Alan Ladd Movies

Dashiel Hammett's The Glass Key, a tale of big-city political corruption, was first filmed in 1935, with Edward Arnold as a duplicitous political boss and George Raft as his loyal lieutenant. This 1942 remake improves on the original, especially in replacing the stolid Raft with the charismatic Alan Ladd. Brian Donlevy essays the role of the boss, who is determined to back reform candidate Moroni Olsen, despite Ladd's gut feeling that this move is a mistake. Ladd knows that Donlevy is doing a political about-face merely to get in solid with Olsen's pretty daughter Veronica Lake. It is Ladd who is left to clean up the mess when crime lord Joseph Calleila murders Olsen's wastrel son Richard Denning and pins the rap on Donlevy. As Ladd struggles to clear Donlevy's name, he falls in love with Lake--when he's not being pummeled about by Calleila's psychopathic henchman William Bendix. Far less complex than the Dashiel Hammett original (and far less damning of the American political system), The Glass Key further increased the box-office pull of Paramount's new team of Alan Ladd and Veronica Lake. ~ Hal Erickson, All Movie Guide

Orson Welles first feature film -- which he directed, produced, and co-wrote, as well as playing the title role -- proved to be his most important and influential work, a ground-breaking drama loosely based on the life of William Randolph Hearst which is frequently cited as the finest American film ever made. Aging newspaper magnate Charles Foster Kane (Orson Welles) dies in his sprawling Florida estate after uttering a single, enigmatic final word -- "Rosebud" -- and newsreel producer Rawlston (Phil Van Zandt) sends reporter Jerry Thompson (William Alland) out with the assignment of uncovering the meaning behind the great man's dying thought. As Thompson interviews Kane's friends, family, and associates, we learn the facts of Kane's eventful and ultimately tragic life: his abandonment by his parents (Agnes Moorehead and Harry Shannon) after he becomes the heir to a silver mine; his angry conflicts with his guardian, master financier Walter Parks Thatcher (George Coulouris); his impulsive decision that "it would be fun to run a newspaper" with the help of school chum Jedediah Leland (Joseph Cotten) and loyal assistant Mr. Bernstein (Everett Sloane); his rise from scandal sheet publisher to the owner of America's largest and most influential newspaper chain; his marriage to socially prominent Emily Norton (Ruth Warrick), whose uncle is the President of the United States; Kane's ambitious bid for public office, which is dashed along with his marriage when his opponent, corrupt political boss Jim Gettys (Ray Collins), reveals that Kane is having an affair with aspiring vocalist Susan Alexander (Dorothy Comingore); Kane's vain attempts to promote second wife Alexander as an opera star; and his final, self-imposed exile to a massive and never-completed pleasure palace called Xanadu. While Citizen Kane was a film full of distinguished debuts -- along with Welles, it was the first feature for Joseph Cotten, Everett Sloane, Ray Collins, Agnes Moorehead, and Ruth Warrick -- the only Academy Award it received was for Best Original Screenplay, for which Welles shared credit with veteran screenwriter Herman Mankiewicz. ~ Mark Deming, All Movie Guide

They Met in Bombay is a typical MGM star vehicle, in which the leading players are called upon to carry a pencil-thin plotline on the force of sheer personality. Clark Gable and Rosalind Russell play Gerald Meldrick and Anya Von Duren, a pair of rival jewel thieves at large in India. Both parties are after the same prize, a priceless diamond owned by the Duchess of Beltravers (Jessie Ralph). To inveigle their way into the Duchess' confidence, Gerald poses as a Scotland Yard detective, while Anya pretends to be an aristocrat. After several reels of cross-purposes, hero and heroine decide to team up, keeping one step ahead of a diligent police inspector (Matthew Boulton) and mercenary freighter captain Chang (Peter Lorre). Both Gerald and Anya betray the nobler sides of their natures in the final reels, participating in a pitched battle against invading Japanese military forces. ~ Hal Erickson, All Movie Guide

1941's The Black Cat is neither a remake of the 1934 Karloff-Lugosi film of the same name, nor does it bear the slightest relation to the same-named Edgar Allan Poe story (as if the 1934 picture did!) The fact that the heroes are played by Hugh Herbert and Broderick Crawford is indication enough that the 1941 film wasn't meant to be taken entirely seriously. It all begins when elderly cat fancier Henrietta Winslow (played by legendary vaudeville impressionist Cecilia Loftus) is murdered by a scheming relative. At the reading of the will, Henrietta's heirs discover that the old dear has left her entire fortune to her pet felines. No one will get a penny until all the cats join their ancestors in Tabby Heaven. Several more murders occur, as suspicion is cast on such shady types as Mr. Hartley (Basil Rathbone), Abigail Doone (Gale Sondergaard) and family butler Eduardo (Bela Lugosi in yet another red-herring role). By the time that bumbling Mr. Penny (Herbert) and Hubert Smith (Crawford) figure out who the real killer is, heroine Elaine Winslow (Anne Gwynne) is on the verge of meeting her doom as well. Billed last, Alan Ladd has practically nothing to do as one of the heirs. Hardly one of the classic Universal horror efforts, The Black Cat at least has the advantage of some spook camerawork, courtesy of Stanley Cortez (Magnificent Ambersons). ~ Hal Erickson, All Movie Guide

America had not officially gone to war in November of 1941, but try telling that to the producers of the "preparedness" drama Cadet Girl. The title character is nightclub songstress Gene Baxter (Carole Landis), but the weight of the film rests on the shoulders of West Point cadet Tex Mallory (George Montgomery). Falling in love with Gene, Tex wants to marry her, even though this will force him to give up his military-academy appointment. Tex' innate patriotism is aroused by his bandleader brother Bob (John Sheppard, aka Sheppard Strudwick), Gene's boss, who writes a patriotic song called "Uncle Sam Gets Around." After a few bars of this flag-waving ditty, Tex realizes that his first duty is to his country, and he returns to West Point-but not before securing a promise from Gene that she'll wait for him until his tour of duty is over (little did she know that she'd have a four-year wait!). ~ Hal Erickson, All Movie Guide

Previous filmed three times (most recently in 1930), the 1940 Paramount production Light of Western Stars was the latest in the studio's "Zane Grey" series. Victor Jory earns a rare top-billing slot as Gene Stewart, a hard-drinking Westerner who is reformed through the love of Boston debutante Majesty Hammond (Jo Ann Sayers). Along the way, he tries to help Majesty prevent the marriage of her headstrong brother Alfred (Russell Hayden) to the blowzy Flo Kingsley (Ruth Rogers). Noah Beery Jr. offers an unusual characterization as Stewart's Mexican (!) sidekick, while veteran Western hero Tom Tyler essays a meaty character role as a small-town sheriff. Also on hand in a teeny-tiny role is Alan Ladd, on the verge of bigger and better things. ~ Hal Erickson, All Movie Guide

Hollywood films about the Revolutionary War almost invariably lost money at the box office, and The Howards of Virginia was no exception, despite the presence of Cary Grant in the lead. Most of the story takes place in the colonial capital city of Williamsburg, Virginia, where Matt Howard (Cary Grant) dedicates himself to the causes of Life, Liberty and the Pursuit of Happiness. Remaining faithfully at Matt's side through his early years as a frontiersman and on into his life among the "landed gentry" is his wife Jane Peyton Howard (Martha Scott), the sister of unregenerate royalist Fleetwood Peyton (Cedric Hardwicke).

Most of the high points of the Revolution are herein recreated, including the Stamp Act riots, the Boston Tea Party, and Patrick Henry's "Give me Liberty" speech. Curiously, however, director Frank Lloyd stages these scenes in a flat, near-throwaway fashion; even the inflammatory Henry (Richard Gaines) is hampered by unimaginative camera angles. Other historical personages parading through the film include Thomas Jefferson and George Washington, played respectively by Richard Carlson and George Houston. Though it's rather rough sledding in its feature-length version, The Howards of Virginia plays quite well in the half-hour abridgement prepared by Columbia for schoolroom showings. ~ Hal Erickson, All Movie Guide

The 13-episode Universal serial The Green Hornet is based on the radio series of the same name. Gordon Jones stars as Britt Reid, crusading young publisher of the Daily Sentinel, who matches wits with the underworld by disguising himself as the Green Hornet. So far as police are concerned, the Hornet is himself a criminal; this misunderstanding enables Reid to operate "outside the law" to battle criminals and racketeers. In the course of the serial, Reid and his faithful valet Kato (Keye Luke), the only living person who knows the true identity of the Hornet, take on a crooked insurance racket, an auto-theft ring and a dishonest flying school. Others in the cast include Anne Nagel as Reid's secretary Lenore "Casey" Case, and Wade Boteler as thick-headed detective Michael Axford. A TV version of The Green Hornet appeared in 1966, with Van Williams as Reid and no less than Bruce Lee as Kato. ~ Hal Erickson, All Movie Guide

Eleanor Browne's novel Highway to Romance was the source for this moneyspinning RKO Radio comedy. Obviously inspired by It Happened One Night, the story is set in motion by runaway heiress Diane (Wendy Barrie), who hopes to escape from her impending marriage. Stowing away in the trailer owned by San Francisco-bound doctor Larry (Gene Raymond), Diane proves to be a most contentious travelling companion, though the audience is well aware that the couple will cease bickering and start smoothing somewhere around Reel Five. Adding to the comic intrigue is the fact that Larry is unaware of Diane's true identity, leading to several uncomfortable scrapes with the Authorities. Cross Country Romance marked the return to the screen after a two-year absence by Gene Raymond; his director on this auspicious occasion was Frank Woodruff, late of radio's Lux Presents Hollywood. ~ Hal Erickson, All Movie Guide

William Holden and Bonita Granville, heavily if not convincingly decked out in "old age" makeup, recall on their 35th wedding anniversary how they first met in 1904. Holden was a brash college freshman, while Bonita was the daughter of a local judge (Vaughn Glaser). Since Holden couldn't stay out of trouble, the judge prohibited him from visiting his daughter, but the boy opposed the edict and ended up being arrested--with Bonita managing to have herself thrown in jail as well. The anecdotal storyline comes to a comically ironic conclusion when the ageing Holden complains that he can't control his own headstrong son. Based on the "Siwash" stories by George Fitch, Those Were the Days gets by on its nostalgic appeal, but cannot be considered one of William Holden's more significant pictures. ~ Hal Erickson, All Movie Guide

This comedy is the sequel of Brother Rat. The film begins with the three original protagonists after their graduation from the Virginia Military Institute. One of them has just applied for a job as the academy's baseball coach and the others come to assist him. Mayhem ensues; especially after the two well-meaning friends steal the would-be coach's baby and put it aboard a plane headed for Peru. The babe finally comes back and the ensuing publicity gets the coach his dream job. Meanwhile, the other two finally get the girls of their dreams. ~ Sandra Brennan, All Movie Guide