Billy Barty Movies

This farcical send-up of the movie business borrows a plot from the classic 1968 Mel Brooks film The Producers. It stars Tony Curtis as J.P. Sheldrake, a movie producer sorely in need of a flop for tax purposes. Imagine his delight when a very young would-be filmmaker shows up on his doorstep with what could be the worst B-movie ever made, Lobster Man From Mars. In the story-within-a-story, a Martian lobster-man who has come to earth to steal some badly needed air for his home planet grows increasingly addicted to munching on humans. He is pursued by an addlepated professor (Patrick Macnee) a couple of all-American teens, and a trigger-happy military man. The movie looks guaranteed to be a flop, but of course it foils Sheldrake's plan by becoming a huge success. ~ Clarke Fountain, Rovi

Mickey the Great was a fast-buck 1938 concoction designed to capitalize on the popularity of Mickey Rooney. In the late 1920s and early 1930s, the pre-teen Rooney had starred in a series of cheap short subjects based on Fontaine Fox's comic strip tough kid Mickey "Himself" McGuire. In true Our Gang fashion, Mickey was given a youthful entourage, including a black cohort named Hambone. Also appearing in the Mickey McGuire shorts was midget Billy Barty, impersonating an infant. While the silent McGuire shorts belied their cheapness with some good visual gags, the talkie shorts were appalling beyond belief. The handful of two-reelers compiled in the hour-long Mickey the Great were thankfully pared down to only their highlights (such as they were) and pepped up with a musical background score. ~ Hal Erickson, Rovi

"This is New York, Skyscraper Champion of the World...Where the Slickers and Know-It-Alls peddle gold bricks to each other...And where Truth, crushed to earth, rises again more phony than a glass eye..." With this jaundiced opening title, scripter Ben Hecht introduces his classic comedy Nothing Sacred. Fredric March plays Wally Cook, a hotshot reporter condemned to writing obituaries because of his unwitting complicity in a fraud. Anxious to get back in the good graces of his editor Oliver Stone (Walter Connolly), Cook pounces on the story of New England girl Hazel Flagg (Carole Lombard), who is reportedly dying from radiation poisoning. Actually, Hazel isn't dying at all; she's been misdiagnosed by Moscow's eternally drunk doctor (Charles Winninger). But when Cook offers to take her on an all-expenses-paid trip to New York in exchange for her exclusive story, it's too good an offer to pass up. Once in the Big Apple, Hazel is feted as a heroine by the novelty-seeking populac; she enjoys the adulation at first, but soon (and with the help of gallons of alcoholic beverages) suffers the pangs of conscience. She confesses her deception to Cook, who by now has fallen in love with her. Cook and Stone conspire to keep the public from discovering the truth, eventually dreaming up a phony suicide. Travelling incognito to avoid arrest, Wally and Hazel marry and go on a honeymoon, secure in the knowledge that New York City has forgotten all about her and moved on to their next fad. Brimming with witty, acerbic dialogue and hilarious bits of physical business, Nothing Sacred is among the best "screwball" comedies of the 1930s. The musical score by Oscar Levant both mocks and celebrates the George Gershwinesque musical style then in vogue. As an added bonus, the film is lensed in Technicolor (avoid those two-color reissue prints), allowing modern viewers to see what New York City looked liked back in 1937. Nothing Sacred was later adapted into a Broadway musical, Hazel Flagg, which in turn was filmed by Dean Martin and Jerry Lewis as Living It Up (1954), with Lewis in the Carole Lombard role. ~ Hal Erickson, Rovi

In this comedy, a young couple are forced to marry after they are accidentally locked in a store overnight. Unfortunately for the young groom, his overbearing mother is unhappy with the match and keeps trying to get them divorced. She even follows them on their honeymoon. ~ Sandra Brennan, Rovi

In this drama, a man leaves his wife to join the circus. Many years later, he bumps into a pretty teenage girl who turns out to be the daughter he never knew existed. ~ Sandra Brennan, Rovi

In this, Joan Rivers' first attempt at film direction, a young virgin male (Billy Crystal) is engaged to be married when he finds out he is pregnant! Using the film as a vehicle for her acerbic humor, director Rivers may as well be on stage, for interspersed throughout this questionable plot is an unending onslaught of sarcastic slams pointed at just about every sector of society. Ms. Rivers even makes a cameo appearance. Other big names in this film are Tom Poston (as a minister), Roddy McDowall (in several roles), and George Gobel as the U.S. President. ~ Rovi

Easily the best of Eddie Cantor's gargantuan musical comedies for producer Sam Goldwyn, Roman Scandals begins in the middle-America community of West Rome, where our hero Eddie (Cantor) is employed as a delivery boy. A self-styled authority of Ancient Roman history, Cantor bemoans the fact that the local shanty community is about to be wiped out by scheming politicians, certain that such an outrage could never have happened during Rome's Golden Days. After a blow on the head, Cantor wakes up in Imperial Rome, where he is sold on the slave auction block to good-natured tribune Josephus (David Manners). Cantor soon discovers that the evil emperor Valerius (Edward Arnold) is every bit a crook and grafter as the politicians in West Rome, and he intends to do something about it. He gets a job as food taster for Valerius -- a none-too-secure position, inasmuch as the emperor's wife Agrippa (Veree Teasdale) is constantly trying to poison her husband -- and does his best to smooth the path of romance for Josephus and recently captured princess Sylvia (Gloria Stuart). Cantor's well-intentioned interference earns him a session in the torture chamber, but he escapes and commandeers a chariot, setting the stage for a spectacular slapstick climax. On the verge of recapture, Cantor wakes to find himself in West Rome U.S.A. again, where he quickly foils the modern-day despots and brings about a happy ending for all his friends.

Co-written by George S. Kaufman, Robert E. Sherwood, George Oppenheimer and Arthur Sheekman (the soon-to-be husband of leading lady Gloria Stuart), Roman Scandals manages to get off a few clever satirical licks, but essentially it's a "lappy" lowbrow vehicle for Eddie Cantor, and in this it succeeds immensely. The Busby Berkeley-staged musical numbers, written by Harry Warren, Al Dubin and L. Wolfe Gilbert, must be seen to be believed: In "No More Love", Ruth Etting, playing the Emperor's cast-off mistress Olga, sings a plaintive torch song as dozens of enslaved Goldwyn Girls (including Lucille Ball and Barbara Pepper), wearing nothing but long, blonde wigs, are chained to a rotating pedestal; and in "Keep Young and Beautiful", these same maidens gleefully cavort around a Roman bathhouse in the near-altogether while Cantor, in blackface, hops about, rolls his eyes and claps his hands -- just before a jet of steam "shrinks" him, at which point he metamorphoses into midget Billy Barty! The quintessence of Depression-era escapism, Roman Scandals is must-see entertainment. ~ Hal Erickson, Rovi

Billy Barty, one of the world's biggest little people, stars in this musical children's fable from the Brothers Grimm. Rumpelstiltskin (Barty) promises the miller's daughter Katie (Amy Irving) that she will be able to spin straw into gold in order to win the love of the Prince (John Mouler-Brown). After the marriage, Katie gives birth to a son that the nasty gnome abducts. Rumpelstiltskin agrees to give the child back to Katie if she can guess his name. An excellent performance from Billy Barty who began his career in the silent film era. Amy Irving's brother David provides the direction. ~ Dan Pavlides, Rovi

Several changes are effected for Sigmund and the Sea Monsters as the Saturday-morning Krofft Brothers comedy series enters its second season. The opening episode, "A Genie for Sigmund", introduces zany comedian Rip Taylor as Sheldon, a bumbling genie found hiding in a seashell by the series' title character, lovable pint-sized sea monster Sigmund Ooze (Billy Barty). Also, Johnny Whitaker, cast as Sigmund's human friend Johnny Stuart, curtails his singing sequences this season, though he can still be heard warbling the series' new title song. Plus, Mary Wickes, cast as Johnny and his brother Scott's (Scott Kolden) guardian Aunt Zelda, took a leave of absence to concentrate on her stage work; her replacement is future Gunsmoke regular Fran Ryan, as feisty ex-Marine sergeant Gertrude Gouch. Additionally, the roles of Sigmund's bullying sea-monster brothers Blurp and Slurp, previously essayed by heavily costumed "Krofft Players" Bill Germaine and Fred Spencer, were this year taken over by Larry Larsen and Paul Gale. And finally, the series' production facilities were moved in toto from Samuel Goldwyn Studios to General Services Studios, due to a $2 million fire at Goldwyn which destroyed all of the show's set and most of the props and costumes. This unforeseen disaster also obliged producers Sid and Marty Krofft to cut down the number of episodes taped from 17 to 12. Season Two highlights include the appearance of onetime Brady Bunchkid Eve Plumb in "Now You See 'Em, Now You Don't"; the introduction of Sparky Marcus as Sheldon's bratty nephew genie Shelby in "Cry Uncle", the guest turn by Broadway favorite Peggy Mondo ("The Music Man") as Sheldon's magical mom Shellinor in "Mother Makes Ten", and the pop-up of another familiar Krofft character, H.R. Pufnstuf (here played by Van Snowden), in "Pufnstuf Drops In". ~ Hal Erickson, Rovi

The highlights of this classic children's story are the performances of Diana Rigg as the Mean Queen and Billy Barty as Biddy the Dwarf. The seven-year-old Snow White is played by Nicola Stapleton, with Sarah Patterson portraying the princess at age 16. ~ Dan Pavlides, Rovi

Best of Spike Jones, Vol. 1 features some of the wildest musical moments from performer Spike Jones' hit 1950s television variety show. Jones and the band the City Slickers play "Beetle Bomb," "Cocktails for Two," and more. Billy Barty performs a show-stopping Liberace routine. Jones plays impressive drums in a duet of "Minka" with trumpet player George Rock. And the video features still other sketches. Picture and sound quality are excellent. ~ Betsy Boyd, Rovi

Crash! Bang! Squeal! Spike Jones and his City Slickers, still the craziest band of their time or ours, turn music upside down and inside out in this selection of comic highlights from Jones's popular television series of the 1950's. With his guests (among them Zasu Pitts, Howdy Doody and Billy Barty), Jones and his band run riot over such tunes as "Cocktails For Two", "Love In Bloom", "Cold Cold Heart", "Ricochet Romance", and "The Typewriter Song". ~ Mark Deming, Rovi

A circus goes to the dogs (or, more accurately, the dogs come to the circus) in this light-hearted action-adventure tale. Lucky Vincent (James Franciscus) is a gambler who, after a stretch of bad luck, owes over $12,000 to mobster Solly Kramer (Jack Carter). Lucky is rescued from Solly's goons by Daniel Hughes (Fred Astaire), a born-again Christian with a team of trained Doberman pinschers. After going undercover at a circus, Lucky persuades Hughes to work up an act with his dogs and join the carnival; when Lucky discovers that Solly and his gang intend to rob an armored car hauling the circus's box office take, Hughes and his canine friends step forward to help thwart the plot. Along the way, Lucky also finds time to make romance with a beautiful circus performer named Justine Pirot (Barbara Eden). The Amazing Dobermans was the second in-name-only sequel to The Doberman Gang, which shared the same director and talented four-footed performers, but none of the same plot points or characters. ~ Mark Deming, Rovi