Ethan Laidlaw Movies

Perhaps Hollywood's greatest success du scandal of the 1940s, this odd psychological Western became a box office hit largely thanks to the costuming of leading lady Jane Russell (or, more accurately, its relative absence). Billy the Kid (Jack Buetel) and Doc Holliday (Walter Huston) are close friends until lawman Pat Garrett (Thomas Mitchell) attempts to ambush Billy and put him behind bars. Doc brings Billy to his ranch to hide out, but when Billy meets Doc's mistress Rio (Russell), he's instantly attracted to the buxom beauty. An intense chemistry quickly grows between them, despite the fact that Billy murdered Rio's brother. Billy and Rio secretly marry, but their love runs hot and cold, and soon Billy, Doc, and Rio are fighting among themselves as they're chased through the desert by Garrett and his posse. Director Howard Hawks and screenwriter Ben Hecht both worked on The Outlaw, but they went uncredited after disputes with the legendarily difficult financier (and sometimes producer/director) Howard Hughes, whose battles with the censors resulted in the film spending three years on the shelf before finally gaining wide release in a cut version in 1946. ~ Mark Deming, All Movie Guide

When a young woman inherits $1 million she finds herself the target of a criminals who wants her money too! ~ All Movie Guide

To say that Behind the Eight Ball is the best of the Ritz Brothers' quartet of Universal vehicles is faint praise indeed, but it's fact that the Ritzes pack an awful lot of laughs in the film's 60-minute running time. The story takes place at a summer theater in the Berkshire Mountains, where heroine Joan Barry (Carol Bruce) is staging a Broadway-bound musical comedy. Only one problem: two guest stars are shot and killed on two successive evenings, right in front of the audience. Hoping to solve the mystery, detective William Demarest demands that everyone -- actors and theatergoers alike -- return the following weekend to restage the show. But with no major performer willing to assume the fatal guest-star slot, Joan is forced to hire the Three Jolly Jesters (Al, Harry and Jimmy Ritz), Manhattan washroom attendants with showbiz aspirations. Though they're not keen on being set up as targets for the murderer, our three heroes gamely do as they're told -- and miracle of miracles, ultimately reveal that the killings are tied in with a nest of Axis spies! Highlights of this lightning-paced programmer include the Don Raye-Gene Paul hit song "Mister Five by Five" and the Ritz boys' specialty number "Charles Atlas Did It for Me". ~ Hal Erickson, All Movie Guide

Though officially based on a Saturday Evening Post story by Clarence Buddington Kelland, RKO Radio's Valley of the Sun was obviously inspired by the blockbuster comedy western Destry Rides Again (indeed, both films were directed by George Marshall). James Craig stars as Indian scout Jonathan, whose pro-Native American sentiments do not rest well with crooked civilian Indian agent Jim Sawyer (Dean Jagger), who intends to benefit from an impending tribal uprising. Court-martialed on a trumped-up charge fomented by Sawyer, Jonathan escapes the stockade with the help of a friendly sergeant and rides off to Washington DC, hoping to forestall an all-out Indian war. En route, he makes the acquaintance of Sawyer's snooty fiancee Christine (Lucille Ball), forcing her into a marriage for plot reasons too complicated to go into here. After juggling comedy and melodrama for nearly eight reels, the film turns serious towards the climax, when the fate of the protagonists falls into the hands of level-headed Indian chieftan Cochise (Antonio Moreno) and his hotheaded rival Geronimo (Tom Tyler). RKO's first big-budget western in several years, Valley of the Sun lost $158,000 at the box office, temporarily discouraging any followups. ~ Hal Erickson, All Movie Guide

Just before entering the armed services, Gene Autry delivered one of his best Republic westerns, Cowboy Serenade. Many of Autry's previous vehicles had suffered from too much music and not enough action. Happily, Cowboy Serenade struck the happy medium common to Autry's vintage 1930s efforts. There's even time for a mystery angle as Autry tries to ascertain the identity of the head of a crooked gambling ring. Autry's leading lady this time out is Fay McKenzie, in real life the sister-in-law of comedian Billy Gilbert. ~ Hal Erickson, All Movie Guide

One of the eerier chillers of its period -- and one of the best ever to come out of Paramount -- Stuart Heisler's Among the Living is a strange and compelling mix of social drama, horror film, and suspense thriller. The story opens with the funeral of Maxim Raden, the patriarch who was pretty much responsible for building up the town that bears the family name, and which has been dominated for decades by the now-idle mill that he owned. Present at the funeral is Dr. Ben Saunders (Harry Carey Sr.), Raden's oldest friend, and the surviving Raden son John (Albert Dekker), who has been away for most of the last 25 years and recently married Elaine (Frances Farmer), a beautiful young woman from New York. John was one of a pair of twin boys; the other, Paul, died in an accident a quarter century ago, just after John was sent away to school. But Saunders and Maxim Raden had a secret between them -- that Paul Raden didn't die, but went dangerously insane, and has kept been alive all of this time, in a hidden room in the decaying Raden mansion, tended to by the doctor and the faithful family servant Pompey (Ernest Whitman). Paul was a victim of abuse by his overbearing father, and suffered brain damage from a beating he received while trying to protect his mother. He has never stopped "hearing" his father's threats or his mother's weeping, and they leave him prone to violent, potentially murderous outbursts of rage. Worse still, the death of his father has agitated him into a state where he is able to escape the mansion. Once freed and relieved of his quarter century of isolation, Paul is at once confused by and delighted with the company of people; he heads to the town and rents a room at a seedy boarding house, where he immediately attracts the attention of the landlady's frisky (and avaricious) daughter Millie (Susan Hayward) with his large bankroll, free-spending habits, and lost-puppy-dog demeanor. Meanwhile, the doctor reveals the truth about Paul to John, who wants to notify the authorities that his brother is loose and potentially dangerous -- but the doctor won't hear of it, fearing that news of the insane son will tarnish the Raden name and the reputation of the clinic that Maxim founded and funded on the doctor's behalf, in return for his covering up the son's existence.
The stakes get raised higher when the coroner reveals that a death the doctor tried to cover up was, in fact, a murder, and then a young woman is found strangled. While John is torn between sympathy for his brother, who never got the help or care he needed, and his feeling of responsibility to the town, the doctor tries to continue the cover-up by posting a 5,000-dollar reward for the capture of the killer. This sets off an orgy of assaults and destruction as the work-starved townspeople, led by Millie's ex-boyfriend Bill Oakley (Gordon Jones), begin rounding up anyone who looks even the least bit suspicious or out of place, trying to get the reward. Millie's greed is also brought to the fore and she persuades her new boyfriend, Paul, to go with her to the one place no one has searched yet -- the Raden mansion. Paul's veneer of calm unravels as he finds himself back in the location of his imprisonment, and in the course of the fight and the chase that ensues, John is caught and accused, by Millie and all of the other witnesses to Paul's outbursts, as the killer. Now it looks like a lynching is in the offing as hundreds of angry, drunken, greedy townspeople gather together to mete out justice -- and John must make them believe that he has a twin who is responsible for the murders. ~ Bruce Eder, All Movie Guide

Texas was Columbia Pictures' lighthearted (and frankly more enjoyable) follow-up to its 1940 big-budget western Arizona. William Holden and Glenn Ford, looking collectively 28 years old, play a couple of ex-Confederate soldiers who get into all sorts of trouble in a wide-open Texas town. The two split up, whereupon Ford takes a job on Joseph Crehan's ranch; by and by, he falls in love with Crehan's daughter Clare Trevor. Meanwhile, Holden has joined a gang of rustlers headed by town dentist Edgar Buchanan (in real life, Buchanan had been a practicing dentist, retaining his license well into the sixties just in case things slowed down in Hollywood). Ex-friends Ford and Holden confront each other again when Holden tries to steal the cattle that Ford is driving across the state to Abilene. Complicating matters is the fact that Holden, too, carries a torch for Trevor. Though packed with action and suspense, Texas never loses its subliminal sense of humor, a fact that can be attributed to its director, slapstick comedy veteran George Marshall. ~ Hal Erickson, All Movie Guide

Don "Red" Barry's first western of 1941, Wyoming Wildcat told the careworn but still potent story of a war veteran returning home to find that his father is now a wanted outlaw. But as Frank Gannon (Frank M. Thomas explains, circumstances -- in this case severe economic conditions forced upon the settlers by local banks -- drove him into a life of crime. Trying to prove his father innocent of killing a local bank manager, Bill Gannon (Barry) is himself falsely accused of murder. Sprung from jail by his faithful army buddy Butch (Syd Saylor), Bill tracks down the real culprit, outlaw Blackie Jordan (Dick Botiller), but in the ensuing shoot-out, Frank is mortally wounded. Before he dies, however, Gannon clears his son of any wrong-doings and Bill is free to marry pretty Wells Fargo employee Derry Carson (Julie Duncan). The blond Miss Duncan, who also appeared in the previous Don "Red" Barry entry, Texas Terrors (1940), was a prize-winning steeplechase rider. ~ Hans J. Wollstein, All Movie Guide

Johnny Mack Brown saves the day in the Universal western programmer Law of the Range. Finding himself in the middle of a family feud, Brown endeavors to unruffle the combatants' feathers for the sake of leading lady Nell O'Day. He proves that there's nothing for the families to fight over when he corrals the instigator of the feud, "outsider" Alan Bridge. Brown wields his six-shooters, Ms. O'Day displays some fancy riding and roping skills, Riley Hill (billed as Roy Harris) makes an impressively nasty screen debut, and comic relief Raymond Hatton provides...comic relief. Law of the Range is a remake of the 1935 Buck Jones vehicle The Ivory-Handled Gun. ~ Hal Erickson, All Movie Guide

In his first starring Western for RKO, young Tim Holt must not only carry on his father's freight business but also hunt down his murderer. A certain Matt Gardner (Cliff Clark) wants to corner the freight business to Pecos and persuades young Zack Sibley's wagon master (Wade Crosby) to switch sides. Zack also earns the enmity of Gardner's son Coe (Malcolm McTaggart), who takes umbrage to the youngster's flirtation with pretty Helen Lee (Martha O'Driscoll). It all comes to a head during a food shortage in Pecos, a near-disaster that persuades the wagon master to switch sides once again. When the dust settles, Zack learns that old man Gardner is actually Carl Anderson, the man who murdered his father. ~ Hans J. Wollstein, All Movie Guide

Two-Fisted Rangers was the first of a handful of Charles Starrett westerns to be lifted from the routine by the camera pyrotechnics of director Joseph H. Lewis. The story is usual one about hero Thad Lawson (Starrett) avenging the death of his brother at the hands of villainous Jack Rand (Kenneth MacDonald). Country-western singer Bob Nolan, whose typical contribution to the Starrett films was merely musical, is herein afforded a rare speaking role, and even gets to indulge in an energetic fistfight with the hero. The rest of the cast includes such Starrett stalwarts as Iris Meredith, Dick Curtis and Hal Taliaferro. Director Lewis contributes a few excellent tracking shots in the chase scenes, but is less effective in staging the fights, with Starrett's stunt double all too obvious. ~ Hal Erickson, All Movie Guide

In this exciting western, Roaring Dan is the meanest old cuss around. He and his "son" are constantly bickering. But things are not as they seem as the young man is only pretending to be Dan's son so they can find the killers of the young man's real father. Among the guilty are two women. In the end, the young hero and the killer engage in a thrilling fist fight. ~ Sandra Brennan, All Movie Guide