Dorothy Lamour Movies
American actress/singer Dorothy Lamour graduated from Spencer Business College, after spending a few teen years as an elevator operator in her home town of New Orleans. By 1930, she'd turned her back on the business world and was performing in the Fanchon and Marco vaudeville troupe. In 1931, she became vocalist for the Herbie Kay Band, and soon afterward married (briefly) Kay. In the years just prior to her film debut, Lamour built up a solid reputation as a radio singer, notably on the 1934 series Dreamer of Songs. Paramount Pictures signed Lamour to a contract in 1936, creating an exotic southseas image for the young actress: she wore her fabled sarong for the first time in Jungle Princess (1936), the first of three nonsensical but high-grossing "jungle" films in which the ingenuous island girl asked her leading man what a kiss was. A more prestigious "sarong" role came about in Goldwyn's The Hurricane (1937), wherein Lamour, ever the trouper, withstood tons of water being thrust upon her in the climactic tempest of the film's title. A major star by 1939, Lamour had developed enough onscreen self awareness to amusingly kid her image in St. Louis Blues (1939), in which she played a jaded movie star who balked at playing any more southseas parts. Lamour's latter-day fame was secured in 1940, when she co-starred in Road to Singapore (1940), the first of six "Road" pictures teaming Lamour with Bob Hope and Bing Crosby. It represented both a career summit and a downslide: As the "Road" series progressed, Lamour found herself with fewer and fewer comic lines, and by 1952's Road to Bali she was little more than a decorative "straight woman" for Bob and Bing. Very popular with the troops during World War II, Lamour gave selflessly of her time and talent in camp tours, USO shows and bond drives throughout the early 1940s. A tough cookie who brooked no nonsense on the set, Lamour was nonetheless much loved by Paramount casts and crews, many of which remained friends even after the studio dropped her contract in the early 1950s. Occasionally retiring from films during her heyday to devote time to her family, Lamour was out of Hollywood altogether between 1952 and 1962, during which time she developed a popular nightclub act. She returned to films for Hope and Crosby's Road to Hong Kong (1962), not as leading lady (that assignment was given to Joan Collins) but as a special guest star -- this time she was allowed as many joke lines as her co-stars in her one scene. More on stage than on film in the 1960s and 1970s, Lamour was one of several veteran actresses to star in Hello Dolly, and spent much of her time in regional productions of such straight plays as Barefoot in the Park. She took on a few film and television roles in the '70s and '80s, participated in many Bob Hope TV birthday specials, and was the sprightly subject of an interview conducted by Prof. Richard Brown on cable's American Movie Classics channel. Dorothy Lamour passed away in her North Hollywood, California home in 1996 at the age of 81. ~ Hal Erickson, All Movie Guide- 1939
Dorothy Lamour had been playing "sarong girls" long enough to parody her screen character in 1939's Best of the Blues. Tired of portraying jungle princesses, a temperamental Broadway star (Lamour) runs out on her manager (Jerome Cowan) and joins a Mississippi showboat under a phony name. Incredibly, none of the showboat audiences recognize this supposedly world-famous star, and she becomes the toast of the South--as well as the object of boat owner Lloyd Nolan's affections. When the truth comes out, Nolan spurns Lamour, but they're back together for the musical finale. Best of the Blues is the television title for St. Louis Blues; the change was made to avoid confusion with the 1958 biopic of W.C. Handy, also titled St. Louis Blues. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Lamour, Lloyd Nolan, (more)
- 1938
Dorothy Lamour and Ray Milland, a popular Paramount screen team specializing in south-sea extravaganzas, don "civilized" garb (at least briefly) for Tropic Holiday. Lamour plays a Mexican senorita, while Milland is a visiting American screenwriter. Since we know where this is going, our attention is deflected every so often by comedy relief Bob "Bazooka" Burns and Martha Raye, who are frankly more watchable than the leads. Also on hand is Mexican musical star Tito Guizar, who was still packing 'em in for his concert tours of the 1980s. Tropic Holiday contrives to remove most of Dorothy Lamour's clothing before the fade-out, just so we remember who's top billed around here. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Lamour, Martha Raye, (more)
- 1938
Sarong-clad Dorothy Lamour made her Technicolor debut in this follow-up to her earlier starrer Jungle Princess. After crash-landing on a tropic isle, aviator Bob Mitchell (Ray Milland) and his mechanic Jimmy Wallace (Lynne Overman) make the acquaintance of the lovely Tura (Lamour). While Bob enthusiastically teaches Tura how to kiss, Jimmy tangles with comic-relief chimpanzee Gaga and playful tiger cub Meewa. The villain of the piece is megalomanic witch doctor Kuasa (J. Carroll Naish), who hypnotizes Tura into assisting him with his periodic human sacrifices. Just as Bob, Jimmy and Tura are about to meet their doom at the hands of Kuasa, a timely volcanic eruption saves the day. Any hints of miscegenation (a big no-no for 1938 movie censors) are swept away when it is revealed that Tura is the daughter of white parents, enabling her to find connubial bliss in the arms of Bob. In his autobiography, Ray Milland recalled the filming of Her Jungle Love in vivid detail, devoting special attention to the time that he relieved himself during a swimming sequence ("No wonder the water was so warm" was Dorothy Lamour's only comment). ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Lamour, Ray Milland, (more)
- 1938
The visual wizardry in this period action picture about Alaskan fishermen won a special honorary Oscar in the years before special effects got its own category. Henry Fonda stars as Jim Kimmerlee, a salmon fisherman in Alaska who has become at odds with a childhood friend, Tyler Dawson (George Raft). While Jim attempts to make an honest living, Tyler, whose frustrated dreams of buying his own schooner don't look to be realized anytime soon, has signed on with a Russian crew that steals the catch from others' nets. While the rivalry between the two one-time pals heats up, Jim begins romancing Dian Turlan (Louise Platt), the daughter of a local newspaperman and renowned tippler, Windy Turlon (John Barrymore). Spawn of the North (1938) was remade as Alaska Seas (1954). ~ Karl Williams, All Movie Guide
- Starring:
- George Raft, Henry Fonda, (more)
- 1937
- NR
Framed in a flashback related by doctor Thomas Mitchell, The Hurricane is in essence the story of a struggle between individual freedom and colonial oppression. Jon Hall plays Terangi, a tempestuous native of the French-controlled island of Manakoora. After marrying childhood sweetheart Marama (Dorothy Lamour, saronged as usual), Terangi takes a job on a ship. While docked in Tahiti, Teragni is goaded into a fight by a white man-an offense punishable by a stiff prison term. French governor DeLaage (Raymond Massey) has nothing personal against the native, but he is dedicated to upholding the strict letter of the law. Even the appeals made on behalf of Terangi by doctor Mitchell, priest C. Aubrey Smith, ship's captain Jerome Cowan and the governor's own wife (Mary Astor) fail to weaken DeLaage's resolve to do his duty. Thus begins a chain of events that entangles the freedom-loving Terangi in the impenetable web of white "justice". Time and again Terangi escapes from prison, only to be recaptured and sentenced to longer and longer terms. Finally managing to make his way back to Manakoora -- and killing a prison guard in the process -- Terangi continues to be doggedly pursued by DeLaage. Just as Terangi is about to sail off to parts unknown in an outrigger canoe with Marama and their child, the hurricane begins. At the risk of his own life, and his freedom, Terangi rescue DeLaage's wife and several other storm refugees. Largely the handiwork of art director James Basevi, the hurricane of The Hurricane was not directed by the film's official helmsman John Ford, but by an uncredited Stuart Heisler -- a fact readily acknowledged by Ford. Adapted by Dudley Nichols and Oliver H. P. Garrett from a novel by Charles Nordhoff and James Norman Hall, The Hurricane was poorly remade in 1979 with Jason Robards and Mia Farrow in the Raymond Massey and Mary Astor roles. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Lamour, Jon Hall, (more)
- 1937
Paramount's final "Big Broadcast" musical had perhaps the least exciting musical lineup of the series (Tito Guizar, The Shep Fields Orchestra, and opera singer Kirsten Flagstad are hardly household names today), but a slightly stronger storyline than the others, as well as a top-notch comic cast. This time out, most of the action takes place as sea, as S.B. Bellows (W.C. Fields) shows off his new invention: an ocean liner that can turn radio signals into electricity and part the waves at 100 miles per hour. He challenges another ship to a race while a number of music and comedy acts appear in the ship's showroom. Along with Fields, who performs several classic pool and golf routines, Martha Raye, Dorothy Lamour, and Ben Blue add to the laughs; Bob Hope made his feature debut here, and he even sings his future theme song, "Thanks for the Memories". ~ Mark Deming, All Movie Guide
- Starring:
- W.C. Fields, Martha Raye, (more)
- 1937
Set during the terrible Spanish Civil War, this film avoids political commentary in favor of objectively centering on the plight and personal lives of refugees preparing to board a train that will take them far away from the bloody horrors of war-besieged Loyalist-controlled Madrid. Once safely on the train, the film presents snippets from their lives in the same manner as was done on Grand Hotel (1932). Among the refugees are a political fugitive, his flirtatious ex-girl friend, a hooker, a baroness, a world-weary newspaper reporter and the orphan who follows him. In charge of making sure the train safely reaches its destination is a single guard. ~ Sandra Brennan, All Movie Guide
- Starring:
- Dorothy Lamour, Lew Ayres, (more)
- 1937
Swing High Swing Low is a new coat of paint on the old stage play Burlesque, first filmed in 1929 as The Dance of Life. Ex-serviceman Skid Johnson (Fred MacMurray) rises to the uppermost rungs of show business as a bandleader. As his fame swells, so does his head, and he becomes impossibly arrogant, forgetting the friends who helped him get to the top -- not to mention his ever-faithful sweetheart, band vocalist Maggie King (Carole Lombard). Consuming great quantities of booze, Skid hits the skids, ending up a skid-row derelict (there seems to be a pattern here). The ultimate humiliation comes when he isn't even allowed to return to the Army because his insides are shot. In the film's calculatedly teary finale, Skid is rescued emotionally and professionally by Maggie, now a big star in her own right. As indicated by the synopsis, the film is banal and old-hat, but the stars are terrific, especially Carole Lombard, who sings in several scenes (and not all that badly!) Swing High, Swing Low was remade in 1948 as When My Baby Smiles at Me. ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Fred MacMurray, (more)
- 1937
"Camp Romance," a place for the romantically challenged, provides the setting of this musical. The story centers on a frumpy secretary's crush on her handsome boss, the camp manager. The manager has been working on a musical. Just as he is about to finish it, the secretary gives herself a makeover, turns into a drop- dead knockout, and romantic bliss ensues. Songs include: "Keeno, Screeno and You," "I'll Follow My Baby," "Thrill of a Lifetime," "Paris in Swing," "Sweetheart Time," "It's Been a Whole Year," "If We Could Run the Country for a Day." ~ Sandra Brennan, All Movie Guide
- Starring:
- Yacht Club Boys, Judy Canova, (more)
- 1937
High, Wide and Handsome almost defies classification: Perhaps it's best referred to as a historical musical western comedy melodrama. Irene Dunne plays an itinerant circus performer who marries oilman Randolph Scott. The couple heads to Titusville, Pennsylvania in 1859, where Scott is among the lucky prospectors who strikes oil. With no train service to the refineries, the townsfolk are obliged to build a pipeline, which is accomplished to the accompaniment of several rousing musical numbers by Jerome Kern and Oscar Hammerstein. The villainous element is represented by Alan Hale, who does his best to block the project to serve his own evil ends. Dunne's old circus friends come to the rescue with a herd of trained elephants! High Wide and Handsome confused too many filmgoers to make money in 1937; today it's regarded in some circles as a classic. ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Randolph Scott, (more)
- 1936
In this adventure, a young girl is stranded in the jungle with only a tiger cub for company and grows up to be a wild woman. When an explorer gets lost in the same jungle, she rescues him and takes her to her lair. There he teaches her to speak English and to sing a song. Months pass before the fellow is rescued. Upon his return home he must do plenty of explaining to his fiance. Meanwhile the jungle girl stays behind and sings a romantic song: "Moonlight and Shadows". ~ Sandra Brennan, All Movie Guide
- Starring:
- Dorothy Lamour, Ray Milland, (more)
- 1936
The quaint genetic theories of the 1930s are satirized in College Holiday. Dotty matron Mary Boland runs a ramshackle summer resort, opening her doors to college students of both sexes--but only those collegiates with extra-special physical and mental skills. She hopes to encourage these select co-eds to meet and mate, then produce a breed of "perfect" children. What Boland doesn't count on is the supremacy of the Heart over Science. Engagingly silly, College Holiday devotes generous screen space to some of the biggest comic talents of the 1930s: Jack Benny, George Burns, Gracie Allen, Martha Raye and Ben Blue. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Benny, Gracie Allen, (more)
- 1933
The last--and to some aficionados, the best--of choreographer Busby Berkeley's three Warner Bros. efforts of 1933, Footlight Parade stars James Cagney as a Broadway musical comedy producer. Cagney is unceremoniously put out of business when talking pictures arrive. To keep his head above water, Jimmy hits upon a swell idea: he'll stage musical "prologues" for movie theatres, then ship them out to the various picture palaces in New York. Halfway through the picture, Cagney is obliged to assemble three mammoth prologues and present them back-to-back in three different theatres. There are all sorts of backstage intrigues, not the least of which concerns the predatory hijinks of gold-digger Claire Dodd and the covetous misbehavior of Cagney's ex-wife Renee Whitney. Joan Blondell plays Jimmy's faithful girl-friday, who loves him from afar; Ruby Keeler is the secretary who takes off her glasses and is instantly transformed into a glamorous stage star; Dick Powell is the "protege" of wealthy Ruth Donnelly, who makes good despite this handicap; Frank McHugh is Cagney's assistant, who spends all his time moaning "It'll never work"; and Hugh Herbert is a self-righteous censor, who ends up in a censurable position. The last half-hour of Footlight Parade is a nonstop display of Busby Berkeley at his most spectacular: the three big production numbers, all written by Harry Warren and Al Dubin, are "By a Waterfall", "Honeymoon Hotel", and "Shanghai Lil", the latter featuring some delicious pre-code scatology, a tap-dance duet by Cagney and Keeler, and an out-of-left-field climactic salute to FDR and the NRA! ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Joan Blondell, (more)
Hoping to repeat the success of its 1929 musical spectacular Rio Rita, RKO Radio reteamed leading lady Bebe Daniels and the comedy team of Bert Wheeler & Robert Woolsey for the equally lavish Dixiana. Set in antebellum Louisiana, the film casts Daniels as the title character, a lovely and charming circus entertainer. Dixiana is loved by Carl Van Horn (Everett Marshall), the son of plantation owner Cornelius Van Horn (Joseph Cawthorn). Though Cornelius approves of his son's choice, his imperious wife (Jobyna Howland) orders Dixiana out of her house, much to the delight of crooked gambler Royal Montague (Ralf Harolde), who has his own wicked designs on our heroine. Fired by her circus, Dixiana is forced to go to work at Montague's gambling establishment, and it is here that the love-struck Carl catches up with her. Hoping to bankrupt Carl and force him to relinquish the deed to the Van Doren plantation, Montague engages the young man in a crooked card game, but Dixiana turns the tables on the villain. Elected queen of the Mardi Gras, Dixiana is kidnapped by the disgruntled Montague, who intends to goad Carl into a duel, knowing full well that the boy's guns have been tampered with. Dixiana is the film debut of Bill "Bojangles" Robinson, who performs a "stair dance" routine during the Technicolor Mardi Gras finale. Incidentally, the film's final color reels were for many years considered lost, with only the black-and-white scenes remaining: thus, many TV prints of Dixiana come to an end long before the plot has been resolved. ~ Hal Erickson, All Movie Guide
- Starring:
- Bebe Daniels, Bert Wheeler, (more)
