the engagement, but Jim, beginning a career as a scientist, reminds her of her earlier promise not to interfere in the boy's life. ~ Bill Warren, All Movie Guide
- Starring:
- Barbara Stanwyck, Cesar Romero, (more)
- 1938
Dorothy Lamour and Ray Milland, a popular Paramount screen team specializing in south-sea extravaganzas, don "civilized" garb (at least briefly) for Tropic Holiday. Lamour plays a Mexican senorita, while Milland is a visiting American screenwriter. Since we know where this is going, our attention is deflected every so often by comedy relief Bob "Bazooka" Burns and Martha Raye, who are frankly more watchable than the leads. Also on hand is Mexican musical star Tito Guizar, who was still packing 'em in for his concert tours of the 1980s. Tropic Holiday contrives to remove most of Dorothy Lamour's clothing before the fade-out, just so we remember who's top billed around here. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Lamour, Martha Raye, (more)
- 1938
En route to America, Irish immigrant Arleen Whelan is the victim of shipboard masher Raymond Walburn. Pushed away by the girl, Walburn is slightly injured, whereupon he brings up charges against Whelan and holds up her entry visa at Ellis Island. War correspondent Don Ameche comes to the rescue, but Whelan's problems are far from over thanks to her involvement with another immigrant, gangster Gilbert Roland. Gateway represents perhaps the best screen opportunity for 20th Century-Fox starlet Arleen Whelan, who faded from prominence in the 1940s. Other than that, the film is an intriguing glimpse of immigration procedures in the prewar years. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Ameche, Arleen Whelan, (more)
- 1938
Fifteen thousand dollars may have been a fortune back in 1938, but to high-powered literary agent Lynn Conway (Virginia Bruce), it's next to nothing. Unfortunately, Lynn is married to chauvinistic Massachusetts shipbuilder David Conway (Robert Montgomery), who stubbornly insists that she quit her job and live on his measly 15-thou-per-year income alone. David also demands that Lynn move from her posh New York apartment to a tiny cottage in provincial New Bedford. Lynn's ex-partner Harry Borden (Warren William), who's always carried a torch for her, tries to convince her to leave David and return to Manhattan. But love conquers all, and Lynn ultimately realizes that a woman's place is in the home -- especially when there's a baby on the way. One suspects that Patricia Ireland and Gloria Steinem will not be entertained by The First Hundred Years. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Montgomery, Virginia Bruce, (more)
Gary Cooper stars in this lavish and often comic retelling of the life of the famed Italian explorer. Marco Polo (Cooper) crosses the sea in search of treasure and adventure, with the help of his loyal if cowardly sidekick Binguccio (Ernest Truex), and finds both in China, where as the nation's first European visitor he is introduced to several practical innovations, such as pasta and explosives. He is also introduced to Kublai Khan (George Barbier), China's wise and benevolent Emperor, and the Emperor's lovely daughter, Princess Kukuchin (Sigrid Gurie). Romance begins to bloom between Marco and the Princess, but Ahmed (Basil Rathbone), the Emperor's ill-tempered assistant, also has his eyes on the Princess, and he is determined to win her hand and usurp Kublai Khan as China's leader. The Adventures of Marco Polo was part of a major star build-up that producer Samuel Goldwyn had engineered for actress Sigrid Gurie, but much of Goldwyn's publicity eventually backfired when it was learned that his Norwegian discovery, "The Siren of the Fjords," was born in the less exotic locale of Brooklyn, New York. ~ Mark Deming, All Movie Guide
- Starring:
- Gary Cooper, Sigrid Gurie, (more)
- 1938
Whenever things got slow at 20th Century-Fox, the studio revved up its old reliable "three girls looking for millionaires" plotline. Three Kansas sisters (Loretta Young, Marjorie Weaver and Pauline Moore) use a small inheritance to set themselves up in a Manhattan penthouse. Figuring that Young has the best chance of snaring a rich husband, she is allowed to pose as a wealthy heiress, while Weaver and Moore pose as her servants. Young wins Joel McCrea, who isn't as rich as everyone thinks. Weaver ends up with a rancher (David Niven) who likewise is cash poor. But Moore hits the jackpot with a slow-witted working stiff (Stu Erwin) who turns out to be the only millionaire in the bunch. Three Blind Mice was remade (with much of the dialogue intact) as the 1941 musical Moon Over Miami, then re-remade in period costume as Three Little Girls in Blue (47). In 1953, elements of Three Blind Mice were combined with the basic plotline of the 1932 comedy The Greeks Had a Word for Them--and the result was How to Marry a Millionaire. ~ Hal Erickson, All Movie Guide
- Starring:
- Loretta Young, Joel McCrea, (more)
- 1937
Framed by the fast-paced world of horse racing, this romance centers upon the wealthy young owner of a racing stable who falls in love with a beautiful singer who has just been given Galaxy, a promising young horse, by one of her beaus. Galaxy is accompanied by a trainer, who is also in love with the girl. Later all three get tangled up with crooked bookies and trouble follows. ~ Sandra Brennan, All Movie Guide
- Starring:
- William Gargan, Binnie Barnes, (more)
- 1937
This third entry in MGM's "Broadway Melody" series may not have been the biggest or best, but thanks to a masterpiece of casting it is one of the most memorable of the batch. Signed by MGM in 1935, 15-year-old Judy Garland made her first feature-film appearance under the aegis of Leo the Lion, immediately capturing the hearts of moviegoers everywhere by singing "You Made Me Love You" to a photograph of Clark Gable (a sequence that has since been excerpted countless times in TV and movie documentaries). She later shares a song-and-dance number with gangly Buddy Ebsen, making an impressive entrance in a white midget car (Ebsen would later be cast as the Tin Man in Judy's The Wizard of Oz, only to be replaced by Jack Haley when he fell ill during shooting). The presence of Garland, coupled with several superlative dance solos by Eleanor Powell and a spectacular musical finale, tends to make one forget about the plot, which has something to do with a racehorse owned by heroine Sally Lee (Powell). The horse wins the Grand Steeplechase, the prize money is poured into the stage production previously bankrolled by Steve Raleigh (Robert Taylor), and the Show Goes On. Movies fans of the 1930s with long memories were gratified to see such old vaudeville favorites as Sophie Tucker and Willie Howard in the cast, even if their material wasn't quite up to standard. Interestingly, one of the best comic turns is performed by "professional sneezer" Robert Wildhack -- leaving another famed movie sneezer, Billy Gilbert, with virtually nothing to do! On the other hand, Robert Benchley is his usual droll self, managing to score a comic bullseye despite all the lavish and noisy competition around him. Broadway Melody of 1938 was followed by a 1940 sequel, distinguished by the "challenge dance" between returnee Eleanor Powell and Fred Astaire. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Eleanor Powell, (more)
- 1936
Deanna Durbin, the teenaged soprano who literally saved Universal Pictures from bankruptcy, made her feature-film debut in Three Smart Girls. Durbin, Nan Grey and Barbara Read play three wealthy young sisters, living with their divorced mother (Nella Walker) in Europe. The girls learn that their father (Charles Winninger) has made plans to remarry. Correctly sensing that the bride-to-be (Binnie Barnes) is a fortune hunter, the sisters head to Manhattan to save Daddy from himself. Durbin is the primary architect in reuniting her parents, but not before satisfying her fans with several arias. Three Smart Girls not only spawned a sequel (Three Smart Girls Grow Up), but even a 2-reel Three Stooges parody titled Three Dumb Clucks! ~ Hal Erickson, All Movie Guide
- Starring:
- Deanna Durbin, Binnie Barnes, (more)
- 1936
One Horse Town is the TV title for MGM's 1936 version Small Town Girl (the new title was bestowed to avoid confusion with the 1953 remake). Robert Taylor plays an irresponsible playboy who is arrested in a backwater town for drunken driving. While intoxicated, Taylor proposes to local girl Janet Gaynor. She accepts, knowing full well that he wouldn't have popped the question had he been sober. Gaynor spends the rest of the film trying to reform Taylor and to get him to fall in love with her while he's got all his faculties--no small trick, in that her competition is sophisticated Binnie Barnes. ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Gaynor, Robert Taylor, (more)
