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Billy Barty Movies

American dwarf actor Billy Barty always claimed to have been born in the early '20s, but the evidence of his somewhat wizened, all-knowing countenance in his film appearances of the 1930s would suggest that he was at least ten years shy of the whole truth. At any rate, Barty made many film appearances from at least 1931 onward, most often cast as bratty children due to his height. He was a peripheral member of an Our Gang rip-off in the Mickey McGuire comedy shorts, portrayed the infant-turned-pig in Alice in Wonderland (1933), he did a turn in blackface as a "shrunken" Eddie Cantor in Roman Scandals (also 1933), and he frequently popped up as a lasciviously leering baby in the risqué musical highlights of Busby Berkeley's Warner Bros. films. One of Barty's most celebrated cinema moments occurred in 1937's Nothing Sacred, in which, playing a small boy, he pops up out of nowhere to bite Fredric March in the leg. Barty was busy but virtually anonymous in films, since he seldom received screen credit. TV audiences began to connect his name with his face in the 1950s when Barty was featured on various variety series hosted by bandleader Spike Jones. Disdainful of certain professional "little people" who rely on size alone to get laughs, Barty was seen at his very best on the Jones programs, dancing, singing, and delivering dead-on impressions: the diminutive actor's takeoff on Liberace was almost unbearably funny. Though he was willing to poke fun at himself on camera, Barty was fiercely opposed to TV and film producers who exploited midgets and dwarves, and as he continued his career into the 1970s and '80s, Barty saw to it that his own roles were devoid of patronization -- in fact, he often secured parts that could have been portrayed by so-called "normal" actors, proof that one's stature has little to do with one's talent. A two-fisted advocate of equitable treatment of short actors, Billy Barty took time away from his many roles in movies (Foul Play [1978], Willow [1988]) and TV to maintain his support organization The Little People of America and the Billy Barty Foundation. Billy Barty died in December 2000 of heart failure. ~ Hal Erickson, Rovi
1996  
 
With his nerves at the breaking point, Frasier (Kelsey Grammer) is in no mood for the rude behavior he encounters at every turn at the Café Nervosa. When one customer becomes particularly abusive, Frasier uncharacteristically administers an "etiquette lesson" with physical force. Word quickly spreads concerning this outburst turning Frasier into a local hero -- whereupon his radio listeners follow his example by settling their problems with their fists. ~ Hal Erickson, Rovi

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1992  
 
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In this broad comedy, two buddies named Frank, with more ambition than sense, are en route to Hollywood in hopes of breaking into the movie business when they accidentally witness a Mafia execution. Before they know it, they're witnesses in a criminal case the FBI is preparing against the Mob, and the two Franks are suddenly being chased by Mafia hit men. The Franks get the "brilliant" idea of disguising themselves as women and posing as make-up artists at an upcoming beauty pageant to avoid being killed -- not knowing that this event is also controlled by the mob. The Naked Truth features M. Emmet Walsh, Erik Estrada, Shannon Tweed, Little Richard and Billy Barty. ~ Mark Deming, Rovi

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1991  
 
Originally titled Vendetta: Secrets of a Mafia Bride, this 2-part TV movie stars supermodel Carol Alt as Nancy, the ward of Mafia don Frank Latella (Eli Wallach). Part One gets off to an explosive start when Nancy witnesses her father's murder. Raised by Latella, our heroine lives for the day that she can avenge her dad's death. Little does she know that her own fiancé (Eric Roberts) was the man who pulled the trigger. Syndicated to local TV stations, Family Matter was first made available on May 13, 1991. ~ Hal Erickson, Rovi

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Starring:
Eric RobertsCarol Alt, (more)
 
1988  
 
This animated adventure tells of Ralph the talking and motorcycle riding mouse. Episodes include "The Mouse and the Motorcycle" and "Runaway Ralph." ~ Rovi

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1988  
 
This television documentary chronicles the career of Spike Jones, a talented musical satirist who had audiences of the '50s rolling in the aisles as he and his City Slickers committed inventive forms of musical murder on some of America's most beloved songs. Archival footage from performances during the early '50s, coupled with interviews of former band members and Jones' family, round out the show. ~ Sandra Brennan, Rovi

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1983  
 
In this "Who done it?," a home-schooled detective (Tim Conway) gets to the bottom of a complicated crime (murder, no less) in spite of his goofy self. ~ Rovi

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1983  
 
Details are sketchy regarding the British Saturday-morning children's program Fun Factory. It is known that the series debuted in 1983 as an intended replacement for the legendary ITV kiddie weekender TISWAS. Lacking the earlier series' stellar guest-star lineup, the "new" show at least afforded a rare weekly host opportunity to American dwarf actor Billy Barty. Unfortunately, Fun Factory didn't last as long as its predecessor. ~ Hal Erickson, Rovi

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1981  
 
Don't confuse Being Different with those exploitational "freak show" documentaries of the 1950s. This is a sensitive--but never sentimental--study of persons whose physical deformities and mental handicaps have not stood in the way of their positive self-images or personal success. Filmmaker Harry Rasky follows these quietly courageous individuals at work and at home. After ten minutes or so, the audience is barely conscious of the fact that these folks are "different" in any way. Being Different benefits from the calm narration of Christopher Plummer. ~ Hal Erickson, Rovi

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Starring:
Billy Barty
 
1979  
 
Although the people of Walnut Grove are delighted when a carnival comes to town, Nels Oleson (Richard Bull) is in despair. It seems that the carnival's fat lady, Annabelle (Harriet Gibson), is Mr. Oleson's long-estranged sister. Elsewhere, Laura (Melissa Gilbert) has a new rival for the affections of Almanzo (Dean Butler) in the form of snooty Christie (Wendy Schaal). ~ Hal Erickson, Rovi

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Starring:
Michael LandonKaren Grassle, (more)
 
1976  
 
A circus goes to the dogs (or, more accurately, the dogs come to the circus) in this light-hearted action-adventure tale. Lucky Vincent (James Franciscus) is a gambler who, after a stretch of bad luck, owes over $12,000 to mobster Solly Kramer (Jack Carter). Lucky is rescued from Solly's goons by Daniel Hughes (Fred Astaire), a born-again Christian with a team of trained Doberman pinschers. After going undercover at a circus, Lucky persuades Hughes to work up an act with his dogs and join the carnival; when Lucky discovers that Solly and his gang intend to rob an armored car hauling the circus's box office take, Hughes and his canine friends step forward to help thwart the plot. Along the way, Lucky also finds time to make romance with a beautiful circus performer named Justine Pirot (Barbara Eden). The Amazing Dobermans was the second in-name-only sequel to The Doberman Gang, which shared the same director and talented four-footed performers, but none of the same plot points or characters. ~ Mark Deming, Rovi

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Starring:
Fred AstaireJames Franciscus, (more)
 
1976  
 
In this drama, a man leaves his wife to join the circus. Many years later, he bumps into a pretty teenage girl who turns out to be the daughter he never knew existed. ~ Sandra Brennan, Rovi

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1976  
 
In this mystery, twin gumshoes team up to expose a band of bogus spiritualists involved in murder . ~ Sandra Brennan, Rovi

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1976  
 
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Love him or hate him comedian Paul Lynde - the master of the slow burn, who presided over the "center square" on Hollywood Squares for years and made famous the character of Uncle Arthur on Bewitched - also mounted this all-star Halloween special in late October 1976. The story, adapted from A Christmas Carol, has the comedic actor cast as "Paul Lynde", a more severe and hateful variant of his typically snide and sarcastic on-camera persona, who detests all things associated with Halloween. Three witches then crop up and determine to change his mind, ala Scrooge. The plethora of guest stars includes Tim Conway, Florence Henderson, Donny and Marie Osmond, the glam rock band KISS, Betty White, Roz Kelly, Billy Barty and Margaret Hamilton, from The Wizard of Oz. ~ Nathan Southern, Rovi

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1974  
 
Several changes are effected for Sigmund and the Sea Monsters as the Saturday-morning Krofft Brothers comedy series enters its second season. The opening episode, "A Genie for Sigmund", introduces zany comedian Rip Taylor as Sheldon, a bumbling genie found hiding in a seashell by the series' title character, lovable pint-sized sea monster Sigmund Ooze (Billy Barty). Also, Johnny Whitaker, cast as Sigmund's human friend Johnny Stuart, curtails his singing sequences this season, though he can still be heard warbling the series' new title song. Plus, Mary Wickes, cast as Johnny and his brother Scott's (Scott Kolden) guardian Aunt Zelda, took a leave of absence to concentrate on her stage work; her replacement is future Gunsmoke regular Fran Ryan, as feisty ex-Marine sergeant Gertrude Gouch. Additionally, the roles of Sigmund's bullying sea-monster brothers Blurp and Slurp, previously essayed by heavily costumed "Krofft Players" Bill Germaine and Fred Spencer, were this year taken over by Larry Larsen and Paul Gale. And finally, the series' production facilities were moved in toto from Samuel Goldwyn Studios to General Services Studios, due to a $2 million fire at Goldwyn which destroyed all of the show's set and most of the props and costumes. This unforeseen disaster also obliged producers Sid and Marty Krofft to cut down the number of episodes taped from 17 to 12. Season Two highlights include the appearance of onetime Brady Bunchkid Eve Plumb in "Now You See 'Em, Now You Don't"; the introduction of Sparky Marcus as Sheldon's bratty nephew genie Shelby in "Cry Uncle", the guest turn by Broadway favorite Peggy Mondo ("The Music Man") as Sheldon's magical mom Shellinor in "Mother Makes Ten", and the pop-up of another familiar Krofft character, H.R. Pufnstuf (here played by Van Snowden), in "Pufnstuf Drops In". ~ Hal Erickson, Rovi

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Starring:
Johnny WhitakerScott Kolden, (more)
 
1973  
 
Season One of Sid and Marty Krofft's whimsically wacky Saturday-morning series Sigmund and the Sea Monsters begins as young Johnny and Scott Stuart (Johnny Whitaker, Scott Kolden) befriend a green, pint-sized, tentacled sea monster named Sigmund Ooze (Billy Barty), who has been disowned by his monstrous family at Dead Man's Point because he is unable to scare anyone. Hiding Sigmund in their secret clubhouse, the boys go to great lengths to prevent their guardian Aunt Zelda (Mary Wickes) and Zelda's sometime boyfriend, Sheriff Chuck Bevans (Joe Higgins) from finding out about their peculiar house guest. In a handful of episodes, the boys are plagued by snoopy next door neighbor Mrs. Eddels (played by Margaret Hamilton of "Wicked Witch of the West" fame), who like Gladys Kravitz of Bewitched is forever spotting Sigmund but is unable to convince anyone of the fact. Making his first appearance in the episode "Is There a Doctor in the House?" is Dr. Cyclops, the one-eyed, seaweed-covered, absent minded "monster medico" who tended to the needs of the Sea Monster community; this role is played by Walker Edmiston, a frequent contributor to the Krofft Brothers' TV projects. And in "Monster Rock Festival", the recurring role of local DJ Buzzy Berman is introduced in the form of former child actor Sidney Miller. Both Edmiston and Miller also provide the voices for the various costumed characters, among them Sigmund's bullying brothers Blurp and Slurp, portrayed this season by costumed actors Bill Germaine and Fred Spencer. Additionally, a pair of interesting guest performers show up during the series' first 17-episode season. Pamelyn Ferdin, a busy juvenile actress of the period, is seen in "Puppy Love", while Jack Wild, formerly the star of the Kroffts' inaugural Saturday-morning series H.R. Pufnstuf, plays "himself" in "The Wild Weekend." ~ Hal Erickson, Rovi

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Starring:
Johnny WhitakerScott Kolden, (more)
 
1972  
 
Olivia (Michael Learned) strongly disapproves when husband John (Ralph Waite) invites four travelling carnival performers (one of them played by legendary "little person" Billy Barty) to stay with the Walton family. The quartet of "carnies" had found themselves stranded after their manager skipped town with the carnival's profits. Ever so gradually, Olivia warms up to these curious but likeable nomads -- and when the four entertainers discover that the Waltons hadn't had enough money to attend their carnival when it first arrived on the Mountain, a very special performance is staged in the family's barn. ~ Hal Erickson, Rovi

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1965  
 
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Elvis Presley plays singer/actor Johnny Tyronne in this formulated quickie directed by Gene Nelson. While on a promotional tour of Pakistan, Johnny is drugged, kidnapped, and whisked away to a mythical Middle East country. Jay Novello plays the scheming Zacha who vows (for a price) to help Johnny in a world that is 2,000 years behind the times and sealed off from the outside world. With the help of Baba (Billy Barty), they hope to get Johnny back to the comforts of the modern world. Elvis shows off some neat karate moves, but he looks bored and resigned to the fact no one in Hollywood (or Colonel Tom Parker) will give him a serious screen role. Filmed on sets that were originally used for Kismet (1944) and Cecile B. DeMille's silent classic The Ten Commandments. As for the songs, only Mirage and Hey Little Girl are memorable. The generous Presley, perhaps feeling nostalgic, donated $50,000 to the motion picture relief fund after completing the film. On hand at the celebrity press conference were such luminaries as Frank Sinatra, Bud Abbott, and silent-screen veteran Chester Conklin. ~ Dan Pavlides, Rovi

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Starring:
Elvis PresleyMary Ann Mobley, (more)
 
1964  
 
Pat Buttram (he was Mr. Haney on Green Acres) brings a macabre twist to his standard country-bumpkin characterization in this bone-chilling episode. Visiting a traveling carnival, farmer Charlie Hill (Buttram) is fascinated by one of the exhibits: a huge jar, filled with water and mysterious floating objects. Convinced that the jar possesses magical qualities, Charlie purchases the object and brings it home, putting it on display for his friends and neighbors -- who are equally fascinated, even mesmerized, by the jar's eerie "properties." All of this brouhaha annoys Charlie's promiscuous young wife, Thedy Sue (Collin Wilcox), who plans to expose the jar as a fake and humiliate Charlie in public just before running off with her current boyfriend. James Bridges earned an Emmy nomination for his adaptation of Ray Bradbury's short story The Jar, which also boasts an appropriately eerie minimalist musical score by frequent Alfred Hitchcock collaborator Bernard Herrmann. ~ Hal Erickson, Rovi

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Starring:
Pat ButtramCollin Wilcox, (more)
 
1962  
 
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Inasmuch as the spectacular Richard Rodgers and Lorenz Hart Broadway musical Jumbo was written in 1935, this 1962 film version can't help but seem a little quaint. Still, the film features the original production's star Jimmy Durante, energetically recreating his stage role as circus owner Pop Wonder; it is Durante's bravura performance that saves the film from dullness. Threatened with foreclosure, Pop Wonder and his pretty daughter Kitty (Doris Day) put their fates in the hands of go-getter Sam Rawlins (Stephen Boyd). What they don't know is that Sam is the son of Pop's biggest rival (Dean Jagger), and he's been sent to undermine the Wonder Circus. It goes without saying that Sam turns the tables on his dad, thereby saving the day and winning Kitty's hand. Martha Raye shows up as Lulu, a fortune teller who can't figure out what's going to happen next (funny, we can). And of course there's Jumbo the elephant, who figures into the film's funniest scene (as well as one of Jimmy Durante's most celebrated punchlines). Old MGM musical hands Charles Walters and Busby Berkeley share directing chores, but somehow the film hasn't the panache of their earlier work. Happily, most of the Rodgers-Hart songs are retained, including "My Romance" and "The Most Beautiful Girl in the World"-not to mention a few Rodgers-Hart tunes borrowed from other show, e.g. "This Can't Be Love". ~ Hal Erickson, Rovi

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Starring:
Doris DayStephen Boyd, (more)
 
1957  
 
Season three of Alfred Hitchcock Presents gets under way with one of the series' best and most celebrated episodes -- and one which, surprisingly, is not directed by Alfred Hitchcock himself. As Jim Whitely (William Shatner) and his girlfriend Dorothy (Rosemary Harris) rummage through the possessions of Jim's late sister Julia (Jessica Tandy), they come across a curious item -- a large glass eye. In flashback, Jim recalls the history of this artefact, which stems back to the spinsterish Julia's infatuation with a mysterious, deep-voiced stage ventriloquist known as Max Collodi (Tom Conway). This brilliant episode earned an Emmy award for its director, prolific Alfred Hitchcock Presents contributor Robert Stevens. ~ Hal Erickson, Rovi

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1957  
 
Legendary shlockmeister Roger Corman and long-time collaborator Charles B. Griffith attempted to cash in on the popular 1950s surge in Bridey Murphy reincarnation mania with this confusing and throughly weird thriller. It begins with researcher Richard Garland hypnotizing streetwalker Pamela Duncan in an attempt to record her past-life experiences as a condemned witch in the Dark Ages. After numerous silly attempts by Garland to save her -- including regressing himself into the same period, where, by remarkable coincidence, he also lived as a soldier -- Duncan decides not to alter the course of history, and she resigns herself to her fate. Despite the spooky ambience, a cast of Corman regulars (including Mel Welles and Allison Hayes), and some clever plot twists -- including one which finds the tables turned on our meddling scientist -- Griffith's static and talky screenplay is so absurdly crammed with half-baked metaphysical musings that it becomes almost impossible to discern the plot. ~ Cavett Binion, Rovi

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Starring:
Pamela DuncanRichard Garland, (more)
 
1957  
 
Zany Spike Jones and his noisesome orchestra make musical mincemeat out of numerous American standards in this cacophonous outing. ~ Sandra Brennan, Rovi

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1956  
 
Spike Jones, America's first great master of musical mayhem, challenges the hit parade to a wrestling match -- best two falls out of three wins! -- in this collection of classic moments from Spike's television show of the 1950's. With help from his guests (including Eddie Arnold and Billy Barty), Spike Jones and his City Slickers interpret "Cry", "Stranger In Paradise", and "Indian Love Call" as only they can, along with such originals as "Sock Myself In The Chin" and "Hotcha Cornya". ~ Mark Deming, Rovi

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