Audrey Landers Movies

Hoping to take advantage of a sale at the appliance store owned by his old pal Jake Bennett (Red Buttons), Cliff (Bill Cosby) ends up as peacemaker in a long-standing feud between Jake and another septugenarian named Stanley Rappaport (E.G. Marshall). Not only is Cliff's new power sander at stake, but so is the "Montague-Capulet" romance between Jake's daughter Cookie (Audrey Landers) and Stanley's son Jonathan (Ken Meseroll). Originally produced for Season Six of The Cosby Show, this episode marks the final appearance of Lisa Bonet as Denise Huxtable Kendall. ~ Hal Erickson, Rovi

To the noise of almost universal execration, this derivative horror story anthology made a brief appearance at the 1989 Cannes Film Festival. The baseline story is that of a newscaster who is held captive by a deranged collector, as each object in his collection has its story re-enacted. In one story, the dead rise from their graves to punish the greedy gravediggers who have been selling the extra dirt from each burial to a nearby golf course. In another, a pizza delivery boy has a really, really difficult time getting paid for his delivery to 1313 Bram Stoker Blvd. ~ Clarke Fountain, Rovi

Edward Albert stars as Taggar, a wealthy industrialist who lives for danger. Together with luscious secret agent Paige Starsen (Audrey Landers), Taggar takes on rival businessman King Kenderson (Joe Don Baker). Having gotten hold of a poison gas which consumes human flesh, Kenderson threatens to unleash the gas over the city of Dallas unless he's paid a $50 million ransom (the film, incidentally, was originally titled Hostage: Dallas). The last 20 minutes of Getting Even is a thrill-packed helicopter chase over, around, and through the Dallas skyline. Barely released theatrically, the film enjoyed a robust "second life" on video. ~ Hal Erickson, Rovi

Broadway's celebratory musical about rejection makes it to the screen in a fizzless adaptation by Richard Attenborough that misses the whole point of the Broadway show -- i.e. the dancing and the dancers. Instead, the dancers become a limp Greek chorus for the dead love affair between a choreographer, Zach (a pre-Gordon Gekko Michael Douglas) and his old flame, Cassie (Alyson Reed) the star dancer. Zach is holding try-outs for a new Broadway musical and, as armies of dancers are brought on stage to audition for Zach, he sits in the darkened recesses of the theater, puffing on a cigarette, as he winnows out hopeful dancers who want to become part of the chorus line for Zach's new show. Finally, Zach has reduced the dancers to 16 men and women, and he asks each of them to step to the footlights and tell him about their lives and their dreams. But backstage, while the dancers are confessing their pasts to Zach, Zach's past walks through the stage door. Cassie, Zach's ex-lover, whom Zach met, courted and broke up with in the theatrical environs, has returned. Once a big star, Cassie has returned to the theater -- not to see Zach but to audition for Zach's musical. She needs the work. ~ Paul Brenner, Rovi

Ever wonder what happens to your car when you give it to a parking lot attendant? Find out in this zany slapstick comedy set in an exclusive Beverly Hills Hotel. There the attendants gleefully smash and bash the expensive cars of patrons while trying to get them parked. The story really perks up when an enamored and fabulously wealthy sheik joins the attendants in hopes of attracting a certain beautiful woman. ~ Sandra Brennan, Rovi

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, Rovi

James VanPatten plays a lower-class trainer who tries to make it into the upper-class Tennessee horse-show circuit. ~ Kristie Hassen, Rovi

Lloyd Nolan guest stars as Judge Harper, who during his long career on the bench has made a number of controversial decisions--none more so than when he sentenced a man named Holloway to a ten-year prison term for treason. When Holloway dies just before his parole, his son Joe (Jack Bender) vows to get even by murdering Harper. Taking a special interest in this cast is FBI Special Agent Chris Daniels, who as a young law student had always been skeptical about the motives behind Harper's verdict. A very young Audrey Landers makes her first major TV appearance in this episode. ~ Hal Erickson, Rovi