Jack LaRue Movies

The quintessential "backstage" musical, 42nd Street traces the history of a Broadway musical comedy, from casting call to opening night. Warner Baxter plays famed director Julian Marsh, who despite failing health is determined to stage one last great production, "Pretty Lady." Others involved include "Pretty Lady" star Dorothy Brock (Bebe Daniels); Dorothy's "sugar daddy" (Guy Kibbee), who finances the show; her true love Pat (George Brent); leading man Billy Lawlor (Dick Powell); and starry-eyed chorus girl Peggy Sawyer (Ruby Keeler). It practically goes without saying that Dorothy twists her ankle the night before the premiere, forcing Julian Marsh is to put chorine Peggy into the lead: "You're going out there a youngster, but you've got to come back a star!" Delightfully corny, with hilarious wisecracking support from the likes of Ginger Rogers, Una Merkel, and George E. Stone, 42nd Street is perhaps the most famous of Warners' early-1930s Busby Berkeley musicals. Based on the novel by Bradford Ropes (which was a lot steamier than the movie censors would allow), 42nd Street is highlighted by such grandiose musical setpieces as "Shuffle Off to Buffalo," "Young and Healthy," and of course the title song. Nearly fifty years after its premiere, it was successfully revived as a Broadway musical with Tammy Grimes and Jerry Orbach. ~ Hal Erickson, All Movie Guide

This first film version of Ernest Hemingway's novel A Farewell to Arms stars Gary Cooper and Helen Hayes. Cooper plays Lt. Frederick Henry, a World War I officer who falls in love with English Red Cross nurse Catherine Barkley (Hayes)-after first mistaking her for a woman of ill repute. Henry's friend, Major Rinaldi, is envious of the romance, and pulls strings to have Catherine transferred to Milan. When Henry is wounded in battle, he ends up in the very hospital where Catherine works. They resume the affair, which reaches an ecstatic peak just before Henry is returned to the front. The now-pregnant Catherine remains in Switzerland, sending letters by the bushelfull to Henry. But the jealous Rinaldi sees to it that Henry never receives those letters, leading Catherine to conclude sorrowfully that Henry has forgotten her. As the Armistice approaches, Henry makes his way to Switzerland, hoping to find Catherine. ~ Hal Erickson, All Movie Guide

No relation to the 1935 Lon Chaney Jr. vehicle of the same name, Republic's A Scream in the Dark is based on The Morgue is Always Open, a novel by Jerome Odlum. Robert Lowery plays Mike Brooker, a police reporter and amateur sleuth. Mike finds himself up to his neck in danger and intrigue when tracking down an elusive killer. The murders are committed by a stiletto-tipped umbrella, and there is no shortage of suspects. With only 53 minutes' running time, Mike is forced to assemble the clues in record time, with nary a pause for breath or logic. Marie "The Body" McDonald is better than usual as the hero's sweetheart, while Elizabeth Russell, a fixture of Val Lewton's RKO horror films, is suitably sinister as an oft-widowed suspect. ~ Hal Erickson, All Movie Guide

In this tuneful crime drama, a falsely convicted man escapes from prison and hides out with a comely chorine. She discovers that he has talent and the two become a popular dancing team. Their fast ascent to stardom is stopped in its tracks when the dancer's jealous ex-partner turns the fugitive in. The cops don't seem to care that the fellow is innocent and insist that he complete his sentence. If he serves his sentence quietly, they promise to release him in two years. The dancer vows to wait for him and remains true to her word. ~ Sandra Brennan, All Movie Guide

Arson Gang Busters was a slick little Republic programmer highlighted by several well-staged miniature sequences, courtesy of the talented Lydecker Brothers. Robert Livingston plays a firefighter who feels that the police aren't moving fast enough in tracking down an arson ring. Livingston decides to do a little sleuthing himself, ultimately going undercover and joining the crooks. It turns out that the culprits are insurance underwriters, seeking a quick turnover by creating their own "accidents". The 65-minute Arson Gang Busters was later reissued to television as the 54-minute Arson Racket Squad. ~ Hal Erickson, All Movie Guide

It was once said of actor Barton MacLane that he never spoke when shouting would do. Cast as the title character in Big Town Czar, MacLane is afforded plenty of opportunity for shouting, which he seizes with a vengeance. Working his way up from the tenements, Phil Carey (MacLane) is truly king of the the underworld. Not altogether evil, however, Carey uses a goodly portion of his ill-gotten gains to finance the college education of his beloved younger brother Danny (Tom Brown). But when Danny drops out of school to join the mob himself, Phil is aghast, having hoped to shield the kid from the exigencies of criminal life. It gets worse when Danny is killed during a gang war, which leads inexorably to Phil's own demise. According to the credits, Big Town Czar was based on a story by newspaper columnist Ed Sullivan, who appears in the film as himself (and he never once says "Rilly big shew"). ~ Hal Erickson, All Movie Guide

This Frankie Darro-Kane Richmond vehicle benefits from the brisk direction of onetime serial star Charles Hutchison. Richmond plays Bomber Brown, a pugilist forced to go on the lam after he punches out crooked gambler Smoothy (Jack LaRue). Travelling incognito bomber befriends aspiring boxer Baby Face (Darro) and trains the boy for the Championship. Smoothy tries to sabotage Baby Face's career, but Bomber cleans the villain's clock once and for all. Produced independently by the parsimonious Maurice Conn, Born to Fight is at its best in the boxing scenes, photographed with all the slick efficiency of an "A" production. ~ Hal Erickson, All Movie Guide

In this drama set in the Canadian wilderness, Red North is a pilot who makes his living flying in and out of the bush country. However, his business gets some competition from an unexpected source -- his half-brother, Paul. The two are soon fighting over the relatively small amount of business the area generates, but when a call comes in to fly a load of highly explosive nitroglycerin to a mining camp, who is going to face the potentially deadly challenge? ~ Mark Deming, All Movie Guide

A boy learns life-changing lessons about the importance of friendship and the dignity of labor in this adventure saga based on a story by Rudyard Kipling. Young Harvey Cheyne (Freddie Bartholomew) is the working definition of a spoiled brat; the only child of a wealthy widowed businessman, Harvey has everything he needs, but never stops asking for more, convinced he can get anything if he yells, pouts, or throws the right tantrum. Even other boys his age are disgusted with his antics, and when he accompanies his father on an ocean cruise, he finds he has no friends to play with. After wolfing down six ice-cream sodas, Harvey gets sick to his stomach and while vomiting over the side of the ship, he falls into the drink. He is rescued by Manuel (Spencer Tracy), a Portuguese old salt who drags him on board a Gloucester fishing boat where he's a deck hand and doryman. Harvey shows no gratitude to Manuel for saving his life and demands to be taken home immediately; Manuel and the crew, not the least bit sympathetic, inform him that once they've filled the ship's hold with fresh catch, they'll return to shore, and not a moment sooner. Over the next few weeks, Harvey grows from a self-centered pantywaist into a young man who appreciates the value of a hard day's work, and in Manuel he finds the strength, guidance, and good sense that he never got from his father. Spencer Tracy earned an Academy Award for his performance in Captains Courageous and even sings a bit; the story was parodied years later (with a few rather drastic changes) in the Chris Elliott vehicle Cabin Boy. ~ Mark Deming, All Movie Guide

A prize-winning aviator (Katharine Hepburn) falls for the title character (Colin Clive), a British politician who is happily married. Both fall into a tempestuous affair, but are able to resist their urges. ~ John Bush, All Movie Guide

According to Hollywood lore, both John Wayne and director Frank Borzage refused to work with Vera Hruba Ralston, the Czech-born inamorata (and future wife) of Republic Pictures owner Herbert I. Yates. Yates somehow managed to convince Wayne to change his mind, but Borzage was replaced by contract director Joseph Kane. The result was Dakota, the company's major release of 1945, a potentially sprawling empire-building Western. Wayne and Ralston play newlyweds heading for Fargo, North Dakota, where they plan to buy land in anticipation of the coming of the railroad. They are opposed by saloon owner Jim Bender (Ward Bond), who also knows about the expansion and is coercing the homesteaders into selling their land to him and his chief lieutenant, Collins (Mike Mazurki). The latter has been elected president of the Wheat Growers Association, and soon the farmers find themselves indebted to Bender. But Wayne, with his wife's help, beats Bender and his henchman at their own game, making certain that the farmers are well compensated for selling their land to the railroad company owned by Ralston's father (Hugo Haas). Contrary to popular belief, Vera Hruba Ralston was not Dakota's chief liability. For some reason, Republic Pictures, normally a leader in action-oriented melodrama, chose to employ an inordinate amount of rear projection footage this time around, making for rather dull viewing. The Western only leaves the confines of the studio back lot for the climactic prairie fire scenes, filmed by a second unit under the direction of stunt expert Yakima Canutt. Apparently a better figure skater than an actress, Ralston actually shows a bit of spirit in some of her scenes but is rather obviously upstaged by the veteran Ona Munson as a kind-hearted saloon entertainer. Munson was borrowed from Warner Bros. and her singing of "Coax Me" by Andrew B. Sterling and Harry Von Tilzer remains one of Dakota's main pleasures despite editor Fred Allen's endless cross-cutting to Ralston's reactions. The latter was reportedly a very pleasant person devoid of a prima donna ego and would be cast opposite John Wayne again in The Fighting Kentuckian (1949). Republic serial heroines Linda Stirling and Adrian Booth can be spotted among Munson's dancing girls. ~ Hans J. Wollstein, All Movie Guide

Hoping to ape the success of Sol Lesser's Bobby Breen musicals, Republic Pictures fashioned Dangerous Holiday as a movie vehicle for pint-sized violin prodigy Ra Hould. The star is appropriately cast as preteen violin virtuoso Ronnie Campbell who is so coddled and protected by his family and handlers that he never has a chance to be a "real boy." When he can stand no more, Ronnie runs away from home, whereupon everyone -- including the cops -- assume that the boy has been kidnapped. Meanwhile, Ronnie, together with his new street-urchin friends, stumbles upon a gangster hideaway. In time-honored "Our Gang" fashion, the kids outwit the crooks, whereupon Ronnie's mom and dad promise to give him more freedom of movement in the future. Billed second after Ra Hould is matronly actress Hedda Hopper, who within a year would become one of Hollywood's most powerful (and feared) gossip columnists. ~ Hal Erickson, All Movie Guide