Florence Lake Movies

A doctor is murdered, and the chief suspect is a grieving young father who held the victim responsible for his son's death. Placed in custody, the perpetrator escapes, embarking upon a seemingly senseless murder spree. In his efforts to nab the rampaging killer, undercover detective Tony Baretta (Robert Blake) tries to figure out his quarry's motives -- and his next move. ~ Hal Erickson, Rovi

The Day of the Locust is anything but a cheerful, light look at Hollywood in the '30s. It recreates both the town as well as the filmmaking world around which much of the town revolved with devastating accuracy. The movie tells the twin tales of talentless wannabe actress Faye Greener (Karen Black) and Homer Simpson (Donald Sutherland), a lovelorn accountant who couldn't care less about movies. Around this framework, a huge and intricate social network is tellingly revealed, until the film's gruesome and tragic ending. Not for those who prefer to hang onto their illusions about the glory days of Hollywood, The Day of the Locust, based on the novel by Nathanael West, is a must-see for serious film buffs. ~ Clarke Fountain, Rovi

Frasier the Sensuous Lion would seem to have been conceived as a racy "answer" to Disney's sugary-sweet animal comedies. The talkative title character is befriended by zoologist Marvin Feldman (Michael Callan). When Frasier's loquaciousness becomes public knowledge, Feldman tries to save the lion from being commercially exploited by a sleazy California wildlife preserve. The film's supporting cast includes such TV perennials as Frank De Kova ("Wild Eagle" on F Troop) and Malachi Throne ("Noah Bain" on It Takes a Thief). Frasier's innuendo-laden dialogue is supplied by, of all people, Victor Jory. ~ Hal Erickson, Rovi

Banyon is an A-number-one detective yarn set (very accurately) in the 1930s. Robert Forster, emulating John Garfield in virtually every scene, plays private eye Miles C. Banyon. Right now he's in dutch because a beautiful young woman has been found murdered--and Banyon's gun was the murder weapon. This state of affairs plunges the detective into a maelstrom of deceit and double-cross involving (among many elements) a Winchell-style radio commentator (Jose Ferrer), a paroled big-time gangster, a scar-faced assassin, and a Nazi Bund camp. Once he solves the main mystery, Banyon is faced with the unhappy Maltese Falcon task of exposing a close friend as a murderer. First telecast March 15, 1971, Banyon spawned a brief TV series one year later, with Robert Forster still in the lead. ~ Hal Erickson, Rovi

When school rules prohibit Uncle Bill (Brian Keith) from attending a father-and-son event, Jody (Johnnie Whitaker) is upset, regarding Bill as the only dad he has ever had. This sets Bill to worrying that the kids are losing all memory of their real father. To solve this problem, Bill packs the family up for a nostalgic return visit to their home town of Terre Haute, where a number of touching surprises await them. ~ Hal Erickson, Rovi

When Betty Jo (Linda Kaye) fails to come home from school on time, Kate (Bea Benaderet) fears the worst. And what could be any worse than the possibility that Betty has eloped with classmate Peter Latimer (Charles Briles)? Ironically, this episode was originally telecast the same week that TV Guide ran an article explaining why former Petticoat Junction regulars Pat Woodell and Jeannine Riley had left the series--and even more ironically, Linda Kaye was the only "Bradley daughter" to remain with the show from beginning to end! ~ Hal Erickson, Rovi

The Adventures of Superman switches from black and white to color in this first episode of the series' fourth season. Just as a crook named Turk (Jim Hyland) has shown up in the office of "Daily Planet" editor Perry White (John Hamilton) to sign a confession, in bursts eccentric scientist Professor Twiddle (Sterling Holloway) who announces that he has invented a time machine. In an instant, the invention has hurled White, Turk, Twiddle and reporters Clark (George Reeves), Lois (Noel Neill) and Jimmy (Jack Larson) back in time some 50,000 years to the Stone Age. There's just one small hitch: Twiddle hasn't invented a device to return the time travelers back to the Present! ~ Hal Erickson, Rovi

The third of four Wayne Morris B-westerns for Allied Artists, Desperado casts Morris as fugitive gunman Sam Garrett. The early reels are devoted to Tall Cameron (James Lydon) and Ray Novac (Rayford Barnes), who run afoul of the post-Civil War Texas State Police, as represented by sadistic Captain Thornton (Nestor Paiva). Escaping Thornton's wrath, Tall and Ray meet Garrett, who becomes Tall's friend and advisor when Ray proves to be a louse. Seeking revenge, Ray kills Thornton and frames Tall for the crime. Sympathetic sheriff Jim Langley (Dabbs Greer) joins forces with "friendly enemy" Garrett to clear Tall and mete out just desserts to Ray. Beverly Garland costars as a more resourceful heroine than one usually finds in westerns of this nature. Though hamstrung by a low budget, Desperado is an intellingently written, well-paced endeavor. ~ Hal Erickson, Rovi

As other "B"-western series kept dropping like flies in 1952, Johnny Mack Brown kept grinding 'em out for Monogram. In Man From Black Hills, Johnny tries to help locate his saddle pal Jim Fallan's (James Ellison) long-lost father. Arriving in a small mining town, Johnny and Jim discover that Jim's father has established a financial empire--and that a local opportunist (Randy Brooks) has capitalized on this by claiming to be the old man's son. A few fistfights and gun battles later, things are set aright. Man From Black Hills was directed by Thomas Carr, who went on to a prolific career on episodic television. ~ Hal Erickson, Rovi

Lloyd Bacon wrapped up his lengthy directorial career with the innocuous comedy She Couldn't Say No. "She" is a young heiress named Corby (Jean Simmons), who visits the small town of Progress, Arkansas, hoping to repay a good deed. It seems that, when Corby was a child, the villagers had all donated money to pay for her life-saving operation. Now she intends to reward the villagers by anonymously donating all sorts of financial boons and civic improvements. This serves only to stir up resentment against our well-intentioned heroine. Particularly offended is local doctor Robert Mitchum, who rightly sees Corby's beneficence as an invitation for every hustler and con-artist on earth to descend upon Progress. What Doc Mitchum can't foresee (though the audience can) is that he'll fall head over heels in love with Corby before fadeout time. With She Couldn't Say No, Jean Simmons fulfilled her contractual obligations to RKO, freeing her for more prestigious assignments like Desiree and Guys and Dolls. ~ Hal Erickson, Rovi

With the profits of the Abbott & Costello films in decline, Universal decided to experiment with the comedians' standard formula. In both Little Giant and The Time of Their Lives, Bud Abbott and Lou Costello play separate characters, rather than the usual smart guy/dumb guy comedy team. In Giant, Costello is cast as farm boy Benny Miller, a would-be salesman who goes to work for the Hercules Vacuum Cleaner company. Almost immediately running afoul of crooked general manager Morrison (Bud Abbott), bumbling Benny is about to be fired when he is convinced by a bunch of practical jokers that he has the power to read minds. His newfound self-confidence enables Benny to become Hercules' top salesman, which delights branch manager Tom Chandler (also Bud Abbott), Morrison's cousin and principal rival. About to receive a salesmanship award, Benny falls into a trap laid by Morrison and his wife (Jacqueline de Wit), who conspire to discredit Chandler by exposing Benny as a fraud. Thoroughly disillusioned, Benny returns home, only to discover that not only is he still Hercules' fair-haired boy, but that he's also replaced Morrison as general manager. Written by Richard Collins and Paul Jarrico, Little Giant is hardly typical Abbott and Costello fare, though the film contains several characteristic comedy setpieces, including an interpolation of Abbott & Costello's classic "Seven Goes Into Twenty-Eight Thirteen Times" routine. Perennial Marx Brothers foil Margaret Dumont shows up in one of the better slapstick scenes. ~ Hal Erickson, Rovi

Part of the series of Universal B-musicals teaming Martha O'Driscoll and Noah Beery Jr., this film is also a remake of the 1937 comedy Love in a Bungalow. Patty Callahan (O'Driscoll) offers residence in a model home to soldier Jeff (Beery) and soon falls in love with him. Although the pair are unmarried, they enter a marital contest intended to celebrate the "Happiest G.I. Couple." Winning the contest brings on all sorts of farcical troubles until the couple are able to be united for real. Songs include "Don't Sweetheart Me" and "Best of All." ~ Nicole Gagne, Rovi

When he finds out his ex-wife has just had his child and plans to give her up for adoption, a timid English instructor dashes to the child's rescue and attempts to care for her in a hotel room. Before too long, however, his new fiancee and his ex confront him and he must decide what he will do. This light comedy starring Gary Cooper, Theresa Wright and Anita Louise garnered Oscar nominations for Sound and Art Direction and was previously filmed under the title Little Accident in 1930 and 1939. ~ Kristie Hassen, Rovi