Martin Landau Movies

The turning point in the life of Ed Pekurny (Matthew McConaughey) comes thanks to the misfortunes of the NorthWest Broadcasting Company. After two years on the air, their flagship cable channel, True TV, has slid into obscurity due to competition from the The Gardening Channel. Program director Cynthia Topping (Ellen DeGeneres) brainstorms a last ditch effort to save the channel: broadcast one ordinary person's life 24 hours a day, unedited (while he sleeps, the day's highlights will be shown). When the network agrees to the idea, Topping must find the subject of her program. After endless auditions, she lucks upon Ed, a goofy but good-looking video store clerk. Ed has little time to get used to his new shadow, a three man video crew, before the show becomes a hit. Suddenly Ed's a cultural icon with fan clubs, stalkers, and imitators, but the media saturation has it's effects on his friends and family, who are now part of the program. Ed alienates his proud brother, Ray (Woody Harrelson), by falling in love with his girlfriend, Shari (Jenna Elfman). His estranged father Hank (Dennis Hopper) reappears after abandoning the family and creates tension between Ed and Ray's mother, Jeanette (Sally Kirkland) and her wheelchair-bound second husband, Al (Martin Landau). When Ed realizes the phenomenon has turned on him, he convinces Topping to stop the ordeal, but not her boss, Whitaker (Rob Reiner). To regain his life, Ed must find a way to cancel EDtv. ~ Ron Wells, All Movie Guide

John Dahl directed this exploration of New York private clubs devoted to high-stakes poker, with first-person narration from the film's central figure, law student Mike McDermott (Matt Damon), who loses his entire savings to Russian club owner Teddy KGB (John Malkovich). Mike then turns away from cards, devoting his attentions to his law studies and his live-in girlfriend Jo (Gretchen Mol), who's concerned when Mike's former gambling buddy Worm (Edward Norton) is released from prison. She has good reason to worry, since it takes Worm only a matter of minutes to draw Mike back into poker action. When she learns Mike has returned to the poker clubs, she moves out, and Mike begins to lose interest in his studies. Worm has a pre-prison debt, and the threatening Grama (Michael Rispoli) wants the money. Mike not only indulges the irresponsible Worm, he gets involved in Worm's debts. When Grama demands $15,000 on a five-day deadline, the two buddies go into high gear with a non-stop, no-sleep gambling binge that spirals downward toward an ultimate confrontation with Teddy KGB. Darkened club interiors and New York nights are captured by the cinematography of Jean Yves Escoffier, who moved from French films (the 1991 Les Amants du Pont Neuf) to American movies with the reflective surfaces of Excess Baggage (1997) and the patina of pathos found in Harmony Korine's experimental Gummo (1997). Shown at the 1998 Venice Film Festival and the 1998 Montreal Film Festival. ~ Bhob Stewart, All Movie Guide

In this broad fish-out-of-water comedy, Nisi (Halle Berry) and Mickey (Natalie Desselle) are African-American women with two ambitions -- marry rich men who will give them lots of money, and open the world's first combination hair salon and soul food restaurant. However, eligible bachelors and business opportunities are in short supply in Decatur, Georgia, so when Nisi hears rapper Heavy D is auditioning dancers in Los Angeles for an upcoming video and concert tour, the pair hit the road for California. They fail the audition but are approached by a man named Antonio (Luigi Amodeo) with a business proposition. Antonio is the chauffeur for Mr. Blakemore (Martin Landau), a millionaire in poor health. As a young man, Mr. Blakemore was in love with a black maid who worked in his household; Antonio and Blakemore's nephew Isaac (Jonathan Fried) think Nisi bears a resemblance to the girl Blakemore once loved, so they offer her a hefty payment plus room and board to pose as the granddaughter of Blakemore's lost love. Nisi and Mickey believe that this ruse is intended to make Blakemore feel better, but in fact Isaac wants to get his hands on his uncle's fortune, and he hopes that Nisi's presence will make him easier to manipulate. Meanwhile, Nisi and Mickey look like a hurricane that hit a cut-rate clothing store, so manservant Manley (Ian Richardson) teaches them social graces and gives them advice on how to dress. In time, Manley and Mr. Blakemore become friends with Nisi and Mickey; the men learn to be less stuffy and enjoy life, while the ladies become more respectable. B.A.P.S. stands for "Black American Princesses." ~ Mark Deming, All Movie Guide

Three A-list screenwriters -- (Nicholas Pileggi, Bo Goldman, and Paul Schrader) -- contributed to the script of this idealistic political drama. John Pappas (Al Pacino) is the popular, ethical Mayor of New York; Kevin Calhoun (John Cusack) is his even more idealistic and principled deputy. When a detective and mobster kill each other and an innocent six-year-old black child in a shootout, questions arise about what the cop was doing meeting with the gangster in the first place. The Mayor and his staff handle the situation ably, but Calhoun digs deeper and finds troubling evidence that even his seemingly incorruptible boss has not escaped the shadier aspects of political life. The Mafia boss (Tony Franciosa) whose nephew was the dead gangster, along with a Brooklyn political boss (Danny Aiello) with his own agenda, come into the story, becoming part of a series of larger links, secret relationships, and bonds of "honor" between men who, on the surface, would have no reason to be in business with each other. ~ Don Kaye, All Movie Guide

This television miniseries recounts the biblical story of Joseph, the 11th son of the Hebrew patriarch, Jacob. Joseph (Paul Mercurio) has an extraordinary gift: the ability to interpret dreams. He also enjoys the special favor of his father. One day, Jacob (Martin Landau) presents his son a splendid coat as evidence of his deep affection for him. Envious, his brothers sell Joseph into bondage to an Egyptian. But Joseph eventually rises out of slavery after he interprets a troublesome dream of Pharaoh (Stefano Dionisi) as a sign that Egypt will experience seven years of plenty followed by seven years of famine. Impressed by Joseph's strange powers, Pharaoh elevates him to the highest government position in Egypt next to Pharaoh's. Then Joseph wisely directs Egypt to store grain during the years of plenty. Finally, after famine strikes, Egypt sets bountiful tables as before, but other lands suffer severe deprivation. Jacob sends Joseph's brothers to Egypt for grain. After gaining an audience with the esteemed Joseph, they do not recognize him. So much time has passed, after all. And who could imagine that their own brother, a mere Hebrew slave, could have cast off his yoke and ascended to such heights of power? As the film moves toward its conclusion, viewers wonder whether Joseph will hold his brothers to account for their wrongdoing -- or reconcile with them and renew familial relationships. ~ Mike Cummings, All Movie Guide

A man who may be on the verge of death quickly takes a thorough look at his life in this drama. Vincent Eastman (Richard Gere) is speeding along a mountain road in Canada when, while swerving to avoid a stalled van, he discovers that he's about to run headfirst into a trailer truck. As he's about to suffer a potentially fatal accident, Vincent finds himself flashing back on the events of his life -- most notably his relationships with his wife Sally (Sharon Stone), his mistress Olivia (Lolita Davidovich), and his daughter Meaghan (Jenny Morrison). While Vincent genuinely cares for Sally, he finds her cold and unemotional, but while the free-spirited Olivia has a passion for life that Sally lacks, Vincent can't bring himself to leave his wife for her. All parties involved feel that Vincent is hurting Meaghan with his inability to commit himself one way or the other, and his friend Neal (Martin Landau), a partner in his architectural firm, warns him that it is wrong for a man to live under two roofs at once. Intersection was an American adaptation of the 1970 French drama Les Choses de la Vie. ~ Mark Deming, All Movie Guide

The plot in this suspenseful mystery evokes the old westerns while dealing with contemporary issues concerning the further development of the West. It all begins when a stranger rolls into a remote little town and discovers that they are doing their best to keep secret the murder of a civil liberties lawyer who was threatening to prevent developers from exploiting the land. The stranger finds out and takes steps to ensure that justice is done. ~ Sandra Brennan, All Movie Guide

Based on a story by Richard Lupoff (a short filmization of the same story earned an Oscar nomination for 1990), 12:01 centers on a member of the personnel department in a science lab, who discovers that the world has become somehow trapped in a strange time warp that causes the same 24-hour period to repeat itself. During the course of that endlessly repeated day, Barry Thomas, the only one who seems to be aware of what's happening, must somehow figure out how to put time back on its normal course and solve the murder of a physicist, Lisa Fredricks (Helen Slater) with whom he is infatuated. ~ Sandra Brennan, All Movie Guide

Something to Live For: The Alison Gertz Story was one of a myriad of early 1990s TV movies centering around the AIDS issue. Molly Ringwald stars as Alison Gertz, an upscale Manhattanite who thinks she knows her way around. Still, Alison conducts an "unprotected" one-night affair, which results in her contacting the AIDS virus. Despite her alleged smarts, Alison continues to seek out sexual partners and can't understand why they're reluctant to sleep with her, even though she belatedly offers to use contraceptives. Perhaps if it had been made five years earlier, and perhaps if it didn't have its characters speaking fluent pop profundities, Something to Live For might have been one of the truly important made-for-TV AIDS sagas. ~ Hal Erickson, All Movie Guide

Successful character actor Barry Primus spent seven years trying to get financing for his feature debut as a writer-director, Mistress. In the film, a once-promising writer-director, Marvin Landisman (Robert Wuhl), who now directs instructional videos, is sitting home one night, watching his own print of Jean Renoir's Grand Illusion, when he gets a strange phone call. A producer, Jack Roth (Martin Landau), formerly a bigwig at Universal, tells Marvin he was cleaning out his office when he came across Marvin's old script, "The Darkness and the Light." Jack claims he can get financing to make the film, and agrees to Marvin's stipulation that he be attached to direct. They "take a meeting" at a low-rent diner, and Jack brings along a gung-ho novice screenwriter, Stuart (Jace Alexander), to help Marvin polish the script. They meet with three potential backers, played by Eli Wallach, Danny Aiello, and Robert DeNiro, each one more meddlesome than the last, and each with a girlfriend (played by Tuesday Knight, Jean Smart, and Sheryl Lee Ralph, respectively) whom they demand be cast in the film. At first, Marvin adamantly resists changing his serious, downbeat, and very personal script, about an painter who commits suicide, rather than betray his ideals. But eventually, Marvin gets caught up in the momentum of actually getting his dream project made, and starts compromising. He agrees to cast the three women; he agrees to make the script funnier and sexier; he even agrees to change the painter to a photographer to please his backers. Laurie Metcalf plays Marvin's long-suffering wife, and Christopher Walken has a cameo as a tortured actor. Mistress was the first film produced by DeNiro's independent production company, Tribeca Films. ~ Josh Ralske, All Movie Guide

When Ivan Tibor (Brett Porter), a Russian with dangerous psychokinetic powers, flees to the United States, scientist Warren Hart (Chris Lemmon) is charged with the responsibility of capturing the renegade. However, when Warren discovers that Ivan is on a mission to foil the plans of a group of government officials who are illegally storing and manufacturing weapons, the scientist rethinks his priorities. ~ Iotis Erlewine, All Movie Guide

Real Bullets is the result of a bunch of Hollywood stunt persons (male and female) getting together and saying "Let's make a movie starring US!" The plot: A batch of stunt men and women decide to go vacationing together, and when they get to the chosen spot, they find a drug ring and it's inevitable that the two clash. When they do, the druggies are dumb enough to kidnap two of the stunt women, which means the entire stunt rescue crew is headed out to the dope dealers' lair in hot pursuit. They use all the stunt mans' repertoire of tricks, including diversion explosives, poisoned arrows, et al to pull off the daring rescue. ~ All Movie Guide

Soviet radicals upset with the thawing of the Cold War explode a nuclear weapon in Russia, setting off a series of events that may very well trigger World War III. The president (Martin Landau) has been isolated after a helicopter accident and must outwit government and military officials who are attempting to go forward with the war. The film centers on the relationship between a pair of American pilots who have been ordered to bomb the U.S.S.R. and the attempts by some factions to bring them home before global Armageddon. ~ Perry Seibert, All Movie Guide