Veronica Lake Movies
When Brooklyn-born Constance Ockleman was prodded into a performing career by her ambitious mother, she chose her stepfather's name, Keane, for her nom de stage. After a year of thankless bit parts, she was dropped by RKO Radio Pictures. When she re-emerged at MGM in a small role in the Eddie Cantor vehicle Forty Little Mothers (1940), she was known as Veronica Lake. While posing for publicity pictures, Lake inadvertently allowed her blonde hair to obscure one eye, thereby creating her movie persona as "the girl with the peek-a-boo bang." Signed by Paramount in 1941, Lake quickly ascended to leading roles. Directors such as Preston Sturges and René Clair had the patience to draw genuine performances from her, but, for the most part, she was cast on the basis of her beauty and popularity, with acting hardly an afterthought. In This Gun for Hire (1942), Lake was teamed with up-and-coming Alan Ladd, thereby launching one of Paramount's most successful screen duos. Eventually renegotiating her contact and finding brief domestic happiness with her second husband, director André De Toth, the actress flourished professionally and financially until 1948, when she was hit with the double whammy of being dropped by Paramount and being sued for support payments by her mother. De Toth wangled a good role for Lake in the 20th Century Fox film Slattery's Hurricane (1949), but it failed to rekindle her stardom. She left Hollywood in the early '50s, making a living with stage appearances. But increasing personal problems and a stage injury effectively ended her career, and, by 1959, she was working as a Manhattan barmaid. Lake staged a comeback as a Baltimore TV host in the early '60s, and, in 1966 and 1970, financed two cheap films for herself (Footsteps in the Snow and Flesh Feast). She wrote a tell-all autobiography in 1969 and sought stage work in England. Lake returned to the U.S. in 1971; but after more personal problems and failed comeback attempts, she died of hepatitis two years later while visiting friends in Burlington, VT. ~ Hal Erickson, All Movie Guide- 1969
- R
Some people will do anything to maintain the appearance of youth as can be seen in this stomach-churning, off-beat horror movie. The tale centers on Dr. Elaine Frederick (played by Veronica Lake who hadn't appeared in a film for 22 years), a plastic surgeon in Miami. She is a former mental patient and has a rather unique way of operating upon her aging patients: first she has specially bred maggots munch away all of the old skin, and then she reconstructs the face. Her practice is thriving and she remains mentally stable until she takes a good look at her newest patient and discovers that he is Adolf Hitler. Unfortunately for him, Frederick's mother died in one of his concentration camps. Now the Dr. uses her carnivorous worms to get graphic, gruesome revenge upon the deposed madman. ~ Sandra Brennan, All Movie Guide
Produced in Mexico, Stronghold was distributed in the U.S. by Lippert Pictures. The studio hoped that the presence of American film stars Veronica Lake and Zachary Scott would prove beneficial at the box-office. Set during Juarez' revolution against Austrian emperor Maximillian, the film casts Lake as Mary Stevens, a wealthy American visitor who is kidnapped by gentleman bandit Don Pedro Alvarez (Arturo de Cordova) and his gang. Alvarez plans to use the ransom money to help finance the revolution, but Mary manages to orchestrate governmental resistance against the bandit's schemes. Eventually, however, she realizes that Alvarez is a man of honor and patriotism. Conversely, Don Miguel Navarro (Zachary Scott), the "heroic" overseer of a silver mine owned by Mary, is actually a double-dyed villain, finally showing his hand in the film's spectacular finale. ~ Hal Erickson, All Movie Guide
- Starring:
- Veronica Lake, Zachary Scott, (more)
- 1949
Ex-navy pilot Slattery (Richard Widmark) works for a dope-smuggling ring. When he's not in the air, Slattery is making time with Dolores (Veronica Lake), the somewhat put-upon secretary of the ring's leader. Only upon meeting Aggie (Linda Darnell), the wife of his old navy buddy Hobson (John Russell), does Slattery entertain thoughts of changing his ways. As the film's title indicates, Slattery redeems himself during an outsized hurricane. Based on a story by Herman Wouk, Slattery's Hurricane was largely shot on location in Florida. The film represented a comeback attempt by Veronica Lake, who was then married to director Andre de Toth. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Widmark, Linda Darnell, (more)
- 1948
One of the more popular movie-review paperbacks sums up Paramount's Isn't it Romantic? with a terse "No." There's actually more to the film than that, but not much. Set in Indiana in the 1890s, the story revolves around an diehard Confederate soldier named Major Euclid Cameron (Rolan Culver), who refuses to acknowledge that the South lost the Civil War. Cameron also regards himself as an aristocrat who will never sully his hands with work, which is why he and his family are flat broke. It is up to the Major's three pretty daughters-Candy (Veronica Lake), Susie (Mona Freeman) and Rose (Mary Hatcher)-to make ends meet financially, even if it means marrying for money rather than love. Pearl Bailey transcends the stereotypical role of the Cameron's housekeeper Abigail with her soulful renditions of such forgettable tunes as "I Shoulda Quit When I Was Ahead" (a bit of advice that could have profited the film's producers!) ~ Hal Erickson, All Movie Guide
- Starring:
- Veronica Lake, Mona Freeman, (more)
- 1948
One of the great onscreen romantic pairings, Alan Ladd and Veronica Lake, ended with this romantic adventure film, their fourth cinematic collaboration. In Shanghai after WWII, veteran pilots Larry Briggs (Ladd) and Pete Rocco (Wally Cassell) are dismayed when informed that friend Mike Perry (Douglas Dick) will soon die of a terminal illness. Larry and Pete decide to keep the tragic news from Mike and spend the next weeks showing him a high time. To finance the festivities, they accept an offer of $10,000 from unscrupulous war profiteer Zlex Maris (Morris Carnovsky) in exchange for a flight to Vietnam. When departure time arrives, Maris shows up with the police in hot pursuit, so the buddies take off with his secretary, Susan Neaves (Lake), whose briefcase contains Maris' earnings -- $500,000. En route to Saigon, however, the crew crash-lands in an Asian jungle. As they make their way back to civilization with a detective (Luther Adler) tailing them, Mike develops feelings for Susan, who plays along at Larry's urging. Susan, however, is actually falling for Larry and vice versa. ~ Karl Williams, All Movie Guide
- Starring:
- Alan Ladd, Veronica Lake, (more)
- 1948
Never mind Veronica Lake and Joan Caulfield: the real star of The Sainted Sisters is Barry Fitzgerald, dispensing Hibernian blarney by the wheelbarrowful. The story begins as turn-of-the-century golddiggers Letty and Jane Stanton (Lake and Caulfield) escape New York after divesting a gullible millionaire of $25,000. En route to Canada by way of Maine, the girls are caught in a storm and forced to seek shelter in the home of canny New Englander Robbie McCleary (Fitzgerald). Quickly figuring out that his pretty guests aren't the winsome innocents they pretend to be, McCleary draws upon his own larcenous impulses to convince the sisters to dispense their money amongst the needy and deserving. Letty and Jane not only accede to McCleary's wishes, but reform themselves in the process. Though George "Superman" Reeves is the nominal leading man, The Sainted Sisters belongs to its character actors: Fitzgerald, William Demarest, Beulah Bondi, Chill Wills,et. al. Incidentally, when first released, the word "Sainted" was italicized in the main titles, lest the producers be accused of sacrilege. ~ Hal Erickson, All Movie Guide
- Starring:
- Veronica Lake, Joan Caulfield, (more)
- 1947
This cowboy drama from Hungarian director Andre De Toth was the first of several films based on the stories of Western author Luke Short. Veronica Lake stars as Connie Dickason, strong-willed daughter of Ben Dickason (Charles Ruggles), a ranch owner who has become the toady of a powerful local cattleman, Frank Ivey (Preston Foster), whom Ben once wanted Connie to marry. Connie instead married a sheep rancher and inherited his spread. With her husband out of the picture, Connie becomes determined to run the ranch despite the opposition of Ivey and her father. In her camp are the town drunk, veteran cowhand Dave Nash (Joel McCrea) and a crew of anti-Ivey locals. The resulting bloody range war is much to the dismay of Dave, who wants to resolve Connie's problems with Ivey legally. ~ Karl Williams, All Movie Guide
- Starring:
- Veronica Lake, Joel McCrea, (more)
- 1947
This story of two young hopefuls who come to Hollywood is merely a thin device to feature almost every star working for Paramount Studios in 1947. Mary Hatcher plays Catherine Brown, a woman of humble origins who arrives in Hollywood, where she meets another wanna-be movie star, Amber La Vonne (Olga San Juan). They work their way through the Paramount studios, trying to impress every important person. Mostly, the film is a cavalcade of songs by various stars that take place at several studio and Hollywood locations, including the famous Brown Derby restaurant. Many of the film's songs were written by Frank Loesser. Dorothy Lamour and Alan Ladd sing "Tallahassee"; Bing Crosby and Bob Hope play golf and sing a duet, "Harmony"; the Original Dixieland Jazz Band plays "Tiger Rag"; and a host of other top performers of the era appear in brief cameos. ~ Michael Betzold, All Movie Guide
- Starring:
- Eric Alden, Mary Hatcher, (more)
- 1946
This neat, fast-paced perfectly cast film noir reflects the hard-boiled, grim wit of the author of its screenplay, Raymond Chandler. Johnny Morrison (Alan Ladd) returns from the war to find his wife Helen (Doris Dowling) having a party and in the arms of another man. Johnny and Helen have a terrible fight, and later Helen is found dead. Johnny must prove his innocence and he enlists the aid of Joyce Haywood (Veronica Lake), the ex-wife of Helen's lover. Pursued by the cops, and never sure if he is being set-up for the murder, Johnny finally solves the murder and clears his name. Alan Ladd is at his hard-boiled, no-nonsense best as Johnny and Veronica Lake is, as always, the perfect noir femme-fatale, mysterious and alluring. Nicely directed by George Marshall, the film moves with great pace to an exciting, satisfying conclusion. The screenplay, the only one written by Chandler directly for the screen, was nominated for an Academy Award. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Alan Ladd, Veronica Lake, (more)
- 1945
Based on the novel by Augusta Tucker, the provocatively titled Miss Susie Slagle's is actually a leisurely, sentimental story set in a turn-of-the-century boarding house. The title character, played by Lillian Gish, is the house's landlady, catering exclusively to young doctors and nurses in training. Miss Susie Slagle takes pride in the fact that not one of her boarders has ever failed medical school, but for a while it looks as though this perfect record will be spoiled by Elijah Howe Jr. (Bill Edwards), the seemingly irresponsible son of one of Susie's former tenants (Ray Collins). The bulk of the storyline is carried by med student Pug Prentiss (Sonny Tufts), who carries on a romance with Howe Jr.'s sister Margaretta (Joan Caulfield, in her film-starring debut). Flamboyant comic actor Billy DeWolfe is uncharacteristically restrained as pragmatic third-year student Ben Mead, though the script contrives to allow DeWolfe to do one of his celebrated female-impersonation routines! In true open-ended fashion, the film ends as it begins, with Miss Susie Slagle welcoming another crop of students to her lodgings. ~ Hal Erickson, All Movie Guide
- Starring:
- Veronica Lake, Sonny Tufts, (more)
- 1945
In this musical, a messenger boy does a remarkable imitation of Bing Crosby and finds himself surrounded by luscious little bobby-soxers. One woman is so impressed by his Crosbiesque crooning that she takes him New York and convinces investors to bank on him. Unfortunately, she accidentally sells the shares for 125 percent of the profits. Fortunately, by the end, the situation is rectified. Songs include: "June Comes Around Every Year," "Out Of This World" (Johnny Mercer, Harold Arlen), "I'd Rather Be Me" (Eddie Cherkose, Felix Bernard, Sam Coslow), "All I Do Is Beat That Golden Drum" (Coslow, sung by Cass Daley), "It Takes A Little Bit More" (Coslow), "A Sailor With An Eight-Hour Pass" (Ben Raleigh, Bernie Wayne, sung by Daley) and "The Ghost Of Mr. Chopin" (Coslow). ~ Sandra Brennan, All Movie Guide
- Starring:
- Eddie Bracken, Veronica Lake, (more)
- 1945
This curious mixture of comedy, romance and melodrama teams up comic actor Eddie Bracken and glamour girl Veronica Lake, two of Paramount's most popular stars of the mid-1940s. He plays Ogden Spencer Trulow III, a wealthy kleptomaniac; she plays Sally Martin, who may or may not provide the "cure" for the lovesick Trulow. As it turns out, Sally is a professional thief, part of a gang planning to rip off the Romanoff necklace. Trulow tries to prevent this, and in so doing divest himself of his own kleptomania. Sally's cohorts aren't at all interested in Trulow's problems, and accordingly spend half the film trying to bump him off. Buried somewhere in the glossy silliness of Hold That Blonde is a pre-WW1 play by Paul Armstrong; some of the sight gags in the film are even older than the Armstrong original. ~ Hal Erickson, All Movie Guide
- Starring:
- Eddie Bracken, Veronica Lake, (more)
- 1945
Several of Paramount Pictures brightest stars make cameo appearances in this comedy set in "Duffy's Tavern," a favorite watering hole from old time radio shows. The trouble begins when the neighborhood bar is in danger of closing. The trouble begins when the proprietor, Archie, discovers that one of his regulars, Michael O'Malley, owner of a record company is going broke. This means that many veterans will soon be unemployed and therefore, unable to pay their tab at the tavern. Archie immediately begins recruiting famous stars to donate their services and help. They do, the record company is saved and so is the tavern. ~ Sandra Brennan, All Movie Guide
- Starring:
- Bing Crosby, Betty Hutton, (more)
- 1945
In this high-spirited musical comedy, J. Newport Bates (Eddie Bracken) is a millionaire who finds women are only interested in him for his money. When he becomes infatuated with Teddy Collins (Veronica Lake), a cigarette girl, he tries to hide his true identity from her, hoping she'll be interested in him for himself rather than his bank account. However, once Teddy figures out who he is, Bates drops her, and he is about to give up on women entirely when he meets Sue Thomas (Marjorie Reynolds), a nice girl who isn't interested in his money (or at least not yet). Musical satirists Spike Jones and his City Slickers also appear, though most prints are missing a bit from one of their musical numbers: a verse from a song that made fun of Eleanor Roosevelt was clipped after the film's initial engagements. ~ Mark Deming, All Movie Guide
- Starring:
- Veronica Lake, Sonny Tufts, (more)
- 1944
Jim Hetherton (Franchot Tone), the scion of an aristocratic rural English family, was traumatized from boyhood by a shooting accident and reaches adulthood as a sincere and dedicated pacifist -- like many of his generation in England. He makes his way through life as a schoolteacher with a promising future, and even ponders the possibility of marriage with Dora Bruckmann (Veronica Lake), the governess of his young nephew. But then the Second World War breaks out, which creates a crisis for Jim and his family and household. He decides that he can't a won't fight if it means killing another human being, and is accepted as a conscientious objector by the authorities. But in doing so, he is forced to give up his teaching position and take a job in farming, to contribute to the economic good at home. He soon finds himself being shunned by much of the village for his beliefs, and discovers that even amid a manpower shortage, securing a job to fulfill his service requirement is no easy matter. Meanwhile, his brother (John Sutton) is called up by the RAF, and his father (Henry Stephenson) joins the home guard. And Dora seems headed to an internment camp, until Jim marries her. But what neither he nor anyone else suspects is that Dora is actually an agent planted by the Germans, part of a team of fifth columnists working to undermine the British war effort. And her main concern is finding the location of a secret British airfield in the vicinity of the Hetherton estate. She manages to manipulate Jim by preying on his beliefs, and maneuvers him into potentially betraying his country. ~ Bruce Eder, All Movie Guide
- Starring:
- Franchot Tone, Binnie Barnes, (more)
Paramount's So Proudly We Hail, like MGM's Cry Havoc, is a tribute to the Red Cross nurses trapped behind enemy lines in the early days of the Pacific war. Claudette Colbert is the self-sacrificing head nurse, struggling to minister to the wounded and to keep her staff (including Paulette Goddard, Veronica Lake and Barbara Britton, all of them giving better than usual performances) from buckling under the pressure. Taking into consideration the regular fans of the film's female cast, the producers thoughtfully include several scenes in which the ladies pursue their romantic lives. The story culminates with the fall of Bataan, ending on a resigned but optimistic note; this finale was designed to lift the spirits of the audience, which in 1943 wasn't so certain as Hollywood of final victory. So Proudly We Hail was not only effective propaganda (though not as effective as Cry Havoc), but it also enabled Paramount to introduce its new crop of male hunks--including the estimable Sonny Tufts. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Paulette Goddard, (more)
Though billed fourth in This Gun For Hire, Alan Ladd was catapulted to stardom in the role of Phillip Raven, a ruthless professional killer with a long-suppressed streak of decency. After successfully pulling off his latest murder, Raven reports to his boss, effeminate fifth columnist Willard Gates (Laird Cregar). He collects his $1000 fee, only to discover later that Gates has double-crossed him with marked bills. This was done at the behest of Gates' boss, crooked business executive Alvin Bewster (Tully Marshall), who wants no loose ends left around to connect him with a plot to sell poison gas to the Axis. As Raven ducks and dodges the police, detective Michael Crane (Robert Preston) is hot on the trail of Bewster and Gates. Crane talks his girlfriend, nightclub singer-musician Ellen Graham (Veronica Lake), into taking a job at Gates' nightclub. While on the train to the club, Ellen makes the acquaintance of the escaping Raven. Gates boards the train, spots Ellen innocently sitting next to Raven, and assumes that the two are in cahoots. Later, Gates kidnaps Ellen and spirits her away to his mansion, intending to do away with her the first chance he gets. Instead, Raven, still seeking revenge for being set up, bursts into the mansion in search of Gates. Having previously been impressed by Ellen's kindness, he rescues her, though he intends using her as hostage should the police catch up with him. As they hide out together in the rail yards, Ellen and Raven get to know each other. Learning of Raven's miserable, abusive childhood, Ellen tries to chip away his murderous veneer, hoping to reform him. But when the cops arrive, Raven reverts to his instincts, shooting his way out of his hiding place. As Crane escorts Ellen out of harm's way, Raven rushes towards a bloody showdown with Bewster and Gates. Based on Graham Greene's A Gun For Sale, This Gun For Hire was remade in 1958 as Short Cut to Hell, then again under the original title as a 1990 made-for-TV film. ~ Hal Erickson, All Movie Guide
- Starring:
- Veronica Lake, Robert Preston, (more)
- 1942
As she burns at the stake, a 17th century witch, Jennifer (Veronica Lake), places a curse on her accuser (Fredric March), so that from this day forward, all of his descendants (each played by him) will be unhappy in marriage. After several hilarious through-the-years examples (the Civil War-era Fredric March runs off to battle rather than endure his wife's nagging), we are brought up to 1942. Wallace Wooley (March) is a gubernatorial candidate, preparing to wed snooty socialite Estelle Masterson (Susan Hayward) -- the well-to-do daughter of a publisher who is backing him. A bolt of lightning strikes the tree where Jennifer had been executed three centuries earlier, thereby freeing the spirits of Jennifer and her warlock father, Daniel (Cecil Kellaway). Wallace meets Jennifer when she materializes in a burning building, obliging him to save her life. The revivified sorceress does everything in her power to induce Wallace to fall in love with her -- even destroying the ceremony in which the wedding is supposed to take place. The attempts succeed, and the two marry, but on their wedding night, Wallace refuses to believe Jennifer's claims that she is a witch. Frustrated, she attempts to convince him by doctoring the gubernatorial election -- in his favor. Based on the Thorne Smith novel The Passionate Witch, the rollicking I Married a Witch can be considered the forerunner of the TV series Bewitched, but only on a surface level. The film had been scheduled to be directed by Preston Sturges and to be released by its producing studio, Paramount; the end result was helmed by René Clair (his second Hollywood film), and was distributed by United Artists. ~ Hal Erickson, All Movie Guide
- Starring:
- Fredric March, Veronica Lake, (more)
- 1942
Star-Spangled Rhythm is a typical wartime all-star musical-comedy melange, this time from Paramount Pictures. The slender plot involves the efforts by humble studio doorman Pop Webster (Victor Moore) to pass himself off as a big-shot Paramount executive for the benefit of his sailor son Jimmy (Eddie Bracken). The overall level of humor can be summed up by the scene in which Webster is advised that the best way to pretend to be a studio big-shot is to say "It stinks!" to everything -- whereupon Cecil B. DeMille shows up to ask Webster's opinion about his current production. Betty Hutton, cast as studio switchboard operator and co-conspirator Polly Judson, is at her most rambunctiously appealing here. The huge lineup of guest performers includes Bing Crosby (and his 8-year-old son Gary!), Bob Hope, Veronica Lake, Dorothy Lamour, Dick Powell, Mary Martin, Alan Ladd, Fred MacMurray, William Bendix, Paulette Goddard, and Eddie "Rochester" Anderson, most (but not all) of them going through their characteristic paces. Highlights include a surrealistic rendition of That Old Black Magic with Johnnie Johnston and Vera Zorina; a frantic staging of the old George S. Kaufman sketch "If Men Played Cards as Women Do" with MacMurray, Ray Milland, Franchot Tone, and Lynn Overman; and The Sweater, the Sarong and the Peekaboo Bang, first performed by Goddard, Lamour and Lake, then lampooned in drag by Arthur Treacher, Sterling Holloway and Walter Catlett! PS: The actor playing Rochester's chauffeur in the Smart as a Tack number is John Ford "regular" Woody Strode. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Moore, Betty Hutton, (more)
- 1942
Dashiel Hammett's The Glass Key, a tale of big-city political corruption, was first filmed in 1935, with Edward Arnold as a duplicitous political boss and George Raft as his loyal lieutenant. This 1942 remake improves on the original, especially in replacing the stolid Raft with the charismatic Alan Ladd. Brian Donlevy essays the role of the boss, who is determined to back reform candidate Moroni Olsen, despite Ladd's gut feeling that this move is a mistake. Ladd knows that Donlevy is doing a political about-face merely to get in solid with Olsen's pretty daughter Veronica Lake. It is Ladd who is left to clean up the mess when crime lord Joseph Calleila murders Olsen's wastrel son Richard Denning and pins the rap on Donlevy. As Ladd struggles to clear Donlevy's name, he falls in love with Lake--when he's not being pummeled about by Calleila's psychopathic henchman William Bendix. Far less complex than the Dashiel Hammett original (and far less damning of the American political system), The Glass Key further increased the box-office pull of Paramount's new team of Alan Ladd and Veronica Lake. ~ Hal Erickson, All Movie Guide
- Starring:
- Brian Donlevy, Veronica Lake, (more)
- 1941
Three disparate young men struggle to become Army Air Corps pilots in this rousing drama that earned an Oscar for its excellent aerial special effects. The film is also noted for making Veronica Lake, who previously appeared in films under the name Constance Keane, a star. For added realism, the three male leads, William Holden, Ray Milland and Wayne Morris were placed into the same training program at Randolph Field, Texas (and also Kelly Field, Texas) as real recruits. Lake plays a seductress who pursues Holden while Constance Moore plays a female photographer who comes to shoot a story and ends up falling for Milland. By the time the pilots' rigorous training has finished only one will have proved himself fit to fly. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ray Milland, William Holden, (more)
In Preston Sturges' classic comedy of Depression-era America, filmmaker John L. Sullivan (Joel McCrea), fed up with directing profitable comedies like "Ants in Your Plants of 1939," is consumed with the desire to make a serious social statement in his upcoming film, "Oh Brother, Where Art Thou?" Unable to function in the rarefied atmosphere of Hollywood, Sullivan decides to hit the road, disguised as a tramp, and touch base with the "real" people of America. But Sullivan's studio transforms his odyssey into a publicity stunt, providing the would-be nomad with a luxury van, complete with butler (Robert Greig) and valet (Eric Blore). Advised by his servants that the poor resent having the rich intrude upon them, Sullivan escapes his retinue and continues his travels incognito. En route, he meets a down-and-out failed actress (Veronica Lake). Experiencing firsthand the scroungy existence of real-life hoboes, Sullivan returns to Hollywood full of bleeding-heart fervor. After first arranging for the girl's screen test, he heads for the railyards, intending to improve the lot of the local rail-riders and bindlestiffs by handing out ten thousand dollars in five-dollar bills. Instead, Sullivan is coldcocked by a tramp, who steals Sullivan's clothes and identification. When the tramp is run over by a speeding train, the world at large is convinced that the great John L. Sullivan is dead. Meanwhile, the dazed Sullivan, dressed like a bum with no identification on his person, is arrested and put to work on a brutal Southern chain gang. With its almost Shakespearean combination of uproarious comedy and grim tragedy, Sullivan's Travels is Sturges' masterpiece and one of the finest movies about movies ever made. ~ Hal Erickson, All Movie Guide
- Starring:
- Joel McCrea, Veronica Lake, (more)
- 1941
Hold Back the Dawn begins with a shabby immigrant (Charles Boyer) wandering onto a Paramount sound stage and telling his life story to director Mitchell Leisen (who actually directed this film). In flashback, we see that Boyer was once a conscienceless gigolo, desperate to flee Nazi-occupied Europe. He makes it to Mexico, where he pretends to fall in love with shy schoolteacher Olivia de Havilland. It is his plan to marry her, thus be able to enter the United States; then he intends to dump her and pursue the woman he really loves. Boyer's regeneration, and the price he pays for his previous callousness, brings Hold Back the Dawn to its tearful conclusion. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Boyer, Olivia de Havilland, (more)
- 1940
In this drama, a former big-man-on-campus, finds himself almost destitute twenty years later because he cannot find a job. This does not prevent him from helping out a depressed single mother who is about to commit suicide. He saves her and helps her find a job as a waitress. She thanks him by leaving town and abandoning her son. The poor man is now stuck with raising the baby. He manages to find himself a job as a professor in a girls' school. There he is tormented by his fun-loving female students. When the mischievous girls learn that their professor has a young baby, they rally to his aide. They also help him conceal the babe from the school administration because they would be scandalized and fire him. Eventually the boy's mother is located. ~ Sandra Brennan, All Movie Guide
- Starring:
- Eddie Cantor, Judith Anderson, (more)
