Bill Lake Movies

The mysterious and unexpected death of an iconic Hollywood star may be just the tip of an iceberg of scandal in this showbiz drama based on a true story. George Reeves (played by Ben Affleck) was a journeyman actor who had played a small role in Gone With the Wind and appeared onscreen with the likes of James Cagney, Rita Hayworth, and Marlene Dietrich, but his career was not exactly booming when he was cast as comic-book hero Superman in a 1951 B-movie, Superman and the Mole Men. A year later, the producers of the movie launched a syndicated Superman television series with Reeves returning as "The Man of Steel." The show became a major hit, and Reeves was a star at last. However, on June 16, 1959, to the shock of many, Reeves was found dead of a gunshot wound. Police soon declared Reeves' death a suicide and closed the case, but his mother (Lois Smith) refused to believe her son took his own life, and hired Louis Simo (Adrien Brody), a private detective, to find out the truth about her son's passing. Simo found that many Hollywood insiders did not care to cooperate as he researched the Reeves case, but his digging uncovered plenty of evidence suggesting the actor did not take his own life, and he also revealed one of Reeves' deepest secrets -- while he was engaged to marry a pretty young starlet, Leonore Lemmon (Robin Tunney), Reeves was also carrying on an affair with the beautiful Toni Mannix (Diane Lane), the wife of Eddie Mannix (Bob Hoskins), a powerful and ill-tempered executive at MGM. While the producers of Hollywoodland based their story on factual accounts of the investigation into the death of George Reeves, they were denied permission to use the Superman logo and the familiar introduction to the Adventures of Superman television show by the respective copyright holders. ~ Mark Deming, Rovi

The time: June 1998. The place: The sleepy town of Jasper, TX. Three young, self-styled white supremists overpower a 49-year-old black man named James Byrd Jr., chain him to the back of their pickup, and literally drag him to death. What follows is a media firestorm, exacerbated by scores of network and cable-TV news services, the grim pronouncements of so-called pundits, and the intrusion upon Jasper of several extremist activists, ranging from members of the Ku Klux Klan to the newly formed Black Panthers. As the frenzy continues, the heretofore peaceful, if somewhat tenuous, relationship between the white and black residents of Jasper is severely strained, with echoes of past racism resounding throughout the area. In the center of the controversy are two decent, hard-working public servants: R.C. Horn, the first black mayor of Jasper, and Billy Rowles, the town's white sheriff. Also profoundly affected by the appalling murder of Byrd are the respective parents of the victim and the killers. Happily, when the dust clears, justice is done (two of the murderers are condemned to death, the third sentenced to life imprisonment), and, instead of being wrenched apart, the black and white communities of Jasper draw closer together than they have ever been. Made for cable TV, this feature-length reenactment stars Louis Gossett Jr. as Horn and Jon Voight as Rowles. Although certain liberties are taken (the actor playing Byrd is clearly much younger than his real-life counterpart and the Black Panthers and KKK are incorrectly shown descending upon Jasper the same day), the film is, by and large, accurate. Better still, there is a minimum of preaching and proselytizing. Previewed at the Philadelphia Film Festival, Jasper, Texas was given its official Showtime network cable premiere on June 8, 2003 -- almost five years to the day after Byrd's death. ~ Hal Erickson, Rovi

Danny DeVito steps behind the camera for this darkly funny satire that combines elements of Barney and Friends with the real-life Pee-Wee Herman scandal while recalling the director's previously twisted black comedies Throw Momma From the Train (1987) and The War of the Roses (1989). Robin Williams stars as Randolph Smiley, a popular children's show host known professionally as "Rainbow Randolph." Dismissed from his beloved job when he's caught taking payola, Randolph becomes increasingly mentally unhinged and the target of his delusional revenge fantasies is Sheldon Mopes (Edward Norton), otherwise known as Smoochy, the fuchsia rhino character that has replaced him and soared to national popularity. Randolph soon learns that his ex-girlfriend and network executive Nora Wells (Catherine Keener) is sleeping with Sheldon, so he sets out to kill Smoochy, egged on by an unexpected ally: corporate president Marion Frank Stokes (Jon Stewart), who should be profiting from Smoochy's rise to fame, except for the fact that he and his cronies are unable to control the idealistic Sheldon's on-air agenda. Death to Smoochy (2002) co-stars Harvey Fierstein, Vincent Shiavelli, and Michael Rispoli. ~ Karl Williams, Rovi

This made-for-TV drama was inspired by a true story that occurred in Carleton, Ontario during Christmas Week of 1999. Disguised as a nurse, a bipolar woman named Margaret Wheeler (Nola Auguston) kidnaps a premature infant, the first male child of Karen and Phil Lewis (Marnie McPhail, Hugh Thompson). Though profoundly disturbed, Margaret has covered her tracks well, and has even secured the silence of her boyfriend Darryl (Alan Van Sprang), a former convict who can't go to the authorities without casting blame upon herself. As the Lewises anxiously await news of their missing baby, dedicated police sergeant Jane McKinley (Leslie Hope) follows the trail of clues and ultimately attempts to break down Margaret's wall of lies. The film also brings into play the not inconsiderable domestic problems endured by McKinley herself as she endeavors to bring hope to the biological parents. Despite the grimness of its subject matter, Stolen Miracle is a heartwarming, life-affirming firm which proved ideal Holiday fare when it first aired in Canada on December 18, 2001. It was subsequently picked up for US cable play (again as a "Christmas picture") by the Lifetime channel. ~ Hal Erickson, Rovi

Barbra Streisand and Cis Corman are the executive producers of this TV movie, filmed in Toronto by director Joseph Sargent (The Taking of Pelham One Two Three). The fact-based film recounts the aftermath of the night of December 7, 1993 when gunman Colin Ferguson (Tyrone Benskin) opened fire on a packed Long Island Rail Road commuter train, killing six and wounding 19. However, instead of re-creating that attack and focusing on Ferguson, this drama follows the life of suburban housewife Carolyn McCarthy (Laurie Metcalf), who entered politics on a gun-control platform after her husband of 30 years was killed and her 26-year-old son was wounded during the incident. McCarthy is depicted here as a crusading media personality appealing for assault weapon control, then a political candidate, and finally as the congressional representative from the fourth district of New York. Premiere April 19, 1998 on NBC. ~ Bhob Stewart, Rovi

As indicated by the title, this made-for-TV movie charts the rise and fall of Olympic figure skater Tai Babilonia. Partnered since childhood with Randy Gardner, Tai skated her way to the 1979 World Championship. Her hopes for Olympics success in 1980 are scuttled when her partner Gardner suffers a groin injury and is unable to compete. Tai responds to this disappointment by descending into drug abuse, culminating in an attempted suicide. The plucky skater recovers from all this, and the film ends on a hopeful note. On This Ice: The Tai Babilonia Story stars Rachel Crawford as Tai and Charlie Stratton as Randy, but that's the real Babilonia and Gardner recreating their classic routines in the long shots. ~ Hal Erickson, Rovi

In this convoluted drama, a CIA agent is finally released after spending the past thirteen years imprisoned in the Soviet Union. The joy of his homecoming is shattered when he discovers his wife married to another and that his daughter has grown up. When he learns that his wife's new husband is busy battling the corrupt family who controls the town, and that this has endangered his former family, he takes action to protect them. ~ Sandra Brennan, Rovi

Accidentally peering through a window while on his nightly jog, stockbroker Kenneth Gilman can't take his eyes off beautiful Barbara Law. He returns to the same neighborhood night after night, for the express purpose of sneaking a peek at Law and her lover in various states of sexual passion. When the woman is murdered, Gilman is fingered as the culprit--and it doesn't help matters that he's been discussing his chronic voyeurism with psychiatrist Dayle Haddon. Now it's up to our obsessive hero to find out who's trying to frame him. More successful as a semi-comedy than as a thriller, Bedroom Eyes drew enough of an audience to warrant a sequel, ingeniously titled Bedroom Eyes 2. ~ Hal Erickson, Rovi

This is a remake of a 1936 sci-fi, future dystopia tale by H.G. Wells, but the drama, as interpreted by director George McCowan and scripter Martin Lager is not altered to accommodate today's more demanding audiences. As a result, the story, characters, and dialogue are a little weak. After a nuclear holocaust has forced people on earth to set up house on the moon (covered by an insulating, glass-like bubble), their continuing existence depends on some medication to fight off the effects of radiation (!). The trouble is that this medicine is now controlled by the villainous Omus (Jack Palance) who lives on the planet where the miracle drug is made. He is in the process of blackmailing the earth people into accepting him as a dictator when a group of them sneak out in a rocket to defeat him and save the day, whatever the day is on the moon. ~ Eleanor Mannikka, Rovi