Hedy Lamarr Movies

The daughter of a Vienesse banker, Hedy Lamarr began her acting career at 16 under the tutelage of German impresario Max Reinhardt. She began appearing in German films in 1930, but garnered little attention until her star turn in Czech director Gustav Machaty's Extase (Ecstasy) in 1933. It wasn't just because Lamarr appeared briefly in the nude; Extase was filled to overflowing with orgasmic imagery, including tight close-ups of Lamarr in the throes of delighted passion. Though her first husband, Austrian businessman Fritz Mandl, tried to buy up and destroy all prints of Extase, the film enjoyed worldwide distribution, the result being that Lamarr was famous in America before ever setting foot in Hollywood. She was signed by producer Walter Wanger to co-star with Charles Boyer in the American remake of the French Pepe Le Moko, titled Algiers (1938). That Lamarr wasn't much of an actress was compensated with several scenes in which she was required to merely stand around silently and look beautiful (she would later downgrade these performances, equating sex appeal with "looking stupid"). The prudish Louis B. Mayer was willing to forgive Lamarr the "indiscretion" of Extase by signing her to a long MGM contract in 1939. Most of her subsequent roles were merely decorative (never more so than as Tondelayo in White Cargo [1940]), though she was first rate in the complex role of the career woman who "liberates" stuffy Bostonian Robert Young in H.M. Pulham, Esq. (1942). In 1949, Lamarr, tastefully under-dressed, appeared opposite the equally attractive Victor Mature in Cecil B. DeMille's Samson and Delilah (1949). Lamarr's limited acting skills became more pronounced in her 1950s films, especially when she gamely tried to play Joan of Arc in the all-star disaster The Story of Mankind (1957). She disappeared from films in 1958. An autobiography, Ecstasy and Me, enabled her to pay many of her debts, though she'd later sue her collaborators for distorting the facts. In another legal action, Lamarr took on director Mel Brooks for using the character name "Hedley Lamarr" in his 1974 Western spoof Blazing Saddles. In 1990, Lamarr made an unexpected return before the cameras in the obscure low-budget Hollywood satire Instant Karma, in which she was typecast in the role of Movie Goddess. ~ Hal Erickson, All Movie Guide
1930  
 
In this romance, a banker's daughter suddenly breaks off her engagement on her wedding day. She then meets a man who believes in easy money. He sees her as his meal ticket and the two take off together. ~ Sandra Brennan, All Movie Guide

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1931  
 
Die Blumenfrau von Lindeau (The Flower Seller of Lindeau) takes place in a sleepy provincial German community. An impoverished widow, unable to pay the taxes on her pet dog, falls victim to the insensitivities of a local politician. Apprised of the situation, a crusading newspaperman champions the old woman's cause, threatening the politician's campaign for the burgomeister's post. Our hero also falls in love with the bureaucrat's daughter, thereby placing himself in a sticky conflict-of-interest dilemma. Based on a play by Bruno Frank, Die Blumenfrau von Lindeau was remade in 1937 as the British social comedy Storm in a Teacup. ~ Hal Erickson, All Movie Guide

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Starring:
Paul Otto
1931  
 
In this German comedy, an enterprising American uncle comes from Chicago goes to the tiny town of Groditzkirchen to make a fortune on credit even though he only has $10 to his name. To do so, he enlists the aide of a bank clerk and begins posing as a millionaire. The bank clerk is aware that it's all a sham and may fail dismally, but he is an adventurous soul and decides the risk is worth it if he can acquire a fortune for his girlfriend and himself. ~ Sandra Brennan, All Movie Guide

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1932  
 
A sedentary little German town is thrown into a tizzy when several trunks show up from Cairo, Egypt, all marked "O.F." This is followed by a telegram announcing that "O.F." is arriving soon and will expect accommodations. A newspaper reporter tells everyone that the mystery man is a millionaire. In preparation for his arrival, the town goes into a frenzy of construction, building a cinema, an opera house, a casino and several other moneymaking enterprises. It turns out that the reporter has no more idea of who "O.F." is than anyone else; he was simply tired of the village's backward attitude and wanted to improve its economy. Coda: An actress named Ola Fallon vents her anger upon discovering that her staff has inadvertently sent her luggage to the wrong town. A warmhearted German satire, Trunks of Mr. O.F. was fortunately completed just before the burgeoning Nazi movement declared such films as "inessential." The film served to introduce a young ingenue by the name of Hedi Keisler, who went on to Hollywood fame and fortune as Hedy Lamarr, and was also the third film of a wide-eyed stage comedian who was born Laszlo Lowenstein, but who billed himself as Peter Lorre. ~ Hal Erickson, All Movie Guide

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1933  
 
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Czechoslovakian director Gutav Machaty's experimental romantic idyll, replete with soggy symbolism, was a cause celebre upon its release in 1932 due to a lyrical -- and nude-- midnight swim by a young Hedy Lamarr. Lamarr plays Eva, a child bride whose husband shows a singular lack of interest in physical intimacy on their wedding night. Frustrated and searching for a quick roll in the hay to alleviate her sexual tension, Eva offers herself to a roadway engineer. Taking off her clothes, she engages in a leisurely swim. But when a horse bolts with her duds, she gives chase, running smack into the engineer, who calmly hands her clothes to her. The two plan to run away together, but when her husband commits suicide in despair, she decides not to leave. Some time afterward, Eva is seen with a happy and contented look upon her face, the result of her secret liaison being the little baby in her arms. ~ Paul Brenner, All Movie Guide

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Starring:
Hedy LamarrAndrĂ© Nox, (more)
1938  
 
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This Hollywood remake of the French Pepe le Moko adheres so slavishly to its source that it utilizes stock footage from the original film, and even picked its actors on the basis of their resemblance to the French cast. Contrary to legend, star Charles Boyer never says "Come wizz me to zee Casbah"; as master criminal Pepe le Moko, he's already in the Casbah, a crook-controlled safe harbor which protects Pepe from the French authorities. Pepe's friendly enemy, police inspector Joseph Calleia, treats his pursuit of Pepe like a chess game, patiently waiting for his opponent to make that one wrong move. The ever-careful Pepe has the misfortune to fall hopelessly in love with tourist Hedy Lamarr (in her first American film). A combination of events, including the betrayal of Pepe by his castaway lover Sigrid Gurie and Hedy's tearful return to her ship when she is misinformed that Pepe is killed, lures the hero/villain into the open. Arrested by Calleia, Pepe begs for one last glance at his departing sweetheart. At this point in the French version, Pepe cheated the hangman by killing himself; this would never do in Production Code-dominated Hollywood, so Algiers contrives to have Pepe shot while trying to escape. Algiers was remade in 1948 as a musical, Casbah, starring Tony Martin. ~ Hal Erickson, All Movie Guide

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Starring:
Charles BoyerHedy Lamarr, (more)
1939  
 
It's "Never the Twain Shall Meet" time again in the MGM romantic melodrama Lady of the Tropics. The lady in question is half-caste Manon De Vargnes (Hedy Lamarr), a resident of prewar Saigon. American playboy Bill Carey (Robert Taylor) falls madly in love with Manon, but both have their crosses to bear: she is affianced to an Indochinese prince, and he is unable to secure a passport to bring her back to the United States. Adding to the dilemma is influential bureaucrat Pierre Delaroch (Joseph Schildkraut), who agrees to arrange an exit visa for Manon in exchange for a few "favors." Nothing good can come from this, and nothing does. ~ Hal Erickson, All Movie Guide

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Starring:
Robert TaylorHedy Lamarr, (more)
1940  
 
This soapy drama stars Hedy Lamarr as a would be model who meets a research doctor en route to the US from Europe. They meet when Dr. Spencer Tracy prevents her from taking a suicidal plunge from the upper decks of the ocean liner. It seems that Lamarr had been involved with married man Kent Taylor. When he reneged on his promise to divorce his wife Mona Barrie, she decided to end it all. Finding her extraordinarily beautiful, the doctor suggests she join him in his research. The two end up at a slum clinic and it doesn't take long for the doctor to fall completely in love with her. He convinces her to marry him and soon after the wedding, he exchanges life in the clinic for an upscale practice uptown. Servicing the rich is lucrative and soon he has provided his high maintenance wife with a luxurious life. Unfortunately for him, she appreciates his work and sacrifices not a whit, and as soon as she can attempts to respark a romance with Taylor whom she has never stopped loving. Fortunately for the doctor, Lamarr eventually comes to her senses and marital bliss ensues. This film had a troubled history with all of it due to Louis B. Mayer's obsession with making Lamarr the brightest star in the MGM galaxy. Originally the film was directed by Joseph von Sternberg, but he grew frustrated and tired by Mayer's constant interference and quit the film as did the next director, Frank Borzage. As a result an enormous amount of footage was discarded. Finally reliable W.S. Van Dyke was placed on the production and it was completed. Unfortunately, despite all that effort, the film bombed at the box office. ~ Sandra Brennan, All Movie Guide

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Starring:
Spencer TracyHedy Lamarr, (more)
1940  
 
A half-hearted derivation of Ninotchka, Comrade X stars Clark Gable as an American news reporter stationed in Russia. Gable is actually the mysterious Comrade X, who has been smuggling provocative stories about the crumbling Soviet government out of the country. Threatened with exposure by a hotel porter (Felix Bressart), Gable agrees to help sneak the porter's beautiful daughter (Hedy Lamarr) out of Russia. The girl is a devout "old line" Communist, and thus is regarded as a potential counter-revolutionary by the paranoid Soviet leaders. Gable pretends to be a Communist himself to win Hedy's trust, inviting her to America to espouse her cause. He finds he can only secure her passport by marrying her, which leads to the anticipated complications. The Soviet higher-ups imprison Gable and Lamarr, sentencing them to death--but suddenly the counter-revolutionaries take charge of the government prison and arrest the arresters! The new man in charge (Sig Rumann) is Lamarr's political idol, but when he reveals himself to be vulnerable to blackmail and bribes, Lamarr becomes disillusioned by the Party Line and accompanies her new husband Gable to America. Filmed just before the "shifty" Communists were metamorphosed into brave freedom fighters by World War II-vintage filmmakers, Comrade X is of marginal historical value. Otherwise, it is an unfunny low point in the careers of Clark Gable and Hedy Lamarr. ~ Hal Erickson, All Movie Guide

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Starring:
Clark GableHedy Lamarr, (more)
1940  
NR  
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Clark Gable is "Big John" and Spencer Tracy is "Square John"; both "Johns" seek their fortunes in the Texas oil fields. They simultaneously fall in love with Claudette Colbert, but it's "Big John" who wins out. When both Johns grow rich on oil, "Big John" lets money go to his head, and he begins neglecting wife Colbert for Hedy Lamarr, the "been around" companion of businessman Lionel Atwill. "Square John", who still carries a torch for Colbert but doesn't want to see her heart broken, tries to buy off Lamarr; when this fails, he decides to ruin "Big John" financially. But when "Big John" is charged with violating anti-trust rules by the crooked Atwill, "Square John" rushes to the side of his old pal. Both men end up where they started--broke but happy. "Big John" returns to faithful Colbert, while "Square John" stands by with an ear-to-ear grin. Boom Town was the last film to co-star Clark Gable and Spencer Tracy; though Tracy was fond of Gable, he resented playing "eunuch" in their on-screen romantic triangles. Claudette Colbert's scenes with Clark Gable are pleasant enough, but the sparks that had ignited their scenes in It Happened One Night are largely absent here. ~ Hal Erickson, All Movie Guide

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Starring:
Clark GableSpencer Tracy, (more)
1941  
 
James Stewart's last Hollywood film before entering military service, Come Live with Me teams Stewart with the hauntingly beautiful Hedy Lamarr. Lamarr plays a wealthy Austrian emigree, in love with a married American publisher. The girl must quickly find an American husband or she'll be deported. Along comes Stewart, an idealistic (and starving) writer given to quoting poetry in moments of crisis. He marries her on a "strictly business" basis...but Love finds a way, especially after Stewart wins fame by writing a story about his companionate marriage. Come Live with Me served as the screen debut of 80-year-old actress Adeline de Walt Reynolds, who as Jimmy Stewart's grandmother launched a twenty year career as everyone's favorite matriarch. ~ Hal Erickson, All Movie Guide

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Starring:
James StewartHedy Lamarr, (more)
1941  
 
MGM was doing so well in 1941 that it could afford the occasional "prestige" film with little box-office appeal. Based on the novel by J.P. Marquand, H.M. Pulham, Esq., stars Robert Young as a successful but stuffy Boston businessman. The glimmer of sadness in Young's eyes indicates that his ascension to the top was not without its cost. In flashbacks, we see how Young considered changing the track his life was on in order to marry Hedy Lamarr. After marrying his wife, however, the man never strays. The film utilizes the Strange Interlude approach of interior monologues heard on the soundtrack, and anticipates Citizen Kane (which hadn't yet been released when Pulham was filmed) by building its entire narrative on the flashback structure. H.M. Pulham, Esq. contains what may well be Robert Young's best performance, though few filmgoers in 1941 were interested enough to see it. ~ Hal Erickson, All Movie Guide

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Starring:
Hedy LamarrRobert Young, (more)
1941  
 
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All that MGM's Ziegfeld Girl lacks is Technicolor; otherwise, the film has talent and "sock" entertainment value in abundance. The story focuses on three showbiz hopefuls-Judy Garland, Hedy Lamarr and Lana Turner-and the efforts to attain the lofty status of "Ziegfeld Girl." Garland is compelled to leave her family vaudeville act; she bids her dad Charles Winninger a tearful farewell, and later falls in love with Turner's brother Jackie Cooper. In her bid for success, Lana forgets all about her faithful boyfriend James Stewart, who turns to bootlegging to come up to the financial stature of Lana's new beau, socialite Ian Hunter. Lamarr nearly dumps her impoverished violinist husband Philip Dorn as she climbs the ladder of success. There are happy endings in store for two of the three female leads, but we'll let you watch the film yourselves to find out who wins and who loses. Featured in the cast are Tony Martin, Edward Everett Horton, Eve Arden, Dan Dailey, and, in a poignant cameo as a wardrobe woman, the "ever popular" Mae Busch. Song highlights include "Minnie from Trinidad", "You Never Looked So Beautiful Before", "I'm Always Chasing Rainbows", "Laugh? I Thought I'd Split My Side", "Caribbean Love Song", "Whispering", "Mr. Gallagher and Mr. Shean" (performed by Charles Winninger and the surviving half of the Gallagher-and-Shean duo, Al Shean-who happened to be the Marx Bros.' uncle), "You Stepped Out of a Dream" and "You Gotta Pull Strings." ~ Hal Erickson, All Movie Guide

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Starring:
James StewartJudy Garland, (more)
1942  
NR  
Like the John Steinbeck novel on which it is based, Tortilla Flat is not so much a movie as a series of warm-hearted anecdotes, all linked to a small California fishing village populated by poor but happy immigrants. The focus is upon Pilon (Spencer Tracy), a good-natured, charismatic freeloader, and Danny (John Garfield), a hot-headed fisherman who is dragged kicking and screaming into the world of personal responsibility when he inherits two small houses. As Pilon toys with the notion of stealing the nest egg saved up by an old man known as "the Pirate" (Frank Morgan), Danny tries to spark a romance with sexy cannery worker Dolores "Sweets" Ramirez (Hedy Lamarr). Abandoning the robbery plans when he learns that the Pirate intends to use his money to purchase a candlestick for St. Francis, Pilon turns his attentions to stealing Sweets away from Danny. But when Danny is injured in a drunken fight, the mercurial Pilon switches gears again, devoting his energies to bringing Danny and Sweets back together. Of the film's many highlights, standouts include the surprisingly effective "straight" performance by comic actor Frank Morgan (for which he received an Oscar nomination), and the seemingly improvised songfest between Spencer Tracy and John Garfield. ~ Hal Erickson, All Movie Guide

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Starring:
Spencer TracyHedy Lamarr, (more)
1942  
 
An innocent man is put on trial, but is he really as innocent as he claims? Diplomat David Talbot (William Powell) and his bride Lucienne (Hedy Lamarr) are enjoying a honeymoon in Paris when David is confronted by extortionists who demand money in exchange for not turning him in to the police. David has no idea what the men are talking about and ignores their threats, but the men prove good to their word, and David finds himself on trial for a series of thefts. At the trial, David's name is cleared when Henri Sarrow (Basil Rathbone) testifies that he knew the man who committed the crimes, a friend of his who recently died. However, after the trial, David meets Sarrow, who informs David that he lied under oath; according to Sarrow, David did indeed commit the robberies while suffering from amnesia after a severe blow to the head, and if he wants to keep the facts quiet, he'll do whatever Sarrow says. ~ Mark Deming, All Movie Guide

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Starring:
William PowellHedy Lamarr, (more)
1942  
 
The once-notorious theatrical chestnut White Cargo was toned down for public consumption in this 1942 MGM-ized adaptation (the property had been previously filmed in England in 1929). More sullen than sexy, Hedy Lamarr stars as Tondelayo, the libidinous African native girl who nearly drives rubber-plantation manager Langford (Richard Carlson) to ruin and madness. Though warned by local English magistrate Witzel (Walter Pidgeon) not to "mammy-palaver" with the natives, Langford falls hopelessly in love with Tondelayo, marrying her in defiance of convention and anti-miscegenation laws. Alas, the restless Tondelayo soons tires of married life, just as Langford wearies of his bride's near-manic possessiveness. She tries to come on to Witzel, who'll have none of it, then plots to rid herself of her husband by systematically poisoning him during a bout of fever. A studio-imposed prologue and epilogue set in the 1940s was inserted to assure the audiences from the outset that Langford would eventually wise up and divest himself of the troublesome Tondelayo. Though corny and campy in the extreme, White Cargo is one of the films for which Hedy Lamarr is best remembered. ~ Hal Erickson, All Movie Guide

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Starring:
Hedy LamarrWalter Pidgeon, (more)
1943  
 
In this light romantic comedy, William B. Whitley (William Powell) is an astronomer who is very excited about his latest discovery, a comet that has been named after him. However, Whitley has been so busy tracking the course of his comet as its path leads straight into the moon that he's been ignoring his new wife, Vicky (Hedy Lamarr). Bored and lonely, one day Vicky visits an astrologer who informs her that she will -- on a specific day -- meet a handsome stranger, and they will fall in love. A bit perplexed at this news, Vicky shares the astrologer's report with William; however, he's so appalled that she would waste her time on pseudo-scientific hooey like astrology that he storms out of the house, moving into his observatory for a few days. On the predicted day, Vicky is wondering what happened to her dream man when an air raid warden, Lloyd Hunter (James Craig), shows up to confront Vicky and ends up going inside her house and shutting off her lights. Vicky and Lloyd strike up a conversation, and she begins to realize that he could well be the man the astrologer predicted she would meet; Vicky is interested in him, but just as he's leaving, William returns. William, however, senses that Vicky is infatuated with Lloyd, and he quickly hatches a devious plan to win back her good graces. ~ Mark Deming, All Movie Guide

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Starring:
William PowellHedy Lamarr, (more)
1944  
 
This Casablanca-esque spy thriller set during WWII centers on the exploits of the notorious "Flying Dutchman," a fugitive resistance leader from Holland who heads for Lisbon where he hooks up with other members of the underground. One of them is a beautiful young woman, and none of the others trust her because she is married to an important German official. For the resistance leader, real trouble comes when he is framed for the murder of a fellow agent. Still he escapes from prison and hides out with his other colleague while he works to prove that he is innocent and carry out a major secret mission for the resistance. ~ Sandra Brennan, All Movie Guide

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Starring:
Hedy LamarrPaul Henreid, (more)
1945  
 
This tender but fluffy romantic comedy centers on the romantic travails of a beautiful European princesss who goes to New York to find the newspaper reporter she fell for when he was visiting her mythical country. She stays at the Big Apple's finest hotel and while there finds herself mistaken for a maid by a sweet-natured bellhop. Charmed by his confusion, she insists that he become her personal escort. She does not realize that the impressionable fellow has fallen in love with her and so misconstrues her every kindness. When not with her, the bellhop is visiting a beautiful invalid, who is secretly in love with him. Meanwhile the princess eventually finds the reporter. She makes him a proposition, but he, believing them to be too different, rejects the offer. Later, she takes the bellhop and goes to the reporter's favorite bar in hopes of seeing him. Unfortunately, the joint gets raided and she ends up in jail until the reporter shows up to bail her out. Soon afterward, she learns that her father has died and that she is now queen. Things get sticky then, as both the bellboy and the new queen find themselves faced with choosing between wealth and power or true love. ~ Sandra Brennan, All Movie Guide

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Starring:
Hedy LamarrRobert Walker, (more)
1945  
NR  
Officially based on a novel by Margaret Carpenter, Experiment Perilous would seem to be more inspired by MGM's psychological thriller Gaslight. Set at the turn of the century, the film stars Hedy Lamarr as Allida, the beautiful young wife of an elderly "gentleman" named Nick (Paul Lukas). Treating his wife like a possession, Nick keeps her a virtual prisoner in their London town house, cutting off all contact with the outside world. The situation is exacting a terrible emotional toll on Allida and her stepson Alec (George N. Neise). Enter kindly psychiatrist Huntington Bailey (George Brent), who takes it upon himself to free Allida and Alec from the despotic control of the insanely jealous Nick. The film's "money scene" is a frenzied gun battle in an aquarium, replete with shattered glass, gushing water and floundering fish; this sequence would be imitated ad nauseum in such future films as Lethal Weapon (1988) and Mission: Impossible (1996). ~ Hal Erickson, All Movie Guide

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Starring:
Hedy LamarrGeorge Brent, (more)
1946  
 
B-movie auteur Edgar G. Ulmer managed to direct a few A-pictures during his long career; he was personally selected by Hedy Lamarr to helm this big-budget thriller, a project she put together to change her image as a starlet whose sex appeal outweighed her acting abilities. Set in the early 19th century, The Strange Woman takes place in Bangor, Maine, where logging and lumber mills have made the town prosperous. Jenny Hager (Lamarr) has grown up in Bangor, not far from the watchful eye of wealthy Isaiah Poster (Gene Lockhart). The fact that Jenny is twenty years Isaiah's junior does not stem his amorous intentions, and when she's finally out of her teens, Jenny accepts his proposal of marriage. But beneath her sweet exterior, Jenny is a shrewd, conniving women, and while she makes a fine life for herself with Isaiah's money, she obviously doesn't care for him. When Isaiah's son Ephraim (Louis Hayward) visits from college, Jenny is immediately attracted to him, and she tells him that she'll marry him if he murders his father. But, unknown to Ephraim, Jenny is already scheming to win the affections of businessman John Evered (George Sanders), even though he's pledged to marry her best friend Meg (Hillary Brooke). Based on a novel by Ben Ames Williams, The Strange Woman was generally considered one of Hedy Lamarr's best performances, although her best-known performance would continue to be in Ecstasy (1933), largely because of her then-daring nude scenes. ~ Mark Deming, All Movie Guide

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Starring:
Hedy LamarrGeorge Sanders, (more)
1947  
 
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In this drama, Madeleine Damien (Hedy Lamarr) is a successful magazine editor with a free-spirited private life, but a number of failed relationships and years of burning the candle at both ends have taken their toll and Madeleine is suicidal and on the verge of a nervous breakdown. Her psychiatrist, Dr. Caieb (Morris Carnovsky), advises her to find a less stressful and more personally satisfying line of work, so Madeleine leaves the publishing industry and moves to a flat in Greenwich Village, where she pursues a long-standing dream of becoming an artist. Madeleine falls in love with a scientist living in her building, Dr. David Cousins (Dennis O'Keefe), and they plan to marry. However, shortly before they are to wed, David is called out of town and Madeleine decides to visit a nightclub, where she runs into Felix Courtland (John Loder), a jeweler with whom she once had an affair. Felix invites Madeleine back to his apartment, but before long she begins to think better of it and tries to slip out the back before he gets the wrong idea; however, at the same time Jack Garet (William Lundigan), a former employee of Felix, arrives at the front door. Jack stole some jewels from Felix but begs him not to turn him in to the police; a fight breaks out, and Jack kills Felix. Since Madeleine was the last person to be seen with Felix, she is accused of murdering him, and David, not knowing of her stormy personal life before he met her, refuses to have anything to do with her. Hedy Lamarr and John Loder were married when they made this film, though perhaps appropriately given their contentious relationship in Dishonored Lady, they divorced before the year was out. ~ Mark Deming, All Movie Guide

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Starring:
Hedy LamarrDennis O'Keefe, (more)

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