Taylor Lacher Movies

In this socially-conscious drama, a migrant worker finds a new job on a plantation. He isn't there very long before he discovers that the local union leader is in cahoots with the plantation owner in a scheme to mistreat the other workers. Upon hearing this, the newcomer helps the workers to stand up for their rights. ~ Sandra Brennan, All Movie Guide

When a successful half-Native American Harvard-grad returns from college to take over the family ranch, two resentful half-brothers scheme to implicate him in a crime. ~ All Movie Guide

Vance (Christopher Mayer) experiences the proverbial "flash from the past" when his former girl friend Jenny (Beth Schaffel) shows up in Hazzard County. But it's not exactly a social call: Jenny is being pursued by the hired guns of a crooked senator whom she caught in an embezzlement scheme. Even with Coy (Byron Cherry) and Vance's help, will Jenny live long enough to testify before the Senate Crime Commission? ~ Hal Erickson, All Movie Guide

A shell-shocked Vietnam vet escapes from an Alabama mental ward and tries to hole up in a little county town. He uses his jungle fighting tactics to defend himself from the Southern thugs who hassle him and the local yokels set up a manhunt to capture him. ~ All Movie Guide

This TV-movie biography of legendary black ballplayer Leroy "Satchel" Paige unfortunately whitewashes and hokes up his fascinating story. Louis Gossett Jr. stars as Paige, who spends virtually his entire professional career in the Negro leagues because of the "gentlemen's agreement" barring African-Americans from the Majors. Paige's prowess as a pitcher is so famous that he becomes the highest-paid player in the Negro leagues -- but as for joining the mainstream teams, the answer is always the same: "If only you were white." When Jackie Robinson is signed by the Dodgers in 1946, the doors open for other black ballplayers; thus it is that in 1948, Satchel Paige becomes the first black pitcher in the American leagues...at the tender age of 42. Don't Look Back down-pedals Satchel Paige's tempestuous private life (his two marriages are combined into one, for example), and tends to shortchange the viewer in the crucial ball-playing scenes. Its saving grace is the towering performance by star Louis Gossett Jr., who struggles manfully to overcome the script's shortcomings. When the film was first telecast on May 31, 1981, the real Satchel Paige appeared in the prologue; one year later, Paige was dead at the (reported) age of 76. ~ Hal Erickson, All Movie Guide

Beulah Land is an edited, movie-length version of the three-part TV miniseries adaptation of Lonnie Coleman's multi-part novels. The film is set in the Old South, with a time span ranging from 1827 to the postwar Reconstruction Era. Lesley Ann Warren stars as Sarah Kendrick, young belle of the Beulah Land plantation, who finds herself in love with a "damn Yankee." Sarah must also contend with a weakling brother (Paul Rudd) and a former slave (Dorian Harewood) who demands freedom as a right rather than a privilege. Beulah Land took forever to get before the cameras due to protests from black historical organizations; when it was finally telecast on October 7-9, 1980, NBC conducted a low-pressure ad campaign, as though the network was still fearful of stepping on toes despite the testimonial of a black Yale history professor, who commended the production for its "special sensitivity." ~ Hal Erickson, All Movie Guide

As made obvious by its title, this TV movie was an attempt to revive the once-popular private eye series Cannon, which ran from 1971 to 1976. Emerging from self-imposed retirement, corpulent gumshoe Frank Cannon (William Conrad) investigates the death of an old friend who formely worked for the CIA. Officially, the death has been ruled a suicide, but Cannon, as usual, has his doubts. Also mixed up in the intrigue is Cannon's former sweetheart and a Hughes-like millionaire. First telecast November 1, 1980 on CBS, The Return of Frank Cannon did not result in a weekly series, but William Conrad was able to find solace in his starring role on the subsequent weekly Nero Wolfe. ~ Hal Erickson, All Movie Guide

In this action film, a former pro skier who has become a sheriff attempts to talk daring, but unprepared teens from climbing a treacherous mountain. ~ Sandra Brennan, All Movie Guide

In the opening episode of The Rockford Files' fifth season, Jim Rockford (James Garner) wants to know why his dad Rocky (Noah Beery Jr.), temporarily employed as a delivery driver, was forced off the road and his cargo--consisting of breakfast sausages--was hijacked. The main culprit would seem to be the sausage company's front man, country-western singer Charlie Strayhorn (Taylor Lachman). But Charlie turns out to be a mere pawn in a widespread smuggling scheme masterminded by the real villain of the piece. The title song for this episode was written (but not performed) by Willie Nelson. ~ Hal Erickson, All Movie Guide

Baker's Hawk is an old-style Western starring old-style Clint Walker. Burl Ives plays a recluse plagued by vigilantes. Ives is protected by Walker and his son, Lee H. Montgomery, on the basis of the lad's friendship with the old man. Baker's Hawk is based on a novel by Jack Bickham. ~ Hal Erickson, All Movie Guide

Deadly Weekend stars Lloyd Bridges as LA beat cop Joe Forrester. Patrolling his old neighborhood, Forrester gets wind of an impending gang rumble. This information puts a dent in his search for a knife-wielding robber. Things get personal when a close friend of Joe's is killed. As Saturday blends into Sunday, the rumble deadline draws closer, and the robber is still at large. Deadly Weekend was first shown on November 4 and 11, 1975, as a two-part episode of the weekly Joe Forrester TV series. ~ Hal Erickson, All Movie Guide

This quirky psychological thriller involves a quintet of weird kids who stumble into the luxurious winter retreat of a wealthy patriarch (Gene Evans) and his arrogant guests. Little do the effete vacationers realize that the children are escapees from an asylum for the criminally insane -- a fact they realize only after their doom has been sealed. The only known film from director Sean MacGregor (released theatrically as People Toys), this is a seldom-seen but thoroughly satisfying horror sleeper with a sardonic sense of morality, taking great delight in knocking off Evans' circle of decadent snobs in graphic and innovative ways (one guest is joined in the bath by piranhas; another is pummeled with chains in a creepy still-photo montage). Known also to some drive-in venues as The Horrible House on the Hill, no doubt as part of a double-bill with Wes Craven's Last House on the Left. ~ Cavett Binion, All Movie Guide