Dorothy Lamour Movies
American actress/singer Dorothy Lamour graduated from Spencer Business College, after spending a few teen years as an elevator operator in her home town of New Orleans. By 1930, she'd turned her back on the business world and was performing in the Fanchon and Marco vaudeville troupe. In 1931, she became vocalist for the Herbie Kay Band, and soon afterward married (briefly) Kay. In the years just prior to her film debut, Lamour built up a solid reputation as a radio singer, notably on the 1934 series Dreamer of Songs. Paramount Pictures signed Lamour to a contract in 1936, creating an exotic southseas image for the young actress: she wore her fabled sarong for the first time in Jungle Princess (1936), the first of three nonsensical but high-grossing "jungle" films in which the ingenuous island girl asked her leading man what a kiss was. A more prestigious "sarong" role came about in Goldwyn's The Hurricane (1937), wherein Lamour, ever the trouper, withstood tons of water being thrust upon her in the climactic tempest of the film's title. A major star by 1939, Lamour had developed enough onscreen self awareness to amusingly kid her image in St. Louis Blues (1939), in which she played a jaded movie star who balked at playing any more southseas parts. Lamour's latter-day fame was secured in 1940, when she co-starred in Road to Singapore (1940), the first of six "Road" pictures teaming Lamour with Bob Hope and Bing Crosby. It represented both a career summit and a downslide: As the "Road" series progressed, Lamour found herself with fewer and fewer comic lines, and by 1952's Road to Bali she was little more than a decorative "straight woman" for Bob and Bing. Very popular with the troops during World War II, Lamour gave selflessly of her time and talent in camp tours, USO shows and bond drives throughout the early 1940s. A tough cookie who brooked no nonsense on the set, Lamour was nonetheless much loved by Paramount casts and crews, many of which remained friends even after the studio dropped her contract in the early 1950s. Occasionally retiring from films during her heyday to devote time to her family, Lamour was out of Hollywood altogether between 1952 and 1962, during which time she developed a popular nightclub act. She returned to films for Hope and Crosby's Road to Hong Kong (1962), not as leading lady (that assignment was given to Joan Collins) but as a special guest star -- this time she was allowed as many joke lines as her co-stars in her one scene. More on stage than on film in the 1960s and 1970s, Lamour was one of several veteran actresses to star in Hello Dolly, and spent much of her time in regional productions of such straight plays as Barefoot in the Park. She took on a few film and television roles in the '70s and '80s, participated in many Bob Hope TV birthday specials, and was the sprightly subject of an interview conducted by Prof. Richard Brown on cable's American Movie Classics channel. Dorothy Lamour passed away in her North Hollywood, California home in 1996 at the age of 81. ~ Hal Erickson, Rovi
The documentary Bob Hope: The Road to Laughter contains numerous clips from the film and television work of the beloved entertainer. These snippets are intercut with interview footage featuring people who worked with Hope as well as film historian Leonard Maltin who provides a context for Hope's career. ~ Perry Seibert, Rovi
- Starring:
- Bing Crosby, Dorothy Lamour, (more)
- 1987
Often trailers and coming attractions are of as much or more interest to viewers than the actual movie. Included here are some of the trailers and coming attractions seen in the Academy Award-winning Best Pictures from 1927's Wings to 1959's Ben Hur, also including The Bridge on the River Kwai, On the Waterfront, The Greatest Show on Earth, The Lost Weekend and others. ~ Tana Hobart, Rovi
This less-satisfying sequel to the 1982 George A. Romero/Stephen King anthology presents a new trio of King stories, framed in a similar EC Comics-style format -- this time featuring some rather lackluster animated segments involving horror-host "The Creep," who introduces each chapter with pun-heavy gallows humor. The stories vary widely in quality: first there's "Old Chief Wood'nhead," involving a cigar-store Indian who quite literally guards the entrance to an old general store and comes to life to avenge the murders of the elderly couple (George Kennedy and Dorothy Lamour) who owned it. The middle segment, "The Raft," features a group of obnoxious teenagers stranded on a raft in the middle of a lake at the mercy of a murderous oil slick which looks like a bunch of plastic garbage bags stitched together. Both of these suffer in comparison to the closing segment, "The Hitchhiker," in which a bored, promiscuous socialite (Lois Chiles) mows down a hitchhiker, who refuses to stay dead, returning again and again to torment her at every turn, rasping "Thanks for the ride, lady!" Despite its strengths -- a livelier pace, some creatively gory set pieces -- this is a much cheaper-looking effort than its predecessor, with the deft guidance of Romero conspicuously absent (long-time collaborator Michael Gornick took up the directorial reins); as a result, King's gross-out sensibilities don't come off as well. Makeup maestro Tom Savini appears in heavy makeup as a live-action version of The Creep, and King pops in for a bit part as a redneck trucker. ~ Cavett Binion, Rovi
- Starring:
- Lois Chiles, George Kennedy, (more)
- 1987
Jessica's trouble-prone nephew Grady (Michael Horton) has landed a job with an accounting firm specializing in tax shelters. Unfortunately, Grady's boss is currently the target of an IRS investigation--and, ultimately, a murder victim. With the cops convinced that Grady is not only the killer but also a big-time tax cheat, Jessica (Angela Lansbury) takes a hand in matters. Ron Masak, later a Murder, She Wrote semi-regular in the role of Sheriff Mort Metzger, is here seen as Marty Giles. ~ Hal Erickson, Rovi
- 1980
This nostalgic video uses five short films to look back at Hollywood's efforts to bolster both overseas G.I.s and the folks back home during WW II. Each of the five shorts features an all-star cast doing things to cheer people up during a difficult time. ~ Sandra Brennan, Rovi
- 1976
- PG
- Add Won Ton Ton, the Dog Who Saved Hollywood to QueueAdd Won Ton Ton, the Dog Who Saved Hollywood to top of Queue
This spoof makes fun of a certain famous German shepherd movie star from the 1920s. The mayhem begins when the head honcho of a financially struggling studio turns a lost dog into a legend. The story features a number of old stars making cameo appearances. ~ Sandra Brennan, Rovi
- Starring:
- Bruce Dern, Madeline Kahn, (more)
In this made-for-TV film, a screenwriter (Robert Wagner) begins writing the biography of the dead movie queen who had a brief affair with his father. After work on the project has commenced, he becomes obsessed with her spirit and gets a response from the other side of the grave. ~ John Bush, Rovi
- Starring:
- Kate Jackson
- 1970
- PG
Have you ever longed for the day when James Brown, Martha Raye, and Col. Harland Sanders would appear in a movie together? Well, that's barely the tip of the improbable casting iceberg in this bizarre cold-war spoof. The leaders of the American intelligence organization the S.S.A. ("Super Secret Agency") are becoming increasingly alarmed by the disappearance of a number of B-list celebrities, who are being spirited off to Communist Albania. Eager to bring the fading stars back to the Land of the Free, the S.S.A. come up with a simple plan: They'll find four typical guys in their mid-twenties, have them form a rock group, make them into international stars, and wait until they get invited to play a gig in Albania, which will allow them to find out what's become of Rudy Vallee, Butterfly McQueen, and Huntz Hall, among others. Unemployed philosopher Michael A. Miller, Native-American honor student Ray Chippeway, phys-ed major Dennis Larden, and male model Lonny Stevens are drafted by the S.S.A., and after some intensive training by experts (Trini Lopez shows them a few guitar chords, and Richard Pryor gives them a crash course in soul), they become an overnight sensation as The Phynx (yes, it's pronounced "Finks"). Their album sells 17 million copies on the strength of songs like "What Is Your Sign?," and their groupies have to be cleared away by forklift. But fun and games have to go to the back burner when Albanian ruler Markevitch (George Tobias) and his wife, Ruby (Joan Blondell), invite the Phynx to perform at the behest of their son. Pat O'Brien, Xavier Cugat, Patty Andrews, and Dick Clark are just a few of the other notables who make cameo appearances in The Phynx, which had a very brief theatrical release before being sold to television in the early '70s. Legendary songwriters Jerry Leiber and Mike Stoller penned the songs performed by The Phynx (and Stoller composed the background score), though for some reason they're not covered nearly as often as "Jailhouse Rock," "Hound Dog," or "Yakkety Yak." ~ Mark Deming, Rovi
- Starring:
- Michael Miller, Ray Chippeway, (more)
- 1969
This 90-minute episode of the TV series Name of the Game features Robert Stack as Crime magazine senior editor Dan Farrell. This time, Farrell is investigating charges that the officials of a prison on the Mexican border are shipping out forced labor to local farms. It has been further charged that the officials are getting rich on kickbacks. Assuming a false identity and taking a job in the border town, Farrell runs afoul of hard-case Pernell Roberts and corrupt superintendent Sidney Blackmer. Dorothy Lamour rounds out the guest-star list in Chains of Command, which originally aired October 17, 1969. ~ Hal Erickson, Rovi
- 1965
One subject that has always been popular in the movies -- and is likely to stay that way for a long time to come -- is beautiful women, and this 1965 documentary explores the history of the Hollywood sex symbol, from the earliest days of Thomas Alva Edison's first silent films to such then-contemporary bombshells as Sophia Loren and Elizabeth Taylor. Along with celebrating some of the most beautiful women to grace the silver screen, including Marilyn Monroe, Rita Hayworth, Marlene Dietrich, Jean Harlow, Ingrid Bergman, and Greta Garbo, The Love Goddesses discusses the shifting attitudes about the onscreen portrayal of love and sex, and how some actresses found their images changing as they went from ingenues to pinups, and sometimes vice-versa. Actor Carl King serves as narrator; Percy Faith composed the score. ~ Mark Deming, Rovi
Out of the beaches and into the boudoirs go Frankie Avalon, Annette Funicello and the rest of the gang in Pajama Party. Actually, the whole megillah is as innocent as a newborn babe, but there's plenty of smirking and snickering during a wild 'n' wacky girl's slumber party. Frankie Avalon has only a cameo, relinquishing center stage to Tommy Kirk, playing a teenaged Martian (!) studying the lovemaking rituals of Earthlings. Old-timers Buster Keaton, Dorothy Lamour and Elsa Lanchester also weave in and out of the proceedings, with Keaton the only one who doesn't look as though he wishes he were somewhere else. And of course there's good old Harvey Lembeck as good old Eric "Why Me?" Von Zipper. Director Don Weis took over for Beach Party's William Asher in Pajama Party, remaining in charge for the ill-fated sequel Ghost in the Invisible Bikini (1966). ~ Hal Erickson, Rovi
- Starring:
- Tommy Kirk, Annette Funicello, (more)
John Ford's last film to deal with World War II, Donovan's Reef is an alternately comical and sentimental look back on the fighting Navy men from that war, and how and where -- in Ford's eyes, and Frank Nugent and James Edward Grant's script -- they should have ended up. Michael "Guns" Donovan (John Wayne), Thomas "Boats" Gilhooley (Lee Marvin), and Dr. William Dedham (Jack Warden), a trio of navy veterans who fought on the Pacific island of Haleakalowa during the war, now live on the island. Donovan and Gilhooley, biding time and enjoying themselves, engage in rough-house hijinks among themselves, and are both part of the doctor's extended family, enjoying the good will of the islanders for whom they fought during the war. While Dedham is away on a call to a neighboring island, his grown daughter, Amelia (Elizabeth Allen), from his first marriage, whom he has never seen, announces that she is arriving from Boston to determine Dedham's fitness of character to inherit the majority shares in the family shipping business. Donovan contrives to present Dedham's three Polynesian children, whom the doctor had with the island's hereditary princess, as his own, and also squires Amelia around the island in her father's absence. In the process, the cold Bostonian woman discovers a whole world -- of passion, joy, heroism, and a life among men and women whose lives have been about something other than making money -- that she's never known. She also understands all of the good that her father has accomplished away from Boston, even though it entailed abandoning her. Sparks and even a few fists fly between Donovan and Amelia (and between Donovan and several other characters), in the usual Ford rough-house manner, before their eventual reconciliation and a romantic clinch at the end, in this sweet, sentimental comedy-drama. ~ Bruce Eder, Rovi
- Starring:
- John Wayne, Lee Marvin, (more)
This was the last trip in the "road" comedies that Bob Hope, Bing Crosby, and a bevy of female stars that featured Dorothy Lamour once made famous. In this road to Hong Kong and parts far beyond, Chester and Harry (Hope and Crosby) are a couple of failed vaudeville stars looking for a way to riches in the confidence game. Chester's memory goes kaputz, and the two end up involved with Diane (Joan Collins), a spy looking for a secret formula, and a bunch of hoodlums who plan on sending up a rocket to the moon with special equipment allowing them to rule the planet earth. The pair of heroes gets caught in the rocket instead of the originally intended monkeys, and the monkey business continues in outer space -- where it seems to be all along. In this mixed collage of events, several stars pop up in cameo roles: Peter Sellers, Dean Martin, David Niven, Frank Sinatra among them. ~ Eleanor Mannikka, Rovi
- Starring:
- Bing Crosby, Bob Hope, (more)
This sixth entry in the Crosby-Hope-Lamour "Road" series was the first (and last) in Technicolor. This time, Bing Crosby and Bob Hope play George Cochran and Harold Gridley, American vaudevillians stranded in Australia. To avoid a dual shotgun wedding, George and Harold sign on as deep-sea divers for sinister South-Sea-island prince Ken Arok (Murvyn Vye). After a contretemps with an octopus (courtesy of stock footage from Reap the Wild Wind), our heroes sail to the prince's Balinese homeland, where they meet and fall in love with gorgeous Princess Lalah (Dorothy Lamour). Though Lalah favors George, she feels obligated to Harold, because he resembles her childhood best friend -- a chimpanzee (this must be seen to be believed). When Ken Arok attempts to usurp Lalah's throne, she and the boys escape to a tropical island, where they meet the inevitable slapstick-comedy gorilla. More adventures await the intrepid trio on another island, this one dominated by an active volcano. Who gets the girl in this one? A hint: the loser tries to physically prevent the "The End" title from flashing on the screen during the final fadeout. Though not as fresh and spontaneous as earlier "Road" endeavors, Road to Bali has its fair share of non sequitur gags, inside jokes and unbilled guest appearances (including Martin and Lewis, Bing's brother Bob Crosby, Humphrey Bogart and Jane Russell). Best bit: when Crosby feels a song coming on, Hope turns to the camera and hisses "He's gonna sing, folks. Now's the time to go and get your popcorn." ~ Hal Erickson, Rovi
- Starring:
- Bob Hope, Bing Crosby, (more)
Cecil B. DeMille's The Greatest Show on Earth is a lavish tribute to circuses, featuring three intertwining plotlines concerning romance and rivalry beneath the big top. DeMille's film includes spectacular action sequences, including a show-stopping train wreck. The Greatest Show on Earth won Academy Awards for Best Picture and Best Story. ~ Stephen Thomas Erlewine, Rovi
- Starring:
- Betty Hutton, Cornel Wilde, (more)
- 1951
Here Comes the Groom was the second collaboration between director Frank Capra and star Bing Crosby. Though not as "socially relevant" as previous Capra productions, the film is a thoroughly likeable yarn about a happy-go-lucky newspaperman named Pete (Bing Crosby). In order to legally adopt a brace of war orphans, Pete must marry within a week. His plans to wed his longtime sweetheart Emmadel (Jane Wyman) come acropper when she, tired of waiting for him to pop the question, becomes engaged to wealthy Wilbur Stanley (Franchot Tone). Conspiring with Wilbur's cousin Winifred (Alexis Smith), Pete spends the balance of the film trying to win Emmadel back. From all accounts, the set of Here Comes the Groom was a happy one, the conviviality extending to Alexis Smith's willingness to be on the receiving end of several jokes concerning her height (she seems nearly a head taller than Crosby!). The film's best scene is the Bing Crosby-Jane Wyman duet "In the Cool, Cool, Cool of the Evening," reportedly filmed in one take without post-dubbing. As a bonus, Here Comes the Groom introduces a bright new singing talent, Anna Maria Alberghetti, and is festooned with uncredited guest stars, ranging from Dorothy Lamour to Louis Armstrong. ~ Hal Erickson, Rovi
- Starring:
- Bing Crosby, Jane Wyman, (more)
- 1949
Director Douglas Sirk's love of cinematic esoterica was kept in check in the musical comedy Slightly French. Dorothy Lamour stars as Mary O'Leary, a carnival entertainer who's discovered by enterprising director John Gayle (Don Ameche). The plot dictates that Gayle must pass off Mary as an elegant Parisian actress/singer. This slender plotline enables the film to toss off a number of satirical quips about show biz, and to display Lamour in a variety of exotic costumes. The best musical numbers occur during an extended film-within-a-film sequence. Slightly French is buoyed by its expert supporting cast, including Janis Carter, Willard Parker and Adele Jergens. ~ Hal Erickson, Rovi
- Starring:
- Dorothy Lamour, Don Ameche, (more)
- 1949
Produced by Paramount's Pine-Thomas unit, Manhandled is a no-nonsense film noir with a well-chosen cast. Small-time hoodlum Karl Benson (Dan Duryea) uses and abuses several innocent people in his efforts to get ahead. Among Benson's victims is Merl Kramer (Dorothy Lamour), who doesn't find out about her boyfriend's perfidy until it's almost too late. Sterling Hayden co-stars as insurance investigator Joe Cooper, who likewise exploits poor Merl, albeit for a good cause: Cooper is on the trail of some missing jewels. A subplot involves a married couple (Irene Hervey and Alan Napier) and the wife's would-be lover (Phillip Reed). Manhandled's level of tension never lets up, not even in its final scenes. ~ Hal Erickson, Rovi
- Starring:
- Dorothy Lamour, Sterling Hayden, (more)
- 1949
At the last possible moment, convicted murderess Anne Marie St. Claire (Dorothy Lamour) is saved from execution. However, the newspapers have reported that Anne Marie is dead. She decides to use her status as a "corpse" to her advantage, leading to several amusing and melodramatic complications involving a gang of extortionists. Lucky Stiff is based on one of Craig Rice's "John J. Malone" stories, with Brian Donlevy as crafty, racket-busting attorney Malone. The film was produced by Jack Benny, a fact incessantly (and hilariously) plugged on Benny's radio program. ~ Hal Erickson, Rovi
- Starring:
- Dorothy Lamour, Brian Donlevy, (more)
- 1948
The Girl From Manhattan is a minor but watchable variation on the old "mortgage-on-the-farm" plot device. The girl of the title is Carol Maynard (Dorothy Lamour), who after several years in the Big Apple returns to her home town, where her uncle, boarding-house manager Homer Purdy (Ernest Truex) faces eviction. The villain of the piece at first seems to be brash young minister Tom Walker (Robert Montgomery), who wants to build a church on Truex's property. But after reviewing the sitaution, Carol and Tom figure out that they have a common enemy: dishonest financier Sam Griffin (Howard Freeman), who intends to use the old church property for his own crooked purposes. Saving the film from wallowing in its own bathos is the timely arrival of Charles Laughton as a cherubic Bishop. ~ Hal Erickson, Rovi
- Starring:
- Dorothy Lamour, George Montgomery, (more)
- 1948
In this musical drama set at the turn-of-the-century, a saloon singer marries a wealthy attorney and then begins fooling around with a series of lovers, including a boxier, his manager, and a powerful owner of a railroad who takes her to New York where she becomes a Broadway star. Unfortunately, her happiness is short-lived when her sordid past catches up with her, and she is shot. Songs included the title song "Sweetie Pie," "I'd Be Lost Without You," "Ace in the Hole," and "Sweetheart of the Blues." ~ Sandra Brennan, Rovi
- Starring:
- Dorothy Lamour, George Montgomery, (more)
Also known as A Miracle Can Happen, On Our Merry Way is a multipart comedy linked by inquiring reporter Burgess Meredith. It is Meredith's job to interview several people, asking them what effect children have had on their lives. First he checks with two itinerant musicians (James Stewart and Henry Fonda), who earn extra under-the-counter money by fixing a music contest so the mayor's son will win. Next he meets Hollywood extras Dorothy Lamour and Victor Moore, who are hired to work with a precocious child star. Finally, the old "Ransom of Red Chief" twist is given to the tale of hoboes Fred MacMurray and William Demarest, who find themselves at the mercy of a preteen prankster, whose wealthy uncle (Hugh Herbert) won't take the kid back unless the hoboes pay him. Meredith returns to the newspaper office with a black eye, which earns him the sympathy and affection of coworker Paulette Goddard. Though the direction is credited to Leslie Fenton, portions of On Our Merry Way were actually directed (sans credit) by George Stevens and King Vidor. ~ Hal Erickson, Rovi
- Starring:
- Burgess Meredith, Paulette Goddard, (more)
- 1947
Alan Ladd and Robert Preston star as Joe Madigan and Jim Davis, rival grain harvesters in the Midwest's wheat country. The animosity between Joe and Jim intensifies upon the arrival of duplicitous Fay Rankin (Dorothy Lamour). Choosing Jim, Fay demands that she be supported in the manner in which she is accustomed, leading Jim inexorably into a life of crime. A cathartic fistfight between Joe and Jim results in their undying friendship and the hasty departure of the troublesome Fay. All this, plus seemingly endless shots of wheat-harvesting teams at work. Alan Ladd and Robert Preston were both better served the following year in Whispering Smith. ~ Hal Erickson, Rovi
- Starring:
- Alan Ladd, Dorothy Lamour, (more)
- 1947
This story of two young hopefuls who come to Hollywood is merely a thin device to feature almost every star working for Paramount Studios in 1947. Mary Hatcher plays Catherine Brown, a woman of humble origins who arrives in Hollywood, where she meets another wanna-be movie star, Amber La Vonne (Olga San Juan). They work their way through the Paramount studios, trying to impress every important person. Mostly, the film is a cavalcade of songs by various stars that take place at several studio and Hollywood locations, including the famous Brown Derby restaurant. Many of the film's songs were written by Frank Loesser. Dorothy Lamour and Alan Ladd sing "Tallahassee"; Bing Crosby and Bob Hope play golf and sing a duet, "Harmony"; the Original Dixieland Jazz Band plays "Tiger Rag"; and a host of other top performers of the era appear in brief cameos. ~ Michael Betzold, Rovi
- Starring:
- Mary Hatcher, Eric Alden, (more)
Just as Bob Hope's My Favorite Blonde (1942) was a takeoff on Alfred Hitchcock, Hope's My Favorite Brunette was a lampoon of the noirish "hard-boiled detective" school popularized by Raymond Chandler. Awaiting execution on death row, Hope tells the gathered reporters how he got into his present predicament. It seems that Hope was once a baby photographer, his office adjacent to the one leased by a private detective (played in an amusing unbilled cameo by Alan Ladd). While hanging around the p.i.'s office, Hope is mistaken for the detective by beautiful client Dorothy Lamour. She hires Hope to search for her missing uncle, and also entrusts him with a valuable map. Hope's diligent (if inept) sleuthing takes him to a shady rest sanitarium, where he runs afoul of lamebrained henchman Lon Chaney, Jr. and sinister, knife-throwing Peter Lorre. Both are in the employ of attorney Charles Dingle, who is responsible for the disappearance of Lamour's uncle. Escaping the sanitarium with Lamour in tow, Hope follows the trail of evidence to noted geologist Reginald Denny. The geologist is murdered, and Hope is accused of the crime. ~ Hal Erickson, Rovi
- Starring:
- Bob Hope, Dorothy Lamour, (more)
