Jesse Royce Landis Movies

The Broadway Theatre Archive presents this performance of Ronald Ribman's The Ceremony of Innocence. Set in the 11th century, the story involves English King Ethelred (Richard Kiley) who must choose between going to war with the invading Danes or stopping the violence and bloodshed of his people. Also starring James Broderick and Jessie Royce Landis. Performed at the NET Playhouse and broadcast on PBS in 1975. ~ Andrea LeVasseur, All Movie Guide

Jesse Royce Landis, who in an earlier episode played the aunt of Chief Ironside (Raymond Burr), is here cast as business executive Margaret Brainard, the widow of one of Ironside's oldest friends. When Margaret's purse is stolen, she asks Ironside to solve the crime--and to keep secret that the purse contained $200,000 worth of rare jewels. As it turns out, the real reason that Margaret wants Ironside to personally handle the case is that she is lonely and hopes that the Chief will keep her company! Featured in the cast is Solomon Sturges, the son of famed filmmaker Preston Sturges. ~ Hal Erickson, All Movie Guide

Jesse Royce Landis guest stars as Chief Ironside's idomitable Aunt Victoria, who insists that her nephew investigate the disappearance of one of her bridge-club members, a Mrs. McPhee. Victoria suspects that the missing woman's self-effacing husband Harvey (Arthur Hill) has murdered his wife. When Ironside (Raymond Burr) seems unwilling to cooperate, Victoria and her septugenarean friends (among them Ellen Corby, aka "Grandma Walton") decide to turn detective themselves and solve the mystery. This not-altogether-serious episode would seem to be a dry run for the later crime series The Snoop Sisters, which starred Helen Hayes and Mildred Natwick. ~ Hal Erickson, All Movie Guide

In this squeaky clean sex comedy (the sort that could only have been made in the early 1960s), Kathy (Kim Novak) is a sociology student preparing her doctoral thesis, "Adolescent Sexual Fantasies in the Adult Suburban Male." She poses as a call girl to gain perspective on the sexual attitudes and behaviors of contemporary men, and she is soon installed as a kept woman for four men, Fred (James Garner), George (Tony Randall), Doug (Howard Duff), and Howard (Howard Morris). Except for Fred, all the men are married and looking for some of that loose, swinging action they've been hearing about, which makes the situation a research gold mine for Kathy. But she quickly discovers that while the men can talk about sex, they're too inhibited to actually do anything about it; what they really want isn't a wild fling, but an understanding ear. Fred is the only one who makes any romantic overtures, and in time he asks for her hand in marriage. Janet Blair, Anne Jeffreys, and Patti Page plays the wives of the would-be white-collar lotharios, and Zsa Zsa Gabor plays their boss's girlfriend. ~ Mark Deming, All Movie Guide

An Indiana family embarks on their dream vacation to France. The Willard family, led by Harry (Fred MacMurray) and Katie (Jane Wyman), bring their three children along to experience a slice of continental culture abroad. Amy (Deborah Walley) is the lovestruck teenager whose brother Elliott (Tommy Kirk) is easily as eager for love. Younger brother Skipper (Kevin Corcoran) is the mischievous moppet who is always getting lost. Elliott is mesmerized by a pretty French maid, Amy is wooed by a wealthy teen, and Katie fends off the advances of an amorous playboy. From Paris to Monte Carlo, the Willard family experiences culture shock firsthand and realizes quickly they are not back home in Indiana. This Walt Disney production, while focusing on less childlike themes than in other films, still managed to take in five million dollars in its initial domestic release. ~ Dan Pavlides, All Movie Guide

This episode unfolds in flashback, during testimony at a coroner's inquest. John Crane (William Shatner) is torn between two women: his domineering mother Claire (Jesse Royce Landis), and the bewitchingly beautiful Lottie Rank (Gia Scala), whom John has met during a vacation in Vermont. When it becomes clear that Claire strongly disapproves of Lottie, the girl suggests that John murder his mother so that they can be free to marry! ~ Hal Erickson, All Movie Guide

While having lunch at the Plaza Hotel in New York, advertising executive Roger O. Thornhill (Cary Grant) has the bad luck to call for a messenger just as a page goes out for a "George Kaplan." From that moment, Thornhill finds that he has stepped into a nightmare -- he is quietly abducted by a pair of armed men out of the hotel's famous Oak Room and transported to a Long Island estate; there, he is interrogated by a mysterious man (James Mason) who, believing that Roger is George Kaplan, demands to know what he knows about his business and how he has come to acquire this knowledge. Roger, who knows nothing about who any of these people are, can do nothing but deny that he is Kaplan or that he knows what they're talking about. Finally, his captors force a bottle of bourbon into Roger and put him behind the wheel of a car on a dangerous downhill stretch. Through sheer luck and the intervention of a police patrol car and its driver (John Beradino), Roger survives the ride and evades his captors, and is booked for drunk driving. He's unable to persuade the court, the county detectives, or even his own mother (Jesse Royce Landis) of the truth of his story, however -- Thornhill returns with them to the mansion where he was held, only to find any incriminating evidence cleaned up and to learn that the owner of the house is a diplomat, Lester Townsend (Philip Ober), assigned to the United Nations. He backtracks to the hotel to find the room of the real George Kaplan, only to discover that no one at the hotel has ever actually seen the man. With his kidnappers once again pursuing him, Thornhill decides to confront Townsend at the United Nations, only to discover that he knows nothing of the events on Long Island, or his house being occupied -- but before he can learn more, Townsend gets a knife in his back in full view of 50 witnesses who believe that Roger did it. Now on the run from a murder charge, complete with a photograph of him holding the weapon plastered on the front page of every newspaper in the country, Thornhill tries to escape via train -- there he meets the cooly beautiful Eve Kendall (Eva Marie Saint), who twice hides him from the police, once spontaneously and a second time in a more calculated rendezvous in her compartment that gets the two of them together romantically, at least for the night. By the next day, he's off following a clue to a remote rural highway, where he is attacked by an armed crop-dusting plane, one of the most famous scenes in Hitchcock's entire film output. Thornhill barely survives, but he does manage to learn that his mysterious tormentor/interrogator is named Phillip Vandamm, and that he goes under the cover of being an art dealer and importer/exporter, and that Eve is in bed with him in every sense of the phrase -- or is she? ~ Bruce Eder, All Movie Guide

I Married a Woman was tailored by top comedy writer Goodman Ace to the peculiar, low-key talents of TV comedian George Gobel. Lonesome Gobel plays an advertising man whose successful "Miss Luxemburg Beer Beauty Contest" campaign yields a most unusual bonus: the contest's buxom winner Diana Dors, who becomes Gobel's wife. More devoted to his job than his marriage, Gobel is soon in danger of losing Dors' affections. He wins his wife back through a series of unexpected plot twists, not least of which is the inspiration he draws from viewing a John Wayne picture (Wayne appears as himself, unbilled). Produced by Gobel's own Gomalco company, I Married a Woman was lensed in black-and-white, except for the Technicolor John Wayne sequences; the film was slated to be released by RKO Radio, but the death of that company redirected the film to the distribution facilities of Universal-International. ~ Hal Erickson, All Movie Guide

Frances Howard starred as Princess Alexandria in the 1925 silent version of Ferenc Molnar's play The Swan; Lillian Gish assumed the role in the 1930 talkie version. The third and final adaptation starred Grace Kelly, who had one slight advantage over her predecessors; she would soon become a real princess instead of a make-believe one. And don't think that MGM, knowing full well that Grace would retire from moviemaking upon ascending the throne of Monaco, didn't carefully select the timeworn Molnar play for the express purpose of extra publicity. Outside of its mercenary considerations, The Swan is an enjoyable bittersweet tale of a princess who falls in love with her handsome tutor (Louis Jourdan), only to be required to give him up in favor of an arranged marriage of state. The nicest element of the story is that the prince to whom Kelly is engaged, as played by Alec Guinness, is a decent sort, who voluntarily asks for the princess' hand instead of forcing the issue. Of course, the issue has been forced upon him when he realizes the depth of the love Kelly harbors for her tutor. It may well be that this version of The Swan will be the last; on the other hand, who'd a' thunk that someone would want to make Sabrina again in 1995? ~ Hal Erickson, All Movie Guide

Meet Me Tonight was the American title for the British-filmed Tonight at 8:30, adapted from the Noel Coward stage production of the same name. Several rotating playlets were presented in the original Tonight at 8:30, most of them starring Coward and Gertrude Lawrence. The film version utilizes three of these short plays. "The Red Peppers" stars Kay Walsh and George Pepper as a brash music-hall team (their big number is "Has Anybody Seen our Ship") on the verge of splitting up. "Fumed Oak" stars Stanley Holloway as a man finagled into marriage by a domineering woman (Betty Ann Davies). And "Ways and Means" stars Valerie Hobson and Nigel Patrick as a pair of impoverished "professional guests" who have worn out the welcome of every wealthy host in Europe. Meet Me Tonight was given its American TV premiere on the ABC network in November of 1956, at which time its original title was restored. ~ Hal Erickson, All Movie Guide

Producer Samuel Goldwyn dishes up sentiment by the bowlful with My Foolish Heart. Susan Hayward is (somewhat unconvincingly) cast as a wide-eyed girl from Idaho who meets bon vivant Dana Andrews at a Manhattan party. Their brief affair results in a pregnancy, but since Andrews has been killed in the war, Hayward marries a man she doesn't love to give her child a name. The experience turns the girl into an embittered alcoholic, but she sees the light before she can cause grief for her baby. Based on a story by J. D. Salinger (the only one of this reclusive author's stories ever translated to film), My Foolish Heart strains credulity to the breaking point, but was popular enough to yield a hit title song, which is still a standard on "easy listening" FM radio stations. ~ Hal Erickson, All Movie Guide

Lloyd Bacon's baseball comedy stars Ray Milland as Vernon Simpson, a chemist who develops a product which repels wood. Signing on with a major league team as a pitcher, he throws screwballs doctored with his solution, becoming a sensation who strikes out every batter he faces. ~ Jason Ankeny, All Movie Guide

The life of merchant seamen is realistically portrayed in this adventure.
The story centers around two sailors who find their friendship tested when both have the opportunity to become captain. Their relationship is further strained when they fall for the same female. They get a chance to prove their seamanship when their ship is assaulted by a terrible storm. ~ Sandra Brennan, All Movie Guide