Harry Landers Movies

DA Rudolph Cox (Leslie Nielsen) hopes to use the testimony of stoolie Lou Heinz (Bernard Kates) to put mobster Mac Davis (Harold J. Stone) away for keeps. Unfortunately, Heinz's cover is blown and he is marked for death. Even more unfortunately, the most important official in town seems to be in Davis' pocket -- which means that Cox's dreams of becoming a major political figure are in just as much danger as the hapless Heinz. This is the final episode of Alfred Hitchcock Presents' sixth season. ~ Hal Erickson, Rovi

A newspaper headline prompts Clete Vine (John Craven) to recall an incident in his childhood, 35 years ago. Growing up in a gang-infested neighborhood, young Clete (played by Glenn Walken, the brother of Christopher Walken) idolizes local mob boss Mr. Rose (Dennis Patrick), while Clete's best friend, Iggy (Barry Gordon), reserves his idolatry for his own father (Biff Elliot). When both boys witness Rose in the act of killing a man, Clete is intimidated into silence, but Iggy immediately heads to the police -- thereby setting off a four-decade marathon of duplicity, disillusionment, and death. ~ Hal Erickson, Rovi

In the tradition of such big-budget "docudramas" as House on 92nd Street and Call Northside 777, the modestly budgeted C-Man adopts a quasi-documentary approach to its subject matter. The "C" stands for Customs, and indeed the leading character, Cliff Holden (Dean Jagger), is a detective for the U.S. Customs Department. Against a backdrop of genuine New York locations (with a few rather obvious back-projected shots thrown in), Holden puts the heat on a homicidal jewelry smuggler. John Carradine steals the show as an alcoholic doctor, reduced to fronting for the smugglers. The rest of the cast is populated with such Broadway regulars as Edith Atwater and Walter Brooke. Though it obviously cost next to nothing to produce, C-Man is far more atmospheric and suspenseful than many a major-studio effort. ~ Hal Erickson, Rovi

Ordered to destroy a German bridge, Saunders (Vic Morrow) and Littlejohn (Dick Peabody) make their way to a command post in hopes of getting reinforcements. But the post has endured heavy enemy fire and the extra troops have scattered--leaving behind only four disreputable GI prisoners who were being held for court-martial. This slimmed-down precursor to The Dirty Dozen features impressive dramatic performances by two sitcom veterans: Bill Bixby (My Favorite Martian and Bill Gray (Father Knows Best). ~ Hal Erickson, Rovi

Zachary Scott plays Max Thursday, an alcoholic ex-police detective working as a bouncer at a sleazy rooming house owned by Smitty (Mary Boland), a likeable, earthy old lady. Thursday's former wife, Georgia (Faye Emerson), shows up one night, while her ex-husband is in an alcoholic stupor, to tell him that their three-year-old son Jeff is missing, taken by her brother, Fred, on some errand from which he did not return. Thursday goes after his ex-brother-in-law's employer, Doc Elder (Jed Prouty), a broken-down physician with a shady past, who manages to get the former cop drunk before knocking him cold. Awakening in a police cell, Thursday is questioned by his former boss, Capt. Mark Tonetti (Sam Levene), about where he was last night, and who might've murdered Doc Elder. Thursday has no choice but to stay sober as he tries to trace the leads he has left. No one admits to knowing anything about the person named Saint Paul, who Elder was meeting, so he tries to find the man Elder was afraid of, Otto Varkas, a notorious smuggler. Varkas (J. Edward Bromberg) isn't much help, though he reveals that he is worried about a hired killer named Stitch Olivera (Elliott Sullivan). While leaving Varkas' office, Thursday spots Angel (Kay Medford), a "business girl" he last saw near Elder's building. He finds out that she's the girl Fred was seeing, and that she's got him on ice, wounded, but he hasn't said anything about a kid; he also won't reveal the whereabouts of the package that he was picking up for Doc Elder (a diamond necklace worth 400,000 dollars) which was to go to Saint Paul. Before they can get to Fred, two of Varkas' men grab him, and Thursday is just drunk enough from his stop with Angel to be unable to stop them. He tries to get to Varkas, but the gang leader and his men are killed and Fred is taken by Olivera. Thursday fights off the hit man in a vicious battle in a Brooklyn subway station that leaves him with a clue that to his astonishment seems to point Thursday back where he started: to the rooming house where he lives. He pieces it together through a fading alcoholic haze, and figures out what's been bothering him about Olivera being a step ahead of him each time he was getting close to Fred: Smitty is Saint Paul, and has been manipulating Thursday since he left with Georgia. The wounded Fred tells the ex-cop what he knows, and Thursday, sober and focused for the first time, takes Olivera in a sudden explosion of gunfire. Ignoring Smitty's offer of a half-share from the sale of the jewels, he calls police headquarters and then his wife, so they can go and get their son together. ~ Bruce Eder, Rovi

In Arizona, Paladin (Richard Boone) crosses the path of Calvary major Wilson (Warren Stevens), who claims to have attended West Point at the same time that Paladin left that institution in disgrace. Hired to escort Wilson and his troops to locate the elusive Maricopa chief Gerada, Paladin is told that the Cavalry wants to sign a peace treaty with the hostile Indian leader. But it soon becomes obvious that the mission is being fueled by a bad case of "gold fever"--and for a while, it looks as though Paladin will not emerge from this adventure alive. The part of Gerada is played by Berlin-born character actor Henry Brandon, previously seen as the sinister Scar in the classic John Ford western The Searchers. ~ Hal Erickson, Rovi

Occasionally listed as In Enemy Hands (evidently a working title), In Enemy Country is a war film with "A" ambitions and a TV-movie budget. Wartime secret agents Col. Charles Waslow-Carton (Tony Franciosa) and Lt. Col. Philip Braden (Guy Stockwell) infiltrate enemy lines, posing as POWs. Their mission is to destroy a deadly new type of torpedo, hidden in a Nazi stronghold in France. Their contact is Denise Marchois (Anjanette Comer), whom Waslow-Carton had coerced into marrying a German baron (Paul Hubschmid) before the outbreak of war, thus allowing her to continue her spying activities unimpeded. Upon the completion of their mission, Marchois chooses to remain behind with her husband, whom she has grown to love. Too many peripheral characters, way too many plot twists, and a "French" village obviously constructed on the Universal back lot: for these and other reasons, In Enemy Country is a must to avoid. ~ Hal Erickson, Rovi

Mister Cory represented the first of several successful collaborations between star Tony Curtis and director Blake Edwards. Adapted from a story by Leo Rosten, the story details the rise of Mr. Cory (Curtis) from summer-resort busboy to high-stakes gambler. Along the way, Cory uses several close associates to get ahead, including sluttish socialite Abby Vollard (Martha Hyer) and Abby's virtuous young sister Jen (Kathryn Grant). Charles Bickford delivers a sturdy performance as the worldly-wise older gambler who becomes Cory's partner and severest critic. Judging by the number of times it has recently popped up on Cable TV, Mister Cory is one of the most enduringly popular of Tony Curtis' 1950s vehicles. ~ Hal Erickson, Rovi

The title of this episode refers to a curious chemical process created by college student Marv Adams (Gary Vinson). Alas, Marv may not only be a drowning duck but a dead duck when he is charged with the murder of unscrupulous private detective Donald Briggs (Harry Landers). Acting as Marv's defense counsel, Perry (Raymond Burr) learns that Briggs was hired by Clyde Waters (Victor Sutherland), the father of Marv's fiancee Helen (Carolyn Craig)--and that Marv's father was Ben Devereaux, who was executed for murder 18 years ago, a fact that Briggs was trying to use to his advantage in extorting money from several other people connected with the case. This episode is based on a 1942 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, Rovi

Quincy (Jack Klugman) investigates when the mother and sister of apparent murder victim Peter Nielsen (Bruce Wright)--whom he has already officially declared dead--come forth to declare that the "dead" man is not only still alive, but has been in contact with them since the "killing." The investigation leads to a downtown messenger service, which turns out to be a front for an illegal drug ring. Appearing as the alleged victim's mother is Priscilla Pointer, in real life the mother of actress Amy Irving. ~ Hal Erickson, Rovi

Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires. ~ Hal Erickson, Rovi