Valerie Lagrange Movies

An early film by director Barbet Schroeder, La Vallée stars Bulle Ogier as the wife of a diplomat who embarks on a journey through the jungles of New Guinea in order to locate a rarely seen type of bird feather. During the course of her quest, she meets up with a group of free-spirited hippies who are seeking their own personal Shangri-la. She becomes involved in their alternative lifestyle; however, their idea world comes crashing down when they begin to interact with a local native tribe. Future Oscar winner Nestor Almendros' cinematography and the counter-culture attitudes helped make this film a success in art-house theaters. ~ Perry Seibert, All Movie Guide

A Victor Canning novel was the starting point for the British adventure flick The Golden Salamander. Archaeologist Trevor Howard combs the ruins of Tunisia in hopes of finding lost treasures. Instead he is confronted by a band of gunrunners, and before long is involved in an effort to topple a local despot (Herbert Lom) from power. With the aid (and sometimes comfort) of Anouk Aimee, Howard brings freedom to the locals and wealth to himself. Novelist Canning and director Ronald Neame both had a hand in the "Boys' Own Adventure" screenplay for The Golden Salamander. ~ Hal Erickson, All Movie Guide

An architect has an affair with a young woman who aspires to be a pop singer in this plodding romantic drama. She ends up pregnant but does not tell her lover about her condition as she contemplates having an abortion. The viewer must decide whether it was all real or all a figment of the young woman's imagination. By this time, nobody cares. The highlights of this pretentious feature are the nude scenes. ~ Dan Pavlides, All Movie Guide

The ultimate "date" movie of the mid-1960s, director Claude Lelouch's A Man and a Woman (Un Homme et Une Femme) stars Jean-Louis Trintignant and Anouk Aimee in the title roles. The twosome meet at the boarding school where their children are enrolled. Aimee, an actress, misses her train home, and Trintignant, a professional race car driver, offers her a ride. It is the first of several friendly encounters which eventually blossom into love. Both want to commit to each other, but neither can shake the Past. The now-famous climactic scene in a train station was not scripted at the time of shooting, thus Aimee was unaware that director Lelouch had decided upon a tearful reunion between her and Trintignant. This explains the look of utter surprise on the actress' face. Much has been written about the possible motivation behind Lelouch's decision to film some scenes in color, others in black-and-white. None of the more ardent auterists truly want to hear the director's explanation: he'd run short of money halfway through production, and black-and-white film stock was infinitely cheaper. The winner of two Oscars (one for Best Foreign Film), A Man and A Woman also scored on the "top ten" with its memorable theme music by Francis Lai. A sequel, A Man and a Woman: 20 Years Later appeared....twenty years later. ~ Hal Erickson, All Movie Guide

Arthur Lempereur (Jean-Paul Belmondo of Breathless) is a globe-hopping millionaire, engaged to Alice (Valérie Lagrange), a beautiful young woman. As the film opens, Arthur has cut the break line on his fine automobile and proceeds to drive it off a cliff. This, we learn, is his ninth suicide attempt in the past week. Arthur is bored with his easy life. Even learning from his accountant, Biscotton (Darry Cowl), that he's ruined doesn't perk him up. On a cruise to Hong Kong, his friend Mr. Goh (Valéry Inkijinoff) comes up with a solution to Arthur's woes: "Adversity carries the chance for happiness," he explains to the despondent young man. Goh convinces Arthur to take out a two-million-dollar life insurance policy, with Goh and Alice as the beneficiaries. The policy will expire in one month. Goh then tells Arthur that his life is in danger. He may be killed at any moment. Arthur soon realizes that he's being followed. He's not so eager to be murdered. Arthur and his valet, Leon (Jean Rochefort of The Hairdresser's Husband), frantically search for Goh to ask him to call off the hit. At one point, Arthur ducks into a nightclub to dodge his pursuers, and instantly falls for Alexandrine (Ursula Andress), the stripper on-stage. Alexandrine is fascinated by the ways men try to manipulate women and assumes that Arthur's story about hired killers is a bizarre ruse. All the more determined to survive the month, the bumbling Arthur engages in a fierce battle for his life. Up to His Ears is both a loose adaptation of a Jules Verne story (Les Tribulations d'un Chinois en Chine) and a hyped-up return to the form of director Philippe de Broca's previous action comedy, That Man from Rio, which also starred Belmondo. ~ Josh Ralske, All Movie Guide

This uneven remake of the 1950 Max Ophuls feature from the play by Arthur Schnitzler takes place in Paris just before World War I instead of Vienna at the turn of the 20th century. A soldier (Claude Giraud) sleeps with a prostitute (Marie Dubois) before he seduces Rose (Anna Karina), and a willing but married Sophie (Jane Fonda). A night of drinking finds the soldier back with the prostitute again in this feature directed by Roger Vadim. ~ Dan Pavlides, All Movie Guide

An uninspired satire that tweaks the movie and publicity industries, Auguste is about an eponymous bank clerk who finds fame and fortune. Auguste (played by comic Fernand Raynaud) happens to be in the right place at the right time to save young starlet Francine (Valerie Lagrange) from killing herself -- or more accurately, pretending to kill herself. His supposed heroism hits the news, and before Auguste knows what is happening, a Machiavellian publicist is using him for his own ends. The bank clerk is no fool and soon thinks of a way to come out on top. ~ Eleanor Mannikka, All Movie Guide

Love and the Frenchwoman (La Francaise et L'Amour) concentrates on the nature of love by illustrating seven separate aspects of the emotion. In "Childhood," 9-year old Pierre-Jean Vaillard suffers a traumatic experience when he takes his parents' "cabbage patch" theory of conception too literally. In "Adolescence," a little girl (Annie Sinigalla) constructs an elaborate fantasy world on the occasion of her first kiss. "Virginity" is a study in frustration, as betrothed couple Valerie Lagrange and Pierre Michel agonizingly await their wedding-night consummation of their ardor. "Marriage" finds a union ending almost before it begins as a pair of newlyweds (Marie-Jose Nat and Claude Rich) bicker all the way to their honeymoon rendezvous. "Adultery" allows husband Paul Meurisse the opportunity to calmly provide an object lesson to his wife's lover Jean-Paul Belmondo. In "Divorce", a couple (Annie Girardot and Francois Pierer) find that it's impossible to have a "civilized" breakup. And in "A Woman Alone," bigamist Robert Lamoreaux meets his Waterloo in the forms of Martine Carol and Sylvia Montfort. ~ Hal Erickson, All Movie Guide

The Gallant Musketeer is the Chevalier de Pardaillan, played by Gerard Barray. In 16th century France, de Pardaillan offers his services to King Henry III. The monarch is grateful for the chevalier's assistance during the battle of Chartres. Christiane Minazzoli provides welcome female relief to the near-nonstop swashbuckling. Filmed in France in 1958, Gallant Musketeer was released to the US two years later; the following year, Gerard Barray showed up as D'Artagnan in a brace of Three Musketeers adventures. ~ Hal Erickson, All Movie Guide