Bennie Bartlett Movies
- 1938
Ageing, alcohol-benumbed John Barrymore had one last great performance left in him before his death in 1942, and The Great Man Votes was the ideal vehicle for that performance. Barrymore plays a widowed, once-distinguished professor, lately reduced to being a night watchman. He tries to stay off the "hard stuff" for the sake of his two small children, Virginia Weidler and Peter Holden, but his lack of responsibility nearly loses him the custody of both kids. Meanwhile, scheming politico Donald MacBride discovers that his winning the upcoming mayoral election hinges upon one single vote--and guess whose vote that is? With "VIP" status suddenly thrust upon him, Barrymore regains his children, his former status in life, and (as a last-minute plot twist reveals) his self respect. Director Garson Kanin was so anxious to extract a good performance from John Barrymore that he ordered everyone on the set to treat the fading matinee idol with deference and respect. Unaccustomed to such treatment in his later years, Barrymore looked around the set and bellowed, "Which Barrymore do you think I am, Lionel?" Despite his precarious physical condition and his reputation for temperamental outbursts, Barrymore was the soul of cooperation on the set. His fiery temper flared only once, when child actor Virginia Weidler calculatedly attempted to steal a scene from him. Though appalled at the spectacle of The Great Profile profanely chewing out the tiny Weidler, Kanin admitted in retrospect that Barrymore was absolutely right: the kid was intruding on one of the star's soliloquies, and nobody did that to John Barrymore. ~ Hal Erickson, All Movie Guide
- Starring:
- John Barrymore, Peter Holden, (more)
- 1937
Scheduled to marry a man she doesn't love (and for good reason), spoiled heiress Barbara Blanchard (Claire Trevor) runs away from her wedding and hits the road. While hitchhiking, Trevor is given a ride by Bob Reynolds (Michael Whalen), a personable young auto salesman who's been hired to deliver what was then called a "caravan car" but would now be labelled an RV. As luck and the screenwriters would have it, a fugitive jewel thief hides his stolen gems in Bob's vehicle. Our hero is arrested, causing Barbara to cease her incessant put-downs of the poor guy. In trying to spring Bob from jail, Barbara realizes that she's fallen in love with him (why didn't she just ask the audience, who knew it all along?) It's positively awe-inspiring how many runaway-heiress films were spawned by the freak success of It Happened One Night. ~ Hal Erickson, All Movie Guide
- Starring:
- Claire Trevor, Michael Whalen, (more)
- 1937
John Howard stars as Dr. Paul Martin, intent upon instituting sweeping medical reforms in his community. He is opposed in this by the corrupt political machine headed by Pete Lindsey (Edward Ellis). Thanks to Lindsey's chicanery, the town is a hotbed of health hazards, and no one but Martin has the power or fortitude to do something about it. A fortuitous last-minute confession signed by a dying "machine" judge enables Martin to triumph over his enemies. As a bonus, our hero is able to stem an outbreak of infantile paralysis -- and to win the hand of winsome heroine Judith Marshall (Nan Grey), the daughter of a man destroyed by Lindsey's crooked regime. ~ Hal Erickson, All Movie Guide
- Starring:
- John Howard, Nan Grey, (more)
- 1937
Claudette Colbert is a young freethinking woman living in Salem, Massachusetts during the notorious 17th century "witch trials". Colbert falls in love with adventurer Fred MacMurray, causing no end of scandal with the Puritan townsfolk. A hateful little girl (Bonita Granville) pretends to be "possessed", thereby convincing the Salemites that Claudette is a witch. Tried and convicted of sorcery, the poor girl is sent to be burned at the stake, but is rescued in the nick of time by MacMurray, who convinces the townsfolk that they've been the victim of a hoax. Maid of Salem earned a footnote in entertainment history in 1937 when it was booed off the screen of New York's Paramount theatre by fans who wanted to see the evening's real attraction--a performance by Benny Goodman and his orchestra. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Fred MacMurray, (more)
- 1937
Frances Farmer plays the daughter of an honest and ethical newspaper publisher (Charlie Ruggles). She wants to become a reporter herself, but when her Dad refuses to give her an easy break, Frances goes to work for a rival "tell all" tabloid. Her irresponsible reporting causes a highly respected citizen to commit suicide, and also loses her the respect of her father. But when Frances gets "over her head" in tracking down a killer, her father comes to the rescue. Taking a bullet meant for his daughter, Ruggles dies in her arms, but not before advising her in how to report this late-breaking event: "Write it simply and clearly and keep the paragraphs short." ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Frances Farmer, (more)
Financier J.B. Ball (Edward Arnold) -- known in the press as "the Bull of Broad Street" -- may be one of the wealthiest investment bankers in the country, but he also knows the value of a dollar. And when his wife (Mary Nash) spends 50,000 of them on a sable coat, he is driven into such a fury in the ensuing argument on the roof of their Fifth Avenue townhouse, that he throws the coat into the street -- where it promptly lands on the head of Mary Smith (Jean Arthur), a clerk-typist on her way to work, riding on the upper deck of a double-decker bus, ruining her hat in the process. She jumps off the bus to try to return the coat, but Ball insists that she keep it. What she really needs, however, is not a 50,000-dollar sable coat so much as a ride to work -- as she doesn't even have a dime for bus fare -- and perhaps a new hat. Ball obliges, taking her to one of the top clothing stores in New York, buying her an expensive fur hat to go with the coat, and then dropping her at work in his limo. Her superiors, seeing her decked out in a sable coat and a new hat, and getting out of the chauffeured car, conclude that Mary is a kept woman, and, therefore, unfit to work for the boys magazine where she is employed, and they fire her. Now out of work and virtually broke, she seems to have become a victim of random fate, but suddenly the scales start to tip the other way from the very same misunderstanding that got her fired. Having been seen in the company of J.B. Ball -- whose name she didn't even get -- she is rumored to be his mistress; the prissy clothing store proprietor (Franklin Pangborn) spreads this story, and that turns Mary into the object of attention for Mr. Louis Louis (Luis Alberni), the owner of a failed luxury hotel on which Ball's bank holds the mortgage, and is about to foreclose. For reasons that she can't begin to understand, since there is nothing going on between her and J.B. Ball (whose name she doesn't even know), or between her and anyone, Louis moves her into the most luxurious suite in his hotel for a dollar a day, asking her only to inform "that certain someone" of how she loves living there. Mary has no idea of who "that certain someone" is, or what Louis is talking about, but she needs a place to live, and Louis is insistent. She still needs to eat, and, while trying to get a meal at the automat, she crosses paths with a handsome, well-meaning, but inept waiter (Ray Milland), who gets fired for helping her. She takes him into her suite so he has a place to stay, and the two fall in love in the course of finding out about each other. She knows that he is John Ball Jr., but doesn't realize that he is the son of J.B. Ball, trying to make it on his own, nor does she yet realize who J.B. Ball is, in terms of being the man who gave her the coat and the new hat, or one of the wealthiest men in the country. But after the elder Ball spends an innocent night at the Hotel Louis, a gossip columnist named "Wallace Whistling" (William Demarest) prints that he is keeping a woman at the hotel, and suddenly the Hotel Louis, perceived as a fashionable playground for the upper-crust, is filled with guests. This multiple case of mistaken identity plunges through two or three new layers, eventually bringing about an impending stock market crash to rival 1929, before Mary discovers who her would-be benefactor and her would-be fiancé are. She bails them out of the jam that they're in, also restoring the Ball's marriage, her own reputation, and her romance with Ball's son in the process. ~ Bruce Eder, All Movie Guide
- Starring:
- Jean Arthur, Edward Arnold, (more)
- 1937
An airy screwball comedy, Danger--Love at Work explores the lives of a wealthy but wacky family. Ann Sothern plays the daughter, the only remotely "normal" member of the clan. Poor Jack Haley enters the scene as a feckless attorney who tries to get the family to finalize an important land deal. Sothern falls for Haley, and through the machinations of her looney parents the timorous lawyer winds up the object of a "shotgun wedding." The amusing but inconsequential Danger--Love at Work was the second American film of director Otto Preminger. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sothern, Jack Haley, (more)
- 1936
Previously filmed in 1919, the Kate Douglas Wiggin novel Timothy's Quest was remade as a talkie in 1935. Dickie Moore plays Timothy Tarbox, a dewy-eyed orphan united in misery with his little sister Samantha (Virginia Weidler). The kids are taken in by maiden lady Vilda Cummins (Elizabeth Patterson), an old battle-ax who allegedly hates all children. It takes some doing, but Timothy and Samantha eventually win over Vilda, whose bark (as suspected) is far worse than her bite. A romantic subplot involving grown-ups Martha (Eleanor Whitney) and David (Tom Keene) never intrudes too long on the sentimental main story. Among the scenarists of Timothy's Quest are former Harold Lloyd director Gil Pratt and future MGM executive Dore Schary. ~ Hal Erickson, All Movie Guide
- Starring:
- Dickie Moore, Virginia Weidler, (more)
- 1936
The 1936 comedy-mystery The Princess Comes Across might well have been inspired by a real-life incident during the silent-movie era, in which a crafty San Francisco stenographer hoodwinked the Hollywood elite into believing that she was a Spanish princess. Carole Lombard stars as an alluring Swedish beauty who travels under the name of Princess Olga. Everyone whom she meets en route to America on the steamship Mammoth bows and scrapes to the Princess, while Hollywood anxiously awaits her arrival to star her in a big-budget film. Only the ship's bandleader, King Mantell (Fred MacMurray), refuses to defer to Olga, sensing that she may not be all she claims. Mantell's instincts are right on target: the "Princess" is a brass-nickel phony, a Brooklyn girl named Wanda Nash who has cooked up her royal guise with drama coach Gertrude (Alison Skipworth) as a publicity stunt to crash into movies. Unfortunately, a weaselly blackmailer Darcy (Porter Hall) gloms onto Wanda's true identity and offers to keep quiet in exchange for a huge cash settlment. At the same time, Darcy is attempting to shake down several other passengers on the Mammoth, including King Mantell. Inevitably, Darcy is found murdered in the "Princess"'s stateroom, and Wanda finds herself one of several likely suspects, among them Mantell. A quintet of international detectives, travelling to a convention in America, sets out to solve the mystery, which becomes even more mysterious when one of the detectives also turns up dead. Taking matters in his own hands, Mantell vows to clear Wanda's name, and in the course of things he realizes that he's madly in love with her--but will Wanda give up her hoax, and her future showbiz career, for Mantell's sake? Among the many highlights in this engagingly daffy film is Fred MacMurray's rendition of the enchantingly forgettable song "My Concertina." ~ Hal Erickson, All Movie Guide
- Starring:
- Carole Lombard, Fred MacMurray, (more)
- 1936
The Three Married Men are Peter Cary (Roscoe Karns), Bill Mullens (William Frawley) and Bill's brother Jeff (Lynne Overman). Actually, at the beginning of the story, Peter is about to wed Jeff and Bill's sister Jennie (Mary Brian). Not wishing to invite Peter into their family, the Mullens boys try to scare him out of marrying Jennie by telling him horror stories of their own unhappy marriages. They do their job well, and soon the engagement is rent asunder -- whereupon Jeff and Bill realize they've made a mistake and try to bring the couple back together. Three Married Men was co-scripted by celebrated Broadway wit Dorothy Parker and her then-husband Alan Campbell. ~ Hal Erickson, All Movie Guide
- Starring:
- Lynne Overman, William Frawley, (more)
- 1936
In this airborne adventure, three pals from WW I team up to run a commercial airline. They have also been working on a new design for a plane and unbeknownst to them, enemy agents are watching them. Later a good-guy is assigned to stop the spies. During the exciting climax, the hero accomplishes his task in mid-air. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jimmie Allen, William Gargan, (more)
- 1936
Made with the full cooperation of the real-life Texas Rangers (who never met a publicity gimmick they didn't like), this sprawling historical western stars Fred MacMurray as Jim Hawkins, one of three outlaws working the Lone Star State in the years following the Civil War. Both Hawkins and his partner in crime Wahoo Jones (Jack Oakie) decide to go straight, but their bandit pal Sam McGee (Lloyd Nolan) has not quite seen the light. Eventually, Jim and Wahoo join the fledgling Texas Rangers, an organization dedicated to bringing law, order and honest government to their state, while McGee cuts a swath of terror with his new gang. When the two reformed outlaws are assigned to bring in their old friend Sam, Jim balks but Wahoo accepts. In the film's most talked-about scene, McGee smilingly puts a hole through Wahoo's stomach with a gun he has hidden under a table. Now motivated by revenge (although he couldn't say as much in a post-Production Code film), Jim vows to bring McGee to justice, dead or alive, but preferably the former. Released to coincide with the Texas Centennial, The Texas Rangers was remade in 1949 as Street of Laredo; there was also a 1940 sequel, The Texas Rangers Ride Again. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Jack Oakie, (more)
- 1936
Making a transcontinental plane flight in only thirteen hours was quite an achievement when this film was made in 1936 -- but it was not impossible, as indicated by Paramount's last-minute decision to "downsize" the film's original title, Twenty Hours by Air. In anticipation of Airport 34 years later, womanizing pilot Jack Gordon (Fred MacMurray) is called upon to safely guide his plane through a blinding blizzard. His task is complicated by a trio of crooks who are escaping from the law after pulling a jewel heist, and by a shady nobleman (Fred Keating) who offers Gordon a large amount of money if he will land the plane before San Francisco. In the climax, one of the passengers hijacks the plane, only to be foiled by -- of all people -- an obnoxious brat of a youngster (Bennie Bartlett). Oh yes, and before this eventful flight has reached its conclusion, self-styled Lothario Jack has decided to settle down with one girl, wealthy Felice Rollins (Joan Bennett), who, during one of the many crises, is briefly pressed into service as Jack's copilot. Thirteen Hours by Air was produced with the technical assistance of United Airlines. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Joan Bennett, (more)
- 1935
The title doesn't refer to mosquitoes but to the amount of money that could be earned in the radio business of the 1930s. Samuel S. Hinds plays a Major Bowes-type entrepreneur who sponsors a weekly radio amateur contest. Hinds' daughter Wendy Barrie has show-biz aspirations, but dad won't hear of it. She enters his contest under an assumed name, winning not only the prize but the heart of a the program's emcee (John Howard). Millions in the Air is one of the few feature films costarring Broadway comedian Willie Howard, whose Jewish characterization and "blue" humor made him difficult to cast in most Hollywood productions. ~ Hal Erickson, All Movie Guide
- Starring:
- John Howard, Willie Howard, (more)
