Ellen Barkin Movies

In this urban drama set in New York City, a man tries to rally youths together to combat a gang-related crime spree. ~ Sandra Brennan, All Movie Guide

The made-for-TV Parole stars the music of Bob Dylan and Sting. Actually, it stars James Naughton, but the music is (or should have been) the selling angle. Naughton portrays street-smart Boston parole officer Andy Driscoll, who takes a personal interest in each of his charges and tries to mainstream them into decent society. The plot concentrates on one such parolee, played by Mark Sopper, who considers returning to crime after losing his girl, his job and his home. The film's studied grittiness is undercut by a contrived car chase and a phony happy ending. Watch for Ellen Barkin in the supporting role of "Donna." Filmed as a TV pilot in late 1980, Parole was not telecast until September of 1982. ~ Hal Erickson, All Movie Guide

In the early 1960's, Eddie Wilson (Michael Pare) and his band The Cruisers enjoyed a brief fling with success, but their career came to a halt when Eddie's badly damaged car was discovered in an accident on a bridge. However, Eddie's body was never found, and years later, a reissue of the group's only album sparks rumors that the mysterious Eddie might still be alive. Frank Ridgeway (Tom Berenger), Eddie's former piano player and lyricist, finds himself trailed by Maggie Foley (Ellen Barkin), a reporter trying to find out the truth about Eddie, as well as another former bandmate who wants Frank to join his revamped version of the Cruisers -- and is trying to track down the tapes for the Cruisers' unreleased second album. While not a box-office success on its original release, Eddie and the Cruisers developed a following after its showings on cable television and release on videotape; this led to the belated success of the film's soundtrack album, featuring a number of bombastic neo-Springsteen numbers by John Cafferty and the Beaver Brown Band. Beaver Brown saxophonist Michael "Tunes" Antunes plays Wendell, the Cruisers' sax player and Eddie's best friend (despite the fact that we never hear him speak). ~ Mark Deming, All Movie Guide

Mac Sledge (Robert Duvall), a once-famous country western singer, wakes up broke, alone and hung over in a tiny Texas motel run by widowed Rosa Lee (Tess Harper). Having nowhere else to go, Sledge takes a job at the motel, and through the kindness and faith of Rosa he changes his self-destructive ways. He marries Rosa (after he's baptized at her urging) and becomes a father/pal to her son (Allan Hubbard). Given an opportunity to make a comeback, Sledge considers leaving his new family behind, but after a reunion with his own unhappy daughter (Ellen Barkin), he vows never again to ruin anyone else's life. A simple story simply told, Tender Mercies is a warm, persuasive tale of redemption, with Robert Duvall giving one of his finest performances. Also appearing is Betty Buckley as Duvall's ex-wife, a Dolly Parton-type country star, and Wilford Brimley as Duvall's former manager. ~ Hal Erickson, All Movie Guide

Harry (Paul Newman), a middle-aged hardhat, has trouble communicating with his teenaged son Howard (Robby Benson). While Harry wants Howard to find a bread-and-butter job, the sensitive boy would rather pursue a writing career. Howard tries his best to please his dad, but ultimately realizes that he must march to his own beat if he's to find lasting happiness. The best scenes in this by-the-numbers domestic drama are those between Howard and his pregnant girlfriend (Ellen Barkin). Adapted from The Lost King, a novel by Don Capite, Harry and Son represents one of the rare occasions that star Paul Newman directed himself (at least officially!) ~ Hal Erickson, All Movie Guide

84-year-old James Cagney delivered his final performance in the TV movie Terrible Joe Moran. Cagney plays a former boxing champ, now enfeebled and bound to a wheelchair (we see him in his prime via a clip from Cagney's 1932 vehicle Winner Take All). Long estranged from his family, the ex-boxer grudgingly allows his granddaughter (Ellen Barkin) to move in with him and his former trainer (beautifully played by Art Carney). The girl is unfortunately a compulsive thief, carrying on a romance with a petty crook with mob connections. The broken-hearted grandfather agrees to pay off the boy friend's debts so long as his granddaughter leaves and never returns. But Terrible Joe Moran and his chastened grandchild are tearfully reunited in the finale. Critics in 1984 went overboard praising the obviously ailing James Cagney for his bravura performance; only after his death did the truth come out that most of Cagney's dialogue had been dubbed in by an impressionist. ~ Hal Erickson, All Movie Guide

Set in 1950, this is a convincing, well-acted drama about a young girl's growing up in Las Vegas amidst poverty and a turbulent home life. The 13-year-old Rose (Annabeth Gish) lives with her mother (JoBeth Williams), stepfather (Jon Voight), and two sisters in a working-class home. Trouble is brewing on several fronts: her stepfather is his usual abusive self but is dipping into the bottle more frequently, her glitzy Aunt Starr (Ellen Barkin) arrives for a six-week stay and causes an upheaval in the marriage, and an above-ground nuclear bomb is about to be exploded at the government test site (only 65 miles away). If Rose can survive all this with her health, her sanity, and her clear intelligence intact, it will not be due to her supportive environment. ~ Eleanor Mannikka, All Movie Guide

Produced for the HBO Cable service, Act of Vengeance reenacts the 1969 murder of United Mine Workers leader Jock Yablonski. Yablonski (Charles Bronson) virtually writes his own death warrant when, after a "safe" mine collapses and 80 miners are killed, he rebels against the incumbent UMW boss Tony Boyle (Wilford Brimley) to campaign for presidency of the union. Boyle gets the word out that one less Yablonski in the world would be preferable. Yablonski is depicted as being fully aware of the danger he faces in challenging Boyle--and is supported in his decision by his courageous wife (Ellen Burstyn). Based on the book by Trevor Armbrister, Act of Vengeance premiered on April 20, 1986. ~ Hal Erickson, All Movie Guide

Alan Rudolph directed this offbeat, boy-meets-girl romance in which boy dies, dead boy meets dead girl, dead boy loses dead girl, and dead boy tries to find dead girl again. The tale begins is a small Pennsylvania town, where Mike Shea (Timothy Hutton) dreams of escaping small town life and moving to California with his girlfriend Brenda (Mare Winningham). But Brenda leaves him with his motor running and Mike takes off alone. On the way, he rescues a woman and her children from an icy river but perishes himself. He finds himself in Heaven, where he is greeted by Aunt Lisa (Maureen Stapleton), who explains the rules and regulations. Once in the ethereal realm, Mike falls in love with a heavenly lass with flaxen locks named Annie (Kelly McGillis). But their love is torn asunder because Annie has not yet earned her wings on Earth; she must leave on a tour of duty and put in time inhabiting a human body. Mike is beside himself in despair, but the heavenly powers, in the form of Emmett (Debra Winger), chain-smoking and sporting an orange crewcut like a ghostly Laurie Anderson, offer him a deal. Mike can return to Earth, but only on the stipulation that neither he nor Annie will remember each other. They then have thirty years in which to find one another again. ~ Paul Brenner, All Movie Guide

This made-for-TV film was originally titled simply Clinton & Nadine when it made its debut on May 28, 1988. Andy Garcia plays Clinton, who is eager to find his brother's murderer. To do so, he enlists the aid of Nadine (Ellen Barkin), a high-priced call girl. Clinton and Nadine get sucked into a plot to smuggle guns to the Contra forces in Nicaragua. The credited screenwriter for the film, Willard Walpole, was actually Robert Foster, who wasn't happy with the film and insisted his real name be removed from the credits. Clinton & Nadine was produced for the HBO cable service. The film is unrated, but contains heavy doses of violence and sexual suggestiveness. ~ Hal Erickson, All Movie Guide

Sea of Love is a sexy, atmospheric thriller, very much in the style of Alfred Hitchcock, with involving characters, steamy love scenes, and surprising plot twists. Frank Keller (Al Pacino), is a lonely, tired, disillusioned, police detective, who has a problem with alcohol. Frank is investigating a serial killer, whom he believes finds victims by using personal ads in magazines, killing them while playing the old record "Sea of Love." In a scene both amusing and touching, Frank and his partner, Sherman (John Goodman) --aided by Frank's father (William Hickey in a lovely cameo) place a personal ad, hoping to lure the killer. Helen Cruger (Ellen Barkin), a tough, sexy single mother answers the ad and begins an affair with Frank, despite the fact that she is one of the prime suspects in the case. The suspense builds as Frank, though deeply drawn to Helen, becomes more and more suspicious of her. In a splendidly crafted script from Richard Price, the plot is compelling, with plenty of action, terrific authentic dialogue and superb characterization. Ellen Barkin gives a marvelous performance as an independent, sensual and intriguing femme fatale; John Goodman is excellent as Sherman, giving a likable, shrewd, and subtly comic performance; and Pacino, in perhaps his best performance since Dog Day Afternoon, plays Frank as a man on the edge, reckless and self-destructive, lost and alone. Frank falls in love with Helen, in spite of himself, because of his loneliness and need. Pacino's skill in showing the vulnerability and neediness of Frank explains the somewhat implausible actions of his character in continuing their affair despite the mounting evidence against Helen. Harold Becker directs with great flair, bringing the story believability, without lapsing into false sentimentality. ~ Linda Rasmussen, All Movie Guide

Actor John Turturro spent a dozen years getting his script for Mac before the cameras; he'd originally planned to merely act in the film, but the stringent budget required that he direct as well. Turturro plays Mac, one of three grown brothers in an Italian/American family living in 1950s New York. His other siblings are would-be "macho man" Vico (Michael Badalucco) and idealistic Bruno (Carl Capatoro). All three are unhappily employed at a construction firm run--badly--by Olek Krupa. Convinced he knows more about the business in his little finger than Krupa does in his whole carcass, Mac sets up his own construction company, wooing away most of Krupa's employees. On the verge of great success, Mac finds that his brothers are unwilling to commit themselves to his new business, a fact that causes an irreparable schism in their relationship. Co-starring in Mac as John Turturro's wife is the real-life Mrs. Turturro, Katherine Borowitz. ~ Hal Erickson, All Movie Guide