David Long Movies

1994  
R  
A French boy goes to Virginia and finds love with an intelligent black girl in this nostalgic French drama set in 1955, and based on the popular 1986 novel by Philippe Labro. The movie was filmed in both Paris and Virginia. The film contains many references to blues and jazz, Faulkner, Chandler and Salinger. The French student Phillippe Le Clerc meets many interesting characters when he becomes a foreign exchange student in a Virginia college. Of all the people he meets, the one he loves the most is April, a highly educated "Negro girl," who must clean faculty houses when she is not in school. ~ Sandra Brennan, All Movie Guide

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Starring:
Marco HofschneiderRobin Givens, (more)
1991  
PG13  
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Real-life sweethearts and film directors Ken Kwapis and Marisa Silver co-directed this throwback to the silver-screen romantic comedies of the 1940s, examining the different ways men and women view reality. Kwapis takes the male character's point of view, recalling a burgeoning relationship. Silver then takes a crack at the same story, recalling the same events from the woman character's point of view. Unfortunately, both perspectives are not that much different. Kevin Bacon and Elizabeth Perkins star as Dan Hanson and Lorie Bryer, two reporters from the Baltimore Sun who are assigned to share space on the editorial page debating opposing viewpoints. Dan is the conservative philanderer. Lorie is the sensitive liberal. The new column becomes a big hit -- a shop owner exclaims, "Hey, it's the people who argue!" Although originally antagonists, Dan and Lorie become lovers. As their relationship grows, so does their popularity, and they end up hosting a popular television program. But Lorie wants commitment, and Dan doesn't. Frustrated, Lorie shies a coffee cup off Dan's noggin live on the air. Their ratings soar. And then the whole routine is played out again. ~ Paul Brenner, All Movie Guide

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Starring:
Kevin BaconElizabeth Perkins, (more)
1990  
PG  
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The third of director Barry Levinson's autobiographical "Baltimore Trilogy" (the first two entries were Diner and Tin Men), Avalon covers nearly forty years in the lives of an immigrant Jewish family. Sam Krichinsky (Armin Mueller-Stahl) emigrates to Baltimore in 1914, where Sam's brothers Gabriel (Lou Jacobi), Hymie (Leo L. Fuchs), and Nathan (Israel Rubinek) are awaiting his arrival. By and by, Sam meets his future wife, Eva (Joan Plowright). With the introduction of the Krichinsky's grown son Jules (Aidan Quinn), the film ventures into culture-clash country. Unwilling to become a manual laborer like his dad, Jules opts for the life of a door-to-door salesman. Eventually, he teams with his cousin Izzy (Kevin Pollak) to open the first TV store in Baltimore. Thereafter, the disintegration of the Krichinsky family is paralleled by the rise of TV's omnipresence in the American home. Avalon's elegiac and melancholy effect is underlined by Randy Newman's soulful musical score. ~ Hal Erickson, All Movie Guide

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Starring:
Armin Mueller-StahlAidan Quinn, (more)
1987  
R  
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Writer/director/producer James L. Brooks scores on all counts with this clear-eyed look at the television news business and the dysfunctional types who work in it. Brooks' intelligent script introduces us to Jane Craig (Holly Hunter), an ambitious producer at the network news division's Washington D.C. branch, who is calm under fire yet has a good cry at her desk every morning over her empty personal life. Jane works well with Aaron Altman (Albert Brooks), an excellent reporter who lacks the visual charisma to make him a star. Into their lives comes Tom Grunick (William Hurt), a regional newscaster who admits he can't write news and doesn't understand many of the events he's covering, but has the presence and physical appeal that the increasingly entertainment-oriented network wants for its news programs. Jane is also physically attracted to him, which drives her crazy, because Grunick stands for everything she's fighting against in the news business, while Altman is devastated by her attraction because he secretly yearns for Jane. As Grunick becomes a rising star at the network, and layoffs of the old guard loom, the three leads deal with their feelings for each other, their careers, and their values. Hunter, Hurt, and Brooks are all superb, as is the excellent supporting cast (including an unbilled turn by Jack Nicholson as the network's smarmy national anchor). Brooks' script is funny, poignant, gritty, and brutally honest in its examinations of the television industry and the ways in which professionals interact on and off the job. ~ Don Kaye, All Movie Guide

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Starring:
William HurtAlbert Brooks, (more)

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