Lloyd Lamble Movies

Based on Quentin Crisp's autobiography, the once-controversial picture The Naked Civil Servant stars John Hurt as Crisp, a flamboyant character who publicly declared his homosexuality during the brutally homophobic and misogynistic England of the 1930s and '40s -- a time when this alternative lifestyle was still an offense punishable by imprisonment in Great Britain. (The man dyed his hair and wore makeup in an era when women were looked on with disapproval for such behavior!) Director Jack Gold handles the material with taste, discretion, and a generous supply of humor; it thus might seem bizarre to a contemporary viewer that anyone could be offended by this, but remember that the world was a different place in 1975. More than a few PBS subscribers threatened to yank their support when this British TV film was first offered to American viewers in the spring of that year. Fortunately, many others were willing to see beyond the film's controversial subject matter and revel in the excellence of the production and its participants; one of the film's biggest and most influential fans was none other than Milton Berle. Carl Davis, best known for his symphonic silent-movie restoration scores, composed the music. Hurt drew equal controversy later that same year for his work in another British drama-turned-PBS special -- when he played the psychotic Caligula in Herbert Wise's epic miniseries I, Claudius. ~ Hal Erickson, All Movie Guide

Regarded by many as the best-ever episode of The Prisoner, "Do Not Forsake Me Oh My Darling" was written by Vincent Tilsley. Number Six awakens with the belief that he is actually another man -- to be exact, an Army colonel (Nigel Stock). Failing to recognize his own face in his own mirror, the confused protagonist also learns that "The Colonel" has been missing for a full year. The answer to the mystery rests in the hands of one Professor Seltzman (Hugh Schuster), the inventor of an insidious intellect-transfer machine. Clues essential to the action include a reference to Number Six's former fiancée, and an inventory of the former intelligence agent's code names. Also appearing are Zena Walker as Janet and Clifford Evans as the new Number Two. As originally conceived, "Do Not Forsake Me Oh My Darling" was supposed to have been the series' ninth episode, but instead was rescheduled as episode 13 on British television, making its first appearance on January 7, 1968. When The Prisoner was rebroadcast in America on CBS, the intended episode chronology was restored, and "Do Not Forsake Me Oh My Darling" was properly shown right after episode number eight ("Dance of the Dead") on August 3, 1968. ~ Hal Erickson, All Movie Guide

Based on James Barlow's novel The Burden of Proof, this is a thoughtful drama revolving around the relationship between a schoolteacher and his students, in particular a fifteen year old girl (played by the debuting Sarah Miles, although she was in fact 21 at the time), who has become infatuated with him. But when he rejects her advances during a school trip to France, out of spite she accuses him of rape. The resulting court-case dominates the latter stages of the film.
In its depiction of school life there does seem to be a ring of truth, even if the situations are somewhat exaggerated and for its time this was very strong stuff with its controversial scenario. But the early 60s was an era when film-makers were challenging social taboos, and subjects that had until then remained off-limits were being explored. Victim (1961) is another good example of this trend. As the movie also examines the precarious state of the man's marriage, this also gives more poignancy to his predicament. A fine cast is employed here, including a young Terence Stamp who went on to become a major star of the late 60s. ~ Mark Hockley, All Movie Guide

Peter Finch portrays the titular flamboyant Irish poet/playwright in The Trials of Oscar Wilde. The storyline, lifted to a great extent from actual court records, recounts Wilde's late 19th century libel action against the Marquis of Queensbury. The author loses, whereupon he himself is tried for sodomy due to his homosexual affair with the Marquis' son, Lord Douglas. Wilde is sentenced to prison; the public humiliation leads to the once-proud writer's immortal poem The Ballad of Reading Gaol--and to his premature death in 1900. The film had to tiptoe around certain touchy legalities, in that sodomy was still a punishable offence in British courts in 1960. The US title for this film was The Trial of Oscar Wilde, effectively killing the ironic double meaning of the plural British title. In certain regions, the film was shown as The Man with the Green Carnation. ~ Hal Erickson, All Movie Guide

In this competent entertainment about a minor crook in trouble, Terry is the driver for a successful bank job. He is told by gang-boss Shelton to lie low but instead celebrates with Della, a greedy but alluring party girl, then gets picked up on suspicion. He is released when the key witness refuses to identify him because the gang is holding his fiancee hostage. Shelton tries to shut Terry up for good, but Terry escapes and seeks refuge with Della. She lets him stay, but only if he agrees to confront the gang leader one more time. ~ Michael P. Rogers, All Movie Guide

In direct contrast to his later lush-budgeted international epics, director J. Lee Thompson turns his lenses towards the London slums in the sincere but saccharine No Trees in the Street. Based on the play by Ted Willis, the film is set in the years just before World War II, when England hadn't completely dug itself out of the worldwide depression. Melvyn Hayes is featured as an aimless teenager, who tries to escape his squalid surroundings by entering a life of crime. He falls in with local hoodlum Herbert Lom, who holds the rest of the slum citizens in the grip of fear--including Hayes' own family. No Trees in the Street chronicles Hayes' sordid progress from nickel-and-dime thefts to murder. ~ Hal Erickson, All Movie Guide

One of the most significant moments in the history of British warfare (in both the best and worst sense) is given reverent but reserved treatment in Dunkirk. The film takes place during the 1940 evacuation of Allied troops across the English channel. One party of British soldiers becomes detached from the rest of the retreating Allies. John Mills plays an inexperienced lance corporal who resists an increase in rank, but when the chips are down performs with courage and authority in organizing the lost troop and shepherding them to Dunkirk. Running 135 minutes in its original release (much of the footage comprised of newsreel shots), Dunkirk was based on two novels: Eleston Trever's The Big Pick-Up and Lt. Col. Ewan Hunter and Maj. J. S. Bradford's Dunkirk. The above time pertains to the original British theatrical version; the film was reedited and shortened to 113 minutes for U.S. release. ~ Hal Erickson, All Movie Guide

While running an experiment in his lab, young British scientist Peter Brady is exposed to a radition leak--and rendered invisible. At first he is excited about the phenomenon, believing he has stumbled upon a process that will benefit mankind. After a while, however, invisibility proves to be something of a "downer", especially since it appears that the process is irreversible. Brady's one chance to become visible again may rest with his old and trusted colleague Dr. Crompton (Michael Goodliffe)...who, unfortunately, has other ideas. In the original 1958 TV Guide listing for this debut episode of The Invisible Man, it is noted that "Also invisible on this series will be the name of the actor playing the title role--the producers won't release it." Well, the secret is out: Tim Turner provides the voice of Brady, while Johnny Scripps is behind the bandages as Brady's body. (Incidentally, this episode is an extensive rewrite of the abortive original pilot, wherein Robert Beatty was heard as Brady). ~ Hal Erickson, All Movie Guide

In this melodramatic adventure set after the British evacuated Singapore in 1942, a ship is torpedoed and only four people survive. They are a nun, an RAF officer, a godless bigoted business magnate, and a black purser. The four drift for days before getting themselves washed up on a small desert island. Before they reach the shore, a shark consumes the purser. The other three safely land and struggle to survive. Time passes and the RAF officer falls in love with the nun, who never tells him that she is one. Later they are rescued, and the officer begins looking for her in vain. At one point he passes her dressed in her habit on a London street, but he doesn't recognize her. ~ Sandra Brennan, All Movie Guide

In this comedy, a milque-toast bank clerk is forced to deliver blackmail money to a seductive woman. Misunderstandings abound when the clerk's brother-in-law sees him leaving the woman's house. Soon word that the clerk has become a dashing rake is spread around the town. In the end, the owner of a sexy lingerie factory offers the clerk a partnership in his business. ~ Sandra Brennan, All Movie Guide

Originally titled Quatermass II, Enemy from Space was the sequel to The Quatermass Xperiment (US title: The Creeping Unknown). Based on the British TV serial by Nigel Kneale (who reportedly disliked the finished product), the film stars Brian Donlevy, repeating the role of Professor Quatermass. This time, the good professor must contend with a "meteor shower" which turns out to be a secret alien invasion. The extraterrestrials arrive on earth in rocklike vehicles, then take over the minds and nervous systems of earthlings, the better to go about their business undetected. Subliminally a cruel satire of British bureaucracy and obfuscation, Enemy from Space also works on a pure-horror level, building slowly and methodically to a powerhouse finale. For many years a "lost" film due to legal tangles, Enemy from Space has recently become available again on video and cable TV. ~ Hal Erickson, All Movie Guide

The debate still rages as to whether Alfred Hitchcock's 1956 remake of The Man Who Knew Too Much is superior to his own original 1934 version. This two-hour remake (45 minutes longer than the first film) features more stars, a lusher budget, and the plaintive music of Bernard Herrmann (who appears on-camera, typecast as a symphony conductor). Though the locale of the opening scenes shifts from Switzerland to French Morocco in the newer version, the basic plot remains the same. American tourists James Stewart and Doris Day are witness to the street killing of a Frenchman (Daniel Gelin) they've recently befriended. Before breathing his last, the murder victim whispers a secret to Stewart (the Cinemascope lens turns this standard closeup into a truly grotesque vignette). Stewart knows that a political assassination will occur during a concert at London's Albert Hall, but is unable to tell the police: his son (a daughter in the original) has been kidnapped by foreign agents to insure Stewart's silence. The original script for Man Who Knew too Much was expanded and updated by John Michael Hayes and Angus McPhail. ~ Hal Erickson, All Movie Guide