Diane Ladd Movies

Black Widow bears no relation to the 1954 film of the same name--beyond its characterization of the female as the deadlier of the species, that is. Debra Winger stars as a federal agent who has sworn to bring Theresa Russell to justice. Ms. Russell has married several millionaires who have all died mysterious deaths, for which she has remained undetected because she has assumed a number of different identities. Ms. Winger is the only person in her department who suspects that all of the deceased millionaires' widows are the same person. Finally tracking down Russell, Winger finds herself inexorably becoming friends with the charming murderess. ~ Hal Erickson, All Movie Guide

In this prison drama, two adolescent girls are incarcerated with adults by an obsessive judge. There they are terribly exploited and abused. ~ Sandra Brennan, All Movie Guide

Grace Kelly, the high-society beauty who became an Oscar-winning actress and then a European princess, is the subject of this TV biopic. Cheryl Ladd has the looks and poise of the original Grace, though she isn't quite as charismatic. The early portion of the film retraces the stormy relationship between Grace and her gruff Philadelphia millionaire dad, Jack Kelly. The script suggests that Grace went through life looking for a strong father figure, finally finding one in Prince Rainier of Monaco (Ian McShane), whom she weds. Several "celebrity look-alikes" parade through the film, pretending to be the film personalities with whom Ms. Kelly worked during her brief Hollywood career. Grace Kelly tones down the darker aspects of its subject, and the film is infinitely more tasteful than most other TV biographies of the same period, even when dealing with Princess Grace's untimely death. ~ Hal Erickson, All Movie Guide

After a carnival comes to Green Town, the good citizens are compelled to follow their deepest desires, caught under the spell of the malevolent Dr. Dark (Jonathan Pryce) who can grant those desires on one condition: that the grantees will forever join his freak show. Dr. Dark is after two young boys from the town in particular, while others in the town would certainly be easy marks. The sour-faced, older schoolteacher (Mary Grace Canfield) wants to be a seductive young woman, Ed the bartender (James Stacy) would like to regain his lost left arm and leg, and the librarian (Jason Robards) worries about a wasted life spent only in books. As Dr. Dark works his own brand of voodoo, the citizens and the two boys -- as well as the whole carnival itself -- approach a final reckoning. Something Wicked This Way Comes was based on a Ray Bradbury novel. ~ Eleanor Mannikka, All Movie Guide

Gene Hackman plays a disgruntled suburbanite who manages the Ultra-Sav, an all-night drugstore. He hates his job, hates his debts and responsibilities, and isn't overly fond of his wife (Diane Ladd) and son (Dennis Quaid). Partly as a form of protest, Hackman enters into an affair with Barbra Streisand, one of his wife's distant relatives (don't ask how she's related - it takes Hackman about thirty seconds to explain it to another character). Streisand doesn't belong in this picture at all, but she can be forgiven her acting excesses because she wasn't the first choice for the role anyway (Lisa Eichhorn dropped out just before shooting began). The best moments in All Night Long involve the steady stream of oddballs and losers who trickle into Hackman's establishment. There is also a cute Apocalypse Now parody involving a battery-operated toy helicopter. The principal attraction of All Night Long is Gene Hackman playing an endearingly recognizable modern type. ~ Hal Erickson, All Movie Guide

This two-part TV movie was, of course, sparked by the November 1978 mass suicide of 913 people at the South American religious "colony" of Jonestown. The catalyst for this tragedy was cult-leader Reverend Jim Jones (played by Powers Boothe, who won an Emmy for his performance), head of the so-called People's Temple. The film traces the life of Jones from his days as an idealistic 1960s activist. He drifts into penny-ante confidence scams and bed-hops from woman to woman, before electing to pass himself off as a modern messiah--eventually believing his own feverish sermons. The climactic scenes are chillingly staged in a near-documentary fashion, with Puerto Rico and Georgia substituting for Guyana. Ned Beatty plays the ill-fated Representative Leo Ryan, while James Earl Jones has a cameo as 1930s religious-leader Father Divine; most of the other main characters are composites of real people. Originally broadcast April 15 and 16, 1980, The Guyana Tragedy was adapted by Ernest Tidyman from the Washington Post and Charles A. Krause's Guyana Massacre: An Eyewitness Account. ~ Hal Erickson, All Movie Guide

Johnny and June Carter Cash star in the made-for-TV Thaddeus Rose and Eddie. But they don't necessarily play the title characters: true, Cash essays the role of indigent Texas Thaddeus Rose, but his buddy Eddie is played by Bo Hopkins. June is seen as T.R.'s girlfriend Crystal, while Eddie's steady is portrayed by Diane Ladd. Now that the introductions are over, we note that the story isn't much, merely a series of disasters befalling T.R. and Eddie as they try to improve the quality of life for themselves and their lady friends. Directed by cycle-flick perennial Jack Starrett, Thaddeus Rose and Eddie debuted February 24, 1978. ~ Hal Erickson, All Movie Guide

In this thriller, a scientist (Rock Hudson) attempts to engineer the perfect woman in a test-tube and ends up not with a beautiful lover, but instead a ruthless killer. The film is also known as Created to Kill. ~ Sandra Brennan, All Movie Guide

"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score. ~ Lucia Bozzola, All Movie Guide

When the police pick up Gator McKlusky (Burt Reynolds) for running moonshine, they agree to let him out of jail if he will help them capture the key figures in his moonshine operation. Since the suspected ring leader is the man who killed Gator's little brother, he agrees to help out the cops to get himself out of prison and get his revenge. ~ Iotis Erlewine, All Movie Guide

In this comedy, Harold Weiss (Richard Benjamin) is a professor at the time of the Cuban Missile Crisis in 1962, when a nuclear holocaust seemed imminent. Rather than sit around waiting to die, he decides to drive from Long Island to Los Angeles, taking in such sights as Las Vegas along the way. As he travels, he assumes different momentary identities which he uses--to humorous effect--in his interactions with the people he meets. This story is captured in a number of short sketch-like episodes, as the professor acts out his fantasies with increasing abandon. ~ Clarke Fountain, All Movie Guide

This violent western tale finds Macho (David Janssen) as a Union Army regular in a Confederate prison. He escapes by planting dynamite in the coffin of an executed officer, making his move when the coffin is being carried outside the gate. He returns to a small town where he waits for Duffy (Lee J. Cobb), who put Macho in jail years before. Newlyweds Alexandra (Jean Seberg) and David (Carradine) arrive in town, and David heads to the saloon. The drunken one armed Confederate Army veteran is killed by Macho when he becomes drunk and belligerent. Alexandra puts a price on Macho's head, hiring two killers to finish him off. Macho kills them both and rapes a beaten up Alexandra, who falls in love with her attacker. He also gets revenge of Duffy by stringing him up by the neck on the windmill in the town square. ~ Dan Pavlides, All Movie Guide

One man must take on a band of roving outlaws in this Harley-fueled variation on High Noon. Paul Collier (Cameron Mitchell) is an architect who has decided to ask his girlfriend Karen (Diane Ladd), who is with child, for her hand in marriage. However, during a trip to the beach with Karen, Paul is confronted by J.J. (Bruce Dern), an old high school friend who has fallen in with a motorcycle gang, the Rebels. The Rebels take one look at Karen and claim her for themselves, staging drag races to determine who will have the right to her, and J.J. is unable (or unwilling) to stop them. Furious and betrayed, Paul tries to round up the townspeople in hopes of outnumbering the Rebels, but he is soon forced to rescue Karen on his own. Shot in 1967, Rebel Rousers also features Jack Nicholson as a biker named Bunny; the film was shelved until 1969, when Nicholson's star-making turns in Easy Rider and Five Easy Pieces gave his name (and the film) stronger marquee power. Also keep an eye peeled for Harry Dean Stanton as another one of the Rebels. ~ Mark Deming, All Movie Guide