Frankie Laine Movies

Vulgar, crude, and occasionally scandalous in its racial humor, this hilarious bad-taste spoof of Westerns, co-written by Richard Pryor, features Cleavon Little as the first black sheriff of a stunned town scheduled for demolition by an encroaching railroad. Little and co-star Gene Wilder have great chemistry, and the delightful supporting cast includes Harvey Korman, Slim Pickens, and Madeline Kahn as a chanteuse modelled on Marlene Dietrich. As in Young Frankenstein (1974), Silent Movie (1976), and High Anxiety (1977), director/writer Mel Brooks gives a burlesque spin to a classic Hollywood movie genre; in his own manic, Borscht Belt way, Brooks was a central player in revising classic genres in light of Seventies values and attitudes, an effort most often associated with such directors as Robert Altman and Peter Bogdanovich . Some of this film's sequences, notably a gaseous bean dinner around a campfire, have become comedy classics. ~ Robert Firsching, All Movie Guide

Of the many filmed versions of the October 26, 1881, O.K. Corral shootout in Tombstone, Arizona, Gunfight at the O.K. Corral was one of the most elaborate and star-studded. Burt Lancaster plays Wyatt Earp, the renowned lawman, while Kirk Douglas is consumptive gambler (and gunfighter) Doc Holliday -- the two meet in difficult circumstances, as Earp discovers that Holiday, for whom he initially feels little but loathing, is being held on a trumped up murder charge and being set up for a lynching, and intercedes on his behalf. The action shifts to Dodge City, Kansas, where Earp is marshal and Holiday, hardly grateful for the good turn, shows up right in the middle of all kinds of trouble, this time mostly on Earp's side of the ledger. And, finally, the two turn up in Tombstone, Arizona, where Wyatt's brother Virgil is city marshal, and where Wyatt finally gets to confront the Clanton/McLowery outlaw gang (led by Lyle Bettger as Ike Clanton). Since the time-span of the actual gunfight was at most 90 seconds, the bulk of the film concerns the tensions across many months leading up to the famous battle. As scripted by Leon Uris (from a magazine story by George Scullin), the story involves two unrelated but parallel plot-lines -- a long-standing vendetta against Holliday and the efforts of Earp to bring the Clanton/McLowery gang to justice -- that are eventually drawn together on the streets of Tombstone. Woven into these proceedings are Earp's and Holliday's romantic dalliances with lady gambler Laura Denbow (Rhonda Fleming) and Kate Fisher (Jo Van Fleet), whose switch in affections from Holiday to outlaw fast-gun Johnny Ringo (John Ireland) only rachets up gambler's rage and the reasons behind the bloody climax. There are plenty of bribery attempts, terse dialogue exchanges and "Mexican standoffs" before the inevitable gunfight takes place. Director John Sturges takes some dramatic license with this confrontation, as well, stretching things out to nearly six minutes, but this is after all an "A" production, and a minute-and-a-half of gunfire just wouldn't cut it. The huge cast of western veterans includes Earl Holliman as Charles Bassett, Dennis Hopper as Billy Clanton, Kenneth Tobey as Bat Masterson, Lee Van Cleef as Ed Bailey, Jack Elam as Tom McLowery, and John Hudson, DeForest Kelley and Martin Milner as Virgil, Morgan, and James Earp, respectively. And there's that Dimitri Tiomkin score, pushing the movie's momentum as relentlessly as the two driven heroes, complete with a song (sung by Frankie Laine) underscoring the major transitions of scenes that's impossible to forget, once heard. Sturges himself would produce and direct a more fact-based and realistic version of the story -- focusing mostly on its aftermath -- a decade later, entitled Hour of the Gun, starring James Garner, Jason Robards, Jr., and Robert Ryan, which wasn't nearly as attractive or successful. But after Gunfight At The OK Corral, there would not be so impressive a lineup of talent at the OK Corral again until the twin Earp biopics of 1994, Wyatt Earp and Tombstone.
~ Hal Erickson, All Movie Guide

In this amiable imitation Guys and Dolls, Alan Reed plays a big-time 1920s gangster who is rubbed out by his enemies. In his will, Reed bequeaths his nightclub to chorus girl Lucy Marlow--which doesn't sit too well with Lucy's policeman boyfriend (Richard Long). Frankie Laine plays the tough-but-lovable nightclub manager who first squabbles with Marlow, then falls in love with her. To let us know that the story is all in fun and we shouldn't worry about the ultimate fate of hero and heroine, the film is related in flashback, narrated by Laine. He Laughed Last is directed by Blake Edwards in the buoyant spirit of Edwards' earlier musical-comedy collaborations with director Richard Quine. ~ Hal Erickson, All Movie Guide

Two TV variety shows on video. They include singing, knife throwing and female bagpipe players. ~ All Movie Guide

Blake Edwards made his directorial debut in the bubbly musical comedy Bring Your Smile Along. The story, written by Edwards and his longtime associate-mentor Richard Quine, gets under way when New England schoolmarm Nancy Willows (Constance Towers) heads to New York, there to try her luck as a lyricist. Teaming with aspiring composer Martin Adams (Keefe Brasselle), Nancy pens several hit tunes for crooner Jerry Dennis (Frankie Laine). Martin would like to make his collaboration with Nancy a little more intimate, but she happens to have a fella back home, David Parker (William Leslie). Since David is as likeable as Martin, Nancy really has a problem. Lucy Marlow, who the previous year had shown up briefly in A Star is Born, is "introduced" as comedy-relief character Marge Stevenson. ~ Hal Erickson, All Movie Guide

In this musical, a determined young woman with stars in her eyes defies her auntie and heads for Hollywood where she gets a messenger job at a major studio in hope of being discovered. Her dreams are soon realized and she is signed to appear in an upcoming film. Her snooty aunt is appalled and outraged until the picture's stars offer to perform at the aunt's charity ball. Songs include: "There's a Rainbow Round My Shoulder" (Dave Dreyer, Billy Rose, Al Jolson), "Bye Bye Blackbird" (Mort Dixon, Ray Henderson), "She's Funny That Way" (Neil Moret, Richard Whiting), "Wrap Your Troubles in Dreams" (Harry Barris, Ted Koehler, Billy Moll), "The Last Rose of Summer"(Thomas Moore, R.A. Milliken), "Wonderful, Wasn't It?" (Hal David, Don Rodney), "Girl in the Wood" (Neal Stuart, Terry Gilkyson), and "Pink Champagne" (Bob Wright, George Forrest). ~ Sandra Brennan, All Movie Guide

When You're Smiling is distinguished by the presence of several top recording artists of 1950. The wafer-thin plotline concerns the misadventures of Texan Gerald Durham (Jerome Courtland), who arrives in the Big City to learn the ropes of the music business. Durham not only ends up with a recording contract, but also wins heroine Peggy Martin (Lola Albright) in the bargain. So much for the story. The principal selling card of When You're Smiling consists of the guest-star turns by Frankie Laine, Bob Crosby, The Modernaires, The Mills Brothers, Kay Starr and Billy Daniels. ~ Hal Erickson, All Movie Guide