Diane Ladd Movies

A rape victim goes through inner turmoil in the days following her suffering the brutal assault. Mary Ann (Carroll Baker) leaves her middle class New York home to wander the mean streets of Manhattan. She is isolated and lonely in spite of being surrounded by people. A kindly garage mechanic befriends the troubled woman on the brink of self destruction - but soon
Mary Ann must ask herself if she can really trust him. Musical score provided by American legend Aaron Copeland. ~ Dan Pavlides, All Movie Guide

In an ironic turn of events, fugitive Richard Kimble (David Janssen) is sworn in as a deputy when Phil Bellows (Robert Doyle) is arrested for murder. Ordered to drive the prisoner and the witnesses to the county seat, Kimble is persuaded that Bellows is actually an innocent victim of circumstance--just like himself. Only after saving Bellows from a lynch mob does Kimble realize that he's being played for a sucker by a very clever psychopath. ~ Hal Erickson, All Movie Guide

Paul Winfield (Sounder) guest stars as Robert Phillips, a prominent African American militant accused of murder. With racial tensions at an all-time high, Commissioner Randall (Gene Lyons) asks Ironside (Raymond Burr) to quietly conduct an investigation to ascertain Phillips' guilt or innocence. Determined to thwart Ironside's efforts are a number of extremists--both black and white--who intend to use Phillips' arrest as catalyst for a bloody, apocalyptic race riot. ~ Hal Erickson, All Movie Guide

One man must take on a band of roving outlaws in this Harley-fueled variation on High Noon. Paul Collier (Cameron Mitchell) is an architect who has decided to ask his girlfriend Karen (Diane Ladd), who is with child, for her hand in marriage. However, during a trip to the beach with Karen, Paul is confronted by J.J. (Bruce Dern), an old high school friend who has fallen in with a motorcycle gang, the Rebels. The Rebels take one look at Karen and claim her for themselves, staging drag races to determine who will have the right to her, and J.J. is unable (or unwilling) to stop them. Furious and betrayed, Paul tries to round up the townspeople in hopes of outnumbering the Rebels, but he is soon forced to rescue Karen on his own. Shot in 1967, Rebel Rousers also features Jack Nicholson as a biker named Bunny; the film was shelved until 1969, when Nicholson's star-making turns in Easy Rider and Five Easy Pieces gave his name (and the film) stronger marquee power. Also keep an eye peeled for Harry Dean Stanton as another one of the Rebels. ~ Mark Deming, All Movie Guide

This violent western tale finds Macho (David Janssen) as a Union Army regular in a Confederate prison. He escapes by planting dynamite in the coffin of an executed officer, making his move when the coffin is being carried outside the gate. He returns to a small town where he waits for Duffy (Lee J. Cobb), who put Macho in jail years before. Newlyweds Alexandra (Jean Seberg) and David (Carradine) arrive in town, and David heads to the saloon. The drunken one armed Confederate Army veteran is killed by Macho when he becomes drunk and belligerent. Alexandra puts a price on Macho's head, hiring two killers to finish him off. Macho kills them both and rapes a beaten up Alexandra, who falls in love with her attacker. He also gets revenge of Duffy by stringing him up by the neck on the windmill in the town square. ~ Dan Pavlides, All Movie Guide

Jeannot Szwarc, the director responsible for so many episodes (both good and bad) of the Night Gallery TV series, was the helmsman of The Devil's Daughter. This small-screen Rosemary's Baby clone stars Belinda Montgomery as a young woman targeted by a group of Satanists. It seems that Belinda's soul was purchased from the Devil when the girl was born, with payment due when she reaches the age of 21. Shelley Winters is at her overbearing best as the head of the cultists, while horror-flick vets Joseph Cotten and Jonathan Frid do their utmost to create the proper demonic atmosphere. Colin Higgins, who moved on to such prestige projects as Silver Streak and Foul Play, conjured up the script for The Devil's Daughter. ~ Hal Erickson, All Movie Guide

"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score. ~ Lucia Bozzola, All Movie Guide

In this thriller, a scientist (Rock Hudson) attempts to engineer the perfect woman in a test-tube and ends up not with a beautiful lover, but instead a ruthless killer. The film is also known as Created to Kill. ~ Sandra Brennan, All Movie Guide

Johnny and June Carter Cash star in the made-for-TV Thaddeus Rose and Eddie. But they don't necessarily play the title characters: true, Cash essays the role of indigent Texas Thaddeus Rose, but his buddy Eddie is played by Bo Hopkins. June is seen as T.R.'s girlfriend Crystal, while Eddie's steady is portrayed by Diane Ladd. Now that the introductions are over, we note that the story isn't much, merely a series of disasters befalling T.R. and Eddie as they try to improve the quality of life for themselves and their lady friends. Directed by cycle-flick perennial Jack Starrett, Thaddeus Rose and Eddie debuted February 24, 1978. ~ Hal Erickson, All Movie Guide

In this made-for-TV drama, a spunky waitress (Deborah Raffin) is left to support herself, her two small children, and her unborn baby when her no-good husband runs off. Determined not to spend her life in a dead-end job, the woman quits waitressing and sets out to become a truck driver. ~ Iotis Erlewine, All Movie Guide

This two-part TV movie was, of course, sparked by the November 1978 mass suicide of 913 people at the South American religious "colony" of Jonestown. The catalyst for this tragedy was cult-leader Reverend Jim Jones (played by Powers Boothe, who won an Emmy for his performance), head of the so-called People's Temple. The film traces the life of Jones from his days as an idealistic 1960s activist. He drifts into penny-ante confidence scams and bed-hops from woman to woman, before electing to pass himself off as a modern messiah--eventually believing his own feverish sermons. The climactic scenes are chillingly staged in a near-documentary fashion, with Puerto Rico and Georgia substituting for Guyana. Ned Beatty plays the ill-fated Representative Leo Ryan, while James Earl Jones has a cameo as 1930s religious-leader Father Divine; most of the other main characters are composites of real people. Originally broadcast April 15 and 16, 1980, The Guyana Tragedy was adapted by Ernest Tidyman from the Washington Post and Charles A. Krause's Guyana Massacre: An Eyewitness Account. ~ Hal Erickson, All Movie Guide

In this made-for-TV film, a high-school counselor (Joyce Brothers) faces ineffectual help from administration in combating drugs, so she recruits several students to help in the battle. ~ John Bush, All Movie Guide

Little Red Riding Hood (Mary Steenburgen ) is en route to Grandma's house when she encounters a hungry stranger in the woods whose carnivorous appetite may lead him in the same direction. Malcolm McDowell is delightfully smarmy as the Big Bad Wolf who races to Grandma's house with plans to gobble her up and then wait in disguise for Red Riding Hood to arrive. ~ Carrie Downes, All Movie Guide