Bennie Bartlett Movies

The Bowery Boys find themselves up to their unwashed necks in international intrigue when they agree to help the exiled king (Sig Ruman) and the lovely princess (Lisa Davis) of the mythical country of Truania. It seems that sweet shop owner Louie (Bernard Gorcey) was born in Truania and is still loyal to its monarchy, thus Bowery boys Slip (Leo Gorcey) and Sach (Huntz Hall) are entrusted with a valuable half-coin that will be conjoined with its other half when it is safe for the king to return to his homeland. The king's "faithful" retinue (Leon Askin and Veola Vonn) turn out to be traitors, hoping to trap the king by doctoring the coin. Plots and counterplots are hatched in and around Louie's sweet shop, but the Bowery Boys vanquish the traitors and save the throne. The best scenes involve Sach, who is periodically put under a hypnotic spell by the wily female traitor. Spy Chasers isn't exactly John Le Carre, but as a Bowery Boys epic it's one the best. ~ Hal Erickson, All Movie Guide

In this entry in the long-running series, the Bowery Boys must help a reporter who was beaten up during an undercover investigation at a local prison. With the consent of the reporter's editor, the boys pull off a phony jewel caper and two of them are imprisoned. In the pokey, they learn that the editor is the real thief and that they really are in prison. Hijinks ensue until they expose a scam surrounding prison guards on the take from inmates who pay them to give them easier jobs. This allows them to prove their innocence and eventually expose the evil editor. ~ Sandra Brennan, All Movie Guide

This Bowery Boys opus gets under way when Sach (Huntz Hall) is informed that he is heir to a fortune. Sach and his buddy Slip (Leo Gorcey) head to the mansion of the late Terwilliger Debussy Jones to sign the necessary legal papers. Here they discover that the rightful heir is young Terwilliger III (Ronald Keith), who is being cheated out of his legacy by crooked relative Stuyvesant Jones (Dayton Lummis) and his confederate Clarissa (Amanda Blake). After all sorts of slapstick complications, honesty prevails. Believe it or not, High Society earned an Academy Award nomination for "Best Original Story," all because the Academy confused this Bowery Boys endeavor with the big-budget Frank Sinatra/Bing Crosby/Grace Kelly musical of the same name. ~ Hal Erickson, All Movie Guide

The Bowery Boys Meet the Monsters may not be the best of the "Bowery Boys" series, but it was unquestionably the most profitable. It all begins when Slip (Leo Gorcey) and Sach (Huntz Hall) try to gain permission to use a local vacant lot for baseball games. The boys make a trip to the mansion of the lot's owners, the sinister Gravesend family. It soon develops that all the Gravesends are looney, and none loonier than mad scientists Derek (John Dehner) and Anton (Lloyd Corrigan). Derek wants to transfer Sach's brain (what there is of it) to the body of a gorilla, while Anton wants to use Sach's graymatter for his robot. Meanwhile, Amelia Gravesend (Ellen Corby) makes plans to feed Slip to her carnivorous plant. Along the way, Sach is periodically transformed into a hideous beast, terrifying one and all, including his would-be rescuers Louie (Bernard Gorcey), Butch (Bennie Bartlett) and Chuck (David Condon). There isn't a single gag or situation in Bowery Boys Meet the Monsters that wasn't used earlier by the Three Stooges or Abbott & Costello, but that doesn't make the film any less hilarious. ~ Hal Erickson, All Movie Guide

Laid up with a broken leg, photojournalist L.B. Jeffries (James Stewart) is confined to his tiny, sweltering courtyard apartment. To pass the time between visits from his nurse (Thelma Ritter) and his fashion model girlfriend Lisa (Grace Kelly), the binocular-wielding Jeffries stares through the rear window of his apartment at the goings-on in the other apartments around his courtyard. As he watches his neighbors, he assigns them such roles and character names as "Miss Torso" (Georgine Darcy), a professional dancer with a healthy social life or "Miss Lonelyhearts" (Judith Evelyn), a middle-aged woman who entertains nonexistent gentlemen callers. Of particular interest is seemingly mild-mannered travelling salesman Lars Thorwald (Raymond Burr), who is saddled with a nagging, invalid wife. One afternoon, Thorwald pulls down his window shade, and his wife's incessant bray comes to a sudden halt. Out of boredom, Jeffries casually concocts a scenario in which Thorwald has murdered his wife and disposed of the body in gruesome fashion. Trouble is, Jeffries' musings just might happen to be the truth. One of Alfred Hitchcock's very best efforts, Rear Window is a crackling suspense film that also ranks with Michael Powell's Peeping Tom (1960) as one of the movies' most trenchant dissections of voyeurism. As in most Hitchcock films, the protagonist is a seemingly ordinary man who gets himself in trouble for his secret desires. ~ Hal Erickson, All Movie Guide

When the Bowery Boys go to visit a friend on an Air Force base, they are pulled into an investigation to discover why their friend is being accused of treason. Accidentally enlisting in the service, they continue their investigation and eventually stumble on a Nazi plot. ~ Tana Hobart, All Movie Guide

In this entry in the long-running Bowery Boys series, Sach becomes a mind-reader after he is punched in the nose. To capitalize on his new talent, he and the boys open the Eagle Eye Detective Agency. Their first client, a forgetful fellow, desperately needs them to find the combination to the vault where he placed an envelope containing secret information about a group of gangsters. The young detectives then don disguises and sneak in to the gangsters' lair to stop them. ~ Sandra Brennan, All Movie Guide

This "Bowery Boys" entry is an on-target satire of TV wrestling (which, if anything, is even sillier in the 1990s than it was in 1952). Through a freak of nature, Sach Jones (Huntz Hall) develops a cranium so hard that it is impervious to pain. Capitalizing on this phenomenon, Sach's pal Slip Mahoney (Leo Gorcey) enters Sach in a wrestling match, during which his great strength re-manifests itself in his fingers. With each subsequent wrestling bout, Sach's superstrength shifts to another part of his body. When slated to take on real-life wrestler Hombre Montana in the ring, Sach nearly meets his Waterloo until the last moment, when he develops extrahuman strength in his backside. Never believable for a single moment, No Holds Barred is one of the best and funniest of the 48 "Bowery Boys" films. In addition to Hombre Montana, other genuine wrestlers making guest appearances include Henry Kulky, Pat Fraley, Brother Frank Jares and Count John Maximillian. ~ Hal Erickson, All Movie Guide

Believe it or not, those boobish Bowery Boys Slip Mahoney (Leo Gorcey) and Sach Jones (Huntz Hall) are drafted into the Marine Corps (drafted into the Marine Corps?) Because of his father's sterling war record, simple-minded Sach is promoted to sergeant, and has a high old time lording it over his former "chiefie" Slip. Seemingly born under a lucky star, the more Sach screws up during boot camp, the higher he's promoted. Just when this running gag threatens to wear out its welcome, the scriptwriters bring in a gang of crooked gamblers who've been victimizing the Marine trainees, leading to a maelstrom of fisticuffs between the Bowery Boys and the bad boys in the final reel. Extra laughs are supplied in Here Come the Marines by Donald MacBride as Slip and Sach's dough-faced drill sergeant. ~ Hal Erickson, All Movie Guide

Even allowing for the fact that it owed its existence to the popularity of Life with Father (1947), Cheaper by the Dozen is one of the freshest, funniest and most enduring "family" films ever to emerge from Hollywood. Based on the autobiographical novel by Frank Gilbreth Jr. and Ernestine Gilbreth Carey, this is the mostly true story of famed efficiency expert Frank Bunker Gilbreth. As played by Clifton Webb, Gilbreth is a benevolent despot in his own home, managing to keep order and (sometimes) sanity despite the presence of twelve children (hence the title). Myrna Loy co-stars as Gilbreth's wife Lillian, who provides balance to her lively household, while Jeanne Crain is allotted the somewhat thankless role of eldest daughter Ernestine (who also narrates the story). The original book was basically a series of non-chronological anecdotes: Lamar Trotti's screenplay provides a throughline in the form of Gilbreth's ongoing ambition to deliver a series of lectures in Europe. The best moments (taken almost verbatim from the novel) include: Papa Gilbreth's insistence upon filming his family's tonsillectomies, including his own; a cruel but undeniably funny vignette wherein the Gilbreths flummox a lady advocate of planned parenthood (Mildred Natwick); Mr. Gilbreth giving an impromptu demonstration on how to take a bath in the least amount of time; and daughter Ernestine's senior prom, where her father ends up as the life of the party (appearing in this sequence as a Southern belle is Betty Lynn, who later played Thelma Lou on TV's Andy Griffith Show). The decision to retain the book's surprisingly downbeat ending provides a poignant coda to this heartwarming comedy. Cheaper by the Dozen was followed in 1952 by a sequel, Belles on their Toes. ~ Hal Erickson, All Movie Guide

The 15th film in the Bowery Boys series, Angels in Disguise combines lowbrow humor with "film noir" melodramatics. Bowery boys Slip (Leo Gorcey) and Sach (Huntz Hall) are copy boys for a crusading newspaper, whose publisher (Ray Walker) is trying to crush the notorious "Loop Gang". When the boys' policeman pal Gabe (Gabriel Dell) is wounded in a shoot-out with the Loop mob, Slip and Sach take it upon themselves to expose the gang. All the Bowery boys (including sweet-shop proprietor Louie) disguise themselves as gangsters and infiltrate the Loop Gang, which is run by a young, erudite intellectual (Mickey Ryan). The scheme to destroy the Loop mob from the inside is flummoxed by the crusading newspaper's cartoonist, actually a member of the crooked gang who has been sending out coded tips in his comic strip. The Loop Gang gives the Bowery Boys a real "going over", but the cops arrive in time to round up the crooks. ~ Hal Erickson, All Movie Guide

In this entry in the long running comedy-drama series, the boys get into the world of prizefighting. When one of Slip's pals is killed in the ring, he and the boys plot their revenge against the gangster responsible. They enlist the aid of the late fighter's boozy brother, who was also a fighter. They convince him into entering the ring one last time. He does so despite the gangster's efforts to stop the boys. The fighter wins and his brother's death is avenged. ~ Sandra Brennan, All Movie Guide

Republic's heartwarming Heart of Virginia has the homey charm of a 1930s "regional" picture. In one of his rare late-1940s leading roles, Frankie Darro plays a reckless jockey who'll stop at nothing to win. His fierce competitiveness results in the death of another rider. With the help of understanding Janet Martin, the daughter of his former boss, Darro redeems himself. The film benefits from its location footage and thrill-packed racing sequences. Originally released at 60 minutes, Heart of Virginia is generally available in the slightly abridged TV version. ~ Hal Erickson, All Movie Guide