Jess Barker Movies

Two Miami beach bums become notorious cat-burglars in this lively crime drama that is based on a true story. After successfully committing a series of burglaries of some of Miami's wealthiest, the two get bored and decide to steal the Star of India sapphire from the American Museum of Natural History, New York. One of the actual thieves, Allan Kuhn, served as the technical advisor. ~ Sandra Brennan, Rovi

Much to the embarrassment of Officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner), their stakeout of a savings and loan comes a-cropper when the place is robbed right under their noses. Worse still, the thieves manage to smuggle in tear gas and make their escape without interference. Eddie Quillan appears in this episode as the ubiquitous snitch TeeJay, a role previously essayed by Robert Donner, while future M*A*S*H costar Larry Linville plays Reed and Malloy's exasperated superior officer. ~ Hal Erickson, Rovi

Irene Trent (Barbara Stanwyck) was married to the inventor Howard (Hayden Roarke) before the blind electronics genius blows himself up following an argument between the couple. Irene leaves after the arguments only to learn of her husband's demise later. When Irene has reoccurring dreams of a faceless lover, she confides in her friend and attorney Barry Moreland (Robert Taylor) of her vision. She also tells him that Howard had accused her of marital infidelity and had her trailed by a private detective. William Castle directed the suspenseful thriller written by Psycho author Robert Bloch. Taylor and Stanwyck appear in their first film together in 27 years. The two were married from 1939 to 1951 and appeared in two films before their marriage. Their mutual respect as friends and performers is evident in The Night Walker. ~ Dan Pavlides, Rovi

In this steamy drama, three sisters learn that their father has died in a plane crash, and they begin fighting over his enormous estate to see who is to be the principal heiress. One of the sisters is particularly wicked. Wanting it all for herself, she maims one of her siblings so badly that the girl kills herself. She then hires the man who flew the plane the day their father died to help her kill the second sister in exchange for a piece of the fortune. The pilot agrees, but then falls in love with the second sister and marries her. The evil sister gets revenge by telling the new bride that she is having an affair with the pilot. The distraught sister is just about to jump off a cliff when the pilot and the bad seed accidentally drive over the cliff themselves. ~ Sandra Brennan, Rovi

It is all but impossible to dislike this ultra-cheap "Cold War paranoia" melodrama. Virtually the entire picture takes place on a single set, representing a rundown roadside diner. Lee Marvin plays the aptly named Slob, a lecherous short-order cook who lusts after shapely waitress Kotty (Terry Moore). Also interested in Kotty is a scientist known only as The Professor (Frank Lovejoy), who spends the better part of his free time at the diner's counter. It turns out that the Professor is a traitor, exchanging top-secret information with Slob, who's actually a commie agent. Only the Professor isn't a traitor, see, he's really . . . But why spoil the film for the uninitiated? For the record, Keenan Wynn and Whit Bissell are also in Shack Out on 101. ~ Hal Erickson, Rovi

Dragonfly Squadron is set in 1950 in the months before the beginning of the Korean War. John Hodiak stars as Major Mathew Brady, assigned to the base at Kongju to train South Korean troops for possible combat. These troops are to be used to protect civilians in the event of an evacuation, thus Brady is obliged to run them ragged in order to transform them into a lean, mean fighting machine. Despite the gravity of his job, Brady manages to find time to romance Donna Cottrell (Barbara Britton), the wife of an American doctor (Bruce Bennett). The Casablanca aspects of this triangle are the only forgettable aspects of this taut and timely adventure yarn. ~ Hal Erickson, Rovi

The Milkman is a low-key variation of a theme explored in such slapstick festivals as The Fuller Brush Man and The Yellow Cab Man. Donald O'Connor plays Roger Bradley, who hopes to become a top-flight milkman to please his father (Henry O'Neill), the owner of the milk company. Jimmy Durante co-stars as Breezy Albright, the older milkman who teaches Roger the ropes. After several comic set pieces, the plot rears its ugly head in the form of John Carter (Jess Barker), the nephew of rival milk-company proprietress Mrs. Carter (Elizabeth Risdon). Carter has gotten mixed up with a nasty bunch of gamblers, led by Mike Morrel (William Conrad). This leads to an exciting, albeit chucklesome finale wherein Roger, Breezy and ingenue Chris Abbott (Piper Laurie) combine forces to rout the bad guys. ~ Hal Erickson, Rovi

Also known as Reign of Terror, The Black Book is a bold effort by director Anthony Mann to film a French Revolution epic on a "B" detective picture budget. Robert Cummings stars as Charles D'Aubigny, who has been engaged by a group of political moderates to retrieve a little black book from Revolutionary leader Robespierre (Richard Basehart). The book allegedly contains evidence that Robespierre has been acting in his own interest rather than on behalf of the new government. D'Aubigny is compelled to deal with the tangible threat of Robespierre's chief henchman (Charles McGraw) as well as his uncertainty concerning the loyalties of those working with him. The Black Book is retrieved, but not before Robespierre has self-destructed on his own. The cheapness of The Black Book works in its favor, especially its overuse of shadows; while this photographic device was intended to disguise the seediness of the sets, it accurately conveys a "dark" period in French history that here is literally as well as figuratively dark. ~ Hal Erickson, Rovi

While perhaps not Abbott & Costello's best film, The Time of Their Lives is certainly their most unusual. Lou Costello plays a Revolutionary War-era tinker, whose prized possession is a letter from George Washington, commending Costello as a loyal patriot. Costello's lady love is Anne Gillis, maidservant to aristocratic Jess Barker. Costello's rival in romance is Barker's butler Bud Abbott, who locks the tubby tinker in a trunk to keep him away from Gillis. Meanwhile, Gillis stumbles onto a plot to betray the Colonial Armies, masterminded by Barker. The girl is kidnaped and spirited away, but not before Barker has appropriated Costello's letter from Washington and hidden it in a mantelpiece clock. All this is witnessed by Barker's fiancee Marjorie Reynolds, who disguises herself as a man, the better to make her way through the lines to warn the Colonial troops of Barker's plot. She frees Costello from his trunk and enlists his aid in locating Washington. Mistaken for traitors, Costello and Reynolds are shot dead. Their bodies are thrown in a well as a colonial officer curses their souls to remain on the grounds of Barker's estate "until the crack of doom," unless some evidence should prove them innocent of treason. A few moments later, Costello and Reynolds materialize as ghosts. They try to escape the grounds, but a supernatural force holds them back. Flash-forward nearly two centuries to 1946: Costello and Reynolds, still confined to the estate, resent the intrusion by Barker's descendants, who plan to renovate the mansion and open it to tourists. The two ghosts decide to haunt the estate, resulting in a series of amusing and well-conceived invisibility gags. Much to their surprise, Costello and Reynolds find none other than Costello's old nemesis Bud Abbott as one of the house guests. No, Abbott isn't a ghost: he's a famed psychiatrist, a descendant of the butler who double-crossed Costello back in 1780. Costello has a high old time playing tricks on the nervous Abbott (a fascinating reversal of the usual Abbott-Costello relationship) before the rest of the house's occupants decide to hold a seance to find out what's annoying the two ghosts. In a genuinely spooky sequence, sinister house servant Gale Sondergaard, possessed by the spirit of Jess Barker, reveals that the ghosts have been falsely accused of treason, and that their salvation lies in locating that letter from Washington. Driven by a feeling of remorse over the sins of his ancestor, Abbott does his best to help the ghosts. Before the plot is resolved, there is time for a standard Abbott-and-Costello chase scene, with the invisible Costello driving a car wildly around the estate, with a terrified Abbott cringing in the back seat. More than a little inspired by The Canterville Ghost, The Time of Their Lives was the second of two Universal films that attempted to recast Abbott and Costello as individual characters rather than smart guy-dumb guy team members. While the film is an unmitigated delight when seen today, it failed at the box office in 1946, compelling Bud and Lou to return to their standard formula in their next film, Buck Privates Come Home. ~ Hal Erickson, Rovi

In this action western, the notorious Dalton Boys have decided to go straight and move to Argentina. Just before they leave, they learn of a friend whose land is about to be seized by a greedy land company. Before they can help, the man is killed by a company assassin. The brothers do manage to rescue his widow and head for the hills. There, they decide to revert back to outlaw life. Meanwhile, a newspaper publisher's daughter falls for one of the brothers. The boys decide to rob a bank. The robbery goes horribly wrong and three of the four are killed. The remaining brother stands trial and is given a life sentence. The publisher's daughter vows to wait for him. ~ Sandra Brennan, Rovi

Doctor Charles Korvin walks out on his musician wife Merle Oberon when he suspects her of infidelity. Twelve years later their paths cross again; Oberon is now saddled with an abusive husband. Possessed of a protective instinct that he hadn't evinced in the first part of the film, Korvin rescues his ex-wife from her miserable marriage, and the two fall in love all over again. Based on a play by Luigi Pirandello (no, it wasn't called Two Characters in Search of a Movie, This Love is Ours is worth watching only when supporting player Claude Rains is on the scene. The 1956 remake Never Say Goodbye was no improvement, not even with Rock Hudson taking over from the stolid Charles Korvin. ~ Hal Erickson, Rovi

A disparate group of women join the Women's Army Corps to fight WW II in this upbeat war-time drama. One of the women is a frivolous debutante who is informed that she will not receive a dime from the family fortune until she can prove herself mature enough not to squander it on nightclubs and fancy cafes. She joins up with no intention of remaining a WAC; as soon as she gets the money, she is planning to leave. Another recruit comes from an Army family and sees no other recourse than to join up to. The third gal is married to a soldier and wants to be close to him. The army brat and the debutante constantly lob barbed remarks at each other leaving the wife to try to make peace. Things get even more out of hand when the Army brat gets promoted and begins abusing her rank. Things come to a head when the debutante slaps her and is brought up on charges. Meanwhile the wife is devastated to learn that her husband has been killed. Still she says nothing and instead tries to get her other two cohorts to make up. Ironically, it is the pain of her loss that brings the three together and cements their friendship and commitment to the Corps. ~ Sandra Brennan, Rovi

Within its brisk 78 minutes, Jam Session manages to accommodate the singing, dancing and acting talents of Ann Miller, a romantic main plot, a comic subplot-and no fewer than six big-name orchestras. The story is the old saw about a small-town girl named Terry Baxter (Miller), who wins a trip to Hollywood. Unable to impress any of the tinseltown bigwigs, Terry is about to pack it in and head home until she meets go-getting screenwriter George Carter Haven (Jess Barker). Several mishaps and setbacks later, Terry not only lands a studio contract, but Haven as well. In addition to the terpsichorean talents of Ann Miller, the film spotlights such major big-band names as Charlie Barnet (playing "Cherokee," of course!), Louis Armstrong, Alvino Ray, Jan Garber, Glen Gray and Teddy Powell, along with vocalists Nan Wynn and the Pied Pipers. A tantalizingly brief clip of Jam Session was featured (wildly out of context!) in the 1968 Monkees film vehicle Head. ~ Hal Erickson, Rovi