Alan Ladd Movies

In the 1830s, despite the development of the steamboat at the outset of the 19th century, all trans-Atlantic travel was still done by sailing ships. David Gillespie (Douglas Fairbanks Jr.) is first mate on one of the fastest of such ships, commanded by Captain Oliver (George Bancroft), but he is sickened and wary of the loss of life of sailing men caused by the limitations of sail. He meets John Shaw (Will Fyffe), a Liverpool-based machinist who insists that he has a design for an engine and a ship that will allow safe trans-Atlantic travel by steam power, and the two go into partnership -- but Gillespie must contend with the resistance of Shaw's headstrong and skeptical daughter, Mary (Margaret Lockwood), as well as the resistance of bankers and other shipbuilders to the new ideas he represents. All of this pleases Mary, who, despite her love of her father and attraction to Gillespie, regards herself as practical-minded and wants her father safely back working for his old employer on a steady salary, instead of pursuing what she regards as impossible goals. Gillespie gets the backing and Shaw builds his engine, but his ship is burned in an accidental fire, and all looks lost until a sympathetic backer proposes fitting the engine to an existing vessel, and suddenly Shaw is a real threat to the shipping establishment. They try to stop him in the courts, and when that fails, the race is on from Liverpool to New York, between Shaw's steam-powered ship and Gillespie's sail-driven former ship, with Mary aboard to look out for her father and Gillespie, and the future of ocean travel in the balance. ~ Bruce Eder, All Movie Guide

In this drama, a young man must choose between a military career or a career in professional football. The story opens as the young man has just graduated from Annapolis. There he had been a football star and a second lieutenant. His father the colonel wants him to stay in the Marines, but he has also been offered a contract with a pro-football team. He finally makes his decision after he exposes a ring of gun runners. It is then that he decides that serving his country is most important. He joins Leathernecks. ~ Sandra Brennan, All Movie Guide

Paramount borrowed John Wayne from Republic Pictures for the studio's second screen version of Zane Grey's Born to the West, which was also the Western's original release title. A couple of drifters, Dare Rudd (Wayne) and Dinkie Hooley (Sid Saylor), arrive in a Wyoming town hoping for a handout from Dare's rancher cousin, Tom Fillmore (Johnny Mack Brown). Dare takes but one look at Tom's girlfriend, Judy Worstall (Marsha Hunt), and decides to stay in town. He obtains the job of chuck wagon cook, but Judy, who is falling for the charming newcomer, convinces Tom to give Dare a job with more responsibilities. To get rid of a potential rival and to prove Dare's irresponsibility once and for all, Tom assigns his cousin the job of selling the herd. Unbeknownst to either Tom or Dare, however, saloon owner Bart Hammond (Monte Blue) also has his greedy eye on the herd and sets a trap for Dare. Hell Town used quite a bit of stock footage from the original silent version, Born to the West, which had starred Jack Holt. ~ Hans J. Wollstein, All Movie Guide

Paramount's answer to Mutiny on the Bounty (1935) also involved mutiny and romance on the high seas. Gary Cooper stars as Nuggin Taylor, first mate on a slave ship in 1842. Ironically, Nuggin is an abolitionist. When a mutiny overthrows the ship's skipper and leaves him in charge, he frees his cargo. Back in England, charges against Nuggin and his fellow shipmate Powdah (George Raft) are dropped. Nuggin is approached by British intelligence agents and asked to embark on a secret information-gathering mission that could end the slave trade. Nuggin agrees and Powdah accompanies him on a ship bound for America, where both men fall in love, Nuggin with Margaret (Frances Dee) and Powdah with Babsie (Olympa Bradna). However, their adventures are far from over. ~ Karl Williams, All Movie Guide

The first of 20th Century-Fox's college musicals, Pigskin Parade is also close to the best of them in musical terms -- though they were all at least pretty good on that level -- principally thanks to the presence of 13-year-old Judy Garland, playing an Arkansas farm girl with surprising sincerity and success (in addition to belting out a couple of numbers with the depth and sincerity of a performer at least twice that age). The plot starts rolling when the Yale University football team, looking for a credible but not too tough opponent for a charity game, accidentally invites the team from tiny Tesax State University (enrollment 700) instead of the University of Texas (enrollment 7500). Texas State has also just gotten a new football coach, Slug Winters (Jack Haley), who's had a lot of success coaching high school back in Flushing, New York but still has to prove himself with college players -- he arrives with his brassy, outspoken wife (Patsy Kelly) just ahead of the invitation from Yale, which nearly sends them running back to New York. Through sheer luck and Mrs. Winters' brainstorm, however, they figure out a way they can meet the Yale team on the field and not get steamrollered -- they come up with a fast, highly mobile brand of football that makes them contenders, but then they lose their star-player. Mrs. Winters manages to stumble onto Amos Dodd (Stuart Erwin), an Arkansas farm boy who developed his arm by tossing watermelons around, and brings him and his sister (Judy Garland) to the college. But now they have to make Amos -- who never finished high school -- eligible, and keep him interested enough in the team and the college to get him to the game. It's all a lot of fun, with lots of comic antics and a song spicing up the pace every few minutes, and Haley and Kelly are a delight to watch together. ~ Bruce Eder, All Movie Guide

This first film version of H.G. Wells' Island of Dr. Moreau stars Charles Laughton as Dr.Moreau, a dedicated but sadly misguided scientist who rules the roost on a remote island. Shipwrecked sailor Edward Parker Richard Arlen finds himself on Moreau's island, agreeing to stick around until another boat can come along and take him home. But that's not quite what Moreau has in mind: he'd rather Parker stay on the island and marry the exotic Lota (Kathleen Burke), who curiously possesses the characteristics of the panther. In fact, all the island's natives seem more animal than human, especially the hirsute Bela Lugosi. And why not? They are animals who've been transformed by Moreau into humanlike creatures via surgery. Moreau's plans to mate Parker and Lota are complicated by the arrival of Parker's fiancee Leila Hyams, who has been brought to the island by ship's captain Stanley Fields, one of Moreau's flunkies. When Moreau kills Fields for this insubordination, he makes the mistake of breaking one of the rules he himself has imposed on the island: That no creature shall kill another. Island of Lost Souls does its job of inducing goosebumps so well that one can forgive the cherubic excesses of Charles Laughton in his portrayal of Dr. Moreau. The film would be remade under Wells' original title in 1978, with Burt Lancaster in the Laughton role. ~ Hal Erickson, All Movie Guide

Based on the stage comedy by Moss Hart and George S. Kaufman, Once in a Lifetime is a satire of Hollywood's early-talkie era. A down-and-out vaudeville trio (Jack Oakie, Aline MacMahon, and Russell Hopton) takes advantage of the confusion attending the talkie revolution by heading to Hollywood and posing as voice experts. George (Oakie), the team's dimwitted straight man, falls in love with a pretty young miss (Sidney Fox) who has come to Hollywood to become an actress -- and won't let her utter lack of talent get in the way. Fast-talking themselves into jobs at the Glogauer Studios, the phony vocal specialists eventually wear out their welcome and are on the verge of being fired. But George, who has been listening to the complaints of a disillusioned screenwriter, suddenly spouts those complaints word for word to Mr. Glogauer (Gregory Ratoff) -- and is lauded as a genius for being the first man to stand up to the despotic studio head. George is made a producer, and immediately sets about filming an expensive movie vehicle for his girlfriend. Unfortunately, George had found the script for his film in a wastebasket, and winds up shooting the wrong picture. He and his vaudeville chums are fired, but when his picture (an incomprehensible farrago shot in darkness because George forgot to turn on the klieg lights) is previewed, it is hailed as a daringly original masterpiece. George is made the supervising producer of Glogauer Studios, and all ends happily for himself and his friends. An interesting precursor to the Singin' in the Rain school of Hollywood kidding itself, Once in a Lifetime has tarnished a bit over the years but is still well worth seeing. ~ Hal Erickson, All Movie Guide