Bernadette Lafont Movies

A single thirtysomething whose friends all seem to be romantically involved, happily married, or with child meets an eccentric Frenchman who shows her just what an amazing place the world can truly be in director Zoe Cassavetes' entry into the 2007 Sundance Film Festival. As if it wasn't depressing enough to be 35 and still single, Nora (Parker Posey) is constantly reminded by her loving but tactless mother (Gena Rowlands) just how unlucky she has been in love. Though Nora longs to enter into a blissful union like the one of her best friend, Audrey (Drea de Matteo), she finds that the dating pool just isn't what it used to be. Things soon begin to look up, however, when Nora makes the acquaintance of handsome Frenchman Julian (Melvil Poupaud). While the two share an instant chemistry that is undeniable, Nora is saddened to learn that Julian will soon be departing for his native soil. When Julian does depart, Nora laments the fact that she wasn't able to express her feelings more effectively. If only Nora could organize her scattered thoughts long enough to remember her love object's last name, she might not have to go searching out every "Julian" in Paris to locate the man of her dreams. ~ Jason Buchanan, All Movie Guide

Jacques Rivette's epic-scale meditation on art, politics and relationships is an eight-part, 740 minute drama that begins as an examination of two Parisian theater companies. Lili (Michele Moretti) is a member of an experimental troupe preparing a radical new interpretation of Aeschylus's Seven Against Thebes, while Thomas (Michel Lonsdale) is in charge of a state-funded group who are rehearsing another work by the same ancient Greek playwright, Prometheus Unbound. Drifting in and out of the orbit of these two groups are Sarah (Bernadette Lafont), an author and longtime friend of Thomas; Colin (Jean-Pierre Léaud), a deaf street musician; Frederique (Juliet Berto), a sexy confidence woman, and the bohemian owner of a knick-knack shop who often changes her name (Bulle Ogier), among many others. Colin tries to search out the meaning of a strange note handed to him by a mysterious stranger, while Frederique becomes party to a similar message. As it happens, both learn of the possible existence of a secret society of thirteen powerful individuals who are the true rulers of Paris, but neither is sure if the group exists in history or the present day, and they have very different notions of what to do with this information. Jacques Rivette originally screened Out 1 as a work in progress (titled Out 1: Noli Me Tangere) at a pair of screenings in Paris in the fall of 1971; it was originally conceived as a project for television, but became a theatrical film after it was rejected by French broadcasters. While a four-hour version, Out 1: Spectre, began making the rounds of film festivals in 1974, the film didn't appear in its full twelve-hours-plus version until 1989, when a new cut of Out 1 appeared at the Rotterdam Film Festival. The final cut of Out 1 appeared with English subtitles in London in 2006, and has subsequently been screened in Vancouver, New York City and Chicago. ~ Mark Deming, All Movie Guide

Rien sur Robert is a smart comedy about a man haunted by his experiences. Didier Temple (Fabrice Luchini) is a journalist who writes an article about a Bosnian film he had never seen, calling it "pure fascist propaganda." (The director, Pascal Bonitzer, was once the editor of the celebrated film magazine Cahiers du Cinema. However, this episode is not based on his own experiences, but on an incident some years ago regarding Underground by Emir Kusturica, which was declared a fascist movie by the French daily, Le Monde.) Following an argument with his girlfriend, Juliette (Sandrine Kiberlain), Didier's life falls apart. He is convinced he is being followed by a dark haired man. He thinks everyone is looking at him, just waiting to insult him. He fights with his family. Juliette is fed up and leaves him for another man, a TV director she meets in a park. At a dinner party, Didier is introduced to his shadow, Jerome Sauveur (Laurent Lucas), who could be his double except that he's more handsome and writes better. Didier also encounters a strange young girl, Aurelie (Valentina Cervi), but Juliette soon comes back. All these ghosts of his life keep haunting him, and he finally winds up at the foot of Mont Blanc in rather unpleasant circumstances. Rien sur Robert was screened as part of the Panorama section of the 49th Berlin International Film Festival, 1999. ~ Gönül Dönmez-Colin, All Movie Guide

Raul Ruiz directed this typically eccentric look at the nature of crime, the human mind, and life in the modern world. Solange (Catherine Deneuve) is a defense attorney with a reputation for taking on cases that can't be won -- and proving it by losing them. Her latest lost cause is Rene (Melvil Poupaud), a young man on trial for murdering his Aunt Jeanne (also played by Deneuve), a cruel psychiatrist who raised him as a child and was convinced from infancy that he was destined for a life of crime. While Rene would seemingly need a good lawyer in his situation, he prefers instead to play games with Solange's mind and finds unlikely allies in a strange society of French and Belgian psychologists, headed by Georges (Michel Piccoli), who seems crazier than anyone he's treating. Solange, however, finds herself falling in love with Rene, which only makes a difficult situation more unpleasant for everyone. Through a series of layered flashbacks, we're shown Rene's crime several times from a number of perspectives, which ultimately makes his actions seem more vague with each repetition. ~ Mark Deming, All Movie Guide

This gentle French comedy has a meandering plotline as it traces the exploits of a young man recognized as a the son of a star. The main protagonist is 23-year old Harvey who works as the guide for a group of Georgian singers who have a Paris gig. He is interested in Dinara, the 18-year old interpreter for the group. While in a restaurant, they encounter Marco Garciano who tells them he played the small lad in Crin blanc, a classic French film. He is really a half-time chauffeur and con-artist. Marco tells Harvey that he is the son of Gascogne, the father of the New Wave, and close friend and inspiration to many directors between 1958 and 1962. Marco tries to prove his point by taking Harvey and Dinara to meet some former French film impresarios. They see Alexandra Stewart and Bernadette Lafont. They also meet Claude Chabrol while he eats lunch. They meet many more including director Michel Deville. All they meet are convinced that Harvey is indeed Gascogne's son. Many of the female stars claim to be his mother. ~ Sandra Brennan, All Movie Guide

In this romantic comedy from France, Annie (Bernadette Lafont), a middle-aged single mother who hasn't seen her grown-up daughter Marie (Lio) in years, has just been shown the door by her boyfriend. Given her bad luck with men over the years, Annie ought to be used to this by now, but sadly that's not the case. Annie turns to her high-strung sister Francoise (Bulle Ogier) for support; as it turns out, Francoise has her own problems with men, since she's convinced that her husband is being unfaithful to her. Since Francoise's hubby is supposed to be at a business conference held at an ocean resort, Annie and Francoise decide to drop by in hopes of catching him in the act. Upon arrival, the sisters make friends with CriCri (Michele Laroque), a hotel manager who can't stand her husband, and Dizou (Maaike Jansen), a 60-something maid who happens to be very happy with her marriage. Personne ne m'aime was written and directed by Marion Vernoux, who won the French Academy of Cinema's "Best First Film" award for her effort. ~ Mark Deming, All Movie Guide

After trying a job as a stripper in a Barcelona carnival, Eva (Aure Attika) is ready for something new, so she heads over to France and becomes the roommate of a gay American artist (Phillip Bartlett) and works as the housewife for two wealthy older homosexuals (Claude Chabrol and Jean-François Balmer. After she gets settled, she takes a job at a government office for a while but then decides to have a child, which her obliging roommate makes with her the old fashioned way. He then returns to his usual preference, while Eva explores becoming an artist herself. From time to time in this easygoing comedy, Eva's similarly independent and quirky mother (Bernadette Lafont) shows up. ~ Clarke Fountain, All Movie Guide

The immature young ruler of the Austro-Hungarian Empire, Franz Joseph, was extremely shy around women but (according to this film) was constantly being propositioned, lewdly or otherwise, by ambitious courtesans. When he was finally married to his Empress, the teen-aged Bavarian princess Sisi (Elizabeth), it seems that his relief knew no bounds, for he was now sure that he would never have to think about sex ever again. According to the filmmakers, this is the true history of that marriage. This story is a complete reversal of the romantic legend depicted in the popular 1955 film Sissi, which helped brighten the emerging stardom of Romy Schneider. ~ Clarke Fountain, All Movie Guide

Financial backers from three different countries--Belgium, Canada, France--converged upon the domestic drama L'Air de Rein (Easy In Mind). Carole Courtoy stars as a woman who is convinced that she has only a few months to live. In the time left, she wanders through various European communities, seeking out new experiences. Throughout, we're never sure if her illness will suddenly snatch her away, a fact which adds a veneer of suspense to the proceedings. Given its largest showing at the Barcelona Film Festival, L'Air de Rien was written and directed by Mary Jimenez. ~ Hal Erickson, All Movie Guide

Nicole (Agnes Soral) is sent up the river for infanticide in this routine woman-in-prison feature. There she meets Marthe (Annie Girardot), a fellow murderess who receives special treatment from the warden Dessombes (Marie-Christine Barrault). The warden frames Nelly (Bernadette Lafont) for drug possession and has her thrown into solitary confinement. Sabien (Corinne Touzet) is a newcomer convicted of armed robbery who latches on to the lesbian Lucie (Milva), a longtime prisoner slated for release. ~ Dan Pavlides, All Movie Guide